Sharon budget vote could draw record turnout amid school funding dispute

The Sharon Board of Finance deliberates the Board of Education budget ahead of the controversial May 8 vote.
Alec Linden

The Sharon Board of Finance deliberates the Board of Education budget ahead of the controversial May 8 vote.
SHARON – Voters at a town meeting Friday, May 8, will decide whether to approve a town budget that includes a flat Sharon Center School spending plan that has drawn weeks of pushback from parents and residents.
Officials are anticipating a larger than average turnout, which has led them to change the venue from town hall to Sharon Center School to accommodate a larger crowd.
The Board of Finance voted Tuesday, April 28, to keep education spending flat and declined to redirect about $41,000 in out-of-town tuition back to the school, a request made by a group of parents at a heated public hearing on April 24.
The issue has exposed a divide between parents pushing to shift that revenue into the education budget and officials who argue that the town’s past accounting issues, financial constraints and state funding rules make the matter more complex than it appears.
Freddy Deknatel and Emily McGoldrick, parents of two children in Sharon Daycare, said they plan to vote against the proposed budget. “The Board of Finance seems to have been quite inflexible,” Deknatel said, reflecting on its decision not to move tuition revenues into the school budget. “Knowing many parents who either have kids in the school or whose kids would be starting in kindergarten this coming fall, we feel that we’ll vote against the budget because it’s the only step left.”
The current proposal follows a last-minute $70,000 reduction in early April that drew strong public response.
The controversial $4,165,513 budget proposal for Sharon Center School – unchanged from the current year – is now heading to a vote. It continues a years-long trend of near-zero increases and reductions, and is roughly $178,000 lower than the school’s 2020-2021 budget of $4,343,314.
The education budget, said BOF member John Hecht, has been kept flat with a 0% increase, due in part to an accounting error that was made several years ago.
“Things that should have been capitalized were expensed,” he said, referring to costs that should have been paid for through long-term capital planning by the town but were instead included in the school’s annual budget.
Hecht said the issue has been compounded by the state’s Minimum Budget Requirement, or MBR, which generally prevents municipalities from spending less on education than they did the previous year.
“We’ve been trying over the years to get that back under control,” Hecht said.
He and other members of the BOF cited the issue as a key reason for maintaining a flat budget.
The main focus of the hour-long discussion, however, focused on whether to move about $41,000 in tuition paid by families outside the district into the school’s budget. The funds currently go into the town’s Undesignated Fund.
The proposal was inspired by a flood of public support for additional school funding during a public hearing Friday, April 24. While many residents urged the board to transfer the tuition revenue to the school, the board ultimately decided to keep it in the municipal budget.
“I say we wait for the vote and see what happens,” said Hecht.
Board members said they are motivated to work with the BOE on future plans for tuition revenues, which are substantially higher this year due to more out-of-town students, as well as other areas of cooperation in preparation for subsequent budget cycles.
BOE Chair Philip O’Reilly, who was present at the meeting, later said he was “taken aback” by the decision after he believed the BOF would work with school officials to find a way to return the funds.
While he is confident that the currently proposed flat budget is sufficient to fully fund the school and its programs, O’Reilly said the tuition issue offered the two boards – which have historically had fraught relations – a step toward compromise.
“The Board of Education and the Board of Finance must find a better way to be able to work together and solve our issues,” he said.
O’Reilly urged parents to trust his experience and dedication to the school. He served as principal of SCS from 2001 to 2005 and has more than four decades in education. He also put his six children through Region One, three of whom graduated from SCS.
“I want us to be the most successful early kindergarten to eighth-grade school in Region One, and I will do everything I can to accomplish that mission,” he said.
SCS Principal Carol Tomkalski similarly urged parents to trust the school’s staff and leadership: “We are always going to do everything we can here to ensure our program is not compromised.”
BOF member Carol Flaton, who phoned into Tuesday’s meeting, posited that the school has always managed to cover costs with leftover unspent funds. “A budget is a budget,” she said, “It’s not an actual.”
Hecht reported that the school had roughly $200,000 remaining from last year’s budget. This year, the BOE calculated that it expects to have approximately $120,000 unspent for 2026-2027, though this number is a projection that is subject to the actual expenditures throughout the year.
Flaton argued that adding the $41,000 in tuition revenue to the BOE budget would simply be adding to what she described as “cushion.”
Region One Superintendent Melony Brady-Shanley, who was present at Tuesday’s meeting, said that unspent funds are not guaranteed, especially since most of the time they’re due staffing changes, which can be highly unpredictable.
Speaking several days after the meeting, she expressed the term “cushion” misrepresents the reality of school budgeting. “That is just patently false,” she said. “We have to budget based on the actual people we have in front of us.”
“We don’t go into each budget season thinking how much cushion we can sneak in,” she added.
She said that she hopes the various town organizations continue to negotiate how to work together for future budget cycles. Members of the BOE and BOF also expressed similar sentiments, and promised to develop a collaborative approach moving forward.
Going into the vote, some parents and residents say they remain uncertain.
A flyer distributed by a group calling itself “Concerned Parents of Sharon” is urging residents to vote against the proposed budget, arguing that a flat spending plan would effectively reduce resources for the school as costs rise.
Karen Rios, president of the SCS Parent-Teacher Organization, said after Tuesday’s meeting that she remains troubled by the budget debate.
“Our goal is to make sure that Sharon not only thrives in the present but also has new generations of children who grow up and say, ‘I’m proud to be from Sharon.’”
VOTE DETAILS
When: Friday, May 8
Time: 6 p.m.
Where: Sharon Center School, 80 Hilltop Road
Natalia Zukerman
“A Love Letter to Handsome John” screens at The Colonial Theatre on May 8.
Fans of the late singer-songwriter Todd Snider will have a rare opportunity to gather in celebration of his life and music when “A Love Letter to Handsome John,” a documentary by Otis Gibbs, screens for one night only at The Colonial Theatre in North Canaan on Friday, May 8.
Presented by Wilder House Berkshires and The Colonial Theatre, the 54-minute film began as a tribute to Snider’s friend and mentor, folk legend John Prine. Instead, following Snider’s death last November at age 59, it became something more intimate: a portrait of the alt-country pioneer during the final year of his life.
What began as a simple gesture of gratitude evolved into a poignant meditation on friendship, artistic influence and loss, offering viewers an unusually personal glimpse of Snider at home in his quietest moments.
For Brad Sanzenbacher of Wilder House Berkshires, bringing the film to the Northwest Corner has been deeply personal.
“I’ve been a huge fan of Todd Snider and John Prine for 20 years,” he said. “I lived in the Bay Area before I moved here, and I would see Todd live probably at least four times a year — sometimes back-to-back nights. I was that kind of super Dead Head-type fan that was on tour.”
Sanzenbacher said he had the chance to meet Snider several times and attended the musician’s Catskills retreats.
“He was just one of those people that I really connected with strongly,” he said. “Like a lot of people, when he passed away, I was really shocked and devastated.”
When he learned screenings of the film were beginning to pop up around the country, he wanted to bring that communal experience here.
“I know there are a lot of Todd Snider fans everywhere who want closure on his life and maybe a chance to feel like they’re in the room with him again,” he said. “I thought it would be a really cool experience to bring the film to the community.”
The screening is part of what Sanzenbacher calls the film’s organic, fan-driven momentum.
“I love the grassroots movement of the film,” he said. “They were going to do two screenings and that was going to be it, and now they’re showing it all over the country because fans have reached out to say, ‘How can I bring a screening to my town?’ I feel really lucky we’re able to show it.”
He hopes the evening captures some of the camaraderie that defined the Todd Snider fan experience.
“One of my favorite things about being a Todd Snider fan was when you’d go to two or three shows in a row, you’d turn into a little caravan and make friends with strangers and become this community,” he said. “That’s kind of something I’m hoping happens at the film.”
The screening begins at 7 p.m. Friday, May 8, at The Colonial Theatre, 27 Railroad St., North Canaan. Run time is 54 minutes, with time afterward for audience members to gather and connect.
Matthew Kreta
New Sharon Playhouse logo designed by Christina D’Angelo.
The Sharon Playhouse has unveiled a new brand identity for its 2026 season, reimagining its logo around the silhouette of the historic barn that has long defined the theater.
Sharon Playhouse leadership — Carl Andress, Megan Flanagan and Michael Baldwin — revealed the new logo and website ahead of the 2026 season. The change reflects leadership’s desire to embrace both the Playhouse’s history and future, capturing its nostalgia while reinventing its image.
After attending the closing performance of the Playhouse’s production of The Mousetrap last September, Christina D’Angelo told Playhouse leadership she was “completely changing her design direction” for the new logo after experiencing the work and atmosphere of the Sharon Playhouse firsthand. She incorporated the barn silhouette to capture the theater campus’s history and evoke the warmth and magic of the Playhouse.
“The barn gives a fixed image of how we all feel about the Playhouse,” said Megan Flanagan, managing director. “The new branding presents the story of the great history of Sharon Playhouse — who we were, who we are today, who we are becoming — and the barn is that unifying element.”
The design was one of several options presented and was selected unanimously by Playhouse leadership. D’Angelo also designed this season’s branding, creating a visual throughline for the 2026 season.
The Playhouse remains committed to its taglines and mission statements, “Create. Community. Together.” and “Your destination for the arts.” While those phrases are no longer reflected in the logo itself, Carl Andress, artistic director, said the organization is not moving away from them and that they will continue to appear in publications and on the updated website.
“The refreshed brand aims to shift the narrative in the community, reinforcing the Playhouse’s role not only as a theater but as a vibrant gathering place and artistic home,” Playhouse leadership said in a press release.
For more information, including a video about the updated logo and details on the upcoming 2026 season, visit sharonplayhouse.org
Patrick L. Sullivan
Gary Dodson demonstrated the two-handed switch rod cast on the Schoharie Creek on April 18. The author failed to learn said cast.
The last time I tried fishing in the Catskills, in the fall of 2025, I had to stop pretty abruptly when it became apparent my hip was not going to cooperate.
So it was with considerable trepidation that I waded across a stretch of the “Little Esopus” that turned out to be a little bit deeper and a tad more robust than I thought.
This was on Thursday, April 16.
The Esopus is a tailwater, meaning cold water comes out of a dam and supplies the river with regular infusions of cold water that is good for trout.
But it is an unusual tailwater, in that the added flow comes out of the Schoharie Reservoir in Greene County and travels 18 miles through a pipe running under a considerable chunk of mountains and empties into the Esopus in the hamlet of Allaben.
This is officially known as “Diversion from Schoharie Reservoir” or the “Shandaken Tunnel.” In practice it is called “the Portal.”
Between the Portal and the Ashokan Reservoir about 13 miles downstream the Esopus is a big brawling trout river, roughly the same size as the Housatonic. Upstream of the Portal the Esopus is a medium-sized to small freestone stream. Hence “Little Esopus.”
My compatriot Gary Dodson and I were messing around on the “Little” section a couple weeks ago.
The weather was summery. The water temperature was 58 degrees F, about ideal.
The forsythia was blooming everywhere, and that usually means the first significant mayfly hatch of the year, the one imitated by the Hendrickson fly, is going on.
And I did see some Hendricksons floating around here and there.
But mostly I saw zip, except for when I spooked a couple of suckers.
Old joke: Suckers are often mistaken for brown trout. They tend to dive and tug like browns when hooked, adding to the illusion.
It’s only when one comes to the net that the angler feels like a sucker for being taken in. Again.
The day before, with high winds complementing the summer feel, we tried the Batavia Kill impoundment in Windham, where I attempted to crack the code on the two-handed rod cast.
I failed there and blamed it on the wind. So we went to the Schoharie, where legions of recently-stocked trout should have been eager to eat anything, and the wind wasn’t quite as bad.
I failed there too. This is going to take a while.
Meanwhile the usual Harry Homeowner opening up experience included a highly satisfactory lack of mice and their droppings, and a leaky hot water heater.
We’ve had the thing for about 50 years, so it’s hard to complain too much. Phil the Plumber installed a new one and we’re good for another 50 years.
The wading adventure described above felt a little hairy but I managed, and I found an easier place to cross on the return trip.
The new hip didn’t bother me at all. My thigh muscles were pretty sore the next day, though. Too much couch time over the bleak winter.
And while our rabbit population seems to have moved on, the resident deer were messing around on the lawn in the evenings. I like to sit outside reading and occasionally chirrup to them. They like to ignore me until they take fright for a mysterious deer reason and go bounding off into the woods.

Want more of our stories on Google? Click here to make us a Preferred Source.
Brian Gersten
The Mahaiwe Performing Arts Center in Great Barrington.
The Mahaiwe Performing Arts Center will light up the silver screen this summer with the return of “100 Years of Movies,” a beloved film series celebrating the enduring legacy of American cinema.
Now in its third consecutive year, the program blends entertainment with insight, as director and film scholar Deborah Reinisch introduces each screening with historical context, behind-the-scenes anecdotes and a deep appreciation for the craft of filmmaking.
This year’s series carries added resonance, aligning with the 250th anniversary of the signing of the Declaration of Independence. It also pays tribute to iconic performers whose careers shaped generations of moviegoers, including the late Robert Redford, Diane Keaton, Gene Hackman, Rob Reiner and Robert Duvall.
The series opens May 15 with “Bringing Up Baby” (1938), the quintessential screwball comedy starring Cary Grant and Katharine Hepburn. A week later, audiences can dive into the shadowy intrigue of “The Big Sleep” (1946), featuring Humphrey Bogart and Lauren Bacall.
Additional highlights include “All About Eve” (1950), starring Bette Davis; “North by Northwest” (1959), directed by Alfred Hitchcock; and the Oscar-winning thriller “The French Connection” (1971). Later in the summer, the series continues its journey through decades of filmmaking with canonical works such as “The Godfather” (1972) and “All the President’s Men” (1976).
With a thoughtfully curated lineup, “100 Years of Movies” offers both longtime cinephiles and casual viewers a chance to experience the films that have helped define American culture. As Reinisch notes, the series provides “a splendid way to explore our American experience,” one frame at a time.
Tickets are available at mahaiwe.org or through the Mahaiwe box office at 413-528-0100.
Bobby Graham & Matthew Marden
Savory onion pie
Each month, Dugazon owners Bobby Graham and Matthew Marden share a recipe inspired by the traditions, stories and sense of welcome at the heart of their shop in Sharon, Connecticut. Visit Dugazon at 19 W. Main St. Wednesday-Sunday, 11 a.m. to 5 p.m. and online at dugazonshop.com.
This savory pie is a delicious alternative to quiche or tomato pie (which we’ll share in the future). Bobby’s mother made a similar recipe, and it was a huge hit.
Ideal for breakfast, brunch or lunch entertaining. Serve hot with a crisp white wine and a crispy green salad. Great for groups. Yum!
Inspired by a recipe from Barbara Dugazon Graham
Yield: 6 to 8 servings
Ingredients
For the crust:
•1 cup crushed saltine crackers
•1/4 cup salted butter, melted
For the filling:
•2 cups thinly sliced onions
•1 clove garlic, finely chopped (optional)
•2 tablespoons salted butter
•1 cup milk
•2 large eggs
•1/2 teaspoon black pepper
•1 1/2 cups grated cheddar and Parmesan cheese
•5 dashes Tabasco sauce
•1/2 teaspoon Tony Chachere’s Cajun seasoning
•Leaves from 1 fresh thyme sprig, or 1/2 teaspoon Italian seasoning
•1 to 2 green onions, finely chopped, for garnish
Preparation
•Heat oven to 350 degrees. Place rack in center of oven.
•Make the crust: Combine cracker crumbs and melted butter. Press firmly into a 9-inch metal pie pan to form an even crust.
•In a skillet over low heat, melt 2 tablespoons butter. Add onions and cook, stirring occasionally, until softened and lightly caramelized, about 5 to 7 minutes. Add garlic, if using. Let cool slightly, then spread evenly over crust.
•In a large bowl, whisk together milk, eggs, black pepper, Tabasco, Cajun seasoning and thyme. Stir in cheese until well combined. Pour mixture over onions.
•Bake uncovered until golden and set, 45 to 60 minutes. Watch closely during final baking.
•Let cool 5 minutes. Sprinkle with green onions, slice and serve hot or at room temperature.
Notes: Pie can be frozen after assembly and baked later. A metal pie pan is recommended for best results.
Lakeville Journal
Support local food access during Tri Corner FEED’s second annual Nourish Neighbors, May 11–17, by dining and shopping at 18 participating businesses across the Northwest Corner and eastern Dutchess County, with donations benefiting the organization’s Food Sovereignty Fund. For a list of participating restaurants and businesses, visit tricornerfeed.org/nourishneighbors

Want more of our stories on Google? Click here to make us a Preferred Source.

Want more of our stories on Google? Click here to make us a Preferred Source.