Styrofoam recycling program comes to CT

Winsted Mayor Todd Arcelaschi, State Senator Lisa Seminara, State Representative Jay Case celebrating the launch of Connecticut’s first styrofoam recycling program at RRDD#1 in Barkhamsted.
Jennifer Almquist
Winsted Mayor Todd Arcelaschi, State Senator Lisa Seminara, State Representative Jay Case celebrating the launch of Connecticut’s first styrofoam recycling program at RRDD#1 in Barkhamsted.
WINSTED — Mayor Todd Arcelaschi cut the ribbon stretched in front of a huge pile of Styrofoam, as citizens of New Hartford, Barkhamsted and Winchester, members of the Board of Regional Refuse Disposal District No. 1, and elected state officials cheered the arrival of Connecticut’s first Styrofoam recycling program at the Municipal Transfer Station.
RRDD1 is partnering with FOAMCYCLE LLC. from Sussex County, N.J. Arcelaschi is also the Administrator of the municipal transfer station of RRDD1. He has his finger on the pulse of innovation and seeks solutions for the massive waste management challenges in Connecticut. Arcelaschi wrote, “With the July 1, 2024, ban of single use Styrofoam containers at schools, universities and restaurants in Connecticut, this effort will help reduce even further the amount of Styrofoam that makes its way into landfills.”
The gleaming $85,000 machine crushes the Styrofoam refuse that is stored in giant white nylon bags. The material is crushed up, the air which makes up 98% of Styrofoam is extracted, the densifier melts the chopped-up bits, and a tube of pliable, recycled polystyrene is extruded out the side of the metal box and formed into “foam ingots.” The ingots are shipped offsite to make its end products: surfboards, HVAC panels and filters. Styrofoam is a trademarked brand made by DuPont company for a product commonly called blue board. It’s a foam building insulation board used in walls, roofs, and foundations as a thermal insulator.
Winsted Town Manager Paul Harrington and mascot Buster Foam celebrating Connecticut’s first styrofoam recycling program at the Barkhamsted municipal transfer station, RRDD1.Jennifer Almquist
Lou Troiano, inventor and founder of FOAMCYCLE, proudly showed a gilt, ornate frame. A Green Team of students from Montclair State University in N.J. has developed an innovative environmental program. They are marketing elegant picture frames made from the polystyrene ingots. If the frames break, they can be shipped back to BetterFrame.org to be recycled and made into new frames, which keeps this waste material out of landfills and waterways forever. It is truly a closed-loop circular-economy recycling product.
Troiano said that the demand for the extruded ingots is high. The buyback rate is $800 per ton, or approximately $4 per pound. (Ingot values are determined by location, grade, weight, volume and current market values.)
To date, FOAMCYCLE programs are in 30 locations in New Jersey, Colorado, Florida, Illinois, Kentucky, New Hampshire, North Carolina, Ohio, Pennsylvania, Tennessee, Vermont, Wisconsin, and Quebec, Canada, and now Connecticut.
Currently, 11,344,365 people can recycle their foam packaging from electronics, TVs, furniture packaging, foam coolers, and food service foam such as cups, clamshell containers, egg cartons and meat trays free of food debris. Arcelaschi emphasized that the Styrofoam to be recycled must be brought to the recycling center, not placed in roadside pick-up.
On Earth Day, 2024, FOAMCYCLE was featured on NBC News. In the words of its singing, dancing mascot, Buster Foam, who demonstrated how to use the system to the curious crowd in Barkhamsted, “Bring it to Buster Foam, Buster’s here to save the day.”
SHARON — Sharon Dennis Rosen, 83, died on Aug. 8, 2025, in New York City.
Born and raised in Sharon, Connecticut, she grew up on her parents’ farm and attended Sharon Center School and Housatonic Valley Regional High School. She went on to study at Skidmore College before moving to New York City, where she married Dr. Harvey Rosen and together they raised two children.
Sharon’s lifelong love of learning and the arts shaped both her work and her passions. For decades, she served as a tour guide at the American Museum of Natural History and the Asia Society, sharing her knowledge and enthusiasm with countless visitors. She also delighted in traveling widely, immersing herself in other cultures, and especially treasured time spent visiting her daughter and grandsons in Europe and Africa.
She was also deeply connected to her hometown, where in retirement she spent half her time and had many friends. She served as President of the Sharon East Side Cemetery until the time of her death, where generations of her family are buried and where she will also be laid to rest.
She is survived by her husband, Harvey; her children, Jennifer and Marc; and four beloved grandchildren.
Claire and Garland Jeffreys in the film “The King of In Between.”
There is a scene in “The King of In Between,” a documentary about musician Garland Jeffreys, that shows his name as the answer to a question on the TV show “Jeopardy!”
“This moment was the film in a nutshell,” said Claire Jeffreys, the film’s producer and director, and Garland’s wife of 40 years. “Nobody knows the answer,” she continued. “So, you’re cool enough to be a Jeopardy question, but you’re still obscure enough that not one of the contestants even had a glimmer of the answer.”
Garland Jeffreys never quite became a household name, but he carved out a singular place in American music by refusing to fit neatly into any category. A biracial New Yorker blending rock, reggae, soul and R&B, he used genre fusion as a kind of rebellion — against industry pigeonholes, racial boundaries and the musical status quo. Albums like “Ghost Writer” (1977) captured the tension of a post–civil rights America, while songs like “Wild in the Streets” made him an underground prophet of urban unrest. He moved alongside artists like Lou Reed and Bruce Springsteen but always in his own lane — part poet, part agitator, part bridge between cultures.
“I think what I tried to do with the film, wittingly or unwittingly, was just to show that we all have these lives and they don’t often meet our dreams of what we think we’re entitled to, we’re talented enough to get or whatever,” said Claire. “We all have these goals, but we’re sort of stymied. Often, it’s partly circumstance and luck, but it’s also very often something that we’re doing or not doing that’s impeding us.”
This is not the typical rock-and-roll redemption story. There are no smashed guitars, no heroic overdoses, no dramatic comeback tour. What we get instead is something quieter and more intimate: hours of archival footage that Claire spent years sorting through. The sheer effort behind the film is palpable — so much so that, as she admitted with a laugh, it cured her of any future ambitions in filmmaking.
“What I learned with this project was A, I’m never doing it again. It was just so hard. And B, you know, you can do anything if you collaborate with people that know what they’re doing.”
Claire worked with the editing team of Evan M. Johnson and Ben Sozanski and a slew of talented producers, and ended up with a truthful portrayal — a beautiful living document for Garland’s legions of fans and, perhaps most importantly, for the couple’s daughter, Savannah.
“She’s been in the audience with me maybe three or four times,” said Claire. “The last time, I could tell that she was beginning to feel very proud of the effort that went into it and also of being a part of it.”
Savannah pursued a career in music for a while herself but has changed tracks and become a video producer.
“I think she couldn’t quite see music happening for herself,” said Claire. “She was like, ‘I don’t know if I want to struggle the way I saw my dad struggling and I’m going to get a job with a salary.’”
The film doesn’t just track the arc of an underappreciated musician, however. The music, always playing, is the soundtrack of a life — of a man navigating racial, musical and personal boundaries while balancing marriage, parenthood, aging, addiction andrecovery. Garland and Claire speak plainly about getting sober in the film, a life choice that gave them both clarity and shows Claire as a co-conspirator in his survival.
“I did some work early on with a director,” said Claire. “He wanted the final cut, and I didn’t feel like I could do that — not because I wanted so much to control the story, but I didn’t want the story to be about Alzheimer’s.”
Diagnosed in 2017, Garland, now 81, is in the late stages of the disease. Claire serves as his primary caregiver. The film quietly acknowledges his diagnosis, but it doesn’t dwell — a restraint that feels intentional. Garland spent a career refusing to be reduced: not to one sound, one race or one scene. And so the documentary grants him that same dignity in aging. His memory may be slipping, but the film resists easy sentimentality. Instead, it shows what remains — his humor, his voice, his marriage, the echo of a life lived on the edges of fame and at the center of his own convictions.
The Moviehouse in Millerton will be screening “The King of In Between” on Sept. 20 at 7 p.m. Peter Aaron, arts editor of Chronogram Magazine will conduct a talkback and Q&A with Claire Jeffreys after the film. Purchase tickets at themoviehouse.net.
The Haystack Book Festival, a program of the Norfolk Hub, brings renowned writers and thinkers to Norfolk for conversation. Celebrating its fifth season this fall, the festival will gather 18 writers for discussions at the Norfolk Library on Sept. 20 and Oct. 3 through 5.
Jerome A. Cohen, author of the memoir “Eastward, Westward: A Lifein Law.”Haystack Book Festival
For example, “Never Take the Rule of Law for Granted: China and the Dissident,” will be held Saturday, Sept. 20, at 4 p.m. at the Norfolk Library. It brings together Jerome A. Cohen, author of “Eastward, Westward: A Life in Law,” and Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong King’s Greatest Dissident, and China’s Most Feared Critic” in dialogue with journalist Richard Hornik to discuss the rule of law and China.
The Council on Foreign Relations stated, “Few Americans have done more than Jerome A. Cohen to advance the rule of law in East Asia. He established the study of Chinese law in the United States. An advocate for human rights, Cohen has been a scholar, teacher, lawyer, and activist for sixty years.”
Cohen, a professor at New York University School of Law and director of its U.S.-Asia Law Institute, revealed his long view on China: “We are now witnessing another extreme in the pendulum’s swing toward repression. Xi Jinping is likely to outlive me but ‘no life lives forever.’ There will eventually be another profound reaction to the current totalitarian era.”
Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong Kong’s Greatest Dissident, and China’s Most Feared Critic.”Haystack Book Festival
In “The Troublemaker,” Clifford chronicles Lai’s life from child refugee to pro-democracy billionaire to his current imprisonment by the Chinese Communist Party. Clifford is president of the Committee for Freedom in Hong Kong Foundation, a Walter Bagehot Fellow at Columbia University, and holds a PhD in history from the University of Hong Kong. He was the former editor-in-chief of the South China Morning Post and The Standard (Hong Kong and Seoul).
Journalist Richard Hornik, adjunct senior fellow at the East-West Center in Honolulu.Haystack Book Festival
Richard Hornik, adjunct senior fellow at the East-West Center, will moderate the discussion. Hornik is the former executive editor of AsiaWeek, news service director of Time magazine, and former Time bureau chief in Warsaw, Boston, Beijing and Hong Kong.
Betsy Lerner, author of “Shred Sisters,” is giving the 2025 Brendan Gill lecture at the Haystack Book Festival.Haystack Book Festival
The Brendan Gill Lecture is a highlight of the festival honoring longtime Norfolk resident Brendan Gill, who died in1997. Gill wrote for The New Yorker magazine for fifty years. Betsy Lerner, New York Times-recognized author of “Shred Sisters,” will deliver this year’s lecture on Friday, Oct. 3, at 6 p.m. at the Norfolk Library.
Visit haystackbookfestival.org to register. Admission is free.