
Actor Freddie Gibbs in “Down With The King,” which was filmed in Berkshire County and screened at BIFF.
Film still by Visit Films
Actor Freddie Gibbs in “Down With The King,” which was filmed in Berkshire County and screened at BIFF.
The 18th Annual Berkshire International Film Festival began on Thursday, May 30, and ended on Sunday, June 2. (BIFF) features films, events, and special guests annually in Great Barrington and Lenox, Massachusetts. The festival gathers industry professionals and fans for a four-day celebration.
This year’s lineup featured documentaries, narrative features, short films, and an animated shorts selection for kids with stories from all over the world and Berkshire-based stories. To handle increased growth, the festival expanded to the Lenox Town Hall.
Founder Kelley Ryan Vickery worked for the John F. Kennedy Center for the Performing Arts for nearly five years as the press manager and spent the next 10 years overseas where she worked for art museums, as a photographer, and as a gallery owner.
“My then-husband and I were living in Singapore. We came to the Berkshires, saw Jacob’s Pillow, and fell in love with the area. Initially, we had a summer home, but then I decided to settle here. I was going through a divorce and needed a job. I talked to a family friend who started the Denver Film Festival and was inspired. I felt like we have so many amazing things in the Berkshires, but film wasn’t really celebrated, so I thought there was a need. BIFF was born in 2006 and was immediately embraced by Great Barrington and the owner of the Triplex Cinemas. I created my own thing. It’s been a great journey,” she explained.
Over the years the festival has grown and has featured cinematic giants such as Martin Scorsese, actress and Berkshire resident Karen Allen (“Raiders of the Lost Ark”) as well as local filmmakers. When asked what makes the festival unique to the area, Vickery explained, “We’ve featured local filmmakers like Diego Ongaro whose film “Down With The King” was shot here in the Berkshires. You can attend the festival and spend a whole day here. Great Barrington is an amazing, walkable town that has so much to offer.”
A key aspect of the festival is the interaction between filmmakers and their audience. Whether through workshops, moderated conversations, or question-and-answer forums, BIFF sheds light on the art of filmmaking.
“Filmmakers and audiences love each other; it’s really what creates the sense of all of us coming together and exchanging ideas and conversations with stories. People want to know more. They need that Q&A. That’s inherent in what we do,” Vickery said.
Film director Susanna Stryon has twice had films in BIFF. Her documentary short My Father’s Name is the intimate story of one woman’s attempt to uncover the truth about her father’s participation in a lynching and premiered at BIFF this year. About the festival, she said, “BIFF is one of the most fun festivals. Kelley and her team go out of their way to make filmmakers feel comfortable and valued. The Filmmakers Summit for the two days before the festival is an incredible opportunity for filmmakers to get to know each other and discuss industry issues.”
Over the years, BIFF has grown steadily, which has been a pleasant surprise for Vickery.
“Never did I think I’d still be here after 18 years. We started small in 2006, and now we’re Lenox. We’ve bounced back to pre-Covid numbers. More filmmakers come than ever before, and the growth has been incredible. It culminates in these four days, but now we’re year-round with films every month in Lenox, Great Barrington, and Stockbridge,” Vickery said.
To find films, Vickery goes to other festivals like Sundance to scout talent. Filmmakers also submit their work for consideration, which has allowed BIFF to expand its global reach.
“We have distribution partners and deep relationships with different companies. We probably wade through 1000 films and chose 80. We work with all the big film companies in the US but also European Film Festivals. We get a lot of amazing content from international companies,” Vickery said.
“We bring the world to the Berkshires with international films. It’s amazing and a lot of fun,” Vickery added.
NORTH CANAAN — In an effort to improve pedestrian safety, accessible crosswalk landings and flashing beacons are coming to Railroad Street (Route 7).
Connecticut Department of Transportation Engineering Administrator Mark Carlino informed North Canaan Town Hall of the plans April 22.
In a letter to First Selectman Brian Ohler, Carlino stated a project is being initiated to install two rectangular rapid flashing beacons and ADA compliant sidewalk ramps at the mid-block crosswalk on Railroad Street.
The crosswalk in question is between Olde School Deli and Industry Kitchen & Bar. At present, the crosswalk abuts a tall curb.
Improvements were initially proposed when Ohler, Carlino, CTDOT Commissioner Garrett Eucalitto and State Senator Stephen Harding, R-30, toured the location April 4.
Beginning in the next two months, North Canaan will coordinate with state traffic engineering staff to plan the project.
CTDOT will be completing the work “and providing the funding themselves,” Ohler explained.
FALLS VILLAGE — Housatonic Valley Regional High School varsity baseball won big at home Wednesday, April 16, with a 15-3 win against Terryville High School.
Housatonic performed well on both sides of the ball. Offensively, HVRHS batters combined for 12 RBIs and seven stolen bases.
Defensively, the Mountaineers played a bullpen game and swapped pitchers at the top of each inning. Together. Wes Allyn, Carson Riva, Chris Race, Anthony Foley and Dan Moran threw seven strikeouts to win by mercy rule after five innings.
Anthony Foley logged 2 RBIs against Terryville April 16.Photo by Riley Klein
The game was played during spring break, resulting in limited rosters for both teams. Several HVRHS players went on the school trip to Europe and were touring Siena, Italy at game time.
Conditions back home in Falls Village were chilly. The sun peaked through for a moment or two, but otherwise it was overcast and 46 degrees with high winds.
Allyn pitched the first inning and held Terryville scoreless. In the bottom for the first, Foley singled and Race got walked before Hunter Conklin brought them both home on a 2 RBI double.
Carson Riva threw two strikeouts when he pitched the second inning against Terryville.Photo by Riley Klein
Riva pitched the second inning and let up one run. Offensively, HVRHS loaded the bases early in the bottom of the second and scored four runs before the inning was out.
Race brought the heat in the third inning and put the Terryville batters out in order. HVRHS did not score in the bottom of the third and score remained 6-1.
Foley pitched the fourth inning and threw two strikeouts. A series of errors in the infield loaded the bases, but Foley got out of the inning letting up just one run. HVRHS added to the scoreboard in the bottom of the inning with nine more runs.
Moran stepped to the mound for the fifth inning. One run scored, but a strikeout and two putouts ended the game by mercy rule —up by 10 or more after five innings.
From left, Wes Allyn, Anthony Foley and Dan Moran each pitched one inning in the 15-3 win April 16.Photo by Riley Klein
Offensively, Chris Race led HVRHS with 4 RBIs. Hunter Conklin, Aidan Miller, Logan Labshere and Anthony Foley each had 2 RBIs.
For Terryville, Aiden Legassey led the team on offense with 1 RBI. Jack Rioux batted 2-for-2 and Ethan Bilodeau hit 2-for-3.
Housatonic’s season record improved to 2-3 and Terryville moved to 1-3.
The Mountaineers play the next four games on the road before returning home May 1 at 4 p.m. for a non-league game against O’Brien Technical High School.
Hunter Conklin celebrates on second after hitting a 2 RBI double in the first inning.Photo by Riley Klein
Dancers from Pilobolus will perform at the NWCT Arts Council spring fundraiser on April 26 in Washington Depot, Conn.
On Saturday, April 26, the Northwest Connecticut Arts Council will host a special evening, Arts Connected, their spring fundraiser celebrating the power of creativity and community. Held at the Bryan Memorial Town Hall in Washington Depot from 5 to 8 p.m., this event brings together artists, performers, and neighbors for a magical night filled with inspiration, connection and joy.
Award-winning designer and arts advocate Diane von Furstenberg and her granddaughter Antonia Steinberg are honorary co-chairs of the event. Their shared love of the arts informs the spirit of the evening.
Antonia Steinberg, above, President of Bucks Rock Camp in New Milford that she first attended as a camper when she was ten years old. Antonia is co-chair, with her grandmother Diane Von Furstenberg of the NWCT Arts Council fundraiser.Provided
“As someone whose life was profoundly shaped by the arts — as a child at Buck’s Rock and now as President of its Board — I’ve seen firsthand the transformative power of the arts; how creative spaces can empower young people, build community, and nurture well-rounded problem solvers. That’s why I’m so honored to co-host the Northwest CT Arts Council Gala. Their work in supporting artists and cultural organizations across Connecticut is essential,” said Steinberg.
Von Furstenberg’s influence in fashion and culture, and Steinberg’s leadership at Buck’s Rock reflect the intergenerational impact of the arts,” said NWCT Arts Council board president Sunday Fisher. “Their participation underscores the power of creative expression as a defining force in our community.” Steinberg is the president of Buck’s Rock Camp, a non-profit performing and creative arts camp in New Milford that she first attended as a 10-year-old camper.
Diane Von Furstenberg, co-chair of NWCT Arts Council fundraiser.Provided
Steph Burr, executive director at NWCT Arts Council, added, “Events like Arts Connected are at the heart of what we do — bringing people together, lifting up artists, and reminding us of the essential role creativity plays in our lives. The Council works year-round to ensure the arts not only survive but thrive across our region.”
NWCT Arts Council is a nonprofit that serves as advocates for the arts. Through regranting efforts, public art support, legislative advocacy, and their regional events calendar, they work to ensure the arts are accessible and celebrated in every corner of their 25-town service area.
Burr continued, “The arts in Northwest Connecticut are vibrant, evolving, and deeply rooted in community. There’s a quiet but powerful creative pulse running through these hills — one that reflects the resilience, diversity, and passion of the people who call this region home. Over the past few years, artists and cultural organizations have navigated challenges with heart and determination, despite ongoing funding volatility. Through our advocacy and collaborative programming, we ensure the arts remain essential and accessible in our community.”
Highlights of the April 26 fundraiser include performances by Pilobolus, Sherman Chamber Ensemble, Ysanne Marshall & the Lotus Blues, hand pan musician Jeremy Driscoll, and a curated art exhibition, NW25 Gallery, featuring local artists. Sponsors Litchfield Distillery, Kent Falls Brewing Company, and Executive Cuisine catering will provide the food and drink.
Ticket prices are $125, open to guests 21 and older, available online at givebutter.com/artsconnected.For more information or to ask about sponsorship opportunities, email Katherine Pelletier at katherine@artsnwct.org or visit givebutter.com/artsconnectedsponsorship.
Arts Connected is made possible thanks to the generous support of sponsors; Antonia Steinberg is sponsoring all the artists for the event and Valiant Energy and Torrington Savings Bank are presenting the event.Additional sponsors include William Raveis Lifestyle Realty, Litchfield Magazine, Housatonic Heritage, Art Bank 7, Harney & Sons Teas, Aquarion Water, The Lost Fox Inn, George Home, NKYV Rituals, and Litchfield Distillery.
Lily Al-Nemri, founder and owner, and artistic director and painter Rudy Vavra at Tyte medispa and gallery in Millbrook.
The painter Rudy Vavra once created floor collages in Texas. You could, in theory, lie on them. Now, years later and much farther north, his work graces the walls of a medispa in Millbrook, New York where he also serves as the artistic director. You can still lie down, just not on the art. Instead, you might be undergoing an EmFace non-surgical facelift while surrounded by twenty-two of Vavra’s paintings.
The space, Tyte Medispa in Millbrook, is equal parts gallery and treatment center, the brainchild of Lily Al-Nemri, a medical aesthetician and now gallery owner. She also owns the nail salon, Bryte, down the street on Franklin Avenue. A few years ago, feeling she was outgrowing that space, she looked to expand and, just a few blocks away, found this rather sprawling maze of rooms with the gallery that now inhabits the grand central ballroom. “This used to be a gym,” she said. “It was way more than I was looking for, but I went for it.”
Vavra, a self-professed “painter’s painter,” has spent decades layering pigment in his barn-turned-studio in Milan, New York. “I find paintings as much as I make them,” he mused. “Some happen quickly, others are slow.” Of this latest collection, he said, “Some people call them busy. I think they’re slow.” His marks accumulate with a kind of devotional persistence, like petals left at a shrine. “A while ago, I saw a photographic image of a shrine,” Vavra said. “I don’t know if it was a Buddhist shrine or what, but there were colors on the ground all around it, and I realized they were the stains of flowers left in the worship. That’s very similar to the way I paint.”
The collection of paintings on view at Tyte — some as large as a shrine — are meditations on color, inviting the viewer to slow down. Or speed up. Whether viewers are activated or soothed by the images is neither Vavra’s intention nor within his control. Still, he said that watching people interact with the work has been a real treat. “Now that I have my paintings here, I get to see them all together,” he said. “It’s only when they’re all together that I see how they talk to each other. It’s interesting to see people come in and go to have a treatment and come out. It’s a very interesting connection.”
And what is the connection? What could be a disjointed pairing — aesthetics and aesthetic medicine — has become, improbably, a perfectly logical continuum. “They’re related in a sense,” Vavra said.
Aly Morrissey
Al-Nemri, a former radiologist who taught for over a decade at Westchester Community College, is no stranger to layering, precision, or the quiet rigor of care. Her incredible menu of services — Botox, body contouring, pelvic floor therapies — are the cutting edge of the industry. Of Vavra, Al-Nemri said, “I fell in love with his work, and we just hit it off.” It’s a kind of kismet that seems to hover over the place. Pilates mat classes take place twice a week in the main gallery space and both Al-Nemri and Vavra have loved watching clients pause, eyes caught by a stripe of cerulean or a vibrating cluster of brushstrokes. “Something will catch their eye,” said Vavra. “They’re looking for something in it.”
So, this gallery-meets-spa (or is it the other way around?) has plans. Vavra will be curating six shows a year. Laurie Adams’s photographs will be hung in June, a group show of local artists will share the space in July and August, and a Fall show will feature twenty women artists, which Vavra is eager to anchor with a piece by Judy Pfaff. “There’s nothing like this on this side of the county,” he said of the light drenched space. “It’s been a bit sleepier here. We want to wake it up.”
He means it kindly; sleep certainly has its place. But here in Millbrook, amid the low drone of machines designed to rejuvenate, something unexpected has emerged. Perhaps that’s what both Al-Nemri and Vavra are really after — not the quick fix or the final image, but the suspended moment, the long look. A face seen anew. A painting revealed slowly, in silence.
As for Vavra’s curatorial process? “I just unpack the paintings, lean them against the wall, and look,” he said. “Eighty percent of the time, they’re already where they’re supposed to be.”