COLEBROOK — Sportsmanship was on display at the finish line of the Housatonic Mountain Bike League’s (HMBL) culminating race of the season on Nov. 6.
“I’ve never seen a more collaborative, congenial group in 20 years of coaching many sports” said Salisbury School Assistant Coach Ian Johnson in a brief speech before announcing the season’s winners.
“These guys are just having fun, that’s the emphasis,” said Kent School Head Coach Curtis Scofield. “It’s the best kind of competition.”
More than 80 riders from eight regional schools convened at Norbrook Farm Brewery’s esteemed trails system on a warm and blustery Wednesday afternoon for the race, which snaked through varied topography in the forest behind the brewery. Out of four competition categories, category 1 holds the highest opportunity for points, and thus presents the most grueling course: three laps around a 3.3 mile loop that encompasses jumps, steep berms, and tough uphill climbs. The other categories follow variously abridged circuits, though none escape the challenges of pedaling through unpredictable and exhausting terrain.
“It’s one of the best networks in Connecticut — even New England,” Johnson said of the brewery’s extensive system. “It provides everything you could possibly imagine” for a cross-country mountain biking course, Scofield said, noting that it caters to “a nice cross-section” of abilities and strengths.
Alec Linden
The Hotchkiss School, Kent School, Salisbury School, Indian Mountain School, Berkshire School, South Kent School, Trinity Pawling School and Rumsey Hall School all provided energetic teams for the day’s contest. Most participating institutions had hosted a race during the regular season, with the final occurring on neutral territory.
Despite the camaraderie and genial atmosphere, it was a competition, and there had to be winners. After a 54-minute ride, the top three competitors all finished within a minute of each other. Hotchkiss sophomore Thatcher Meili beat out Kent School senior Shaun Neary by about 20 seconds, while Cyrus Taber, a Berkshire senior, finished closely behind in the bronze position.
True to Johnson’s appraisal of the athletes, riders who finished stuck around and enthusiastically cheered on other competitors who crossed the finish line well after the podium spots had been claimed.
Neary won the overall individual title in Category 1 for the season after ending up second last year. Neary was humble about his achievement, quick to comment on the skill of his competitors, claiming that Hotchkiss rider Asher Frankel, last year’s victor, might have taken it if he weren’t sidelined by injury. Neary was proud of his performance during his final year with the team, though: “I was consistent — I was second in every race,” he said.
Meili finished second in the overall individual standings, with Taber taking the third spot. Each rider was satisfied with the day’s conditions, comparing the unseasonable warmth to last year’s race day which was plagued by flurries and frigid temperatures. “Last year I wore my ski gloves,” Taber said.
Hotchkiss took first in the team rankings for the third year in a row, despite having lost their top athlete halfway through the season.
Awards were doled out in the other categories as well. The trophies themselves were a stylish design, consisting of a bike gear mounted on a sleek wooden frame, which recipients proudly toted while a crowd of riders, parents and coaches cheered on.
The ceremony concluded under the darkening sky, and the riders wheelied and drifted back to their team buses in the carefree, contented manner that follows the end of a good season.
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‘The Laundry Room,’ a painting by Maira Kalman from the exhibition “Shaker Outpost: Design, Commerce, and Culture” at the Shaker Museum’s pop-up space in Chatham.
“I always approach my work from an aspect of love,” she said. “I fall in love with a face or a chair or a shoe. And then it is my pleasure to paint. That is how I approached the pieces I chose for the installation. They spoke to me. They SANG to me.”
Her selections for the Shaker Outpost include clothing of daily life — hats, shoes, socks, gloves — alongside objects shaped by hand and necessity. A pair of bear fur mittens, a glove form, a forged iron stake. Items that once moved through ordinary days now sit in conversation with Kalman’s paintings, which draw from the museum’s photographic archive. “As I looked at the photo archive, I gravitated to images that made me happy,” she said. “The Shaker work is so full of delicate elegance and superb utility. I love that.”
Maira KalmanPhoto by Kimisa H.
The idea of utility that is elevated to poetry is at the center of the show. Kalman described the impulse to “edit your life” after encountering Shaker design, and here that instinct becomes both curatorial method and invitation. “After seeing their work, you want to run home and throw out everything you have,” she said. “You want to edit your life. You only want what is essential. The simplicity and beauty of Shaker design are rarely equaled… They have wit and wisdom. Clarity and kindness. They are practical and they sing. You just cannot go wrong.”
The exhibition also marks a return. After more than two years at the Kinderhook Knitting Mill, the museum’s programming comes back to Chatham — if only temporarily — before the opening of its future permanent home.
The pop-up exhibition at 4 Depot Square in downtown Chatham extends beyond the gallery walls. A small, carefully assembled General Store — also curated by Kalman — offers books, textiles, notecards and handmade goods by local artisans. Like the Shakers’ own public-facing shops, it blurs the line between commerce and ethos, asking what it means to buy something made with care. It is, deliberately, a place to linger.
Kalman sees the Shakers as kindred spirits. “Even though my mother was a Russian born Jew, she could have been a Shaker,” she said. “But then all of the women in my family could have been. A sense of beauty, care, simplicity and love imbued all that they did. They were frugal and fastidious.”
That inheritance feels newly relevant. “Today we have a very fast-moving day. Never enough time,” she said. “And I think that the sense of taking time to make beauty resonates very much these days. It restores the soul.”
Kalman worked closely with her son, Alex Kalman, on this exhibit. “Working with my son Alex Kalman on this installation has been a joy,” she said. “He curates for his museum MMUSEUMM, in a defunct elevator shaft on Cortland Alley in Manhattan. He is always looking for the intersection of humor and human expression and endeavor. That is how I approach the installation at the Shaker Outpost. Everything should matter.”
Shaker Outpost: Design, Commerce, and Culture runs through July 5 at 4 Depot Square in Chatham, with subsequent installations by Paula Greif and Kiki Smith later in the year. For more information, visit shakermuseum.us.
The Ticking Tent Spring Market returns to Spring Hill Vineyards in New Preston on May 2.
Juarez is president of Christina Juarez & Co., a communications and business development consultancy. Reynaert is market director at ELLE DECOR, an interiors stylist and author of “The Layered Home,” which he will sign at the event.
Benjamin Reynaert and Christina Juarez, co-founders of The Ticking Tent. Their one-day Spring Market returns to New Preston on May 2 at Spring Hill Vineyards on Bee Brook Road.Jennifer Almquist
“The Ticking Tent is about reimagining the joy of discovery — bringing together antiques dealers, artisans and design enthusiasts in a setting where community and creativity thrive,” Reynaert said.
Among returning vendors is Rhonda Eleish of Eleish Van Breems Home, with shops in New Preston, Roxbury, Westport and Nantucket. “The Ticking Tent is a fun event where you can shop curated goods, meet friends and enjoy the setting,” she said.
The market partners with ELLE DECOR as national media sponsor, along with Home & Garden CT & NY, Connecticut Cottages & Gardens, New England Home CT and Litchfield Magazine.
For information and tickets, visit thetickingtent.com or follow @thetickingtent.
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