COLEBROOK — Sportsmanship was on display at the finish line of the Housatonic Mountain Bike League’s (HMBL) culminating race of the season on Nov. 6.
“I’ve never seen a more collaborative, congenial group in 20 years of coaching many sports” said Salisbury School Assistant Coach Ian Johnson in a brief speech before announcing the season’s winners.
“These guys are just having fun, that’s the emphasis,” said Kent School Head Coach Curtis Scofield. “It’s the best kind of competition.”
More than 80 riders from eight regional schools convened at Norbrook Farm Brewery’s esteemed trails system on a warm and blustery Wednesday afternoon for the race, which snaked through varied topography in the forest behind the brewery. Out of four competition categories, category 1 holds the highest opportunity for points, and thus presents the most grueling course: three laps around a 3.3 mile loop that encompasses jumps, steep berms, and tough uphill climbs. The other categories follow variously abridged circuits, though none escape the challenges of pedaling through unpredictable and exhausting terrain.
“It’s one of the best networks in Connecticut — even New England,” Johnson said of the brewery’s extensive system. “It provides everything you could possibly imagine” for a cross-country mountain biking course, Scofield said, noting that it caters to “a nice cross-section” of abilities and strengths.
Alec Linden
The Hotchkiss School, Kent School, Salisbury School, Indian Mountain School, Berkshire School, South Kent School, Trinity Pawling School and Rumsey Hall School all provided energetic teams for the day’s contest. Most participating institutions had hosted a race during the regular season, with the final occurring on neutral territory.
Despite the camaraderie and genial atmosphere, it was a competition, and there had to be winners. After a 54-minute ride, the top three competitors all finished within a minute of each other. Hotchkiss sophomore Thatcher Meili beat out Kent School senior Shaun Neary by about 20 seconds, while Cyrus Taber, a Berkshire senior, finished closely behind in the bronze position.
True to Johnson’s appraisal of the athletes, riders who finished stuck around and enthusiastically cheered on other competitors who crossed the finish line well after the podium spots had been claimed.
Neary won the overall individual title in Category 1 for the season after ending up second last year. Neary was humble about his achievement, quick to comment on the skill of his competitors, claiming that Hotchkiss rider Asher Frankel, last year’s victor, might have taken it if he weren’t sidelined by injury. Neary was proud of his performance during his final year with the team, though: “I was consistent — I was second in every race,” he said.
Meili finished second in the overall individual standings, with Taber taking the third spot. Each rider was satisfied with the day’s conditions, comparing the unseasonable warmth to last year’s race day which was plagued by flurries and frigid temperatures. “Last year I wore my ski gloves,” Taber said.
Hotchkiss took first in the team rankings for the third year in a row, despite having lost their top athlete halfway through the season.
Awards were doled out in the other categories as well. The trophies themselves were a stylish design, consisting of a bike gear mounted on a sleek wooden frame, which recipients proudly toted while a crowd of riders, parents and coaches cheered on.
The ceremony concluded under the darkening sky, and the riders wheelied and drifted back to their team buses in the carefree, contented manner that follows the end of a good season.
Fierce action from both teams commenced right from the opening face-off, and it looked to be an equal battle. Dakota Boyle and Ainsley Moffitt scored quickly for Kent giving them a 2-0 lead after only six minutes.
Kent's Ainsley Moffitt takes a shot against the Millbrook goalie.Photo by Lans Christensen
The second period started, again with fast but equal aggression from both teams. The Millbrook and Kent goalies were sharp, turning away chance after chance for the bulk of the period.
Millbrook’s Brooke Ness found the net near the end of the second period, as did Lily Kennedy and the game was tied 2-2.
Lily Kennedy on attack for Millbrook.Photo by Lans Christensen.
Excitement grew throughout the contest and the final period started with high hopes from both teams and fans. The two sides traded goals, only adding to the drama.
The deciding moment came when Kent's Abby Roberson scored the game-winning goal, securing a tough but deserved 4-3 victory for Kent.
Kent's record advanced to 7-12-1 and Millbrook moved to 6-10-3.
Ainsley Moffitt celebrates after scoring a goal for Kent.Photo by Lans Christensen
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Laurie Fendrich and Peter Plagens at home in front of one of Plagens’s paintings.
“He was doing critiques with everyone,” Fendrich said of Plagens. “We met at one of those sessions and, well, what can I say. We fell in love instantly.”
Fendrich speaks candidly about the pressures that shaped her early life choices. “We both married the first time at 21, which a good number of women of my generation did without much thought.” Her first husband was a good guy, she says, but “we weren’t suited for each other at all, even though he suited my parents perfectly.” Her decision to get a divorce was seismic. “My mother didn’t speak to me for a year.” Time softened the rupture. “One day she told me, ‘I see now why you left.’”
Fendrich had a rigorous liberal arts education at Mount Holyoke. “I studied painting and drawing, but I also got interested in political philosophy. Plato, Aristotle, Machiavelli — Rousseau was my big guy — Tocqueville, everybody. And I still read them.” Plagens’s path was less formal. “I went to USC at 17,” he said, “and declared English as my major. It was a frat school, and I was in one for the first two years. Then I started doing the cartoons for the Daily Trojan, took a couple art classes, and thought, ‘Wait a minute, I like this.’”
Culturally, they diverged just as sharply. “I came from a fairly puritanical family that didn’t even go to the movies,” Fendrich said. Plagens, by contrast, grew up immersed in pop culture. “My father was an omnivorous reader,” he said, “and a jazz fan, and he shared these passions with me.” In 1966, Plagens walked into Artforum’s LA office and said, “I want to write reviews.” He was paid five dollars per piece. “Gasoline was 23 cents a gallon, so it went a long way.”
Over time, the couple slowly fused their educations. “He taught me jazz, I taught him Mozart,” Fendrich said with a laugh. “I’ve had a movie education from him; he read Jane Austen because of me.”
Plagens and Fendrich at home in front of some of Fendrich’s paintings. Natalia Zukerman
During their early years in LA, Plagens taught at USC, and Fendrich at Art Center College of Design. In 1985, they decided “our kind of abstraction would do better in New York,” as Fendrich put it. “So, we up and moved to Tribeca with $10,000 and a toddler.”
Both artists grounded their artistic careers in teaching and writing. “Teaching, which I loved, gave me the financial stability to be an artist,” Fendrich said, reflecting on her 27 years as a professor at Hofstra. “It meant that being an artist didn’t require I make money from every show. I didn’t start writing until 1999, but though I write for publication frequently, I make hardly any money at it.”
Artistically, they guard each other’s independence. “We have unspoken rules,” Plagens said. “You don’t comment on someone’s work while they’re in the middle of creating it.” Critique comes by invitation only. “He’s not mean, just direct,” said Fendrich. Over time, their aesthetics have subtly converged. “My work has gotten cleaner from looking at his,” she said. “He’s gotten more colorful because of me.”
The two have had several two-person exhibitions. At a recent duo show at the Texas Gallery in Houston “Laurie’s paintings flew off the wall,” Plagens recalled. “Me, well, not so much.”
Plagens’s parallel career in journalism shaped their lives in tangible ways. He worked as art critic at Newsweek from 1989 until 2003 and currently contributes reviews of museum exhibitions to The Wall Street Journal. “Being at Newsweek was one of the luckiest breaks I ever had,” he said. “They paid me to see things I would gladly pay to see.”
Their creative processes mirror their personalities. “I start with a specific idea,” Fendrich said, “and then modify things as I paint.” Plagens laughed. “I start with complete mush, just blurting it out and spending the rest of the time fixing it.”
In 2019, they made what Fendrich calls “a decision of contraction.” They left the TriBeCa loft they had lived in for three decades, sold their Catskills home with its large studio, and moved full-time to a former auto repair shop in Lakeville, now a house where each has a studio, and the ground floor retains the open feel of a loft.
What sustains them in life, art and love, decades in, are endless conversations — and arguments — about art, history, exhibitions, books and movies. That exchange, ongoing and rigorous, may just be the masterpiece of their shared life.
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