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Last week, The Lakeville Journal Company launched a new website, www.tricornernews.com, which has replaced the former site, www.tcextra.com, as the place online to find content of all kinds from our three newspapers covering the Tri-state region. For this small, locally owned media business, the challenge of building a better website was daunting but exciting. There was not a lot of money (but rather just enough) to put into the project. There was, however, a lot of enthusiasm from those who worked on it, especially Production Coordinator James Clark, researching other media sites and listening to our readers to define the changes in design and features.One of the changes to the website includes the opportunity for users to comment at the end of posted articles and opinion pieces. At many online publications, such comments can be made without accountability and completely anonymously. This approach is not for this community news organization. For those of our readers who have strong opinions, and we believe that probably includes all of you, we would like to include those opinions in the comments section of the site. This has been the tradition for letters to the editor, and will continue to be even as letters go online now. But if writers are unwilling to be associated with what they write, a certain level of civility and personal filtering is lost. Comments are very welcome on www.tricornernews.com. Before commenting, though, please read the comment policy on the website and think about what your comments will mean to those who read them. Public writing such as commenting online is by definition open to all and sets the tone for the ongoing discussion. One of the goals of this newspaper group is to build community, not to destroy it. That may sound naive in today’s world and its fast and sometimes thoughtless 24/7 communication. Our goal with this comment policy, however, is to create a climate in which writers will take the time to think twice before going ahead and posting their thoughts on the issues of the day, or on their neighbors’ lives and actions. Let’s keep the discussion open but civilized, so all feel comfortable expressing themselves and don’t feel attacked in the process. — Janet Manko, Publisher

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‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
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Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

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A legacy of giving at Norfolk Chamber Music Festival

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The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

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Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

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Writer’s retreat in the woods

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Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

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From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

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Want more of our stories on Google? Click here to make us a Preferred Source.