West School in Colebrook

The West School, a private residence since 1923, is located at 124 Stillman Hill Road.The town of Colebrook was incorporated in 1779. A newly formed town had to meet certain requirements in order to satisfy certain mandates of the Colonial Legislature; one of these was the establishment of public schools. Initially, there were two districts: North and South with an arbitrary line drawn east-west through Colebrook Center. After the end of the War of Independence, Colebrook’s population began to grow, making it necessary to upgrade our school system, the result being the formation of The Colebrook School Society in 1796.The first order of business was to “appoint a committee to form the several school districts and make report of their doings to this meeting, and that said district committee be empowered to employ school teachers for the several districts to which they belong.” The formation of seven school districts resulted. The West District was not one of these seven, its area being part of what was then known as “Porter’s District.” This district extended along the Norfolk-Colebrook town line from Loon Brook on the north to the Winchester town line on the south. As the town’s population continued to grow, more adjustments were required, and in October 1810, the southern portion of the old Porter’s District was renamed the Southwest District, and the northern portion was called the West District. In March 1811, a committee appointed for that purpose “set a stake,” as they referred to it, for a schoolhouse in this new Southwest District. The exact wording was “… on the easternmost knoll on the cross road leading from Pinney Street westward by Church’s old sawmill on which said knoll we have this day erected a stake and stones.” On Jan. 28, 1811, a committee was appointed by the School Society of Colebrook for the purpose of affixing a place for a schoolhouse in the newly created West District. This they did by setting their stake “at the corner north of the Turnpike Road [Stillman Hill Road today] and east of the road by John Phelps and about 660 feet west of the dwelling house of Frederick Brown.” Today, the schoolhouse is 124 Stillman Hill Road, Brown’s house is the Morgan Horse Farm at 3 Pinney St. and John Phelps lived where the Cords now live at 61 Phelps Road.The West School remained in use for the next 97 years, but as the 20th century dawned, road conditions improved, and with better roads came better transportation. This, coupled with a decreasing population in the region, forced another revamping of the sdhool system, and in 1908 the West School closed its door as a schoolhouse for the last time. The remaining pupils were transported to the Center School.For many years the now abandoned West School, which remained town property, lay vacant. Finally, in 1923, the voters of the town of Colebrook instructed the selectmen to sell the West, Southwest and South schoolhouses, along with the land they stood on. From that time to the present, the old West School has served as a private dwelling.In order to gain an insight into the workings of the West School during its period of service in the 19th century, here are a few statistics gleaned from the surviving School Society documents: To begin with, there used to be an office of School Visitors. These men were charged with visiting each school twice a year and making a report on their assessment of the teacher, the pupils and the general state of affairs in and around the building itself. The earliest visitor’s report still in existence is for the year 1839-40, and was conducted by Mr. Harvey Whiting, a prominent citizen of the town. The winter session was completed in November, shortly after the beginning of that part of the school year. Here is what he had to say about the West School:“The West School was kept by Mr. Charles B. Phelps, whose reputation as a teacher is justly generally known to this society. I understand it is established rule with him to undertake no more business than can be well done — does not distract the minds of scholars by imposing on them several studies at the same time without making progress in any. He also makes it a primary of object to attend to the elementary branches. This school was also in good order. “At the first visit, this school was large and contained among others several young men, some of whom I conclude were preparing for teaching, and I was not a little gratified with their scrupulous attention to the orders of the school. The same remark would apply to a smaller number of females of nearly the same age. “At the second visit, several of the larger scholars had left, those that remained acquitted themselves honorably.”The following year, there had apparently been some dissatisfaction about the teachers expressed by some parents, which he addressed as follows:“The plea of incompetence so often made is not well founded; and I am satisfied there is not a respectable member of any district but may render some service by visiting the school in the district where he resides.“Many of the prejudices against teachers would be prevented by personal acquaintance with the teacher in as well as out of school. This would afford opportunity to observe the deportment of the scholar’s condition of the home and enable then to take measures to prevent waste and damage to the house and its appendages; to preserve the books, clothes, etc. of their children from unnecessary injury. “I am aware that this is the appropriate duty of teachers, but they cannot be expected to put any great interest in the performance of a duty in which none is manifested by parents. In several of the districts the want of a comfortable [school]house is severely felt, and it is hoped that when new ones are provided, measures will be adopted to prevent them from being defaced and destroyed.”The last visitor’s report we have is for the year 1857. At that time the number of students in Colebrook between the ages of 4 through 16 was 324, with the actual registered number being 270, and an average daily attendance of 187 in the winter. The number of registered summer students at 236, with a daily attendance of 162; those attending the West School during the winter term of three and a half months was 13, with a daily average of nine. The three-month summer term had eight registered pupils with a daily average of four. The compensation to each teacher, estimating board at $2 per week, was $14 per month in the winter session, when there was a man teacher, and $9 per month in the summer, when there was a woman teacher. The disparity of wages between the sexes is painfully obvious in the teaching profession throughout the 19th century. Indeed, when I began my studies in the first grade in the Center School in 1938, all four of Colebrook’s teachers were female, and the starting wage was $800 per year. Bob Grigg is the town historian in Colebrook.

Latest News

In remembrance:
Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible

There are artists who make objects, and then there are artists who alter the way we move through the world. Tim Prentice belonged to the latter. The kinetic sculptor, architect and longtime Cornwall resident died in November 2025 at age 95, leaving a legacy of what he called “toys for the wind,” work that did not simply occupy space but activated it, inviting viewers to slow down, look longer and feel more deeply the invisible forces that shape daily life.

Prentice received a master’s degree from the Yale School of Art and Architecture in 1960, where he studied with German-born American artist and educator Josef Albers, taking his course once as an undergraduate and again in graduate school.In “The Air Made Visible,” a 2024 short film by the Vision & Art Project produced by the American Macular Degeneration Fund, a nonprofit organization that documents artists working with vision loss, Prentice spoke of his admiration for Albers’ discipline and his ability to strip away everything but color. He recalled thinking, “If I could do that same thing with motion, I’d have a chance of finding a new form.”

Keep ReadingShow less
Laurie Fendrich and Peter Plagens:
A shared 
life in art 
and love

Laurie Fendrich and Peter Plagens at home in front of one of Plagens’s paintings.

Natalia Zukerman
He taught me jazz, I taught him Mozart.
Laurie Fendrich

For more than four decades, artists Laurie Fendrich and Peter Plagens have built a life together sustained by a shared devotion to painting, writing, teaching, looking, and endless talking about art, about culture, about the world. Their story began in a critique room.

“I came to the Art Institute of Chicago as a visiting instructor doing critiques when Laurie was an MFA candidate,” Plagens recalled.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Strategic partnership unites design, architecture and construction

Hyalite Builders is leading the structural rehabilitation of The Stissing Center in Pine Plains.

Provided

For homeowners overwhelmed by juggling designers, architects and contractors, a new Salisbury-based collaboration is offering a one-team approach from concept to construction. Casa Marcelo Interior Design Studio, based in Salisbury, has joined forces with Charles Matz Architect, led by Charles Matz, AIA RIBA, and Hyalite Builders, led by Matt Soleau. The alliance introduces an integrated design-build model that aims to streamline the sometimes-fragmented process of home renovation and new construction.

“The whole thing is based on integrated services,” said Marcelo, founder of Casa Marcelo. “Normally when clients come to us, they are coming to us for design. But there’s also some architecture and construction that needs to happen eventually. So, I thought, why don’t we just partner with people that we know we can work well with together?”

Keep ReadingShow less
‘The Dark’ turns midwinter into a weeklong arts celebration

Autumn Knight will perform as part of PS21’s “The Dark.”

Provided

This February, PS21: Center for Contemporary Performance in Chatham, New York, will transform the depths of midwinter into a radiant week of cutting-edge art, music, dance, theater and performance with its inaugural winter festival, The Dark. Running Feb. 16–22, the ambitious festival features more than 60 international artists and over 80 performances, making it one of the most expansive cultural events in the region.

Curated to explore winter as a season of extremes — community and solitude, fire and ice, darkness and light — The Dark will take place not only at PS21’s sprawling campus in Chatham, but in theaters, restaurants, libraries, saunas and outdoor spaces across Columbia County. Attendees can warm up between performances with complimentary sauna sessions, glide across a seasonal ice-skating rink or gather around nightly bonfires, making the festival as much a social winter experience as an artistic one.

Keep ReadingShow less
Tanglewood Learning Institute expands year-round programming

Exterior of the Linde Center for Music and Learning.

Mike Meija, courtesy of the BSO

The Tanglewood Learning Institute (TLI), based at Tanglewood, the legendary summer home of the Boston Symphony Orchestra, is celebrating an expanded season of adventurous music and arts education programming, featuring star performers across genres, BSO musicians, and local collaborators.

Launched in the summer of 2019 in conjunction with the opening of the Linde Center for Music and Learning on the Tanglewood campus, TLI now fulfills its founding mission to welcome audiences year-round. The season includes a new jazz series, solo and chamber recitals, a film series, family programs, open rehearsals and master classes led by world-renowned musicians.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.