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Charlie Brown comes to town

Charlie Brown comes to town

Cast members each get to shine in the production at the Sharon Playhouse, running until Sept. 29.

Matthew Kreta

The Sharon Playhouse opened the final production of their main season, “You’re a Good Man Charlie Brown” on Friday, Sept 20. The show will be open until Sept 29 and has a run time of one hour and forty minutes.

The popular “Peanuts” comic strip upon which the show is based lends an inspiration far beyond the characters and their likenesses. The vast majority of the play flows quickly from scene to scene. Most scenes are structured like a four panel comic strip and no central plot point in the show stays for more than a few minutes. These quick changes are intermingled with delightful musical numbers that cover a number of different styles in nearly every song, from opera, slow ballads, dream ballets and high energy showstoppers. Ultimately, this heavily works in the musical adventure’s favor. This snappy, ever shifting approach to the show gives the audience plenty of different vignettes to see these iconic characters interact in. There are plenty of laughs and a full range of antics to enjoy.

Every minute of the show is absolutely packed with charm, thanks in no small part to the Sharon Playhouse’s efforts by its cast and crew. The set is stylized with bright colors and sharp shadowing like a cartoon, and the iconic costumes of the “Peanuts” gang keep each cast member distinct and really make them show against the backdrop. Charlie Brown’s striped shirt finds its way into several layers of the set design as well, contributing to the angles of the set as well as some clever lighting.

The members of the six person show each have a few moments where they really get to shine, and the simple charm of the show has clearly rubbed off on them as much as it had the audience. Daniel Plimpton (Charlie Brown), Nicolas Alan Fernandez (Snoopy), Courtney Balan (Lucy), Sammy Pignalosa (Linus), Jason Williams (Schroeder) and Hayley Podschun (Sally) each bring their all to the performance and won the hearts of the opening night crowd thoroughly. Some musical standouts include “Suppertime”, “My Blanket and Me”, “T-E-A-M” and the absolutely incredible end of Act I, “The Book Report”. Despite the hall being only about half full, the laughter and applause bouncing off the walls felt like a full house.

Matthew Kreta

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