“The town is absolutely devastated. Trees and powerlines are slashed in half. The whole town is without power.”
— Rob LaBonne, owner of Labonne’s Market
Days after an extreme storm caught the Northwest Corner by surprise after an otherwise sunny Fourth of July, communities are still picking up the pieces as clean-up efforts persist. Blocked roads, downed trees and power lines, and widespread power and water outages continued to affect the region as of Monday, July 6. While more than 1,000 people in Salisbury remained without power Tuesday morning, businesses started to reopen.
Continued rain made clean-up efforts difficult as the week began, and some major roads remained partially blocked.
No tornado, but strongest warning came too late for Northwest Corner
On Saturday evening, the weather took an abrupt turn just after 7 p.m. as hurricane-force winds whipped through the region, with Salisbury and Falls Village in the direct line of the storm before it moved southeast toward Harwinton and Torrington.
The storms forced last-minute cancellations of fireworks and laser light shows in the area and created hazardous travel conditions with hail, heavy rain and strong winds. Emergency crews responded throughout the evening to blocked roads and downed wires.
Residents referred to the scene as “apocalyptic.”
While many believed a tornado was responsible for the extreme damage, meteorologists said there was no evidence to support those claims. Samantha Lankowicz, a meteorologist at the National Weather Service in Albany, said the most likely cause of the damage was strong winds.
“We looked over the radar and we didn’t see anything that would suggest there was a tornado – there were no strong signs of rotation,” Lankowicz said, adding that their radar did pick up strong, straight-line winds up to 60 and 70 miles per hour.
Although thunderstorms were predicted, most residents were not notified about the severity until shortly before the storm struck.
Meteorologist Jack Drake, who covers western Connecticut, said the storm was warned as “severe” about 30 minutes before it reached Salisbury, but it was not upgraded to a “considerable damage” warning until after it had already passed through Falls Village. He attributed the delay in part to limited radar coverage in Litchfield County, making it more difficult to assess the storm’s intensity.
Drake described the storm as a “classic discrete supercell” and one of the strongest to hit the region in recent years, estimating wind gusts may have exceeded 80 mph. He said highly localized summer storms remain difficult to forecast.
James H. Clark
Crews work on a barely-visible road in Salisbury with trees on wires and the pavement covered with debris.
Towns declare local states of emergency
The Town of Canaan (Falls Village) declared a local State of Emergency Sunday morning as a result of the storm damage. First Selectman David Barger said the move could help relieve the financial burden of the storm if state or federal funds become available.
On Sunday afternoon, Salisbury, Cornwall, Goshen, Harwinton and Torrington followed suit, each declaring a local State of Emergency.
“We want to be able to utilize all of our resources,” Barger said, adding that town crews have been called in for overtime hours to support the clean-up.
He said he received calls from North Canaan and Kent town officials who offered their support.
“They stand ready to help us,” he said. “The towns in Region One have really been drawn together.”
Salisbury First Selectman Curtis Rand also expressed his gratitude for the community support.
“It’s incredible how many have offered help and expressed concern,” he said. “It’s a beautiful thing.”
No injuries reported
As of early Sunday afternoon, state police at Troop B in North Canaan had not received reports of any injuries from the storms.
Sharon Hospital lost power for a short period of time Saturday night but the emergency generators kicked on and services were not interrupted, hospital supervisor Elizabeth Barrows said.
While Barrows could not confirm whether the storm resulted in any injuries, she said the hospital saw a number of visits from patients who were unable to use their portable oxygen concentrators as a result of power loss.
Utility crews make repairs in Salisbury. Madi Long
More than 70,000 Eversource customers in Connecticut were without power Sunday morning after the storm. That number dropped to just under 15,000 by Monday evening, July 6.
However, progress was slow in the Northwest Corner. In Salisbury, 93% of customers remained without power as of 1 p.m. Sunday, with 2,792 of 3,006 customers affected. By Monday morning, 80% of Salisbury customers were still without power. By Monday night, 42% of customers were still out, or 1,272 people.
Falls Village was also heavily affected, with more than 50% of customers without power on Sunday. The number dropped significantly to 7% Monday morning.
Just under 20% of Sharon residents were impacted, with 415 customers without power as of Monday morning.
Gov. Ned Lamont said in a statement that repairs in certain areas could take days due to the scale of the damage.
“The utilities have called down additional crews from Canada to help restore power in Connecticut as soon as possible,” he said.
Salisbury First Selectman Curtis Rand said he has been contacting Eversource regularly since the storm.
In addition to the power outages, downed wires remained an issue as of Monday night, creating single-lane roads in and out of Salisbury. Rand said between 30 and 35 poles snapped.
“We’re really beholden to Eversource and I’m reaching out all the time.”
LaBonne’s notified customers it was open in Salisbury on Monday, July 6.Aly Morrissey
Businesses in Salisbury and Falls Village were forced to close their doors due to widespread power outages. In Lakeville and Salisbury, establishments like Sweet Williams Coffee Shop & Bakery, Salisbury General Store, Provisions at The White Hart Inn, Roaring Oaks Florist, and The Woodland Restaurant had to close Sunday and Monday.
The Salisbury/Sharon Transfer Station also closed Monday.
Rob LaBonne, owner of LaBonne’s Market, took to social media Sunday morning after the storm to tell customers the market was closed with power lines down in the parking lot and a loss of electricity and internet.
“The town is absolutely devastated,” LaBonne wrote on Facebook. “Trees and powerlines are slashed in half. The whole town is without power.”
He said electricians arrived late Saturday night to help the market owner empty refrigerator cases and restore power through a generator. The grocery store remained closed on Sunday but reopened Monday with power and internet to allow for credit card transactions. The parking lot remained limited with orange cones marking the downed wires.
Some businesses, including the transfer station, started to reopen Tuesday as power was restored.
KK Kozik in her studio
It is a particularly fitting philosophy for an artist whose paintings often begin with the world around her but rarely end there. There might be something recognizable — a stone wall, an apple tree, a crow — but then there is something less certain. Something that appears to be one thing becomes another upon inspection. Memory gets involved. So does imagination. So does time.
Since moving from New York City to Sharon, Connecticut in 2006, the landscape around her has become increasingly important to that process.
“I just saw things differently,” Kozik said.
The change was not immediate. She remembers an earlier version of herself driving through Vermont without paying much attention to what was happening beyond the windshield.
“I didn’t have the means to see what was happening around me,” she said. “I just sort of la, la, la, la, la, driving to Vermont.”
But, she said, she started to pay attention differently.
“I became more sensitized as time went on,” she said.
Asked whether that change came with age, she said, “Age and so-called wisdom.”
There’s a sense of loss in her landscapes, but a particular kind of loss that also has a twinge of redemption. Specifically, what happens to a landscape when people leave it?
“When the people go away, the wildlife comes back,” Kozik said.
KK Kozik in her studio with her painting “Golden Delicious.”Natalia Zukerman
Kozik’s work has never settled into a single recognizable formula. She has painted landscapes, figures and still lifes, moved toward abstraction and returned to representation. Her subjects change, but the underlying impulse remains: to take what is in front of her and discover what else there might be.
Kozik describes herself as someone who is always trying to figure things out. Her paintings often have the feeling of a thought in progress rather than a conclusion. They have been called “single-line novellas,” a description that makes sense: They can contain the suggestion of an entire story without telling you exactly what happened.
The animals are part of that storytelling.
They arrived partly because of what was disappearing.
“They were like the new redemption in a way,” she said.
There is something almost funny about the way Kozik talks about this — not because the loss itself is funny, but because she refuses to turn it into a grand pronouncement. She observes something, considers it, and lets it complicate the work.
That same sensibility comes through when she talks about her own development as an artist. Her paintings make room for interpretation. They don’t always tell the viewer what an animal symbolizes, or why a landscape has been altered, or where a particular image came from. Instead, they leave enough evidence to make you curious and enough room for your own stories.
The effect is not accidental. Kozik has spent years thinking about how images work, both as paintings and as containers for ideas.
Her work is currently included in “The Naturalist,” a group exhibition on view through Sept. 13 at Kenise Barnes Fine Art in Kent, alongside Richard Klein, Sally Maca, Rick Shaefer and Tricia Wright. The exhibition brings together artists whose work engages with the natural world, including its forms, histories and mysteries.
Kozik is an especially apt fit for the exhibition. She is described by the gallery as a landscape painter, figurative painter and interiors/still-life painter whose work frequently moves toward painterly abstraction. Her practice, the gallery notes, is “fluid and continuous” — always searching for new pictorial problems to solve.
That search has also extended beyond her own studio.
For several years, Kozik ran ICEHOUSE Project Space, an 18th-century icehouse on Sharon’s town green that she transformed into an unusual venue for contemporary art. It opened in 2018 with Dan Devine’s “Inside-Out NASCAR” and went on to host site-specific projects by artists including Mark Dion, Eric Aho, Janet Biggs, Richard Klein, Kristin Jones, Lisa Hoke and Ryan Frank. The projects addressed everything from the decline of winged insects and native and invasive plants to Sharon’s iron industry, its gardens and its history as an ice-producing community.
The space is now closed, but its premise still feels connected to Kozik’s painting practice. Each project responded in some way to the physical location, turning what might otherwise have been a little historic outbuilding into a setting for contemporary art.
Kozik’s own work does something similar with the landscape. She takes a place and lets it become more than a place.
Kozik’s paintings tell us that something happened before we arrived, and that something will happen after we leave.
And then there is the question of what to do with the space in between.
Maybe Kozik’s paintings are less about that space and more about an idea, as she put it, of “which questions to think about.”
Jazzmine Bone and A Stitch in Tyme power through the Gambler’s Choice run during the 2024 Lakeville Open.
The event, which has been held continuously for 69 years, is open to the public with free admission.
Individual competitions will run from 8 a.m. to 5 p.m., and visitors can stop by briefly or settle in for the day.
A food truck, bake sale and portable restrooms will be available on-site.
The show is the primary fundraiser for The Lakeville Pony Club, with proceeds supporting young riders who need financial assistance to participate in lessons. Members and their families work throughout the year to create the event for both competitors and spectators.
Members of the Lakeville Pony Club and Echo the pony arrive for the costume class during the Lakeville Open in 2024.Caitlin Von Graf
For those new to horse shows, the day offers a chance to learn more about the sport and understand what happens in the ring. In equitation competitions, judges evaluate the rider’s skill, from beginners learning walk and trot to more advanced riders navigating cantering and jumping courses.
Hunter competitions focus on the horse’s style and smoothness over fences, while jumper classes emphasize accuracy and speed as horses and riders race against the clock without knocking down rails.
The day also includes a crowd favorite: the costume class, where horses and riders dress up in creative ensembles for a chance at the top prize.
Programs will be available onsite to help spectators identify competitors and horses. A full list of competitions, entry information and details for those interested can be found at rigameadow.com
Whether an experienced equestrian or simply curious about the sport, the Lakeville Open Horse Show offers a chance to enjoy a Hudson Valley tradition that continues to bring the community together.
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