NORTH CANAAN — The long-awaited opening of Community Health and Wellness Center’s (CHWC) facility on East Main Street has arrived.
After more than a decade of planning and collaboration with community partners, CHWC’s North Canaan goals have become reality. The ribbon cutting ceremony on Friday, May 10, ushered in a new era of healthcare for the Northwest Corner.
CHWC CEO Joanne Borduas spoke on the monumental achievement and what it means for the people of the region, saying the new center “welcomes everyone through the door without stigma and without discrimination. And for that, we are so grateful.”
Adding to its standalone centers in Winsted and Torrington, CHWC’s new facility in North Canaan is open to the roughly 17,000 residents in the Region One towns and Norfolk.
Foundation for Community Health (FCH) worked alongside CHWC throughout the process. Director Nancy Heaton spoke at the ribbon cutting and recalled an email she sent to regional leaders and medical professionals in 2007 to discuss healthcare opportunities in the Northwest Corner. She identified the need for a comprehensive medical center and Heaton was “more than a little bit emotional” to see the new facility open its doors 17 years later.
“I believe that this center can and will contribute toward improving the health and well-being of all the communities. Not just North Canaan, but all the surrounding communities.”
Joanne Borduas speaks before approximately 100 attendees for the ribbon cutting of the new health center in North Canaan.John Coston
The new center will offer integrated medical and behavioral health services, providing a one-stop destination for comprehensive care.
“Rural healthcare is a crisis and a challenge across this country,” said State Rep. Maria Horn (D-64) to the roughly 100 attendees of the ribbon cutting. “These people matter. They all matter, and they all deserve healthcare and we’re going to make it work.”
“Today’s ribbon cutting ceremony for CHWC’s new regional healthcare center marks the official start of a chapter deeply rooted in equity, access, and affordability,” said First Selectman Brian Ohler. “As a small rural community we are so thankful and honored that CHWC and its leaders chose North Canaan as their hub for such a critical resource.”
An open house will be held Saturday, May 11, from 10 a.m. to 1 p.m. to introduce the community to its new wellness center.
Office hours are Monday through Friday, 8:30 a.m. to 5 p.m. For more information, or to schedule an appointment for either primary care or mental health services starting in early June, call (860) 362-5101.
Joanne Borduas and artist John J. Hodgson, who painted the art seen here inside the regional health center. Riley Klein
Contemporary chamber musicians, HUB, performing at The Clark.
MASS MoCA is known for its 20th-century holdings spread throughout a sprawling complex of industrial brick buildings. Installations by Sol LeWitt and James Turrell have permanent homes there. Just down the road in Williamstown, the Clark features masterworks by Winslow Homer, Frederic Remington, John Singer Sargent and Claude Monet.
But what visitors might not immediately associate with those established names is how deeply both institutions invest in art happening right now.
On Saturday afternoon, a panel of young artists discussed their relationships with art, identity and technology as part of MASS MoCA’s “Technologies of Relation” exhibition, which opened that evening. The artists represented a broad range of cultural backgrounds, drawing on ancestry while exploring the future of art and technology.
The work itself ran the gamut: wax relief paintings, stained glass, interactive video and sculptural installations. One immersive piece automated the traditional Armenian practice of reading fortunes from coffee grounds. Particularly striking were Roopa Vasudevan’s hand-drawn QR codes and Taeyoon Choi’s large-scale weavings of binary code.
Opening the same night was Zora J. Murff’s “RACE/HUSTLE.” Through photographs, paintings and installations, Murff explores the wide-ranging and sometimes violent implications of being Black in America today. Each piece — whether confronting the rise of white supremacy or examining stereotypes imposed on Black communities — carries razor-sharp visual commentary designed to unsettle.
Pelenakeke Brown’s “Reverb” (detail) at Mass MoCA. D.H. Callahan
On Sunday, the Clark continued the contemporary thread. A small exhibition of work by Raffaella della Olga, titled “Typescript,” features intricate patterns created using a typewriter on varied paper surfaces. The effect seems almost impossible until viewers watch a video of della Olga loading her typewriter with 140-grit sandpaper and typing in a hypnotic rhythm. Though the typewriter is considered obsolete technology, she continues to find new applications for it, completing some of the works in recent months.
Next door in the Clark auditorium, HUB New Music performed works written specifically for its unusual instrumentation: violin, cello, clarinet and flute. While that combination may not stand out to casual listeners, relatively little classical repertoire exists for it. The ensemble regularly commissions composers to expand the possibilities.
The results were striking. From the opening notes of Francisco del Pino’s “Passacaglia,” the quartet’s command and layered repetition pulled unexpected emotion from the audience.
After three pieces came the world premiere of Daniel Wohl’s “Mirage,” a roughly 25-minute work accompanied by digital blips, static and electronic textures evoking radio transmissions and UFO lore. Hearing four virtuoso musicians extract entirely new sounds from traditional instruments echoed the weekend’s larger theme: old tools made new again.
Like della Olga’s typewriter, Vasudevan’s QR codes or Murff’s charged imagery, the performances demonstrated that contemporary art often grows from familiar materials — reimagined.
The old masters will always draw visitors to these institutions. But when living artists command equal attention, this quiet corner of the Berkshires feels less like the middle of nowhere and more like a creative epicenter.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his artist wife in West Cornwall, Connecticut.
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