Thank you!
Your support is sustaining the future of local news in our communities.

Movie Musicals: ‘More Stars Than There Are In Heaven’

The Golden Age of MGM musicals began about 1935 with Fred Astaire and Ginger Rogers in “Top Hat” and ended around 1958 with Vincente Minnelli’s “Gigi.” Covering this cornucopia of treasures is beyond the scope of this column. Fortunately, MGM did it for me in this 1974 film celebrating its 50th
anniversary with highlights from its musicals: “That’s Entertainment.”

Your hosts are Frank Sinatra, Gene Kelly, Liz Taylor, Jimmy Stewart, Fred Astaire, Bing Crosby, Mickey Rooney and others, who stroll around MGM’s shabby backlot, where many of the movies were made.

Here is a brief sample of the more than 85 musical numbers they introduce:

• Nelson Eddy and Jeanette MacDonald, “Indian Love Call”; Debbie Reynolds, “Aba Daba Honeymoon”; Esther Williams, “Million Dollar Mermaid” — couldn’t sing or dance but she was beautiful and could hold her breath for three minutes.

• Gene Kelly, Frank Sinatra and Jules Manshin, “New York, New York” from “On the Town”; Bing and Frank, “Well, Did You Evah” from “High Society”; Maurice Chevalier, “Thank Heaven for Little Girls” from “Gigi.”

• William Warfield, “Ol’ Man River” from “Showboat”; Donald O’Connor, “Make ‘Em Laugh” from “Singin’ in the Rain”; Judy Garland, “Over the Rainbow” from the most popular movie in film history, the first in Technicolor, the enduring “The Wizard of Oz.”

• The incomparable Fred Astaire, dancing with Ginger, with Cyd Charisse, “Dancing in the Dark,” from “The Band Wagon,” with a hat rack in “Royal Wedding,” and with Eleanor Powell in an amazing tap dance from “Broadway Melody of 1940,” after which Sinatra remarks: “You can wait around and hope, but you’ll never see the likes of this again.”

The finale is the beautiful “An American in Paris Ballet” with Gene Kelly and Leslie Caron.

“That’s Entertainment” can be seen on HBO Max. Two sequels are also available, from 1976 and 1994.

Hollywood musicals are still made of course, although they are quite different from the MGM movies, which projected pure happiness. These stories are more complicated, touching, even tragic.

Most folks loved “La La Land” (2016), including me. Some dissented, arguing that the stars weren’t big enough. Maybe, but Ryan Gosling and Emma Stone are charming and graceful enough to pull off Damien Chazelle’s almost-Oscar-winning film.

It opens with a terrific MGM-style production: Young dreamers stuck in traffic jump out of their cars and dance on the freeway. Then it settles into a melancholy tale of an aspiring actress and a jazz pianist who fall in love. Justin Hurwitz’s score won many awards, as did his songs “City of Dreams” and “The Fools Who Dream.”

Stream “La La Land” on Hulu or rent it on Amazon.

Bradley Cooper’s 2018 remake of “A Star Is Born” is an even better musical, mainly due to Lady Gaga, a true star who can really sing. Cooper isn’t bad either.

This is the story of a doomed marriage between country singer Jackson Maine and his singer-songwriter wife, Ally. Ally is on her way up and Jackson on his way down. Is there a sadder scene in film than the one of Jackson’s dog, Charlie, lying in front of the garage door?

Stream “A Star Is Born” on HBO Max, rent it on Amazon.

Each of the above films cost about $40 million to produce. The budget for the 2007 film “Once” was about $150,000. It was later produced on Broadway, winning the 2012 Tony for Best Musical. It tells the story of two struggling musicians in Dublin, played by Glen Hansard and Marketa Irglova.  They also wrote the music, and their song “Falling Slowly” won the 2008 Oscar for Best Original Song. Do not miss this small treasure.

“Once” can be seen on Amazon.

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less

Marina Kotchoubey is not a woodworker

Marina Kotchoubey is not a woodworker

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.