Desperately seeking Susan Seidelman

The cover art for Seidelman's memoir "Desperately Seeking Something."
Provided

The cover art for Seidelman's memoir "Desperately Seeking Something."
On Thursday, Sept. 19 at 6 p.m., Haystack Book Talks will present a special evening with director Susan Seidelman, author of “Desperately Seeking Something: A Memoir About Movies, Mothers, and Material Girls.” Part of the Haystack Book Festival run by Michael Selleck, the event will take place at the Norfolk Library, featuring a conversation with Mark Erder after a screening of the 1984 classic, “Desperately Seeking Susan.”
Susan Seidelman’s fearless debut film, “Smithereens,” premiered in 1982 and was the first American indie film to ever compete at Cannes. Then came “Desperately Seeking Susan,” a smash hit that not only solidified her place in Hollywood but helped launch Madonna’s career. Her films, blending classic Hollywood storytelling with New York’s downtown energy, feature unconventional women navigating unique lives. Seidelman continued to shape pop culture into the ’90s, directing the pilot for “Sex and the City.” Four decades later, Seidelman’s stories are still as sharp, funny, and insightful as ever.

Natalia Zukerman: How has it been for you watching the film all these years later?
Susan Seidelman: It’s been interesting to watch it with multi-generational audiences. You never know whether something’s going to pass the test of time, but I think it does.
NZ: You write in the opening of your memoir, “If how one sees the world is a reflection of who they are (and I believe it is), then you can look at the world reflected in any of my films and see little pieces of me. Like Where’s Waldo? I’m hidden somewhere in each of them.” So where are you hidden in “Desperately Seeking Susan?”
SS: Well, I’m not so hidden in that. I’m a little bit of both characters, really. I mean, I was a girl who grew up in the suburbs, but I was also that rebellious girl from the suburbs who moved to New York City to live a different kind of life. It’s really about wanting to be your authentic self, that within all of us, there’s this other person that we sometimes want to let out.
NZ: Was there pressure for you to top the success of “Susan”?
SS: You know, no one expected this movie to be successful. It was made for $5 million, which for a studio movie was low. We shot it in New York, and the studio in LA kind of thought, “Oh, it’s just a little bit of money, we’ll leave them alone.” And then surprisingly, Madonna became such a superstar at the exact moment that we were making the movie. That was something that we couldn’t have planned any better. So, suddenly the film got way more attention critically as well as commercially than we ever expected. I knew that at some point, people were looking over my shoulder saying, ‘What are you going to do next?’ People were paying attention.
NZ: And was that hard or demanding of you in a new way?
SS: There’s something in the film industry called “the sophomore slump” so I knew that whatever I did next was going to be viewed differently because of the success of “Susan.”
(Seidelman’s third film was “Making Mr. Right” which came out in 1987 and starred John Malkovich and Ann Magnuson.)
SS: “It’s an AI romantic comedy. It’s about a woman who falls in love with an android that she gets to program. It’s sort of a Pygmalion story. She creates what she thinks is the perfect man, and then she falls in love with her creation.
NZ: Tell me about “Sex and The City.” How did that come about?
SS: That came about because Darren Star was a fan of “Desperately Seeking Susan” and a few of my other movies that are about New York City as much as they are about the characters. He wanted “Sex and The City” to be about the women, but to also be about the city. So, he contacted me, which was interesting because I never really wanted to work in television. Back then, it was kind of like the ugly stepsister to the movie business. I mean, it was great for writers because there was some wonderful writing going on. But by the mid late 90s, HBO and Showtime really reinvented television and suddenly TV didn’t look like TV anymore — the language was bolder, the themes were more adult. So, when I got the script and I first heard it was going to be a pilot for a TV series, I was not that excited about it. And then I read the pilot, and I thought, ‘Wow, this is pretty amazing.’ The writing was smart, and it was about women in their mid 30s, and there weren’t that many shows that starred women of that age at that time.
NZ: So how old are you now, may I ask?
SS: 71
NZ: Incredible. And how do you feel?
SS: I feel good. I mean, I think another factor of why I wanted to write this book was because suddenly I felt I was old enough to kind of look back on my career with enough objectivity, with a filter of time, and with enough to say about it and maybe enough distance. And I can’t believe it’s been more than 40 years now. You know, I didn’t want to tell tales out of school or be snarky or vindictive. It wasn’t about airing dirty laundry or anything. I wanted to tell my story from the inside out. I mean after 40 years of reading other reviewers or people writing about what they thought I was doing or thought my motivation was, I thought it was time to do it myself.
The HVRHS boys rejoice around Jackson McAvoy after he scored the game-winning goal against Shepaug with just two minutes left to play.
WASHINGTON — Housatonic Valley Regional High School’s boys varsity soccer team advanced to the Berkshire League tournament final after a 1-0 win over Shepaug Valley High School in the semifinal game on Friday, Oct. 24.
Jackson McAvoy scored the game-winning goal with just two minutes remaining.
The victory marked HVRHS boys soccer’s first victory over Shepaug since 2020.
“Finally,” said HVRHS Coach Adolfo Portillo after the game.
HVRHS will play top-ranked Nonnewaug High School in the BL final. Nonnewaug advanced to the title game by beating Northwestern Regional High School in penalty kicks (4-3) after a 1-1 draw in regulation time.
The championship game will be played at Nonnewaug beginning at 5 p.m. Tuesday, Oct. 28.

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Students dressed in neon lined the soccer field for senior night under the lights on Thursday, Oct. 16. The game against Lakeview was the last in a series of competitions Thursday night in celebration of Homecoming 2025.
As homecoming week reaches its end and fall sports finish out the season, an air of school spirit and student participation seems to be on the rise across Housatonic Valley Regional High School.
But what can be attributed to this sudden peak of student interest? That’s largely due to SGA. Also known as the Student Government Association, SGA has dedicated itself to creating events to bring the entire student body together. This year, they decided to change some traditions.
Spirit week from Oct. 14-17 was unlike those of the previous years. From wearing Housatonic merch to Boomer vs Baby day, this year’s spirit week held a little friendly competition to see which grade could participate the most.
“I think that students are bored of the same old activities and events, so it’s good to switch things up even slightly to incentivize interest within students,” said SGA president and senior Mollie Ford. “Plus the point system is super beneficial because it gives students a reason to participate.”
The school spirit sentiment can be seen outside of just the school. Senior Simon Markow is known for his photography throughout the community, and has dedicated time to help Housy sports teams’ social media posts.
“Since I’ve started photography, I think school attendance [at sports games] has gone up,” Markow said. “I feel this year, students will be more aware of games and are more likely to be at the games.”
Whether it’s a pink-out volleyball game or an under the lights soccer match, it’s likely you’ll see some familiar faces.
Social media has played a large role in this over the years. Almost every student organization at Housatonic has an Instagram account, and it’s helped reach students more efficiently than a poster or email would.
“The increase of social media use, with the help from me but as well as the teams themselves has definitely increased student interest,” Markow said. “With Housy teams posting more about their upcoming games, and my help showing the cool goals, spikes, or touchdowns, it’s enlightened students to watch the games themselves.”
In a small school, promoting pride has proven to be a challenge. But this year’s senior class has made some adjustments in the hopes to change that.
“The SGA community has spent the last few years really focusing on student participation, because we think it’s the students who contribute to a better climate,” Ford said. While Housatonic’s student body may be small in size, it seems they certainly aren’t small in spirit.