FALLS VILLAGE — A unique exhibition of photographs opens at the David M. Hunt Library Saturday, March 16.
The show, “From the Great Falls to the Hilltops: The Mabel Hallaway Collection of Early 20th Century Photography,” is of interest to historians and to those interested in the history of photography.
The images are from a photo album and a box of glass slide and film negatives from the Falls Village-Canaan Historical Society.
Garth Kobal, who wrote the introduction to the exhibition catalog, explains further:
“Looking through the photo album [in 2015], my eyes caught several photographs of women with bellows cameras and tripods, wearing black dresses in the full sun. All the photographs were taken outdoors — some in a clearing and others, most impressively, at the Great Falls.”
Three years later, Kobal was shown digital scans of images from glass slides, from roughly the same early 20th century period.
“There were photographs of a farm, two men on a porch with fiddle and banjo, a teacher and her students in front of Beebe Hill Schoolhouse, and a mesmerizing image of a man wearing a bowler hat, standing on a rock centered in front of the expanse of the Great Falls.”
A sample image from the exhibit that will be on display at David M. Hunt Library in Falls Village beginning March 16.Submitted
Now the images from the two sources have been combined to create this unique event.
On Feb. 23, a reporter visited Rika Laser’s Falls Village studio where the exhibition team — Kobal, Rika Laser, Sara Laser, and Sergei and Zoe Fedorjaczenko — was putting the final touches on the framed prints.
Most of the images are particularly sharp and clear, and reveal a great deal about life in Falls Village and the immediate area circa 1920.
One photo is of Catherine Woodin of Amesville, standing in front of a neatly stacked pile of wood in a sort of cape over skirt arrangement that looks very bulky by modern standards.
The catalog notes that “A February 1965 Lakeville Journal profile of her said, ‘It is no idle boast when Mrs. Woodin says that she is an expert wood chopper.’”
On Saturday, March 16, the official exhibition opening and reception at 4 p.m. will be preceded by a 3 p.m. presentation on glass slide photography with Daniel Karp of Bard College at Simon’s Rock.
And on Saturday, March 23, from 3:30 to 5 p.m., there will be a presentation on early 20th century fashion with Michele Majer of Cora Ginsburg LLC.
This article has been updated with the correct time of Michele Majer's presentation.
Travel league baseball came to Torrington Thursday, June 26, when the Berkshire Bears Select Team played the Connecticut Moose 18U squad. The Moose won 6-4 in a back-and-forth game. Two players on the Bears play varsity ball at Housatonic Valley Regional High School: shortstop Anthony Foley and first baseman Wes Allyn. Foley went 1-for-3 at bat with an RBI in the game at Fuessenich Park.
Anthony Foley, rising senior at Housatonic Valley Regional High School, went 1-for-3 at bat for the Bears June 26.Photo by Riley Klein
Uncommon books at the intersection of art and literature.
Pearson first encountered the world of alternative publications — magazines filled with experimental writing, artworks in the form of a book, and samizdat literature — as a young writer living in Berlin just before The Wall came down in 1989. Later, in New York City, she spent a great deal of time with artists “who were always making and assembling, whose continuous art-making made the thin membrane between art and life even more porous,” she explained.
Pearson traces the idea of publishing to a 2001 exhibition of artist-poet Joe Brainard. That show led to “The Nancy Book,” Siglio’s debut title in 2008, and she’s never looked back. The book contains over fifty full-page reproductions of Brainard’s dazzlingly accomplished and witty drawings of the cartoon strip character, Nancy. It includes essays and contributions by Robert Creeley, Ann Lauterbach, Frank O’Hara, Ron Padgett, and other poets of great renown, all thrilled to celebrate and remember Brainard (sometimes called “a poet’s artist”) who died of AIDS in 1994. Pearson said, ‘My first project with Brainard was such a good experience, I kept going. “
Since then, Pearson, the sole proprietor of Siglio, has designed, edited, and published over 40 books and other printed editions. Her books are characterized by unexpected juxtapositions of texts and images and collage-like assemblages, as well as for carefully designed and gorgeously printed volumes. Her list includes many “rediscoveries” of unpublished manuscripts and little-known publications. At the same time, she has commissioned new work from an impressive array of artists and writers such as Christian Marclay, Sophie Calle and Cecilia Vicinua among others.
Uncommon books at the intersection of art and literature.Richard Kraft
Though most Siglio books feature work by artists and writers from the 1960s to today, one standout— “Tantra Song” (2011) — showcases vibrant 17th-century Indian tantric paintings collected by poet-ethnographer Franck André Jammes, their modernist feel echoing Hilma af Klint or Brice Marden. Siglio also frequently draws on the spirit of the Fluxus movement, reissuing works by figures like John Cage and Ray Johnson with editions that honor their playful, ephemeral, and poetic origins.
Siglio also excels at photo-narratives rooted in highly specific, often eccentric concepts. “Memory” (2020), by avant-garde writer Bernadette Mayer, reproduces her journal and daily rolls of 35mm film from a month in the Berkshires in 1971, capturing the texture of each day. “Call and Response” (2022), created during COVID lockdown by composer and visual artist Christian Marclay, pairs his photographs of London’s quieted streets with musical scores composed in reply by his friend Bruce Beresford—each image in dialogue with sound.
Siglio books are sold through it’s website (sigliopress.com), as well as museum or specialty bookshops. (The Lenox Bookstore represents a number of Siglio books; the newly opened Lakeville Books & Stationery has copies of “Tantra Song.”) In all cases, Pearson strives to make “two or three degrees of connection” with each book buyer, including a “special gift” — often a piece of printed ephemera — with each purchase.
