Journalists decode modern-day news media landscape

From left, journalists Joel Simon, Charlotte Howard and Kurt Andersen speak about the news industry at a program sponsored by the Cornwall Library on Saturday, Oct. 25.
Ruth Epstein

From left, journalists Joel Simon, Charlotte Howard and Kurt Andersen speak about the news industry at a program sponsored by the Cornwall Library on Saturday, Oct. 25.
CORNWALL — Three prominent journalists shared their outlook on the state of the news industry on Saturday, Oct. 25, at a talk sponsored by the Cornwall Library, offering a mix of pessimism and hope about journalism’s future.
The three panelists included Kurt Andersen, a bestselling author and regular contributor to The New York Times and The Atlantic, who also co-founded Spy magazine; Charlotte Howard, executive editor and New York bureau chief of The Economist, who also co-hosts the magazine’s Checks and Balances podcast; and Joel Simon, founding director of the Journalism Protection Initiative at the Craig Newmark Graduate School of Journalism at City University of New York, who is the author of four books and writes frequently about media issues for a range of publications.
When Andersen asked the other panelists what they were reading, Simon began by urging the country to take back control and not be passive consumers of information. “We have to have news sources,” he said. “And for me, it’s The New York Times. I find some criticism with it, but I still read it first. But once grounded, it can be fun to be on social media.”
Howard recalled a time when she was responsible for covering a region stretching from North Dakota to Ohio, noting the stark contrasts in how liberal and conservative outlets approached the news. “You have to pay attention not just to mainstream media, but other outlets as well,” she said.
Andersen added, “Opinion without fact is a big mistake.”
Simon noted that his generation could decipher opinion from fact, while Howard said different generations consume their news from different sources. She said at The Economist, they source plain, spoken accurate information. Andersen said he’s not sure he buys the theory that young people are not at all interested in news.
Turning to the topic of podcasts, the trio agreed they are popular. Andersen said they are basically comprised of long conversations that young people enjoy listening to. “I see great hope in them.”
Howard said she finds a wealth of podcasts to be wonderful, but cautioned they have a potential for problems if they are made up of commentary and not factual reporting.
Asked about the emotional benefit of seeking out news, Howard said people are looking for some comfort in chaos, while others want to know where the world is heading.
Simon said people base their news assumptions based on the community from which they come. “Part of it is the social community that we want to be part of and be accepted in,” he said. “Also there is a resurgence of news avoidance; a high level among young people.”
Howard broached the subject of click bait, noting that papers know if they write it one way, they’ll get people to come back. “We need to be level-headed; sensationalizing news is a downer. That’s our strategy at The Economist. Not tugs.”
Andersen chided the Republican party, saying many of its members pay such little attention to facts, pointing out such fallacies as Portland is burning down, he asked what does the media do?
Howard responded, noting that “During Trump’s first term, his lies were the news. This term his actions are the news. It’s about how open he is; not pretending. It’s an expansion of presidential power. He’s moved beyond truth and is redefining his power.”
Simon said he finds the blowing up of boats to be terrifying and what that can lead to. He urged the media to rally their communities. “Do your job. Defend your right as an institution. Journalists have the same rights all citizens have. They are under assault.”
During the comment period, one woman said she wanted to know what is not being reported. Howard said investigative reporting is very expensive. “I think most things are being covered, but there is so much out there.” Simon said such reporting is demanding, rigorous and time-consuming. “But we need more.”
When talking of Trump, Simon said, “I’ve never seen anyone more hungry for publicity. He has that strange, unending desire to be the star of the show.”
Howard said she both agrees and doesn’t agree with that. “Trump makes people feel they’re understood. But he couples it with animus. All his policies are horrible and don’t help him. His popularity is very low. But he is successful in driving the news and causing reactions.”
Simon said there’s a belief that if people knew the truth, they’d change their perspective. “I don’t think so.”
Ulysses Quartet
Music Mountain is partnering with Wethersfield Estate & Garden in Amenia to present the acclaimed Ulysses Quartet, joined by clarinetist and Music Mountain artistic director Oskar Espina Ruiz. The performances, on Saturday and Sunday, Nov. 15 and 16, will open Music Mountain’s Winter Concert Series — an extension of the beloved summer festival into the colder months and more intimate venues.
The program features Seth Grosshandler’s “Dances for String Quartet,” Thomas Adès’s “Alchymia for Clarinet Quintet,” and Mendelssohn’s String Quartet in E Minor, Op. 44, No. 2. Adès’s 2021 composition draws inspiration from Elizabethan London. Each movement is “woven from four threads,” writes the composer with titles that refer to Shakespeare’s “The Tempest,” John Dowland’s lute-song “Lachrymae,” variations on the playwright Frank Wedekind’s “Lautenlied” and more.
Praised for their “otherworldly magic” (The Millbrook Independent), the Ulysses Quartet brings a remarkable chemistry to the stage, one honed through years of international accolades and residencies. Espina Ruiz, known for his “tender warmth” and “rhapsodic ease” on clarinet, will join the quartet for Adès’s modern masterwork.
The Carriage House at Wethersfield, with its singular acoustics and historic charm, offers an ideal setting for this blend of heritage and innovation. A reception with the artists will follow each performance.
Tickets are available at wethersfield.org or by calling (845) 373-8037. Doors open at 2:30 p.m. Performances at 3 p.m.
Gabriel Sousa as Jack and Marilyn Olsen as Bridgit in “Death By Design.”
Take your seats in the spacious Nancy Marine Studio Theatre at the Warner Theatre in Torrington to be transported to a cozy 1930s English country manor house, the setting for “Death By Design,” a farcical murder mystery by playwright Rob Urbinati and presented by the resourceful volunteer-run Stage @ The Warner.
A pleasing amalgam of classic drawing room English comedy and Agatha Christie-style murder mystery — with sharp dialogue, eccentric characters, and suspenseful plot twists —the play keeps the audience guessing and laughing until the final curtain.
The premise involves playwright Edward Bennett and his actress wife, Sorel (played by Darrel Cookman and Christiane M. Olson), who withdraw to the country after a particularly disastrous evening. Unexpected guests arrive, much to the dismay of the couple and their staff, and a murder takes place. Their sassy, smart and resourceful Irish housekeeper, Bridgit (Marilyn Olsen), is determined to solve the mystery instead of just reading about them in novels.
Playwright Rob Urbinati has a clear love of his source material and his writing often out-Cowards Noël Coward with witty wordplay (Coward’s famous line from “Private Lives,” “Don’t quibble, Sibyl,” here becomes “Mustn’t quarrel, Sorel”) and other delightful turns of phrase and aperçus. Under Jonathan Zalaski’s able direction, the production’s game cast dives gleefully into their over-the-top characters, including, in addition to those previously mentioned, an inquisitive chauffeur (Gabriel Sousa); a conservative politician (David Macharelli); a bohemian, free-spirited artist (Adriana Medina); a high-strung revolutionary (Ron St. John III); and a nearsighted ingénue (Zazzy Cores).
The creative team includes David Verdosci (set designer), Renee Purdy (costume designer), Chris Lubik (lighting designer), Nicole D’Amico (props master), Alyssa Archambault (production stage manager), Kyla Madore (assistant stage manager), Charlene Speyerer (production manager), Lee Evans (technical director), Marrianne Parks (choreography), Tracy Liz Miller (intimacy coach), Chet Ostroski (fight coordinator), and Melissa “PK” Tonning-Kollwitz (dialect coach).
The cast’s enthusiasm and the play’s inherent wit provide ample laughs and intrigue to keep the audience amused, engaged and guessing until the end. Though not a play, as one character puts it, of “social significance,” “Death By Design” definitely sets its sights, as another character says, on “cocktail and caviar.” It makes for a fun evening of murderous mayhem.
“Death By Design” runs through Nov. 16th, with an ASL-interpreted performance at 2 p.m. on Nov. 16.
Stage @ The Warner is a community theatre program with over 800 volunteers producing Broadway-style shows at the Nancy Marine Studio Theatre, 84 Main St., Torrington. Founded by Jim Fritch and Neil Pagano, the company makes quality theater accessible at reasonable prices. Stage @ The Warner inspires local performers while enriching the community through exceptional theatrical experiences.
Running time for “Death By Design”: Two hours, including a 15-minute intermission. For tickets, go to warnertheatre.org.
Richard Feiner and Annette Stover have worked and taught in the arts, communications, and philanthropy in Berlin, Paris, Tokyo, and New York. Passionate supporters of the arts, they live in Salisbury and Greenwich Village.
Housatonic Valley Regional High School’s girls soccer team celebrates a goal in the quarterfinal game Nov. 7.
FALLS VILLAGE — Housatonic Valley Regional High School’s girls soccer team advanced to the semifinals of the state tournament.
The Mountaineers were the highest seeded team of the four schools remaining in the Connecticut Interscholastic Athletic Conference Class S playoffs.
HVRHS (3) got matched against Morgan High School (10) in the semifinals. On the other side of the bracket was Canton High School (4) versus Old Saybrook High School (9). The winners of both games will meet in the Class S championship game.
To start the tournament, HVRHS earned a first-round bye and then had home-field advantage for the second-round and quarterfinal games.
In the second round Tuesday, Nov. 4, HVRHS won 4-3 against Stafford High School (19) in overtime.

Ava Segalla scored three goals for Housatonic, including the overtime winner, and Lyla Diorio scored once.
Bella Coporale scored twice for Stafford and Gabrielle Fuller scored once.
HVRHS matched up against Coventry High School (11) in the quarterfinal round Friday, Nov. 7.
In the 2024 tournament, Coventry eliminated the Mountaineers in the second round. Revenge was served in 2025 with a 4-2 win for HVRHS.
Segalla scored her second hat trick of the tournament and Georgie Clayton scored once.
Coventry’s goals came from Jianna Foran and Savannah Blood.
“The vibes are great,” said HVRHS Principal Ian Strever at the quarterfinal game.
The semifinal games were played Wednesday, Nov. 12, on neutral ground. HVRHS and Morgan met at Newtown High School.
Morgan was the runner-up in last year’s Class S girls soccer tournament, losing in penalty kicks to Coginchaug High School.
WATERBURY — The Gilbert/Northwestern/Housatonic co-op football team record improved to .500 after defeating Waterbury Career Academy 16-12 on Saturday, Nov. 8.
It was the third consecutive win for GNH. After bouncing back from a 1-4 start, the Yellowjackets moved into fourth place in Naugatuck Valley League standings.
Two games remain for the Yellowjackets: at home Saturday, Nov. 15, against Holy Cross High School (5-3) and then away at St. Paul Catholic High School (2-5) for the Turkey Bowl on Wednesday, Nov. 26.