Thank you!
Your support is sustaining the future of local news in our communities.

Mariann Edgar Budde, Marilynne Robinson and Paul Elie offer voices of courage

Mariann Edgar Budde, Marilynne Robinson and Paul Elie offer voices of courage

Bishop Mariann Edgar Budde (foreground), Paul Elie, and Marilynne Robinson sign books for attendees.

L. Tomaino

On Sunday, Sept. 28, at the Mahaiwe Performing Arts Center, a full audience eagerly gathered to hear authors Bishop Mariann Edgar Budde, Marilynne Robinson and moderator Paul Elie discuss what is happening in the United States.

The talk was part of the 2025 Words, Ideas, and Thinkers Literary Festival (WIT), presented by the Authors Guild.

Mary Rasenberger, CEO of the Authors Guild, introduced the panel, saying, “With the growing tyranny and attacks on democracy, what can we do? Budde and Robinson will give us reason to hope.”

The day after the inauguration on Jan. 21, Budde ascended to the pulpit at the National Cathedral in Washington, D.C., to ask the new president “to have mercy upon the people in our country who are scared now.” She is bishop of the Diocese of Washington, D.C., and author of three books.

Marilynne Robinson, well known for her four-book Gilead series, is the recipient of many awards for her fiction and nonfiction, including a Pulitzer Prize.

Moderator Paul Elie, a regular contributor to The New Yorker and author of several books, has twice been a finalist for the National Book Critics Circle Award.

Elie began the talk by asking Budde what considerations she had when speaking to the current president.

Budde said she “worried about the consequences of speaking to a country that had been barreling toward division.” She wanted to “speak for those being dehumanized” and to offer “a gentle exhortation” on their behalf.

Elie asked Budde to define bravery and Robinson to define courage. Robinson said, “Courage celebrates all the other virtues.” Courage answers the question: “How generous can you be at your own cost?”

Budde answered, “At times in life, you may be called upon to do something you haven’t done before which involves a risk. At those times, we are invited to be brave.” She continued, “Courage is of the heart, when we become aware of that summons that beckons us.”

Elie commented, “Courage is a learned trait, but courage is not encouraged.”

Robinson said, “People need a meaningful measurement of courage and honesty on which to judge themselves.”

“People that should be traditional guardians of democracy continuously backpedaled. We need courage,” she continued. “We should be screaming in the streets about people starving who counted on us. We’ve made concessions until we feel there is nothing left to defend.”

Budde said, “Movement-building is critical.” She spoke of a “quiet network working to protect people” in Washington, D.C., including lawyers, people helping with food and those walking children to school when their parents are afraid to — fearful of being detained.

She advised, “I try to never violate the dignity of people who see the world differently. This is part of the solution. We have to overcome the reflex to see people in the worst possible way who oppose us.”

Elie asked, “How can we make more pointed recommendations for action? What can we do now?”

Budde said to ask ourselves, “What is being summoned from me now? What should I be doing? The next right thing will be revealed to us.”

Robinson said, “No one has power now except the people. There is no salvation now except democracy, and that is what I hope for.”

For more information, go to authorsguild.org

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less
Marina Kotchoubey is taking care of business

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.