CORNWALL — A beautiful autumn day welcomed dogs and people to Little Guild’s 11th annual Run and Wag 5K in Cornwall Village.
In a fair-like atmosphere of live music played by Relatively Sound, food trucks and booths with local goods, people and dogs gathered before the race set off at noon.
Jenny Langendoerfer, Executive Director of Little Guild, an animal shelter in Cornwall, explained that the Run and Wag 5K is one of their main fund-raising events. “We have to raise seventy five percent of our operating costs. All the money raised by the Run and Wag goes to those costs.”
She went on to say, “The Run and Wag is a premier dog and human race. We are extremely proud of it.” This year she noted they had “79 dogs and 200 human runners and walkers entered.”
Nita Colgate, from Cornwall, was spectating with her dog, Ananda, who was adopted from the Little Guild in December. Colgate said that Little Guild was “absolutely wonderful in post adoption care.” They supplied her with dog food when Ananda ran out and wouldn’t eat his new food, in spite of it being Christmas Eve.
Robert Lindgren with Cecil, a cocker spaniel, and friends Michael Carter and pug Juniper, waited to walk the route. Lindgren said, “Little Guild is wonderful. They do great things.”
Human and canine runners depart the starting line for the 11th annual Run and Wag 5K to benefit The Little Guild in West Cornwall.L. Tomaino
Andrea Fournier came from Barkhamsted with Maverick, a yellow lab. She commented about Little Guild, “It’s a great organization. We had a 15-year-old cat from them. She was the best cat! We like to support them.”
Robert Ghitelman and Sandy Adelsberg of Cornwall were walking with their companions Airedale and Scout. Adelsberg said “The music is a lot of fun and appropriate. Great weather, lots of people came out and there are lots of happy dogs and people.”
At noon, walkers, runners and dogs all lined up at the start and were off on the five-kilometer route.
The first runner, seventeen-year-old Bradley Bozzuto, returned 16 minutes at 16 seconds later. He broke the previous individual record of 16:24 set in 2015.
The first dog-human team to finish was four-time winner, Brittany Telke with her basenji, Mazikeen from Bristol. Their time was 19:02. Brittany said of the run, “The challenging part is that she gets a little distracted (by other dogs) during the second part of the race. But she was better this year.”
Thor and Michael Geschwind, winners in the men’s category for human-dog team at the Little Guild’s Run and Wag 5K. Their time was 19 minutes, 30 seconds. Also pictured is Tara Gres.L. Tomaino
Winners in the men’s team category were Michael Geschwind and Thor the great dane-mix with a time of nineteen minutes, thirty seconds. Tara Geschwind, who also ran, said, “I just love it. I’ve been donating to Little Guild for years and years.”
John Guenther, a former president of Little Guild’s board, came in with a time of 22 minutes. He walks 12 miles daily with the little guild dogs awaiting adoption. He said the event was “A wonderful celebration of dogs and the connection people have with their animals.”
Toby, a husky/chihuahua, wore a costume of bat wings and ran with Kristin Wheeler. “It was hot. He pulled me along with his wings. It was lots of fun!”
This was a sentiment all seemed to agree with, spectators, runners, walkers, and dogs alike.
Toby, a husky/chihuahua mix wore bat wings for extra speed at the Run and Wag 5K on Saturday, Oct. 19 in Cornwall.L. Tomaino
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Savannah Stevenson as Mrs. Paroo and Elliott Andrews who plays Harold Hill in the nationally touring production of “The Music Man.”
Then she became a lawyer instead.
“The leap from performing to lawyering isn’t as significant as it seems,” Stevenson said one recent morning from somewhere between tour stops on the national tour of Meredith Willson’s “The Music Man,” in which she now plays Mrs. Paroo, the Irish immigrant mother of Marian the librarian.
For 18 years, Stevenson practiced law at high-profile New York firms specializing in criminal defense before eventually becoming head of ethics, compliance and risk at Peloton during the company’s dizzying pandemic boom years.
“At some point in time, I got married and had children,” she said matter-of-factly. “And then life kind of unfolded.”
Stevenson and her husband began renting a house in Falls Village “just to get out of the city on the weekends.”
“We fell in love with it, of course,” she said. “And then when the pandemic hit, we of course fled the city up to that house and decided not to go back.”
Sharon Playhouse Board President Savannah Stevenson, former attorney and lifelong theater loverProvided
The family — Stevenson, her husband Jon, and daughters C.C. and Sylvie — became full-time Salisbury residents in 2020.
Then came another plot twist.
While the world was buying exercise bikes and streaming spin classes from their living rooms, Stevenson was part of Peloton’s legal leadership team. But after the company’s spectacular rise came the somewhat inevitable crash.
“In 2023, the board decided to let the entire executive team go,” she said.
Suddenly, Stevenson found herself unemployed in Northwest Connecticut with time on her hands and a teenage daughter deeply immersed in the Sharon Playhouse YouthStage program.
“My older daughter said to me, ‘Well, as long as you’re bringing me to and from rehearsals every day, why don’t you audition for the show?’”
She auditioned.
“And they were like, ‘Oh, you actually can sing.’”
What followed sounds like the plot of a feel-good movie about reinvention in middle age: mother and daughter performing together at the Sharon Playhouse while Stevenson rediscovered a part of herself she had set aside decades earlier.
“It was the most joyful experience ever,” she said. “And I kind of realized that now, in my late 40s — I’ll be 50 this year — I’ve aged into this entire new crop of roles. The mothers, the older wise women, the cougar,” she said, laughing. “All of these great older women’s roles.”
So, she started auditioning.
And getting the parts.
Now she’s on a six-month national tour.
“It really does feel like a full-circle moment for me,” Stevenson said.
If that sounds glamorous, Stevenson is quick to point out that touring theater is less champagne and more buses, protein bars and Peloton app workouts in hotel rooms.
“There are certainly times where it’s a show Monday night in one city, get on the bus, show Tuesday night in another city, get on the bus,” she said. “There’s a lot of time on the bus.”
Mostly, though, she talks about the crew with something approaching reverence.
“We finish a show at 10:30 or 11 at night. They load out the entire set onto trucks. Then they sleep on the bus, get to the next city at 8 a.m., load it all back in and rebuild it,” she said. “They work so hard. It’s incredible.”
In “The Music Man,” Stevenson now plays the role she once dreamed of from the opposite side of the generational divide.
“I would have sung Marian in my 20s,” she said. “Now I get to play her Irish mother, Mrs. Paroo.”
There is a scene where Marian sings “My White Knight,” and Stevenson stands nearby as Mrs. Paroo listening silently. And while the younger actress sings about longing and possibility, Stevenson finds herself thinking about her own daughters.
“Sometimes I just find myself standing there with a tear running down my cheek,” she said.
Meanwhile back home, Stevenson has become one of the Sharon Playhouse’s most visible champions. She joined the board in 2023 and stepped into the role of president this year.
“There’s social science that provides really strong evidence about the benefits of having a theater in your community,” Stevenson said. “Lower rates of violence. Higher rates of volunteerism. Higher graduation rates.”
She speaks about theater the way some people speak about public libraries or churches — as essential civic infrastructure.
“Sharing laughter, tears, music and dancing through stories that illuminate our common humanity touches us in a way that builds connection, empathy and genuine community,” she said.
Much of that conviction comes from watching what theater has done for her own children.
When her oldest daughter interviewed at competitive boarding schools this year, Stevenson said interviewers repeatedly commented on her poise and confidence.
“They would say to me, ‘All that theater education is really paying off,’” Stevenson said. “She can establish connection with people readily.”
When asked what advice she might offer to other women contemplating a midlife pivot, Stevenson resisted the fantasy of reckless transformation.
“I don’t think it’s about jumping without a net,” she said.
Instead, she advocates something more measured.
“It’s about making a calculated risk,” she said. “And then, once you’ve run those calculations and feel planful enough about it, really diving into that risk headlong.”
Which is perhaps another way of saying that sometimes the girl who once sang show tunes in Atlanta and studied musical theater at Carnegie Mellon never actually disappears.
Sometimes she’s just waiting patiently for her cue.
For tickets to The Music Man, visit themusicmantour.com
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