CORNWALL — A beautiful autumn day welcomed dogs and people to Little Guild’s 11th annual Run and Wag 5K in Cornwall Village.
In a fair-like atmosphere of live music played by Relatively Sound, food trucks and booths with local goods, people and dogs gathered before the race set off at noon.
Jenny Langendoerfer, Executive Director of Little Guild, an animal shelter in Cornwall, explained that the Run and Wag 5K is one of their main fund-raising events. “We have to raise seventy five percent of our operating costs. All the money raised by the Run and Wag goes to those costs.”
She went on to say, “The Run and Wag is a premier dog and human race. We are extremely proud of it.” This year she noted they had “79 dogs and 200 human runners and walkers entered.”
Nita Colgate, from Cornwall, was spectating with her dog, Ananda, who was adopted from the Little Guild in December. Colgate said that Little Guild was “absolutely wonderful in post adoption care.” They supplied her with dog food when Ananda ran out and wouldn’t eat his new food, in spite of it being Christmas Eve.
Robert Lindgren with Cecil, a cocker spaniel, and friends Michael Carter and pug Juniper, waited to walk the route. Lindgren said, “Little Guild is wonderful. They do great things.”
Human and canine runners depart the starting line for the 11th annual Run and Wag 5K to benefit The Little Guild in West Cornwall.L. Tomaino
Andrea Fournier came from Barkhamsted with Maverick, a yellow lab. She commented about Little Guild, “It’s a great organization. We had a 15-year-old cat from them. She was the best cat! We like to support them.”
Robert Ghitelman and Sandy Adelsberg of Cornwall were walking with their companions Airedale and Scout. Adelsberg said “The music is a lot of fun and appropriate. Great weather, lots of people came out and there are lots of happy dogs and people.”
At noon, walkers, runners and dogs all lined up at the start and were off on the five-kilometer route.
The first runner, seventeen-year-old Bradley Bozzuto, returned 16 minutes at 16 seconds later. He broke the previous individual record of 16:24 set in 2015.
The first dog-human team to finish was four-time winner, Brittany Telke with her basenji, Mazikeen from Bristol. Their time was 19:02. Brittany said of the run, “The challenging part is that she gets a little distracted (by other dogs) during the second part of the race. But she was better this year.”
Thor and Michael Geschwind, winners in the men’s category for human-dog team at the Little Guild’s Run and Wag 5K. Their time was 19 minutes, 30 seconds. Also pictured is Tara Gres.L. Tomaino
Winners in the men’s team category were Michael Geschwind and Thor the great dane-mix with a time of nineteen minutes, thirty seconds. Tara Geschwind, who also ran, said, “I just love it. I’ve been donating to Little Guild for years and years.”
John Guenther, a former president of Little Guild’s board, came in with a time of 22 minutes. He walks 12 miles daily with the little guild dogs awaiting adoption. He said the event was “A wonderful celebration of dogs and the connection people have with their animals.”
Toby, a husky/chihuahua, wore a costume of bat wings and ran with Kristin Wheeler. “It was hot. He pulled me along with his wings. It was lots of fun!”
This was a sentiment all seemed to agree with, spectators, runners, walkers, and dogs alike.
Toby, a husky/chihuahua mix wore bat wings for extra speed at the Run and Wag 5K on Saturday, Oct. 19 in Cornwall.L. Tomaino
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Marge Parkhurst with a collection of historic nails recovered from wall cavities during restoration work.
“At first it just looked like old paint,” said Parkhurst, who has been painting and restoring historic homes in Litchfield County for decades. “Until I realized it was a stencil, a beautiful pattern that repeated.”
She kept going carefully — a wet sponge, hot water, a little fabric softener — peeling back until she could see it clearly. A climbing vine emerged, applied in vertical runs to give the wall the look of wallpaper. Someone had signed it. The signature was faint, tucked above the baseboard in the corner, not fully legible. But the date was clear: 1870.
Parkhurst, owner of Cottage & Country Painting Co., has worked in enough old houses to develop a practiced eye for what they conceal — understanding that layers of paint, paper and plaster in a 19th-century New England home form a kind of compressed archive of the people who lived there.
The stencil bore a strong resemblance to what historians call Moses Eaton-type stenciling — a tradition of itinerant craftsmen who traveled New England in the early 1800s with portable kits of cut-pattern stencils. Their trade flourished because imported wallpaper was expensive. Stenciling offered the same visual effect at a fraction of the cost.
“These stencilers typically worked for a combination of cash, food and lodging,” Parkhurst said. “Their compensation was modest by any standard.” She paused, “He was a tradesman. But the work he left behind — that’s art.”
The vine pattern was dull with age but still legible. One section had survived intact beneath the layers of paper. The homeowners chose not to paint over it — instead building a wooden frame around it, a small window into 1870.
“Preservation means protecting something to prevent further deterioration,” she said. “Restoration means returning something to a previous state. In that room, we preserved what was there.”
This bottle is from the Hartmann Brewing Company of Bridgeport, CT, found inside a wall of a former railroad outbuilding relocated from Canaan to Colebrook CT. The bottle was sealed with a glass stopper held by a wire, inside was a grocery list written on the back of an envelope postmarked 1915. Photo courtesy of Marge Parkhurst/Cottage & Country Painting Company
A Station’s Secrets
Not every discovery is decorative. Some are written into the bones of a building.
Parkhurst’s own home in Colebrook is a former railroad outbuilding moved from Canaan in 1920. Scraping the trim revealed it had once been sage green — and beneath that, a warm orange-brown soaked into the wood grain. “Old paint was made more like a stain back in the 1800s,” she said. “It penetrated the wood rather than sitting on top of it — so there’s never a shine.”
Up in the attic, eye bolts still anchored in the framing mark where cables stabilized the building during its move a century ago.
The most memorable find came by accident. Cutting open a wall under the stairs, she found a clear glass bottle sealed with a glass stopper held by a rusted wire. The label read: Hartmann Brewing Co., Bridgeport, Conn. It took days of careful oiling to free the stopper. Inside: a handwritten list of sandwiches and drinks, a postage stamp still attached. Not treasure. But a treasure just the same.
“I worked for days to get that thing open — and it was just somebody’s lunch order.”
Newspapers stuffed into wall cavities, hand-wrought nails, paint layers thin as stain — over 50 years, Parkhurst has cataloged the details that tell a trained eye when a house was built and by whom. Litchfield County’s architecture is unusually varied: Georgian and Federal-style houses on Litchfield’s Main Street, industrial buildings along the rivers in Torrington and Winsted. “Each town has its own fingerprint,” she said.
The most consequential mistake she sees is changing a home’s character. “When you paint over stained woodwork, you hide the details. You can’t get them back.” She has talked more than a few owners out of it. Some have listened.
Not long ago, Parkhurst and her grandchildren gathered a few small objects, wrote a letter and tucked it into a wall of her Colebrook home. Someone will find it — a record of people who were once here.
“Walls still surprise me,” she said. “If you look hard enough, you can find buried treasure.”
In a county full of houses whose walls hold untold stories — stenciled by traveling tradesmen, nailed together by farmers, papered over by housewives following the fashions — Marge Parkhurst has spent a lifetime reminding us that history doesn’t only live in museums. Sometimes it’s hiding just behind the wallpaper.
Marge Parkhurst is the owner of Cottage & Country Painting Co. She can be reached at marge@cottageandcountryct.com or 860-379-4748.
Sarah Belzer is a writer, editor and creative director whose career has crossed journalism, advertising, film and cultural commentary. Managing Editor of The American Rant and founder of Jump Advertising, she has spent three decades shaping narratives for media and national and global brands.
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