CORNWALL — A beautiful autumn day welcomed dogs and people to Little Guild’s 11th annual Run and Wag 5K in Cornwall Village.
In a fair-like atmosphere of live music played by Relatively Sound, food trucks and booths with local goods, people and dogs gathered before the race set off at noon.
Jenny Langendoerfer, Executive Director of Little Guild, an animal shelter in Cornwall, explained that the Run and Wag 5K is one of their main fund-raising events. “We have to raise seventy five percent of our operating costs. All the money raised by the Run and Wag goes to those costs.”
She went on to say, “The Run and Wag is a premier dog and human race. We are extremely proud of it.” This year she noted they had “79 dogs and 200 human runners and walkers entered.”
Nita Colgate, from Cornwall, was spectating with her dog, Ananda, who was adopted from the Little Guild in December. Colgate said that Little Guild was “absolutely wonderful in post adoption care.” They supplied her with dog food when Ananda ran out and wouldn’t eat his new food, in spite of it being Christmas Eve.
Robert Lindgren with Cecil, a cocker spaniel, and friends Michael Carter and pug Juniper, waited to walk the route. Lindgren said, “Little Guild is wonderful. They do great things.”
Human and canine runners depart the starting line for the 11th annual Run and Wag 5K to benefit The Little Guild in West Cornwall.L. Tomaino
Andrea Fournier came from Barkhamsted with Maverick, a yellow lab. She commented about Little Guild, “It’s a great organization. We had a 15-year-old cat from them. She was the best cat! We like to support them.”
Robert Ghitelman and Sandy Adelsberg of Cornwall were walking with their companions Airedale and Scout. Adelsberg said “The music is a lot of fun and appropriate. Great weather, lots of people came out and there are lots of happy dogs and people.”
At noon, walkers, runners and dogs all lined up at the start and were off on the five-kilometer route.
The first runner, seventeen-year-old Bradley Bozzuto, returned 16 minutes at 16 seconds later. He broke the previous individual record of 16:24 set in 2015.
The first dog-human team to finish was four-time winner, Brittany Telke with her basenji, Mazikeen from Bristol. Their time was 19:02. Brittany said of the run, “The challenging part is that she gets a little distracted (by other dogs) during the second part of the race. But she was better this year.”
Thor and Michael Geschwind, winners in the men’s category for human-dog team at the Little Guild’s Run and Wag 5K. Their time was 19 minutes, 30 seconds. Also pictured is Tara Gres.L. Tomaino
Winners in the men’s team category were Michael Geschwind and Thor the great dane-mix with a time of nineteen minutes, thirty seconds. Tara Geschwind, who also ran, said, “I just love it. I’ve been donating to Little Guild for years and years.”
John Guenther, a former president of Little Guild’s board, came in with a time of 22 minutes. He walks 12 miles daily with the little guild dogs awaiting adoption. He said the event was “A wonderful celebration of dogs and the connection people have with their animals.”
Toby, a husky/chihuahua, wore a costume of bat wings and ran with Kristin Wheeler. “It was hot. He pulled me along with his wings. It was lots of fun!”
This was a sentiment all seemed to agree with, spectators, runners, walkers, and dogs alike.
Toby, a husky/chihuahua mix wore bat wings for extra speed at the Run and Wag 5K on Saturday, Oct. 19 in Cornwall.L. Tomaino
Each piece makes a gift, a note or even a Christmas tree seem more personal, more considered, and more connected to humanity. Since then, demand for her personalized, hand-lettered tags, ornaments and cards has only grown, appearing in mailboxes across the region and at shops like the Cornwall Whale and Marton & Davis in Chatham, New York. Her precision is remarkable, and to watch her create these one-of-a-kind pieces is an art all unto itself.
In recent months, we’ve seen a deluge of stories on digital replacement. Data managers, bankers and even therapists are being replaced by computer programs in mass waves of layoffs. But what many still find surprising about the proliferation of nonhuman competitors in the job market is how it’s affecting the arts. Illustrators, animators, photographers, musicians and even on-screen actors are being supplanted by bots touted as “artificial intelligence agents.”
But calligraphy — and handwriting in general — has been in the crosshairs of mechanical progress for centuries. There was a time, if you can believe it, when writing anything required ink, paper and sometimes even a living, breathing human scribe. No typewriters, no word processors, no voice-to-text programs.
Then came Gutenberg’s printing press. Sure, it changed the world for the better, ensuring a greater distribution of ideas, and helping spark some of the most important political movements in history. But it also marked one of the first moments when technology replaced the artistic work of the human hand. Over the centuries, printers, designers and technologists have continued to innovate. Today, with Photoshop or Illustrator, an entire universe of alphabets exists, from ornate and embellished to precise and futuristic — all designed to replace the human hand.
Melissa Gamwell, crafting custom Valentine’s Day cards in her office in Cornwall. Kevin Greenberg
Yet, despite this centuries-long assault from technology, Gamwell has found her own way to thrive. Largely self-taught, she combines her drawing and industrial design background with an old-school New England childhood in Maine that involved “very tangible, hands-on, creative problem-solving using many materials.” Raised by “parents who loved antiquarian books, often filled with hand-written dedications,” hers was the kind of upbringing in which “traditional practices were cherished and flaunted” — a time and place with “hand-painted lettering on churches, street signage, the stones in beautiful churchyard cemeteries, and log books.”
Those early impressions have stayed with her, heightening her appreciation of sometimes overlooked details.
“There’s so much ephemera floating around with traces of beautiful handwriting to see everywhere, even now in Connecticut,” she said.
Even in a digital age, she keeps technology at a distance.
“You will not find ChatGPT on my phone, and you will usually not find my phone on me,” she said. Instead, she opts for a notebook, a scrap of paper or the back of a receipt. Sometimes, she goes even further, gathering black walnuts from trees on her property to make the specialized ink for her practice.
Gamwell’s approach to her craft is also philosophical. “There is no better feeling than working through something with your own brain and your own hands, even if you find it less exemplary than you would hope. And it only uses the water you’re already consuming. Do you need to convey an idea? Draw it, however horrific or childish. Write it, even if you never learned proper grammar — because you’ve always had programs do it,” she said.
“Sometimes I think that everything I like is ‘historic’ but it’s really that I just find more value in the traditional methods, which are still alive and well, and desperately in need of stewards for the future.”
After nearly 400 years of pressure, it’s encouraging to see handwriting — an art form that once seemed destined for obsolescence — still thriving, one careful stroke at a time. And thanks to Gamwell, perhaps there’s a new generation of observers, collectors and future calligraphers ready to carry it forward.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his wife, artist Lane Arthur, in West Cornwall, Connecticut.
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New works on display at Kenise Barnes Fine Art in Kent
An intricate woodcut print by Eve Stockton and the organized chaos of Margaret Neill’s abstract drawings dazzled the eye. But much of the show’s distinctive texture came from its sculptural works.
Catherine Latson’s wire structures, tightly wrapped in hand-dyed threads, bring to mind pastel- hued sea anemones and become more impressive upon closer inspection. Translucent, hanging cast-resin vampire bats by Tristan Fitch blend into the ceiling until viewed up close, when they become an inescapable presence.
Detail of“Specimen 42” by Catherine Latson at KBFAD.H. Callahan
An intriguing sculpture by Julie Maren features acorn caps affixed to the wall, filled with vibrant, shimmering colors.
Paintings and a sculpture crafted from reclaimed wood by Maine-based artist Matt Barter demonstrated the range of mediums represented by a single artist.
While some of the works are already spoken for, all are on view through late April.
For more information, visit kbfa.com
Harriet Newman Cohen
Provided
Cohen writes fearlessly, with a good dose of wry humor, about her own struggles balancing marriage and divorce, raising four daughters, entering Brooklyn Law School in 1971 at age 38, and her ensuing legal career. According to Bernstein, “Passion and Power” is as much about the reshaping of American cultural norms as it is about one remarkable woman’s role at the forefront of legal and social transformation.
Cohen’s work in the legal profession has been pivotal to social change. A 2021 HBO documentary, “Nuclear Family,” directed by Ry Russo-Young, chronicles the landmark custody struggle of Russo-Young’s parents, a queer couple who hired Cohen as their lawyer.
Cohen is an honest storyteller, unflinching in admitting her mistakes and rightly proud of her accomplishments. Her story ranges from tales of her father’s fortune made producing the Hula-Hoop to her memory of schoolmate Kiki Bader — Ruth Bader Ginsburg — as a cheerleader waving pom-poms in Brooklyn. She also writes of her deep love of family, the stultifying suburban life of her first marriage, mentorship by legal icon Louis Nizer and riding the wave of social revolution that buoyed her career.
Norfolk author Gillian Linden writes of her step-grandmother, “Harriet Newman Cohen is a funny, edifying guide — precise, curious, warm. Entirely unsentimental. Marriage and its many paths is rich territory. This book is filled with the strange, glamorous, desperate and sadistic characters you hope to meet in the very best novels.”
For details, visit norfolklibrary.org
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