Residents unwavering in opposition to revised Wake Robin expansion as lawsuit hangs overhead

A bird’s eye view rendering of the redeveloped Inn, created by Marcello Pozzi Architects.
Provided

A bird’s eye view rendering of the redeveloped Inn, created by Marcello Pozzi Architects.
LAKEVILLE — The public hearing for the revised and resubmitted application to expand the Wake Robin Inn on Wells Hill Road kicked off on Tuesday, Aug. 5, in familiarly contentious style.
The applicant, Aradev LLC, faces more than just neighborly outcries during this cycle.
A pending lawsuit against the Planning and Zoning Commission, filed by Wells Hill Road residents Angela and William Cruger, seeks to inhibit the Commission’s ability to review applications pertaining to a May 2024 zoning regulation change that allows for hotel development in the Rural Residential 1 zone. The Wake Robin Inn is positioned within this zone, meaning the fate of the proposed redevelopment hangs in the balance as the court reviews the litigation.
P&Z Chair Michael Klemens reported that Superior Court’s schedule for the case, which is available for public viewing along with the other application-related materials on the P&Z webpage, anticipates a possible decision by the end of the year, though there is no guarantee.
Klemens opened the evening’s proceedings with a lengthy speech explaining the precarious state of affairs that surrounds Aradev’s resubmitted proposal. He stressed that the Aradev “proceeds at their own risk; that if the Crugers are successful in their appeal, any approval rendered by the Planning and Zoning Commission will be vacated.”
Klemens directly asked Aradev’s attorney, Josh Mackey, whether the applicant understood the risk. “There’s a disagreement, I think, on that proposition,” he said, but didn’t elaborate further.
Legal uncertainties aside, Aradev adopted a decidedly open approach in presenting its revised application. Steven Cohen, half of Aradev alongside partner Jonathan Marrale, introduced the presentation with “About the Applicant” and “Development Team” slides introducing the LLC and its project partners, and explained the firm’s interest in the Inn stems from and appreciation of Lakeville’s rural character.
The application details were outlined largely by landscape architect Mark Arigoni of SLR Consulting who similarly steered most of Aradev’s hearing appearances in 2024.
The plans call for a reduction in auxiliary cabins from 12 to four, though the new cabins have been scaled up to 2,000 square feet each.
The previously proposed “event barn,” which was the subject of many complaints from residents and P&Z alike, has been moved to be contiguous with the main Inn building as opposed to its previous position as a free-standing structure. A sit-down restaurant and fast-casual counter are still included in the plans, set to be housed in the central Inn structure.
These amenities, as well as a library and lounge space, are planned to be open to the public, while a gym and seasonal pool are not. The spa will be publicly open on a reservation basis but will be limited capacity and guests will get priority.
Arigoni said that a new architectural firm had been sought to help the redevelopment blend in with both the natural environment and the “white siding, metal roofs” aesthetic of the area.
Cohen said that the changes were made to reduce the “scale and impact” of development, responding to complaints from the Commission and residents during the 2024 hearing process. He also recalled the Inn’s historic status as a community hub and said that a primary motivation of the project is to “bring it back to what it used to be.”
Residents expressed opposition during public comment.
Greg Wilmore countered that he saw “no material change in the application’s intensity.”
Elyse Harney, Salisbury resident since 1963, argued that the development would be “too large for the infrastructure of the town of Salisbury.”
Laurie Fendrich felt that the neighborhood’s wellbeing should be the main consideration: “We are not just Salisbury, we are Lakeville. And we are tiny.”
Just one member of the public spoke in favor of the project. Ryan Diamond said that he hoped the project might bring new life into town, complaining that restaurants empty by 8 p.m. and that the town currently offers little for younger residents. He urged the other residents in attendance to think “about the future of the town.”
The hearing was continued to Tuesday, Aug. 12, at 6:30 p.m. where a third-party sound pollution review commissioned by P&Z was set to feature centrally in the discussion.
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.