
A photo of the Buckley family was on display during author Sam Tanenhaus’s book talk April 12.
Ruth Epstein
A photo of the Buckley family was on display during author Sam Tanenhaus’s book talk April 12.
SHARON — The setting for author Sam Tanenhaus’s talk on his book “Buckley: The Life and Revolution that Changed America” was most appropriate.
Speaking Saturday, April 12, at Sharon Town Hall about William F. Buckley Jr., conservative writer and political commentator, Tanenhaus said, “Sharon was the essence of what Buckley did. The origins of the conservative movement are from Sharon.”
The program, titled “The Buckleys of Sharon,” was sponsored by the Sharon Historical Society, and followed the organization’s annual meeting. Investigative journalist Brian Ross served as interviewer. The room was packed with listeners attentive to Tanenhaus’ informative and somewhat humorous delivery.
William F. Buckley Sr. purchased Great Elm, the house on South Main Street, in 1923. It was there he and his wife, Aloise, raised their 10 children. An 11th girl who died in infancy is buried in a Sharon cemetery.
“All WFB learned,” as Tanenhaus referred to him throughout the presentation, “started at that home in Sharon.”
Young Buckley was born in 1925, the middle child of the large family, which also consisted of James Buckley, who went on to become a senator.
While Tanenhaus said delving into long passages about early lives when writing biographies is no longer an accepted practice, he did take some time to read a passage about the senior Buckleys’ beginnings, due to the influence it had on their children. WFB’s father was raised in southern Texas, and spoke as much Spanish as English. That might have served as the basis for his son’s way of speaking, which some believe was an attempt to sound British. Aloise Buckley, whom Tanenhaus labeled “a culturally southern Catholic,” came from New Orleans,
Tanenhaus explained that the book came about because of his previous biography on Whitaker Chambers. Buckley was a source for that work and as they got to know one another, “WFB welcomed me into his life as if I mattered.”
Giving some insight into the man, Tanenhaus noted that almost all of Buckley’s good friends were liberals, which was part of the largeness he displayed. He had an all-encompassing quality about him and was able to charm everyone.
The founder of the National Review magazine and host of the public affairs television program “Firing Line,” “WFB was an orator and debater, going back to his student days. In his first competition, he took the side of defending Charles Lindbergh, who was a Buckley family hero. Another time, around 1939 or ’40, he was part of a debate in nearby Amenia, New York, in which the subject was whether the United States should intervene in the European War. Buckley took an isolationist stance.
Later in life, there were two notable debates in which Buckley participated. In one particularly explosive interchange, author Gore Vidal accused Buckley of being a Nazi and Buckley went wild, losing the match. He also lost in another notable debate with civil rights activist James Baldwin.
A few times during his talk, Tanenhaus made reference to “the Sharon incident.” Finally, Ross asked him to explain what that was. Great Elm was located just across the road from Christ Church Episcopal. Its pastor was the Rev. Francis James Meadows Cotter, who happened to be the father of two daughters who went on to become celebrities: Jayne and Audrey Meadows.
It was the spring of 1944, when World War II was ending, but tensions were still high. One Sunday morning, the Rev. Cotter entered the church to find the cushions and altar defiled. The police were called and the tracks led back to Great Elm. It turned out that three Buckley girls and their friends did it as a prank.
There was a court case and the perpetrators plead guilty, resulting in a lot of negative publicity, lawsuits, and daughter Patricia not being accepted to Smith College, which had been a family tradition. Tanenhaus said the episode took on religious overtones, with some believing the Catholic Buckleys purposefully went after a Protestant church.
“That was another reminder of how key this town is,” said the author. “It was a painful event in the life of the Buckley family. But after that, there were signs of atonement.”
The book is due in June.
FALLS VILLAGE — Housatonic Valley Regional High School varsity baseball won big at home Wednesday, April 16, with a 15-3 win against Terryville High School.
Housatonic performed well on both sides of the ball. Offensively, HVRHS batters combined for 12 RBIs and seven stolen bases.
Defensively, the Mountaineers played a bullpen game and swapped pitchers at the top of each inning. Together. Wes Allyn, Carson Riva, Chris Race, Anthony Foley and Dan Moran threw seven strikeouts to win by mercy rule after five innings.
Anthony Foley logged 2 RBIs against Terryville April 16.Photo by Riley Klein
The game was played during spring break, resulting in limited rosters for both teams. Several HVRHS players went on the school trip to Europe and were touring Siena, Italy at game time.
Conditions back home in Falls Village were chilly. The sun peaked through for a moment or two, but otherwise it was overcast and 46 degrees with high winds.
Allyn pitched the first inning and held Terryville scoreless. In the bottom for the first, Foley singled and Race got walked before Hunter Conklin brought them both home on a 2 RBI double.
Carson Riva threw two strikeouts when he pitched the second inning against Terryville.Photo by Riley Klein
Riva pitched the second inning and let up one run. Offensively, HVRHS loaded the bases early in the bottom of the second and scored four runs before the inning was out.
Race brought the heat in the third inning and put the Terryville batters out in order. HVRHS did not score in the bottom of the third and score remained 6-1.
Foley pitched the fourth inning and threw two strikeouts. A series of errors in the infield loaded the bases, but Foley got out of the inning letting up just one run. HVRHS added to the scoreboard in the bottom of the inning with nine more runs.
Moran stepped to the mound for the fifth inning. One run scored, but a strikeout and two putouts ended the game by mercy rule —up by 10 or more after five innings.
From left, Wes Allyn, Anthony Foley and Dan Moran each pitched one inning in the 15-3 win April 16.Photo by Riley Klein
Offensively, Chris Race led HVRHS with 4 RBIs. Hunter Conklin, Aidan Miller, Logan Labshere and Anthony Foley each had 2 RBIs.
For Terryville, Aiden Legassey led the team on offense with 1 RBI. Jack Rioux batted 2-for-2 and Ethan Bilodeau hit 2-for-3.
Housatonic’s season record improved to 2-3 and Terryville moved to 1-3.
The Mountaineers play the next four games on the road before returning home May 1 at 4 p.m. for a non-league game against O’Brien Technical High School.
Hunter Conklin celebrates on second after hitting a 2 RBI double in the first inning.Photo by Riley Klein
Dancers from Pilobolus will perform at the NWCT Arts Council spring fundraiser on April 26 in Washington Depot, Conn.
On Saturday, April 26, the Northwest Connecticut Arts Council will host a special evening, Arts Connected, their spring fundraiser celebrating the power of creativity and community. Held at the Bryan Memorial Town Hall in Washington Depot from 5 to 8 p.m., this event brings together artists, performers, and neighbors for a magical night filled with inspiration, connection and joy.
Award-winning designer and arts advocate Diane von Furstenberg and her granddaughter Antonia Steinberg are honorary co-chairs of the event. Their shared love of the arts informs the spirit of the evening.
Antonia Steinberg, above, President of Bucks Rock Camp in New Milford that she first attended as a camper when she was ten years old. Antonia is co-chair, with her grandmother Diane Von Furstenberg of the NWCT Arts Council fundraiser.Provided
“As someone whose life was profoundly shaped by the arts — as a child at Buck’s Rock and now as President of its Board — I’ve seen firsthand the transformative power of the arts; how creative spaces can empower young people, build community, and nurture well-rounded problem solvers. That’s why I’m so honored to co-host the Northwest CT Arts Council Gala. Their work in supporting artists and cultural organizations across Connecticut is essential,” said Steinberg.
Von Furstenberg’s influence in fashion and culture, and Steinberg’s leadership at Buck’s Rock reflect the intergenerational impact of the arts,” said NWCT Arts Council board president Sunday Fisher. “Their participation underscores the power of creative expression as a defining force in our community.” Steinberg is the president of Buck’s Rock Camp, a non-profit performing and creative arts camp in New Milford that she first attended as a 10-year-old camper.
Diane Von Furstenberg, co-chair of NWCT Arts Council fundraiser.Provided
Steph Burr, executive director at NWCT Arts Council, added, “Events like Arts Connected are at the heart of what we do — bringing people together, lifting up artists, and reminding us of the essential role creativity plays in our lives. The Council works year-round to ensure the arts not only survive but thrive across our region.”
NWCT Arts Council is a nonprofit that serves as advocates for the arts. Through regranting efforts, public art support, legislative advocacy, and their regional events calendar, they work to ensure the arts are accessible and celebrated in every corner of their 25-town service area.
Burr continued, “The arts in Northwest Connecticut are vibrant, evolving, and deeply rooted in community. There’s a quiet but powerful creative pulse running through these hills — one that reflects the resilience, diversity, and passion of the people who call this region home. Over the past few years, artists and cultural organizations have navigated challenges with heart and determination, despite ongoing funding volatility. Through our advocacy and collaborative programming, we ensure the arts remain essential and accessible in our community.”
Highlights of the April 26 fundraiser include performances by Pilobolus, Sherman Chamber Ensemble, Ysanne Marshall & the Lotus Blues, hand pan musician Jeremy Driscoll, and a curated art exhibition, NW25 Gallery, featuring local artists. Sponsors Litchfield Distillery, Kent Falls Brewing Company, and Executive Cuisine catering will provide the food and drink.
Ticket prices are $125, open to guests 21 and older, available online at givebutter.com/artsconnected.For more information or to ask about sponsorship opportunities, email Katherine Pelletier at katherine@artsnwct.org or visit givebutter.com/artsconnectedsponsorship.
Arts Connected is made possible thanks to the generous support of sponsors; Antonia Steinberg is sponsoring all the artists for the event and Valiant Energy and Torrington Savings Bank are presenting the event.Additional sponsors include William Raveis Lifestyle Realty, Litchfield Magazine, Housatonic Heritage, Art Bank 7, Harney & Sons Teas, Aquarion Water, The Lost Fox Inn, George Home, NKYV Rituals, and Litchfield Distillery.
Lily Al-Nemri, founder and owner, and artistic director and painter Rudy Vavra at Tyte medispa and gallery in Millbrook.
The painter Rudy Vavra once created floor collages in Texas. You could, in theory, lie on them. Now, years later and much farther north, his work graces the walls of a medispa in Millbrook, New York where he also serves as the artistic director. You can still lie down, just not on the art. Instead, you might be undergoing an EmFace non-surgical facelift while surrounded by twenty-two of Vavra’s paintings.
The space, Tyte Medispa in Millbrook, is equal parts gallery and treatment center, the brainchild of Lily Al-Nemri, a medical aesthetician and now gallery owner. She also owns the nail salon, Bryte, down the street on Franklin Avenue. A few years ago, feeling she was outgrowing that space, she looked to expand and, just a few blocks away, found this rather sprawling maze of rooms with the gallery that now inhabits the grand central ballroom. “This used to be a gym,” she said. “It was way more than I was looking for, but I went for it.”
Vavra, a self-professed “painter’s painter,” has spent decades layering pigment in his barn-turned-studio in Milan, New York. “I find paintings as much as I make them,” he mused. “Some happen quickly, others are slow.” Of this latest collection, he said, “Some people call them busy. I think they’re slow.” His marks accumulate with a kind of devotional persistence, like petals left at a shrine. “A while ago, I saw a photographic image of a shrine,” Vavra said. “I don’t know if it was a Buddhist shrine or what, but there were colors on the ground all around it, and I realized they were the stains of flowers left in the worship. That’s very similar to the way I paint.”
The collection of paintings on view at Tyte — some as large as a shrine — are meditations on color, inviting the viewer to slow down. Or speed up. Whether viewers are activated or soothed by the images is neither Vavra’s intention nor within his control. Still, he said that watching people interact with the work has been a real treat. “Now that I have my paintings here, I get to see them all together,” he said. “It’s only when they’re all together that I see how they talk to each other. It’s interesting to see people come in and go to have a treatment and come out. It’s a very interesting connection.”
And what is the connection? What could be a disjointed pairing — aesthetics and aesthetic medicine — has become, improbably, a perfectly logical continuum. “They’re related in a sense,” Vavra said.
Aly Morrissey
Al-Nemri, a former radiologist who taught for over a decade at Westchester Community College, is no stranger to layering, precision, or the quiet rigor of care. Her incredible menu of services — Botox, body contouring, pelvic floor therapies — are the cutting edge of the industry. Of Vavra, Al-Nemri said, “I fell in love with his work, and we just hit it off.” It’s a kind of kismet that seems to hover over the place. Pilates mat classes take place twice a week in the main gallery space and both Al-Nemri and Vavra have loved watching clients pause, eyes caught by a stripe of cerulean or a vibrating cluster of brushstrokes. “Something will catch their eye,” said Vavra. “They’re looking for something in it.”
So, this gallery-meets-spa (or is it the other way around?) has plans. Vavra will be curating six shows a year. Laurie Adams’s photographs will be hung in June, a group show of local artists will share the space in July and August, and a Fall show will feature twenty women artists, which Vavra is eager to anchor with a piece by Judy Pfaff. “There’s nothing like this on this side of the county,” he said of the light drenched space. “It’s been a bit sleepier here. We want to wake it up.”
He means it kindly; sleep certainly has its place. But here in Millbrook, amid the low drone of machines designed to rejuvenate, something unexpected has emerged. Perhaps that’s what both Al-Nemri and Vavra are really after — not the quick fix or the final image, but the suspended moment, the long look. A face seen anew. A painting revealed slowly, in silence.
As for Vavra’s curatorial process? “I just unpack the paintings, lean them against the wall, and look,” he said. “Eighty percent of the time, they’re already where they’re supposed to be.”