SHARON — Hard to imagine that such a thing could be possible, but The Sharon Playhouse managed to underscore the “fun” in “fundraising” with its YouthStage event, one night only, on Friday, Dec. 6.
Guiding the evening held in the Bok theater space was YouthStage Associate Artistic Director Michael Baldwin, who serves a dual role as Education Director. He skillfully presented the fundraising theme while demonstrating the depth of the playhouse’s education program by showcasing the young talent being trained in the performance arts.
Energetic performances were delivered by a talented company of YouthStage performers singing and dancing their way through three Broadway numbers, all three inviting the audience to draw closer to the Sharon Playhouse education program. The final piece from “Oliver” invited the audience to “consider yourself one of us.”
Another highlight of the evening was a fun staged reading of a short play, “Young at Heart,” written by Baldwin and performed by a talented cast of 14 supporting the story of four youngsters and four oldsters, the former enduring school detention and the latter being senior community inhabitants roped into assisting the visiting youngsters with a senior center activity. The outcome is heartwarming and uplifting.
Buoyed by a sell-out audience, the event became a celebration of the program, the impressive young talent, both combining to serve the regional community. That community sense united the audience of all ages, where the adults could appreciate the theater’s education programming and what it contributes to the development of participating children, and the children in the audience could see their own possibilities.
A staged play reading of “Young at Heart” was a feature of the fundraising event at The Sharon Playhouse on Friday, Dec. 6.Leila Hawken
This was a community that anyone would want to be a member of, and that would welcome everyone warmly. The education program offers five programs for all ages, of which YouthStage is one.
Recounting his own history with Sharon Playhouse, Baldwin said that he had first discovered the Sharon Playhouse at the young age of ten, a connection that has now lasted 30 years.
“It was the place where I could be myself; I could be me,” Baldwin said. Judging from the audience enthusiasm at the event, the “me” that Baldwin has contributed has meant the world to the development of the theater’s education program.
Proceeds from the evening’s fundraiser paid for the purchase of the new risers in use within the Bok theater space.
The playhouse began to grow the education program in 2020, and over the past four years it has grown, Baldwin said. In 2024, the education program attracted 148 young people, and in 2025, programs are expected to attract 165.
“The heart of our community,” was how Baldwin described the playhouse’s place in Sharon.
Going on to a most entertaining presentation of budget numbers, Baldwin said that ticket sales cover one-third of the theater’s operating costs. As an example, Baldwin said, the cost for electrical service currently totals $33,126, and the year is not yet over.
New program in 2025
A new program being introduced in 2025 is LaunchPad, a pre-professional training program for youth 15 to 20 years of age, Baldwin said. Entrance will be by audition. There will be no fee to participate, and participants will receive a $250 stipend. Participants will rehearse and perform in a “flashy” musical to be directed by Baldwin in August. The musical will be announced in January.
Celebrating its 45th year, the Grumbling Gryphons will perform at HVRHS Friday, Aug. 1, at 7 p.m.
“We’re a touring company that is participatory,” Elias said with her trademark storytelling cadence. “Even when there’s no pre-performance workshop, it’s still participatory. Always.”
Founded in 1980 “in a little basement apartment on the lower east side with co-founder Vanessa Roe,” said Elias,Grumbling Gryphons (recipients of the 2003 Connecticut Governor’s Arts Award) has long occupied a unique niche: part performance troupe, part educational outreach, part community ritual. Whether dramatizing Greek myths, Native American legends, or original tales about bees and bogs, the company’s ethos centers on inclusion, transformation, and hands-on engagement.
This summer’s camp offers children ages six and up five fast-paced days of storytelling, acting, mask-making, and rehearsal. The first three days will take place at Elias’s own home studio — a tucked-away space filled with costumes, puppets, and instruments — before moving into full performance prep mode.
“In the ideal world, we would have more time,” she laughed. “It’s a lot of pressure to be performing for the public after five days. But we’re going to do our best.”
The gala performance, she explained, is a kind of theatrical mosaic — scenes and excerpts from Grumbling Gryphons’ vast repertoire, some showcasing seasoned adult performers and others giving campers center stage. The cast will include returning campers, newcomers, and guest artists drawn from the Gryphons’ decades-spanning circle of collaborators including mask maker and artist Ellen Moon.
“We’re still figuring out exactly what we’ll do,” said Elias, “but it’s kind of like a smorgasbord… a celebration. And it’s open — if anybody wants to get their kids involved, or even volunteer, we welcome you.”
Photo provided
Elias’s own theater background winds through early improvisational schools, Viennese dance traditions, and experimental spaces like Henry Street Settlement. As a child on Long Island, she studied with jazz pianist Ivan Fiedel and dancer Rosalind Fiedel, eccentric mentors who nurtured her taste for the surreal and spontaneous.
“Mr. Fiedel was a character,” she recalled. “He would smoke a cigar… and take the cigar in his ear and the smoke would come out the other end. I don’t know how he did it.”
Elias built Grumbling Gryphons with this sense of magic — not as a traditional company, but as a living, evolving story in itself. Whether working with preschoolers or middle-schoolers, audiences in botanical gardens or historic town halls, the Gryphons invite kids to become creators — to chant, to improvise, to embody archetypes from ancient lore or environmental parables.
And that’s what this summer’s camp and gala are all about. “It’s more than theater,” Elias said. “It’s myth, poetry, movement — it’s about building self-esteem, imagination. It’s about transformation.”
For more information, to register a child for the 2025 Summer Theater Camp, or to inquire about volunteering, visit grumblinggryphons.org
