These Women Are Wicked But Definitely Not Woke

Nasty and brutish. As for shortlived, I certainly hope so. The women in Clare Boothe Luce’s most famous play, “The Women,” are wealthy, pampered, married (most of them) and fiendish. They rejoice in the pain of their sisters and make every effort to spread the bad news. And the audience at Rhinebeck’s Center for Performing Arts lapped it up like the kitties licking their chops so frequently used to illustrate this 82 year old play.

For me, the crowning moment was not when a gossipy manicurist told Mary (Tamara Cacchione) about a wayward husband, not knowing that she was filing the nails of his wife (the major problem being, one friend remarks, that the usurper was from an unacceptable class). Nor was it when the gorgeous Sylvia (Amy Gustin Millin) spread word of this so joyously. No. It was when Edith  (Molly Feibel) blew cigarette smoke in the face of her nursing newborn.

The play seems a little long, and the resolution, unsatisfying: roaming mate returns to the nest after gold digger deceives him. But the all-female cast produces a number of flashy performances, in particular Diane Preston as the gaudy Countess Flora de Lage. There is not a male in sight,    which was something of a breakthrough in 1936, and the all-female cast carries it all off with intended slyness. The costumes and set aim for luxury, and Lisa Lynds directs her cast with wit, but not quite enough speed.

 Reviewers of this often-produced play worry about its relevance decades after Rosie the Riveter, female contenders for vice-president and president (both unsuccessful) and public figures such as Eleanor Roosevelt, Anna Wintour and Clare Boothe Luce herself, who was the first American female to be appointed ambassador, representing the United States in Italy. But everyone gets a kick out of bad behavior, knowing, for certain, we could never be so wicked.

 

“The Women” runs at Rhinebeck’s Center for Performing Arts through Nov. 24. For tickets, call 845-876-3080 or go to www.centerforperformingarts.org.

 

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