Tom Zetterstrom receives award for work managing invasive plant species

Tom Zetterstrom, behind podium, was honored at the 12th Biennial Connecticut Invasive Plant Working Group Symposium on Tuesday, Oct. 29.
Alec Linden
Tom Zetterstrom, behind podium, was honored at the 12th Biennial Connecticut Invasive Plant Working Group Symposium on Tuesday, Oct. 29.
STORRS, Conn. — “Tom Zetterstrom is a name that has become synonymous with advocacy,” said Jessie Mehrhoff-Peters while introducing the Leslie J. Mehrhoff Award, named after her father.
Zetterstrom, a North Canaan nature photographer and tree preservationist, received the honor at the 12th Biennial Connecticut Invasive Plant Working Group Symposium on Tuesday, Oct. 29. A crowd of naturalists, educators, and policy-makers filled the venue, a large auditorium at the Universtiy of Connecticut Student Union in Storrs, Connecticut, as Zetterstrom received the accolade.
“It’s the most tasteful award I’ve ever seen,” Zetterstrom said, holding the engraved slab of dark Connecticut cherry wood up for the audience to see.
The award is granted to individuals, groups or organizations that have demonstrated leadership in invasive plant management in Connecticut. Mehrhoff-Peters upheld in her introduction that her father, a renowned botanist and co-founder of the invasive plant group who died suddenly in 2010, was also a teacher. “Tom embodies this spirit of mentorship in his own work,” she said.
Mehrhoff-Peters listed Zetterstrom’s many accomplishments fighting invasive species in the Northwest Corner, including saving nearly 200 trees from invasive bittersweet on the Sharon Land Trust’s Hamlin Preserve and fighting Japanese knotweed in North Canaan. She also lauded his marriage of art and environmentalism, saying that his photographs and illustrations “serve not only as scientific documentation but artistic expression.”
“You embody the essence of this award,” she said to Zetterstrom as he sat at the front of the crowd.
After receiving the plaque, Zetterstrom gave a prop-intensive speech that was appropriately educational rather than self-laudatory. He used his brief stage time to relay the necessity of using more powerful — and more controversial — measures to combat invasive species spread, such as the use of herbicides.
“Nature can no longer take care of itself,” he said. “Human intervention has become essential.”
He showcased his arsenal of invasive species management tools to the crowd, including a “buckthorn blaster,” a tool used to apply herbicide to cut stems. He also held up calf-thick cross sections of bittersweet vines recently taken from the Hamlin Preserve.
“I have become a supporter of open carry,” he said to a flurry of laughs from the crowd, referencing the tool kit he keeps on hand to combat such formidable adversaries.
Zetterstrom said in a follow-up interview that his goal in his acceptance speech was to bring his experiences at the Hamlin Preserve to the Symposium audience. He said that the work that he and the land trust’s robust team of volunteers has been doing is “grabbing these trees from the brink of bittersweet death.”
He relayed a story to the crowd about his work saving a Chinkapin Oak on the land trust’s Mary Moore preserve from bittersweet. The tree, which was declared a state champion of its species by Connecticut Notable Trees, “would have been dead five years later” if not for the work he and a group of volunteers put into freeing the tree of bittersweet, he said.
Bittersweet, he said, poses an existential threat to New England’s forests, and must be addressed forcefully. “These are the trees and forests that we’re counting on to capture and store carbon, not topple and rot,” he said.
Christian Allyn, who owns and operates the company Invasive Plant Solutions out of North Canaan and who presented at a later session at the Symposium, agreed that herbicides were a major theme of this year’s conference.
“It’s not a question,” he said, referencing the necessity of using herbicides in today’s fight against invasives.
Zetterstrom expressed that many environmentalists have historically shied away from herbicide use due to concerns about ecosystem impacts, but his presentation emphasized the need for a shift in perspective. It seemed to work: Zetterstrom said that an herbicide skeptic approached him after the speech, telling him, “you may have convinced me.”
“Les Mehrhoff was not only a scientist and researcher, but an educator,” Zetterstrom said. “I’d like to think that my presentation was in the spirit of his profession.”
SHARON — Sharon Dennis Rosen, 83, died on Aug. 8, 2025, in New York City.
Born and raised in Sharon, Connecticut, she grew up on her parents’ farm and attended Sharon Center School and Housatonic Valley Regional High School. She went on to study at Skidmore College before moving to New York City, where she married Dr. Harvey Rosen and together they raised two children.
Sharon’s lifelong love of learning and the arts shaped both her work and her passions. For decades, she served as a tour guide at the American Museum of Natural History and the Asia Society, sharing her knowledge and enthusiasm with countless visitors. She also delighted in traveling widely, immersing herself in other cultures, and especially treasured time spent visiting her daughter and grandsons in Europe and Africa.
She was also deeply connected to her hometown, where in retirement she spent half her time and had many friends. She served as President of the Sharon East Side Cemetery until the time of her death, where generations of her family are buried and where she will also be laid to rest.
She is survived by her husband, Harvey; her children, Jennifer and Marc; and four beloved grandchildren.
Claire and Garland Jeffreys in the film “The King of In Between.”
There is a scene in “The King of In Between,” a documentary about musician Garland Jeffreys, that shows his name as the answer to a question on the TV show “Jeopardy!”
“This moment was the film in a nutshell,” said Claire Jeffreys, the film’s producer and director, and Garland’s wife of 40 years. “Nobody knows the answer,” she continued. “So, you’re cool enough to be a Jeopardy question, but you’re still obscure enough that not one of the contestants even had a glimmer of the answer.”
Garland Jeffreys never quite became a household name, but he carved out a singular place in American music by refusing to fit neatly into any category. A biracial New Yorker blending rock, reggae, soul and R&B, he used genre fusion as a kind of rebellion — against industry pigeonholes, racial boundaries and the musical status quo. Albums like “Ghost Writer” (1977) captured the tension of a post–civil rights America, while songs like “Wild in the Streets” made him an underground prophet of urban unrest. He moved alongside artists like Lou Reed and Bruce Springsteen but always in his own lane — part poet, part agitator, part bridge between cultures.
“I think what I tried to do with the film, wittingly or unwittingly, was just to show that we all have these lives and they don’t often meet our dreams of what we think we’re entitled to, we’re talented enough to get or whatever,” said Claire. “We all have these goals, but we’re sort of stymied. Often, it’s partly circumstance and luck, but it’s also very often something that we’re doing or not doing that’s impeding us.”
This is not the typical rock-and-roll redemption story. There are no smashed guitars, no heroic overdoses, no dramatic comeback tour. What we get instead is something quieter and more intimate: hours of archival footage that Claire spent years sorting through. The sheer effort behind the film is palpable — so much so that, as she admitted with a laugh, it cured her of any future ambitions in filmmaking.
“What I learned with this project was A, I’m never doing it again. It was just so hard. And B, you know, you can do anything if you collaborate with people that know what they’re doing.”
Claire worked with the editing team of Evan M. Johnson and Ben Sozanski and a slew of talented producers, and ended up with a truthful portrayal — a beautiful living document for Garland’s legions of fans and, perhaps most importantly, for the couple’s daughter, Savannah.
“She’s been in the audience with me maybe three or four times,” said Claire. “The last time, I could tell that she was beginning to feel very proud of the effort that went into it and also of being a part of it.”
Savannah pursued a career in music for a while herself but has changed tracks and become a video producer.
“I think she couldn’t quite see music happening for herself,” said Claire. “She was like, ‘I don’t know if I want to struggle the way I saw my dad struggling and I’m going to get a job with a salary.’”
The film doesn’t just track the arc of an underappreciated musician, however. The music, always playing, is the soundtrack of a life — of a man navigating racial, musical and personal boundaries while balancing marriage, parenthood, aging, addiction andrecovery. Garland and Claire speak plainly about getting sober in the film, a life choice that gave them both clarity and shows Claire as a co-conspirator in his survival.
“I did some work early on with a director,” said Claire. “He wanted the final cut, and I didn’t feel like I could do that — not because I wanted so much to control the story, but I didn’t want the story to be about Alzheimer’s.”
Diagnosed in 2017, Garland, now 81, is in the late stages of the disease. Claire serves as his primary caregiver. The film quietly acknowledges his diagnosis, but it doesn’t dwell — a restraint that feels intentional. Garland spent a career refusing to be reduced: not to one sound, one race or one scene. And so the documentary grants him that same dignity in aging. His memory may be slipping, but the film resists easy sentimentality. Instead, it shows what remains — his humor, his voice, his marriage, the echo of a life lived on the edges of fame and at the center of his own convictions.
The Moviehouse in Millerton will be screening “The King of In Between” on Sept. 20 at 7 p.m. Peter Aaron, arts editor of Chronogram Magazine will conduct a talkback and Q&A with Claire Jeffreys after the film. Purchase tickets at themoviehouse.net.
The Haystack Book Festival, a program of the Norfolk Hub, brings renowned writers and thinkers to Norfolk for conversation. Celebrating its fifth season this fall, the festival will gather 18 writers for discussions at the Norfolk Library on Sept. 20 and Oct. 3 through 5.
Jerome A. Cohen, author of the memoir “Eastward, Westward: A Lifein Law.”Haystack Book Festival
For example, “Never Take the Rule of Law for Granted: China and the Dissident,” will be held Saturday, Sept. 20, at 4 p.m. at the Norfolk Library. It brings together Jerome A. Cohen, author of “Eastward, Westward: A Life in Law,” and Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong King’s Greatest Dissident, and China’s Most Feared Critic” in dialogue with journalist Richard Hornik to discuss the rule of law and China.
The Council on Foreign Relations stated, “Few Americans have done more than Jerome A. Cohen to advance the rule of law in East Asia. He established the study of Chinese law in the United States. An advocate for human rights, Cohen has been a scholar, teacher, lawyer, and activist for sixty years.”
Cohen, a professor at New York University School of Law and director of its U.S.-Asia Law Institute, revealed his long view on China: “We are now witnessing another extreme in the pendulum’s swing toward repression. Xi Jinping is likely to outlive me but ‘no life lives forever.’ There will eventually be another profound reaction to the current totalitarian era.”
Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong Kong’s Greatest Dissident, and China’s Most Feared Critic.”Haystack Book Festival
In “The Troublemaker,” Clifford chronicles Lai’s life from child refugee to pro-democracy billionaire to his current imprisonment by the Chinese Communist Party. Clifford is president of the Committee for Freedom in Hong Kong Foundation, a Walter Bagehot Fellow at Columbia University, and holds a PhD in history from the University of Hong Kong. He was the former editor-in-chief of the South China Morning Post and The Standard (Hong Kong and Seoul).
Journalist Richard Hornik, adjunct senior fellow at the East-West Center in Honolulu.Haystack Book Festival
Richard Hornik, adjunct senior fellow at the East-West Center, will moderate the discussion. Hornik is the former executive editor of AsiaWeek, news service director of Time magazine, and former Time bureau chief in Warsaw, Boston, Beijing and Hong Kong.
Betsy Lerner, author of “Shred Sisters,” is giving the 2025 Brendan Gill lecture at the Haystack Book Festival.Haystack Book Festival
The Brendan Gill Lecture is a highlight of the festival honoring longtime Norfolk resident Brendan Gill, who died in1997. Gill wrote for The New Yorker magazine for fifty years. Betsy Lerner, New York Times-recognized author of “Shred Sisters,” will deliver this year’s lecture on Friday, Oct. 3, at 6 p.m. at the Norfolk Library.
Visit haystackbookfestival.org to register. Admission is free.