
Tom Zetterstrom, behind podium, was honored at the 12th Biennial Connecticut Invasive Plant Working Group Symposium on Tuesday, Oct. 29.
Alec Linden
Tom Zetterstrom, behind podium, was honored at the 12th Biennial Connecticut Invasive Plant Working Group Symposium on Tuesday, Oct. 29.
STORRS, Conn. — “Tom Zetterstrom is a name that has become synonymous with advocacy,” said Jessie Mehrhoff-Peters while introducing the Leslie J. Mehrhoff Award, named after her father.
Zetterstrom, a North Canaan nature photographer and tree preservationist, received the honor at the 12th Biennial Connecticut Invasive Plant Working Group Symposium on Tuesday, Oct. 29. A crowd of naturalists, educators, and policy-makers filled the venue, a large auditorium at the Universtiy of Connecticut Student Union in Storrs, Connecticut, as Zetterstrom received the accolade.
“It’s the most tasteful award I’ve ever seen,” Zetterstrom said, holding the engraved slab of dark Connecticut cherry wood up for the audience to see.
The award is granted to individuals, groups or organizations that have demonstrated leadership in invasive plant management in Connecticut. Mehrhoff-Peters upheld in her introduction that her father, a renowned botanist and co-founder of the invasive plant group who died suddenly in 2010, was also a teacher. “Tom embodies this spirit of mentorship in his own work,” she said.
Mehrhoff-Peters listed Zetterstrom’s many accomplishments fighting invasive species in the Northwest Corner, including saving nearly 200 trees from invasive bittersweet on the Sharon Land Trust’s Hamlin Preserve and fighting Japanese knotweed in North Canaan. She also lauded his marriage of art and environmentalism, saying that his photographs and illustrations “serve not only as scientific documentation but artistic expression.”
“You embody the essence of this award,” she said to Zetterstrom as he sat at the front of the crowd.
After receiving the plaque, Zetterstrom gave a prop-intensive speech that was appropriately educational rather than self-laudatory. He used his brief stage time to relay the necessity of using more powerful — and more controversial — measures to combat invasive species spread, such as the use of herbicides.
“Nature can no longer take care of itself,” he said. “Human intervention has become essential.”
He showcased his arsenal of invasive species management tools to the crowd, including a “buckthorn blaster,” a tool used to apply herbicide to cut stems. He also held up calf-thick cross sections of bittersweet vines recently taken from the Hamlin Preserve.
“I have become a supporter of open carry,” he said to a flurry of laughs from the crowd, referencing the tool kit he keeps on hand to combat such formidable adversaries.
Zetterstrom said in a follow-up interview that his goal in his acceptance speech was to bring his experiences at the Hamlin Preserve to the Symposium audience. He said that the work that he and the land trust’s robust team of volunteers has been doing is “grabbing these trees from the brink of bittersweet death.”
He relayed a story to the crowd about his work saving a Chinkapin Oak on the land trust’s Mary Moore preserve from bittersweet. The tree, which was declared a state champion of its species by Connecticut Notable Trees, “would have been dead five years later” if not for the work he and a group of volunteers put into freeing the tree of bittersweet, he said.
Bittersweet, he said, poses an existential threat to New England’s forests, and must be addressed forcefully. “These are the trees and forests that we’re counting on to capture and store carbon, not topple and rot,” he said.
Christian Allyn, who owns and operates the company Invasive Plant Solutions out of North Canaan and who presented at a later session at the Symposium, agreed that herbicides were a major theme of this year’s conference.
“It’s not a question,” he said, referencing the necessity of using herbicides in today’s fight against invasives.
Zetterstrom expressed that many environmentalists have historically shied away from herbicide use due to concerns about ecosystem impacts, but his presentation emphasized the need for a shift in perspective. It seemed to work: Zetterstrom said that an herbicide skeptic approached him after the speech, telling him, “you may have convinced me.”
“Les Mehrhoff was not only a scientist and researcher, but an educator,” Zetterstrom said. “I’d like to think that my presentation was in the spirit of his profession.”
Fans of fine art filed into the Sharon Historical Society’s gallery on Saturday, March 15, for the opening reception of student works from the Northlight Art Center in Amenia, New York.
Northlight was founded in Sharon by Pieter Lefferts in 2010 and later moved to Amenia. This is the 14th year of the annual student exhibit.
“It’s an invitation for people who may never have thought that they might be included in an art exhibit,” said Lefferts about the show that includes 34 works created by a dozen artists. Lefferts added that visitors will see a range of abilities and individual expression.
“I like to draw out innate expression,” Lefferts said. Lefferts said there were 34 pieces as he had hung them all the day before.
Several works on display were inspired by local subjects. For example, Kathleen Kulig’s “Grand Dame of the Orchard” depicts an actual old apple tree found at a friend’s home.
“I’ve actually picked apples from that tree,” Kulig said.
Kathleen Kulig with her “Grand Dame of the Orchard” painting.Leila Hawken
Artist Cathleen Halloran’s acrylic on paper painting titled “Eleven Eleven” is a loving remembrance of her dog, Maddie, whose death was imminent as Halloran created the painting, an expression of her subject’s magnificent spirit.
Variety is evident in artists’ ages, mediums, experience and subject matter.
“It’s always a pleasure to see how the artists grow every year, a fascinating variety,” said Historical Society President Chris Robinson as he dished out the wine and other beverages in the reception area.
A portion of the proceeds will benefit the historical society, although not all works are for sale. The exhibit will be open until Friday, May 9, during historical society hours. For additional information, go to www.sharonhist.org.
Coinciding with the gallery show, the Sharon Historical Society’s current exhibit is worth a visit. Titled “Family Collections,” the exhibit shows collective Sharon memories found in the artifacts left by ancestors, remembered now in part by what they left behind. Each is a clue to the town’s historic past, spanning two centuries.
Tess Marks as Little Sally and Jackson Olson as Officer Lockstock in the Housatonic Musical Theatre Society production of "Urinetown."
Last week’s Housatonic Musical Theatre Society production of “Urinetown” featured strong performances and superb choreography.
The remodeled auditorium at Housatonic Valley Regional High School made a big difference as well. New seats were a welcome addition, and the increased technical capability meant that the show was flawless from a production point of view.
The difference was so noticeable that director Christiane Olson thanked the taxpayers of Region One for supporting the recent school improvements project in brief remarks before the start of the matinee performance Saturday, March 15.
Katelin Lopes and Andy Delgado were powerful as the star-crossed lovers Hope Cladwell and Bobby Strong.
Jackson Olson got a lot of laughs with his deadpan take on Officer Lockstock, often in tandem with Tess Marks’ wide-eyed Little Sally.
The entire cast hit all the right buttons, not the easiest thing to do with a show that contains multiple layers of satire.
The orchestra, led by Tom Krupa, was rock solid.
And Amber Cameron’s choreography was seamless. The cast looked like they’d been dancing together all their lives.
Race Brook Lodge
Tucked away on Under Mountain Road in Sheffield, Massachusetts, The Stagecoach Tavern dates back to the mid-18th century and offers fine dining in an enchanted setting. It also serves as the portal into the Race Brook Lodge, which harbors unique spaces for entertainment, lodging and wellness.
Intimate outdoor gathering areas are illuminated by strings of lights. A cluster of mid-century bungalows can be rented by guests who come to spend the weekend and attend concerts and retreats, which typically take place in the barns farther back in the woods.
This magical vision springs from the mind of David Rothstein, who purchased the property in pieces between 1990 and 2000, a continuation of his idea to create a place where like-minded people can congregate to enjoy cultural happenings in an idyllic setting.
Before acquiring the Race Brook Lodge, Rothstein, now 90, managed The Music Inn in Lenox, Massachusetts, the premier outdoor music venue in the Berkshires during the 1970s, which he purchased with his former wife, Nancy Fitzpatrick, whose family owned the Red Lion Inn in Stockbridge.
In its heyday from 1970 to 1979, The Music Inn featured a who’s who of iconic performers of the era like Ike & Tina Turner, B.B. King, James Taylor, Muddy Waters, The Byrds, Ravi Shankar, Joan Baez, Van Morrison, Bruce Springsteen, Bob Marley, The Eagles, Lou Reed, Bonnie Raitt, Fats Domino, Bo Diddley, Jimmy Cliff, Toots & The Maytals and The Allman Brothers.
“Music Inn was the last outpost of the counterculture, which had evolved as a result of the groundbreaking evolution of jazz as the first integrated music genre that ultimately paved the way for Rock ‘n Roll,” Rothstein said.
Race Brook barn at nightLety Marcos
This history goes even deeper. Prior to the Music Inn, the buildings were known as the Berkshire Music Barn, and featured performers like Dizzy Gillespie, Louis Armstrong, Mahalia Jackson, Count Basie, Duke Ellington, Dave Brubeck, Thelonious Monk and the Modern Jazz Quartet. The property also featured The Lenox School of Jazz, The Lenox Arts Center, Toad Hall Moviehouse, and The Great Riot Alley Memorial.
As a student of modernist architect Louis Khan, Rothstein absorbed Khan’s ideas of “open frame” or a space without barriers. It’s a concept he used at the Music Inn that carries on at Race Brook.
Race Brook’s music programmer, Alex Harvey recalls how he came to do a retreat with Qi Gong master Thomas Drodge and noticed a Louis Khan poster on the wall. He spent a morning and afternoon talking with Rothstein about art, performance and community in a way he’d been dreaming about for a long time.
“When I saw the poster, I asked David about it. He told me that he was one of Khan’s assistants, and he actually drafted some of the buildings I’d studied. So, before I knew he had the Music Inn, he was a superstar to me,” Harvey said.
Harvey also met the current proprietor Casey Fitzpatrick — David and Nancy’s son — and the two hit it off, realizing they shared a common interest in global music. Armed with a deep Rolodex, thanks to his many years as a performer and ethnomusicologist, Harvey soon began programming shows at Race Brook.
When booking, Harvey looks for artists who can offer something beyond the typical performance.
“We had Alash, who are one of the more renowned Tuvan throat singing ensembles,” Harvey said. “With their energy, they change the weather of the room. It’s a participatory feeling. I loved reading the reactions online; was it a concert or a ritual? That’s what we’re interested in.”
“We have Beausoleil coming up on April 5. When they start playing, you feel transported to a hooch house in Eunice, Louisiana. They create a sense of place, and that’s what really excites me,” he added.
Sunder Ashni singing at Dia de los Muertos.Lety Marcos
There are regularly scheduled programs, like Jazz brunches every Sunday, and at times Race Brook Lodge is open to other groups who book shows like the recent “Almost Spring Weekender” a DJ’d house party produced by Edo Moore.
Ideally, Harvey books fully immersive weekends with music, workshops, and enjoyment of the spaces, whether hiking nearby trails or inside the barns.
“One of my favorites is the Dia de los Muertos weekend which has an open mic to the dead,” Harvey said. “It’s art as a form of medicine and healing. It’s kind of like Brooklyn Academy of Music meets Esselin.”
For elevated musical and wellness experiences in an idyllic Berkshire setting, Race Brook Lodge offers something for everyone. See their site for information on all that they offer: rblodge.com