
Torrington Transfer Station’s entrance.
Jennifer Almquist


Torrington Transfer Station’s entrance.
Municipal contracts with the state for refuse hauling expire in mid 2027. Before then, Northwest Corner towns must find a solution for municipal solid waste.
The Northwest Hills Council of Governments (NHCOG), a coalition of 21 town governments in the region, has for several years been weighing waste options. The prevailing plan as of February 2025 is to identify a central hub and create a regional waste authority to manage the operation.
To achieve this, NHCOG submitted an offer to purchase the existing Torrington Transfer Station, which has been operating since 1988, from the state agency Materials Innovation and Recycling Authority Dissolution Authority (MIRA-DA).
Currently the Torrington facility processes 25,000 tons per year of waste, recyclables, bulky items, and has a capacity to expand that to 60,000 tons. The 4.7-acre Torrington Transfer Station on Vista Drive is operated by a third-party contractor, Enviro Express Inc. in Bridgeport.
The Torrington site has an unused rail spur that could be used for waste hauling. The projected total cost of operation of the Torrington Transfer Station for Fiscal Year 2026 is $4,736,907 according to the dissolution authority.
Since the Hartford plant closed in July of 2022, MIRA-DA operates just two transfer stations in the state: one in Essex and one in Torrington.
Waste received at the Torrington Transfer Station is consolidated onto transfer trailers then delivered to the Keystone sanitary landfill in Pennsylvania. Recycling is consolidated onto transfer trailers and delivered to privately operated processing facilities in Willimantic or Berlin, where it is sorted, baled, and sold to be made into new consumer products.
Of the 21 towns in the Northwest Corner, 11 still maintain a contract with MIRA-DA. The remainder of the towns have hired private haulers, such as USA Waste and Recycling.
NHCOG members have been operating on the understanding that they have until June 30, 2027, to secure new contracts. It was recently learned that the Department of Administrative Services (DAS) is the successor agency to MIRA-DA effective July 1, 2025. Town representatives were surprised to learn that DAS is not required to honor existing town contracts. The actual contractual expiration date is unclear, which has caused confusion they hope to resolve.
Winchester Mayor and Administrator of the Barkhamsted Transfer Station Todd Arcelaschi said “Forming a regional waste authority is much more complicated than just the NHCOG simply forming one. Once one is formed, it would then be up to all the towns to take steps to join the RWA, it isn’t automatic.” He went on, ”The Torrington Transfer Station has four or five tractor trailers that ship the municipal waste to Pennsylvania, and the Recycling to Automated in Berlin.The NHCOG would likely be operating the same way, hiring a company to run the transfer station. That company would be responsible for the trucking, so the COG would not have to purchase trucks.”
The dissolution authority had agreed to keep the tipping fee — a fee paid by those who dispose of waste in a landfill, based on the weight of the disposed waste — at $131 per ton until 2027.Connecticut residents produce 3.5 million tons of municipal solid waste annually, yet the state only has capacity for 2.7 million tons.
Members of the NHCOG spoke at the Jan. 15, 2025, meeting of MIRA-DA in Hartford, who made their minutes public online.
Curtis Rand, Salisbury First Selectman, described the good work done by Sharon and Salisbury in the areas of recycling and composting. He stated that he thought the town had until June 2027 and was stunned when he learned that the contract could end as early as mid 2025. He asked for the dissolution authority’s help in maintaining the Torrington Transfer Station as a public option for the towns.
“It is in the public interest to try to keep some public option for our trash disposal in the Northwest Hills, especially for small towns that generally do not have a lot of staff.”
— Gordon Ridgway, Cornwall First Selectman
Cornwall First Selectman Gordon Ridgway stated his belief that “it is in the public interest to try to keep some public option for our trash disposal in the Northwest Hills, especially for small towns that generally do not have a lot of staff.” He echoed Rand’s comments that the towns thought they had two years to work out a solution. He asked for some time and cooperation to work out an equitable solution that ideally is in the public interest.
New Hartford First Selectman Dan Jerram, chairman of NHCOG, noted that “all 21 towns in our council voted in favor of pursuing the Torrington Transfer Station to maintain it as a public option because they thought it was important for the long-term future.”
Goshen First Selectman Todd Carusillo stated, “the towns have been working on transitioning the transfer station to the towns for the last few months, after learning the time frame had been shortened from 2027 to 2025. I am concerned about the potential for one company coming in and creating a monopoly by buying all the transfer stations in the region. This would result in the towns losing control over solid waste tip fees.”
David Barger, first selectman of Falls Village, added, “Transitioning the Torrington Transfer Station to the towns is keeping in line with Governor Lamont’s plan to regionalize services across the state.”
Winsted/Winchester is among the NHCOG towns that has opted to sign with a private hauler rather than wait for a public solution.
Paul Harrington, town manager of Winchester, explained, “While we’re making progress in developing regional waste solutions, we must ensure that any long-term arrangement is both financially sustainable and operationally efficient. Waste collection is an essential weekly service that must continue uninterrupted, but it needs to be delivered in the most cost-effective manner possible, especially given the constraints of municipal budgets.”
Jennifer Heaton Jones, executive director of the Housatonic Resources Recovery Authority, a solid waste/recycling authority in Western Connecticut, weighed in, “It is hard to form a regional waste authority. The Northwest Hills geographically are difficult transportation wise; your resources are very different than other parts of the state. So, to create a regional authority to leverage contracts is very different than other regions in Connecticut.”
Heaton-Jones added, “We as a state need to really reconsider how we look at the MSW. We could reduce the amount of waste that we are producing and going to out-of-state landfills. We can consider how we are taking food waste out of the waste stream. Through programs, through better education.”
Food waste represents 8% of global greenhouse gas emissions and 58% of methane emissions from landfills come from food waste.
In summation, Rand said, “You know, I think there is a hope that we can get the Torrington Transfer Station and work together at least for the next couple of years to fulfill our contract with MIRA till July 2027. There’s a common theme: we would like to preserve some public type of entity to manage our garbage, and that’s pretty simple. We also need to be aware of the amount of waste we are creating, and we need to find ways to make less of it. That’s just a very simple statement.Whether it’s buying less, producing less, recycling more, composting; we’ve got to get this volume of garbage down.”
All recent deliberations by MIRA-DA and by NHCOG have been done in executive session. Selectman Rand predicts definitive results in the next few weeks as to the status of the Torrington Tranfer Station and the formation of a regional waste authority.
The shuttered former waste-to-energy plant in Hartford was responsible for processing approximately one-third of the state’s solid waste by burning it to generate electricity.
Aly Morrissey & Christian Murray
An extensive clean-up effort was required after a June 29 tractor-trailer crash sent beer all over Route 44. The driver, reportedly unharmed, was issued a ticket for driving too fast under the conditions.
SALISBURY – An early morning crash on Route 44 near Twin Lakes Road sent dozens, if not hundreds, of beer cases onto the road when a speeding tractor-trailer failed to make a right turn. The truck went off the road just after 5:30 a.m. on Monday, June 29, crashing into several signs and trees. The driver, whose license is registered in Illinois, was reportedly unharmed.
Officer Joshua DaSilva of Troop B responded to the scene before the road was closed for several hours to facilitate an extensive clean-up effort. Drivers were forced to seek alternate routes during the closure.
The detour was necessary, police said, so they could clear the large volume of debris and safely remove the “severely damaged truck and trailer,” which was towed to Arnold’s Garage in Canaan.
The driver, Filmon Mahari Zerae, 36, was issued a ticket for driving too fast for the conditions.
This crash remains under investigation, and police are asking witnesses to contact Trooper DaSilva #915 at (860) 626-1820.

Alec Linden
A 22.5-acre property at 60 Millerton Road in Sharon is at the center of a trust dispute over the sale of the land to Jasper Johns-related arts nonprofit Low Road Sharon Inc.
SHARON – A nonprofit established to transform painter Jasper Johns' 171-acre Sharon property into an artists' retreat upon his death is attempting to purchase a neighboring 22.5-acre farmhouse, but the proposed sale has become entangled in a family probate dispute.
Low Road Sharon Inc., a nonprofit established by the 96-year-old painter, is seeking to purchase 60 Millerton Road, a farm that borders the organization's 171-acre property approved by Sharon's Planning and Zoning Commission for the future retreat. The organization has not publicly disclosed how it intends to use the additional parcel if the purchase is completed.
Before any sale can proceed, however, the Litchfield Hills Probate Court must resolve a dispute among members of the family trust that owns the Millerton Road property. A hearing is scheduled for June 30, when Judge Jordan Richards is expected to decide whether to approve the sale and rule on objections filed by one of the trustees.
According to probate court documents, Peter Bartram has objected to a petition filed by his sisters, Carey Meltzer and Amy Bartram, seeking court approval to sell the property held by the Hillside Farm Trust. In a June 11 filing, Bartram said the proposed transaction is the second attempt to sell the property to the same buyer after an earlier effort was blocked by the court since he did not agree to the sale.
"In September 2025, the Trustees accepted an offer of $615,000 from the same buyer, Low Road Sharon Inc.," Bartram wrote in his objection to his sisters’ second attempted sale. "All beneficiaries except the Movant [Peter] signed the Beneficiary Approval. The Court denied the proposed modification on November 26, 2025.
The new petition seeks approval for essentially the same sale, with the purchase price of $650,000, an increase of $35,000 since the last attempted sale.
Neither the parties to the probate case nor Conley Rollins, who has represented Low Road Sharon in previous town applications and is the COO and CFO of the Brooklyn Museum, provided comment. Rollins also did not respond to questions about whether the proposed purchase would be connected to the artists' retreat.
The property at 60 Millerton Road includes an unoccupied 1840 white clapboard farmhouse near the Silver Lake Shores neighborhood. Together with two much smaller adjoining parcels included in the proposed sale, it has been held by the Hillside Farm Trust since 2013.
The trust was established in 2012 by Maynard and Barbara Bartram, who were both raised in the colonial home, which sits prominently at the corner of Millerton Road and Silver Lake Shore Road.
Following Maynard Bartram's death in 2021 and the death of their daughter, Sarah Noyes, in 2022, Carey Meltzer, Peter Bartram and Amy Bartram have served as the remaining trustees. Peter Bartram, however, was removed as a trustee by court order in 2024 after he removed several trees from the property to protect a barn without his siblings’ approval.
As part of the June 30 proceedings, Judge Richards is also expected to consider Bartram's request to be reinstated as a trustee.
In an April 30 court filing, Meltzer and Amy Bartram argued the property has become a financial burden for the trust and they have a right to put it on the market.
"The farm is a significant and depreciating asset that incurs ongoing carrying costs including property taxes, insurance, maintenance and utilities," they argued.
The three parcels included in the proposed sale are assessed at more than $813,000, with the main 22.5-acre parcel accounting for nearly all of that value. As of June 25, the property was listed for sale through Elyse Harney Real Estate for $795,000.
The proposed purchase has drawn interest because the Millerton Road property directly borders land already designated for Low Road Sharon's planned artists' retreat.
The retreat, approved by Sharon Planning and Zoning in 2017, encompasses approximately 171 acres spread across six parcels that stretch from Low Road to the shoreline of Mudge Pond. The approval allows up to 24 artists in residence at one time and does not permit public access to the campus. The property would be able to contain up to six housing units. Each housing unit is permitted to accommodate up to three people.
Any proposal to expand or materially alter the footprint approved in 2017 would require additional review by the Planning and Zoning Commission and a public hearing, outgoing Land Use Administrator Jamie Casey said.
Low Road Sharon has not indicated whether the Millerton Road property would become part of the retreat or serve another purpose.
Johns, who has lived in Sharon for more than three decades, is widely regarded as one of America's most influential living artists. According to the 2017 statement of proposed use submitted to the town, the residency program is intended to become "one of the leading artists' residency programs in the United States," comparable to MacDowell in New Hampshire and Yaddo in Saratoga Springs, New York.

The proposal envisioned a staff of roughly 20 to 25 people, some of whom would work at an administrative functions and event space based at a downtown Sharon office.
Construction is already underway on that downtown property, including a new building which is going up where the former Bargain Barn thrift store was located at 1 Low Road. The two-building complex, approved after months of public hearings last year, will primarily serve as the nonprofit's administrative center and include a venue designed to host occasional public cultural events that would be free to the public.
Low Road Sharon was incorporated in 2022 to establish a short-term residency program for artists across multiple disciplines. According to its 2024 tax filing, the organization reported approximately $32 million in assets. A separate philanthropic organization founded by Johns in 2004, the Low Road Foundation, reported approximately $255.5 million in assets in 2024.
The commercial district project boasts an impressive development team. Lead architecture outfit Johnston Marklee & Associates is a Los Angeles-based firm with an accomplished international portfolio of projects like the Museum of Contemporary Art Chicago, Kunstmuseum Basel, the Institute of Contemporary Arts at the University of Pennsylvania and many others.
New Haven’s Reed-Hilderbrand is the landscape architect for the Low Road development, and has designed for a wide variety of clients, including Yale University, Duke University and the Hudson Valley’s famed outdoor museum, the Storm King Art Center.
The owner’s representative Envoie Projects also manages high-profile arts facilities such as Harlem’s Apollo Theater, The Delacorte Theater in Central Park, and again, the Storm King Art Center.


Natalia Zukerman
Elyse Deublein Harney (center) celebrates with Keith Harney, Elyse Harney Morris, Paul Harney and Michael Harney after receiving an honorary doctorate from St. Joseph’s University.
On May 19, Elyse Deublein Harney returned to St. Joseph’s University in New York City, her alma mater, where she graduated in 1952. Before the crowd gathered for the university’s 107th commencement ceremony, the Salisbury resident, entrepreneur and community leader received an honorary doctorate and delivered the commencement address to the Class of 2026.
The recognition arrives at a meaningful moment for the Harney family. In February 2027, Elyse Harney Real Estate will celebrate its 40th anniversary, joining Harney & Sons Fine Teas, co-founded by Elyse and her husband, John, in 1983, as one of two enduring family businesses that have shaped both the region and the family’s legacy.
At a moment when many people are expected to reflect on their accomplishments, Harney used her commencement address to talk instead about possibility.
“God has a job for you,” she told the graduates. “Something that you alone can do.”
That line may very well be the organizing principle of a life that has included hotel management, raising five children, launching two businesses, serving on local boards, helping found the Salisbury Volunteer Ambulance Service and, somehow, still finding time to reopen conversations about preserving historic institutions.
One of the most striking parts of Harney’s address centered on beginning again.
When she and her husband were 50 years old, the partners of the White Hart Inn in Salisbury, where John was general manager for many years, decided to sell. Suddenly, the couple needed a new source of income.
John launched what would become Harney & Sons Fine Teas, and Elyse opened a real estate office across the street.
“Simple as that, I did,” she told graduates with characteristic understatement.
Of course, anyone familiar with the growth of Elyse Harney Real Estate knows there was nothing simple about it. What began as a small local office became one of the most respected real estate firms in the region, helping define the market across northwestern Connecticut, the Hudson Valley and the Berkshires.
Her commencement address wandered delightfully through subjects that rarely appear together: Nobel Prize-winning genetic research, French entrepreneurs, Catholic education, self-driving cars, German teachers and divine purpose.
At one point, Harney reflected on the women who educated her at St. Joseph’s.
“They made it very clear we could do whatever we wanted to do, if we were willing to work for it,” she said. “Being a woman was not a handicap.”
For graduates entering a world transformed by artificial intelligence, political upheaval and economic uncertainty, Harney offered neither nostalgia nor easy reassurance.
“AI is here,” she said. “We have to learn to use it and to control it.”
After discussing technology, entrepreneurship and faith, Harney turned to the subject of consciousness. Quoting author Michael Pollan, she shared the final lines from his new book, “A World Appears: A Journey Into Consciousness,” that she said had stayed with her:
“Consciousness is a miracle, truly. It is the most mysterious of things, and yet it can be put in one short sentence: I open my eyes and I see the world.”
Then she offered her final message to the graduates.
“Open your eyes and see the world.”
At 95, Elyse Harney is still opening her eyes and seeing the world. Thankfully, she’s still telling the rest of us what she finds there.

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Richard Feiner And Annette Stover
Think logically and then break the mold with creativity.
— Pilar Proffitt
Pilar Proffitt is forging a remarkable artistic path grounded in her long history in Northwest Connecticut. Proffitt is a true Renaissance woman with a quirky sense of humor — a visual artist, architect, designer of interiors, furniture and products, and curator of home furnishings.
Her latest grand project is still quite literally under wraps. Large windows obscured by construction paper on a bustling avenue in Manhattan prevent passersby from peeking into the 15-story boutique hotel designed and furnished by Proffitt for an international hotel group, which is nearing completion. The hotel’s lobby, restaurant, common areas and rooms stand out for their attention to design — from the furnishings, colors and fabrics to the mosaic floor tiles, hardware, wrought-iron gates and stairs, selection of antique books, and the art on the walls. The collection includes paintings by Proffitt, photographs by Wassaic Project co-Executive Director Jeff Barnett-Winsby, time-lapse photography by Xan Padron and classics from the Warhol Factory.
Proffitt and her husband and business partner, Robert Bristow, are well-known leaders in the art and architecture communities, and their home, studio and workshop in Lakeville; store and office at 16 Main St. in Salisbury; and gallery space in Norfolk are vibrant hubs for arts and design in the region.
Proffitt has been coming to the area since she was a teenager. Originally from Puerto Rico, her family moved to the New York City area in the 1970’s. Her artist and architect father encouraged her interests in art and design and her deep desire to create. At school, she excelled in math and art and soon realized that this was all she wanted to do. “Think logically and then break the mold with creativity,” she said.
Armed with a degree in visual art from Trinity College, she pursued advanced studies at Berkeley and Pratt before receiving a master’s degree in architecture from Virginia Tech in Blacksburg, Virginia, where she met Bristow. Both landed apprenticeships in Boston and were drawn to the arts community in Norfolk centered around the Yale Summer Arts Program. The area quickly became their personal and family anchor.
They started Poesis, a furniture design and manufacturing studio, with a small loan from her mother. They landed a major house project and soon met a hotelier at a party who hired them on the spot to design a hotel in Washington, D.C.
Proffitt said, “I was hooked because it combined everything I wanted to do creatively: design experiences in the broadest sense with all the supporting pieces of the puzzle — furniture, objects, art. My father felt that architecture was the Renaissance profession: It holds the seeds of art, design, engineering and all the other ingredients. For me, it all starts with art.”

Proffitt is devoted to the area. She and Bristow raised their family in Lakeville. Their daughter Grace, a sculptor, attended Hotchkiss and is pursuing her MFA at University of Pennsylvania. Their daughter Ellis, also a graduate of Hotchkiss and Trinity, is a mathematician and aspiring actress in Los Angeles; and their son Sam attended Salisbury School and is a junior at Trinity, majoring in art history with a minor in architecture. They all are carrying forward the family’s passion for arts, architecture and design.
Proffitt’s interior design work and unique furniture pieces welcome visitors at Hotchkiss’ Art Center, the Scoville Memorial Library, her own wHole hOuse shop in Salisbury and, soon, across the street in the new Jam Food Shop, which is expected to open this fall.
The region’s many museums and galleries include some of Proffitt’s favorites, from Mass MoCA and the Clark to Salisbury’s Geary, Mad Rose in Millerton, Jack Shainman in Kinderhook and Art Omi in Ghent. Proffitt loves the connections and new opportunities brought to the community by the increase in full-time residents, as well as impromptu get-togethers with friends — recently watching a Knicks playoff game at the tavern bar at the White Hart. Moments like that keep her grounded here.
In addition to the White Hart, Proffitt is a fan of area restaurants, including Fern for a quick pasta at the bar; Isabela in Amenia, where Michelin-starred chef Jose Ramirez Ruiz is from Puerto Rico; and Clare de Boer’s Stissing House in Pine Plains.
A perfect day for Proffitt is spent working in her studio overlooking Lake Wononscopomuc, without distractions, rain or shine. It is a quiet and peaceful place that supports her many architecture and design projects. When asked what she would say to a younger version of herself just starting a career, she responded, “Don’t be so shy. As one of my professors told me, ‘Sometimes you just have to crash the party.’ Draw, write, run, play tennis. And travel!”
D.H. Callahan
The set for “Swingtime Canteen” transports the audience to WWII London.
Dateline: 1944. A platoon of our boys are stationed in London, waiting to be sent to the mainland to fight the Axis powers and liberate Europe. While they wait, a group of glamorous gals from Hollywood are sent over to distract them with singing, dancing and a few memories of home.
That’s the scene at “Swingtime Canteen,” the new production now on stage at the Sharon Playhouse.
From the moment you enter the playhouse, the stage takes you right back to another time, with recruitment and War Bonds posters setting the tone alongside soldiers’ footlockers and blankets. When the lights go down, the smiles of the cast light up the room, and the audience is quickly recast as a troupe of American G.I.s.
What follows is a jukebox musical in the truest of sense, bouncing from one 1930s hit to more “contemporary” 1940s tunes and back again, all performed with the kind of polished finish audiences have come to expect from the Sharon Playhouse.
The gals in the band are our entire cast, and they spin yarns in between numbers, throwing the spotlight back and forth between the five singing-and-dancing sensations. But they don’t stop there. Between piano, saxophone, drums and even a banjo, they work with the musicians on stage to create that quintessential ‘30s and ‘40s sound.
“Swingtime Canteen” transports its audience to a time when, unlike today, there was very little division among Americans. The war they were fighting had a 97% initial approval rating from U.S. citizens. In a year when the nation is celebrating its 250th anniversary, the production serves as a reminder of a moment when Americans largely shared a common purpose and a common enemy. Even if the swinging songs of the ‘30s and ‘40s aren’t your thing, the production is a marvelous little escape to a time when life was a little simpler and the lines between good and evil were a little clearer. For showtimes and tickets, visit sharonplayhouse.org
Thomas Jensen
Aerial view of The Shed at Tanglewood.
The Tanglewood classical music schedule is loaded with gems. Here are eight to consider:
Thursday, July 9, 8 p.m., in Ozawa Hall. The dynamic duo of Augustin Hadelich, violin, and Seong-Jin Cho, piano, take on works by Brahms, Janacek, Beach and Prokofiev. Whether you get seats in the hall or sit outside on the lawn, you will not regret getting to this one.
Friday, July 10, 8 p.m., in the Shed. Seong-Jin Cho plays Tchaikovsky’s Piano Concerto No. 1 and excerpts from “Swan Lake.” This special evening features dancers from Boston Ballet and will be wonderful for the ears and the eyes.
Saturday, July 18, 8 p.m., in the Shed. The BSO, with Joe Hisaishi conducting, Jean-Yves Thibaudet on piano and Song Hee Lee, soprano, will perform Hisaishi’s “Adagio for Two Harps and Strings,” Ravel’s Piano Concerto in G, Hisaishi’s “Da-Ma-Shi-E” and Hisaishi’s “Symphonic Suite from Princess Mononoke.” The multitalented Hisaishi will be the most accomplished Japanese artist to grace the grounds since Ozawa’s time. Not to be missed.
Sunday, July 19, 2:30 p.m., in the Shed. The BSO, with Andris Nelsons conducting, Daniil Trifonov on piano and Thomas Rolfs on trumpet, presents a powerful program: Haydn’s Symphony No. 22, “The Philosopher”; Shostakovich’s Piano Concerto No. 1; and Beethoven’s Symphony No. 2. This is quite a lot to take in. Rolfs remains one of the orchestra’s most compelling virtuosos, and his trumpet playing is always worth hearing live. Trifonov, legendary on piano, playing another Russian legend’s finest music; extraordinary. Then, Beethoven. Better get there early.
Friday, July 24, 8 p.m., in the Shed. The BSO, with Andris Nelsons conducting and the brilliant Augustin Hadelich on violin, performs Mozart’s Violin Concerto No. 5 and Tchaikovsky’s Symphony No. 3, “Polish.” Hadelich is worth seeing again and again; the tones he produces are so sweet.
Saturday, July 25, 8 p.m., in the Shed. The BSO, with Andris Nelsons conducting and Paul Lewis on piano. The super-catchy Mozart Piano Concerto No. 27, K. 595, will have Lewis demonstrating his artistic command of tempo and tone while dancing and blending delightfully with the orchestra. Tchaikovsky’s Symphony No. 4 follows after intermission, and you’ll practically float home.
Thursday, July 30, 8 p.m., in Ozawa Hall. The Danish String Quartet, which brings a lot of energy to the stage, performs Stravinsky’s “Suite Italienne,” Beethoven’s String Quartet No. 16 in F, Op. 135, and arrangements of Danish folk songs. Come to hear Frederik, Rune, Asbjørn and Fredrik. Skål!
Friday, July 31, 8 p.m., in the Shed. The BSO, with Esa-Pekka Salonen conducting and Yefim Bronfman on piano. The power of Wagner’s “Prelude and Liebestod” from “Tristan und Isolde,” followed by Sibelius’ Symphony No. 7 and Beethoven’s Piano Concerto No. 5, “Emperor,” will leave you feeling like you are the new emperor.
Other events of note: Friday, July 17, 8 p.m., in the Shed. The BSO performs John Adams’ selections from “Nixon in China.” Also, don’t miss Laurie Anderson’s curated series of events Aug. 13, 15 and 16.
For a full schedule and tickets, visit bso.org/tangle
wood

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