Thank you!
Your support is sustaining the future of local news in our communities.

Transforming collective healing

Transforming collective healing

Rebecca Churt

Provided

Rebecca Churt, a grief and death doula based in the Berkshires of Western Massachusetts, got her MBA at The MIT Sloan School of Management during Covid and immediately joined a Buddhist monastery.

“I think getting my master’s degree was an exercise in highlighting just how much of the current way of doing things isn’t working, is not meant for what needs to be happening going forward,” Churt explained.

Churt’s own journey into grief work has been shaped by personal experience, including moving from Germany to the United States at a young age. “Grief has kind of been a lifelong companion to me in lots of different forms,” she explained. This early experience introduced her to the nuanced ways grief can manifest. The pandemic deepened her commitment, highlighting the urgent need for collective grief spaces. Then, her time at the Upaya Zen Center in Santa Fe, New Mexico, and her exploration of the concept of “hospicing modernity” (a thought-provoking guide to facing global pandemics, climate change, and other modern crises as outlined in the book by Vanessa Machada de Oliveira), influenced her to embrace a model of grief work centered around presence, not answers. Her new company, The Grievery, was born.

The Grievery is a communal approach to grief, primarily a virtual space where people can navigate sorrow collectively rather than bearing the burden in isolation. Her philosophy and methods represent a rethinking of this work, aiming to transform individual pain into shared healing. “As a death doula or grief worker, I don’t interject solutions, I don’t interject a potential outcome. The idea is for a community to get there together,” said Churt. “Whether you’re experiencing the loss or you’re in the process of dying, the reality is we don’t do any of it alone. We can’t do it alone.”

The Grievery is mostly virtual to accommodate people’s busy schedules and minimize financial barriers, but there’s also a deeper purpose behind this very intentional choice. Churt spent years holding space at Kripalu Center for Yoga & Health in Stockbridge, Massachusetts, among other locations, and shared that “part of the idea behind The Grievery is that we want to remove the sense of someone else having mastery over another person’s experience. That’s very common in traditional therapy sessions, which is really the only other place that people can have time to tend to their grief.” Churt went on to describe a possible power imbalance in those traditional settings where “it’s also more within a setting that tends to pathologize grief, where there’s an intended goal or an objective to help a person get over something.” At The Grievery, there is a set of community guidelines that are reviewed at the beginning of every session— there’s no fixing, there’s no saving, there’s no implied approach to advice giving. “Most often, the way in which people respond is either with a hand on heart or a ‘thank you for sharing,’ and then they go into sharing their own personal experience,” said Churt.

In addition to communal gatherings, The Grievery also offers a specialized program called “The Grievery at Work,” which provides grief support within professional environments. Recognizing the complex, often unacknowledged grief many healthcare workers face, Churt’s team helps integrate grief literacy into workplaces, particularly in healthcare settings where grief training is often absent.

Upcoming offerings include an eight-week workshop exploring the “Gates of Grief,” a framework inspired by Francis Weller’s book, “The Wild Edge of Sorrow.” With five established gates—everything we love we will lose; the places that have not known love; the sorrows of the world; what we expected and did not receive; and ancestral grief—Churt adds a sixth gate, exploring the harms individuals and society have caused, inspired by the work of Rachael Rice.

Through The Grievery, Rebecca Churt not only offers solace to those grieving but is also actively contributing to reimagining grief care itself. Her mission is to build a future where grieving together is normalized, where grief itself becomes a gateway to belonging, wholeness, and communal strength.

For more information, visit https://thegrievery.com

Latest News

Slow fashion takes the runway at Stone Ridge Orchard

The organic runway at HVSFW puts sustainable style among the apple trees at Stone Ridge Orchard.

Jay Ballesteros

Fast fashion has made it possible to buy the latest trend almost as quickly as it appears on social media. The environmental cost, however, is anything but fleeting. Fashion production accounts for about 10% of global carbon emissions, consumes enormous quantities of water and energy, and an estimated 85% of textiles end up in landfills each year. Synthetic fabrics also shed microplastics when washed.

So what would happen if we slowed things down?

Keep ReadingShow less
Susan Schneider and the magic of marbling
Susan Schneider, owner of Shandell’s in Ashley Falls, in her studio.
Susan Schneider, owner of Shandell’s in Ashley Falls, in her studio.
It’s a joyful process. —Susan Schneider

A beautiful September morning found Susan Schneider of Shandell’s working in her Ashley Falls home studio, while linen cocktail napkins she had marbled the day before hung on a line outside her back door. Her helpers, dogs Daisy and Stubbs, are never far from her.

“Marbling,” Schneider explained, “the art of floating paint on a liquid and printing it on a medium, has been around for hundreds of years.”

Keep ReadingShow less

Through the lens of war

Through the lens of war

“Omaha Beach Rescue, D-Day +1, Normandy, June 7, 1944.” one of the best-known photographs of D-Day.

Walter Rosenblum

Longtime Norfolk resident Nina Rosenblum will present her award-winning documentary, “They Fight With Cameras,” on Saturday, Sept. 26, at 6:30 p.m. at the Norfolk Library.

The film tells the story of her father, decorated U.S. Army Signal Corps combat cameraman Walter Rosenblum.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Brian Gersten finds the story in the overlooked

Filmmaker Brian Gersten

D.H. Callahan

At 6 p.m. on Saturday, Sept. 26, award-winning filmmaker Brian Gersten will screen four short documentaries at the David M. Hunt Library in Falls Village, exploring obscure topics such as a lingering territorial dispute between the United States and Canada, a nationwide toilet paper panic sparked by a late-night joke, the infamous “Balloon Boy” saga and the history of bowling in America.

The Chicago-raised, Millerton-based filmmaker has worked as an editor on feature-length documentaries like the cycling film “Enter the Slipstream” and Netflix’s profile on author Tom Wolfe, “Radical Wolfe.” In 2025, “Why We Dream,” a film he edited about bringing D-Day veterans back to the beaches of Normandy, premiered aboard the U.S.S. Intrepid in New York City. When it comes to directing, Gersten’s own interests focus more on the underappreciated and unremembered, as the four short films he directed will demonstrate.

Keep ReadingShow less
Sharon artist takes top prize at Lime Rock art show
Muriel Stockdale, left, and judge Roger McKee during the awards announcement at the juried art show at Trinity Episcopal Church. Stockdale\u2019s \u201cKevin\u201d was the second place winner.
Patrick L. Sullivan

The annual juried art show at Trinity Episcopal Church in Lime Rock was won by Mi-Kyung Hwang of Sharon for “Wild Hazelnut from Eggleston.”

The winners were announced at the show’s opening reception at the church Friday evening, Sept. 18.

Keep ReadingShow less
From Woodstock to the Warner, Graham Nash is still singing for peace

Graham Nash brings a career-spanning retrospective to the Warner Theatre in Torrington on Sept. 30, joined by Todd Caldwell, Adam Minkoff and Zack Djanikian.

Misti Layne

Imagine stepping out onto a stage in front of hundreds of thousands of tired, wet and weary strangers with a lineup of songs they’ve never heard before. If you’re Graham Nash, who will perform with his current band at the Warner Theatre in Torrington on Sept. 30, you don’t have to imagine. You only have to remember.

The legendary Woodstock music festival was only the second concert Nash played with Crosby, Stills, Nash & Young. David Crosby, Stephen Stills and Nash had already formed Crosby, Stills & Nash, releasing their debut album earlier that year. Theirs was a sound both new and nostalgic when it hit the scene in the late 1960s, and, thanks in part to the success all three members had had with previous bands, they instantly found a wide and willing audience.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.