
Latest News
Allyn H. Hurlburt III
Apr 04, 2025
CORNWALL — It is with great sadness that I share that I lost my husband, Buddy, my best friend and soulmate in a matter of minutes with no warning, at home on March 31, 2025. Our wonderful children are a testament to who he was and what we are as a family.
Buddy was born Allyn H. Hurlburt III, but went by Buddy because his father and grandfather were both Allyns too.
During school, he excelled in public speaking and was the FFA President in 1972-1973, which earned him a sharp blue jacket with gold letters that he recently wore with the buttons proudly closed up! He grew up with his siblings working on the farm and ended up being the one who purchased the farm from his parents. Anyone who has ever worked a farm knows that the work is constant, hard and sometimes not profitable, though always rewarding, and a great way to raise children.
In 1997, life changed for both of us and we were lucky enough to “save each other” as we liked to refer to it, and we combined forces and families and made a go! What an adventure we had, more kids, more cows, more chickens and more fun. We even made time for a couple of big trips to Florida so Buddy could visit some of the country. With the help of our kids, we milked cows, planted corn, sold eggs and eventually even diversified into pasteurizing and selling our own cheese and milk in glass bottles. Delivered fresh weekly to 27 different stores all over Connecticut.
Alas, economics won out and we struggled until we decided that our quality of life would improve with two full time jobs and part time farming. Buddy worked for the Town of Cornwall until he retired. These last few years have been busy for him despite “retiring”, he had odd jobs mostly at home, helped anyone that asked, kept tabs on the kids and what they needed, fed the animals we still have and of course tended to his beloved bird family outside, which we will continue faithfully.
He mostly enjoyed his family, his children meant the most to him, gave him so much pride and joy and love. He would sing their praises ad nauseum to anyone who would listen or look at high school basketball footage or listen to stories of their accomplishments. He loved going to a field hockey game for Brooke and then watching Mason swim at the lake.
Buddy loved people, meeting people, talking to people, helping people, learning from people, everywhere he went. He was funny, kind, generous to a fault, and deeply loved me and our family. He was in a happy place in his life, with so many things that he was planning and looking forward to which makes his passing even more heartbreaking to us.
Buddy is survived by his loving wife Irene of 28 years, daughters, Ciara (John) Orchard, Caroline (Matthew) Murray, sons, Brian (Chloe) Fossati, Carl Fossati, Jonathan (Regina) Hurlburt, grandsons Mason Hurlburt; granddaughter Charlotte Hurlburt, daughter-in-law Erin Reilly (Jason) and granddaughters Rita Dziedzic and Brooke Hurlburt, daughter Brittany (Benjamin) Palinkas and granddaughters Hadley and Kasey, son Christopher Hurlburt and grandchildren. He is also survived by his mother, Anita Hurlburt, siblings, Patricia (Ross) Huntington, (John in Heaven), Richard Hurlburt, William (Becky) Hurlburt, David (Valerie) Hurlburt, James Hurlburt, Nancy (Rob) Hohlfelder and Jennifer (Joseph) Markow. Also many nieces, nephews, (Timmy in Heaven), grand nieces and grand nephews.
A Celebration of Life will be held on Saturday, April 5, 2025, at 1p.m., at the United Church of Christ, Congregational, in Cornwall Village, CT. Burial will be private.
Memorial contributions may be made to the Cornwall Volunteer Fire Department, PO BOX 180, West Cornwall, CT 06796.
The Kenny Funeral Home has care of arrangements.
Keep ReadingShow less
All are welcome at The Mahaiwe
Apr 02, 2025
Paquito D’Rivera performs at the Mahaiwe in Great Barrington on April 5.
Geandy Pavon
Natalia Bernal is the Mahaiwe Performing Arts Center’s education and community engagement manager and is, in her own words, “the one who makes sure that Mahaiwe events are accessible to all.”
The Mahaiwe’s community engagement program is rooted in the belief that the performing arts should be for everyone. “We are committed to establishing and growing partnerships with neighboring community and arts organizations to develop pathways for overcoming social and practical barriers,” Bernal explained. “Immigrants, people of color, communities with low income, those who have traditionally been underserved in the performing arts, should feel welcomed at the Mahaiwe.”
Partnerships with organizations like Volunteers in Medicine Berkshires (VIM), the W.E.B. Du Bois Legacy Committee, and Community Access to the Arts (CATA) have helped bridge that gap. But for the Latinx community, there’s an even more targeted effort: the Spanish-language Community Advisory Network (SCAN).
“Six years ago, we started an advisory group of Spanish speakers in the community,” Bernal said. “They tell us what the community wants to see, how they’d like their culture represented. Today, SCAN has 12 members. We meet four times a year and are in constant communication. It’s because of them that we’ve hosted free Spanish-language film screenings and live performances.”
For Bernal, this work is personal. “When I first moved to the U.S. in 2003, it was because I got a Latin American scholarship to study at Berklee College of Music. That first year, I went home to Uruguay for Christmas and saw Paquito D’Rivera perform at a jazz festival. I was determined to meet him, and I did. Later that year, Paquito came to Berklee and invited me on stage.”
Now, two decades and 16 Grammys later, Paquito D’Rivera is coming to the Mahaiwe on April 5, and there’s a chance history might repeat itself. “He saw a post we made about his concert and commented, ‘Ay, chica, que maravilla, are you gonna sing a song with us?’ I almost died,” Bernal laughed. “I don’t know if it will happen, but it would be a dream.”
About the possibility of a guest appearance by Bernal, D’Rivera said, “Natalia is a very dear, valuable colleague, and jazz is about improvisation, so the surprise factor is always part of the fun here.”
D’Rivera’s concert is just one example of how the Mahaiwe is making world-class performances accessible. “My whole day has been about offering ‘pay what you can’ tickets for this show,” Bernal says. “We also issued a 50% discount to our partners. We work with ESL teachers, public libraries, literacy agencies, anyone who can help us get the word out.”
That kind of grassroots effort has been transformative. “Last year, we screened ‘Florencia en el Amazonas,’ the first opera written in Spanish ever performed at the Met,” Bernal said. “I sat in the Mahaiwe in tears. As someone who loves opera, it was the first time I heard one written in my own language. It was so powerful.”
Natalia Bernal, Mahaiwe’s education and community engagement managerPhoto by Martin Cohen
For Bernal, it all comes back to representation, on stage and in the audience. “My son is eight. I bring him to everything I can. Spanish shouldn’t just be something that happens at the dinner table. It should be in the world, in all these shapes and forms.”
And that’s what SCAN is helping build: a future where Latinx voices aren’t just included, they are central. “Our SCAN advisors are volunteers, cultural ambassadors,” Bernal said. “They help us distribute surveys, talk to the audience, and strengthen the community. Nobody should feel alone. Everybody should feel like they belong here.”
Education and outreach are central to D’Rivera’s work as well. He said, “It is an important part of our mission to plant and nurture the seed of quality music in our communities.” He continued to say, “Using our visibility and influence in favor of justice is always a very effective vehicle in denouncing violations of human rights around the world.”
This shared mission of education and social justice extends beyond the Mahaiwe. “We are one of the few arts organizations in a monthly meeting with BASIC (Berkshire Alliance for Immigrant Services). We have direct ties to the Berkshire Immigrant Center, VIM, and others so that we are well-informed and ready to serve,” said Bernal.
That commitment to community, culture, and access is why Bernal’s dream panel—Women in the Music Business—would feature Paquito’s wife and longtime manager, Brenda Feliciano. “She’s a tower of power. She’s been managing his career for at least 45 years. If I could organize an event one day, she would be the cherry on the cake.”
Until then, Bernal will keep doing what she does best: making sure the Mahaiwe is a place where everyone, regardless of language, income, or background, feels at home. And maybe, just maybe, she’ll find herself back on stage with Paquito D’Rivera, just like that first time, all those years ago.
For more info and tickets to Paquito D’Rivera, visit mahaiwe.org
Keep ReadingShow less
Provided
On Saturday, April 5, at 3 p.m., The Triplex Cinema in Great Barrington and Jacob’s Pillow, the dance festival in Becket, Massachusetts, are presenting a special benefit screening of the cinematic masterpiece, “The Red Shoes,” followed by a discussion and Q&A. Featuring guest speakers Norton Owen, director of preservation at Jacob’s Pillow, and dance historian Lynn Garafola, the event is a fundraiser for The Triplex.
“We’re pitching in, as it were, because we like to help our neighbors,” said Norton. “They (The Triplex) approached us with the idea, wanting some input if they were going to do a dance film. I thought of Lynn as the perfect person also to include in this because of her knowledge of The Ballets Russes and the book that she wrote about Diaghilev. There is so much in this film, even though it’s fictional, that derives from the Ballets Russes.” Garafola, the leading expert on the Ballets Russes under Serge Diaghilev, 1909–1929, the most influential company in twentieth-century theatrical dance, said, “We see glimpses of that Russian émigré tradition, performances we don’t see much of today. The film captures the artifice of ballet, from the behind-the-scenes world of dressers and conductors to the sheer passion of the audience.”
Hailed as one of the greatest films about ballet, “The Red Shoes,” 1948, is a dazzling fusion of dance and cinema, featuring a mesmerizing 17-minute ballet sequence performed by Scottish ballet dancer and actress, Moira Shearer. Directed by Michael Powell and Emeric Pressburger, the film’s breathtaking use of Technicolor and evocative storytelling continues to captivate audiences, including legendary filmmakers like Martin Scorsese, Brian De Palma, and Steven Spielberg all of whom have cited the film as an influence on their work.
Garafola recalled seeing the film as a young dancer. “I remember being more taken with the plot then, but seeing it again recently, it was the color, the fantasy, and the glamour that struck me. Given how gray England was after the war, the film’s vibrant costumes and settings create an almost dreamlike escape.”
Owen echoed Garafola’s sentiment. “It’s magical. Color was their thing, and this latest restoration makes it even more breathtaking.”
The film underwent an extensive digital restoration at the UCLA Film and Television archive between 2006 and 2008 and premiered at the Cannes Film Festival in 2009. This is the version of the film which will be screened at the Triplex.
Owen said, “I love the depiction of young ballet audiences racing to their seats. That kind of enthusiasm is contagious. It’s what draws young dancers in.” Both Owen and Garafola epressed hope that young dancers will attend the event, sharing in the film’s enduring inspiration.
Owen and Garafola’s Q&A is sure to be lively and educational as they delve into the film’s legacy in both dance and cinema. “It’s not just a film for dance lovers. It’s a filmmaker’s film, too,” Owen added.
Join The Triplex and Jacob’s Pillow for this rare opportunity to experience “The Red Shoes” on the big screen, a film that continues to enchant, inspire, and ignite artistic passion.
Tickets are available for $75 at www.thetriplex.org.
Keep ReadingShow less
loading