Belden House & Mews opening in Litchfield

Lobby
Jennifer Almquist


Lobby
Belden House & Mews is an elegant gem of a hotel set within the newly restored 1888 Victorian mansion of Dr. Charles O. Belden. With its turrets, demilune windows, stained glass, parquet floors, crystal chandeliers, carved wood bas-reliefs, pocket doors with original brass pulls, and inviting window seats, the transformation of this historic home into a modern retreat is nothing short of inspiring.
Belden House & Mews officially opens on May 1. It is the latest delight from Dutchfield, the team that owns Troutbeck in Amenia. Principal designer Courtney Brannan of Champalimaud Design used local craftsmen and artisans to create the serene and comfortable interior. Owners Anthony and Charlie Champalimaud live in Litchfield with their young family. When asked to explain the philosophy behind this project, Anthony explained, “Reviving this once derelict estate with its gracious, subtly ornate and expansive physical attributes established a narrative conducive to the approach to hospitality we first established at Troutbeck.” Champalimaud continued, “Belden has its own voice, of course, one which spans early American and modernist architecture. Its situation, as the bridging property between the estates of historic North Street and the town green, dovetails with our bias to invite guests into a residential-feeling environment. More of an invitation to come and live with us, than to live like us.”

The year-long renovation uncovered proud signatures from 19th century builders and craftsmen on the plaster behind the woodwork. Extraordinary attention to detail includes bespoke wallpaper from twenty2 grasscloth, a woman-led business in Naugatuck, Connecticut printed with the historical signatures and floral traceries unearthed from old wallcoverings, now trailing down guestroom walls. The sage green, paneled front door still opens to a warming hearth beneath the original carved granite lintel deeply incised with lines from Shakespeare’s Macbeth: “Come what come may, Time and the hour runs through the roughest day.”
The design aesthetic of Alexandra Champalimaud, Litchfield resident and Anthony’s mother, is evident behind every detail of the Belden House & Mews. Founding principal of Champalimaud Design, interior designer of such luxe hotels as Raffles in Singapore, the Plaza, and Bellagio, and a member of the Interior Design Hall of Fame, Alexandra mused, “We embraced the locale throughout our design, collaborating with local makers and craftsmen to create a color journey full of warmth and curiosity. We highlighted the contrast between Belden House’s traditional spirit and the modernism of the 1950’s-era Mews building, where furniture silhouettes inspired by midcentury art and architecture bring splashes of color to tonal room envelopes. The project is a journey in which guests feel welcomed and at home as sunlight streams in through the windows.”

Tarajia Morrell, communications director of Dutchfield, pointed out details during a tour of Belden House & Mews — an original newel post finial on a stack of art books in the library, the vivid emerald green bar complete with cheetah lamps and featuring Litchfield Distillery spirits, 21 four-poster beds made in West Cornwall at Ian Ingersoll furniture, a weathered, leather table in the penthouse made from a Parisian wrestling mat, and lighting crafted by Litchfield’s Dumais Made. PBDW architects and historical preservationist John Kinnear provided their expertise. Handmade tiles from Bantam Tileworks, White Flower Farm florals and bouquets, landscape architect Reed Hilderbrand, White Dog Woodworking from Torrington, and Lakeville Interiors all contributed their skills as well.
Connecticut native chef Tyler Heckman prepares a seasonal menu, sourced from nearby farms and the New England coast, and served in the Belden House dining room. Breakfast, lunch and dinner will be offered by reservation only beginning May 1. Belden House also provides a butler service for its 10 guestrooms, including a third-floor penthouse with three bedrooms, three baths, and a rooftop terrace.

The Mews features 21 guestrooms, some with private terrace gardens shaded by mid-century striped awnings. Within the Mews, guests will find Bathhouse, a wellness spa reserved exclusively for Belden guests, featuring Wildsmith skincare products from the UK. There is a fifty-foot heated pool, a folly bathhouse, and a lawn club for croquet. The iconic 1891 Litchfield Firehouse will complete the Belden House complex in mid-2025, re-purposed as a meeting house for guests and community special events.
Anthony Champalimaud mused, “We felt acutely - again, as we do at Troutbeck - a responsibility to get it right. To occupy a role within our wider community which over time becomes essential. That here we had the chance to insert within the heart of a National Historic Landmark town, a new and missing element, is both an enormous privilege, exceptional opportunity, and profound responsibility. That said, it ought to be fun, and we very much hope it will bring much joy to both our guests and our neighbors.”
For reservations, visit beldenhouse.com or call (860)337-2099
Aly Morrissey
A former Indian Mountain School (IMS) coach and trainer was arrested Aug. 18 for alleged sexual contact with a student.
LAKEVILLE — A former Indian Mountain School coach and athletic trainer was arrested Tuesday, Aug. 18, by state police on three felony charges related to alleged sexual conduct with a 15-year-old student while he was employed by the school.
Maxwell Abendroth, 32, was charged with fourth-degree sexual assault. The charge identifies the alleged victim as a student under 16 and Abendroth as a coach. He was also charged with illegal sexual contact with a minor and risk of injury to a child. State court records list Jan. 25, 2026, as the date of the alleged offenses. Abendroth was serving as the athletic director and athletic trainer at IMS at that time.
After police obtained a warrant for his arrest, Abendroth turned himself in to Troop B Headquarters in North Canaan on Tuesday, according to the police report. He was released on $50,000 bond and is scheduled to be arraigned Thursday, Aug. 27, in Torrington Superior Court.
The arrest comes nearly seven months after IMS leadership first learned that Abendroth allegedly engaged in inappropriate behavior with a student.
In a letter sent to current parents and parents of alumni on Monday, June 22, Head of School Lisa Sun said the school first learned about Abendroth’s conduct on Tuesday, Jan. 27, and immediately placed him on administrative leave. He was fired shortly thereafter and the school initiated an internal investigation and reported the conduct to the Connecticut Department of Children and Families and law enforcement.
“We learned that Mr. Abendroth had engaged in behavior toward a student that violated our code of conduct,” Sun wrote in June. “We have worked hard to support the affected student and have been in regular contact with the student’s family.”
In a separate email on Friday, Aug. 21, Sun said the school’s own investigation did not turn up evidence of additional wrongdoing. “We do not believe that the inexcusable behavior extended to other members of our community,” she wrote, but encouraged anyone with information to contact the school or law enforcement.
“Under no uncertain terms, Mr. Abendroth’s conduct represents a profound breach of the trust that families place in our school, and it stands in direct opposition to our values and expectations for every adult who works with our students.”
Abendroth, who did not respond for comment, was employed by IMS from August 2016 to January 2026. He primarily worked in the school’s athletic department, serving as an athletic trainer and assistant athletic director before taking over the department as director in 2019.
According to Abendroth’s LinkedIn profile, as athletic trainer at IMS he worked with all student-athletes, “ensuring they receive appropriate medical care for acute and chronic injuries.” He also managed orthopedic rehabilitation, diagnosed concussions and oversaw return-to-play protocols.
Indian Mountain School is a private, co-educational day and junior boarding school located in Lakeville, Connecticut. Tuition ranges from $31,250 per year for students in pre-K through fourth grade to $95,840 per year for international boarding students.
Aly Morrissey worked at Indian Mountain School from 2017 to 2023.
D.H. Callahan
Dennis James plays the glass armonica in Colonial costume.
In the early 1760s, Benjamin Franklin was one of the most popular people in the world. The writer, printer, inventor and electricity pioneer was known throughout the British Colonies in America, as well as in Europe, as a respected intellectual and diplomat. While we know him as one of the Founding Fathers of the United States, he spent almost a third of his life in Europe. Eight of those years were spent in France, working to secure support from the French military during the Revolutionary War. But before that, he spent 18 years in England as a diplomatic representative from the colonies.
It was during that time when Franklin first witnessed a musician play a series of glass bowls by wetting his fingers and drawing them across the bowls’ rims. The sound was haunting and otherworldly — like nothing he, nor anyone else, had ever heard before. But as Franklin was transfixed by the sound, he saw what many great innovators see when witnessing something new: inefficiencies. The musician was moving all over the place, working far too hard to make these angelic sounds. So Franklin went about fixing the problem.
In 1761, Franklin commissioned an English glass blower to make him 36 glass bowls of specific diameters and thickness. He then mounted them on a rotating, lathe-like structure, interstacking the smaller bowls inside the openings of the larger ones. Now, instead of reaching all around a table, the musician could play the bowls in a style closer to a piano, simply by moving his fingers. Franklin called his new invention the armonica, after the Italian word for harmony, “armonia,” and was known to play it for friends and visitors.
For somebody whose name is synonymous with money, his face famously gracing the $100 bill, Franklin wasn’t quite as capitalistically minded as one might expect. He declined to patent the invention, instead allowing other instrument fabricators to make their own without paying him fees. Possibly due to his altruism, the armonica caught on, with pieces written for it by such compositional legends as Mozart and Beethoven.
Now, the instrument is coming to Great Barrington as part of the Berkshire Opera Festival. For its 10th anniversary, the festival is presenting “Lucia di Lammermoor” by Italian composer Gaetano Donizetti. The opera, which will be performed in its original Italian, is one of the most prominent works in the “bel canto” style. The term “bel canto” translates to “beautiful voice,” but today, the style can be best summed up as a more dramatic style, allowing performers to match their vocal tones to subjects or moods. This essentially lets the singers act with their voices through song.
The opera is most commonly performed with a flute solo, but the Festival chose to enlist the armonica, as was originally called for by Donizetti. To play it, BOF is bringing in multi-instrumentalist Dennis James, who has already demonstrated his armonica skills to Berkshire audiences at the American premiere of George Benjamin’s opera “Written on Skin” at Tanglewood in 2013.
“Lucia di Lammermoor” will run at the Mahaiwe Performing Arts Center in Great Barrington on Saturday, Aug. 22; Tuesday, Aug. 25; and Friday, Aug. 28. For tickets and more information, visit berkshireoperafestival.org/
Richard Feiner And Annette Stover
Jeremy Boviard, General Manager at the Moviehouse in Millerton.
There’s something special about sharing a story in a room full of other people.
— Jeremy Boviard
Spend a few minutes talking with Jeremy Boviard about movies and you’re likely to forget what time it is.
Ask about a favorite film and he’ll happily explain the first time he saw it, how it was made and why it matters. One story leads to another. His enthusiasm is infectious. For Boviard, movies are far more than entertainment – they’re one of the best ways people connect.
That passion has made him the perfect steward of The Moviehouse in Millerton, where, as general manager, he has helped transform the nonprofit theater into a vibrant community gathering place.
“I like bringing people together to share something,” he said. “People come here to enjoy themselves, to learn about the world and themselves, and we’re here to facilitate and enhance that experience as much as possible.”
His path to The Moviehouse, however, wasn’t one he could have imagined.
Raised in Newton, Massachusetts, Boviard grew up immersed in musical theater and developed an early love of cinema. Some of his first memories involve movies. As a toddler, he insisted on watching “E.T.” before deciding the opening scenes were too scary. Today, it’s one of his all-time favorites. He also wore out a VHS recording of the television broadcast of “The Wizard of Oz,” commercials and all.
Cinema was a family affair. His mother, a preschool teacher, would even mail him Siskel and Ebert’s “thumbs up” and “thumbs down” movie reviews while he was away at summer camp, to keep him in the loop.
“I’ve always loved talking about movies,” he said.
After studying communications and media at Northeastern University, Boviard explored a variety of careers. Then, in 2016, his life took an unexpected turn.
He came to northwest Connecticut seeking treatment for alcoholism at Mountainside Treatment Center in Canaan, expecting to stay for only a month or two.
Instead, he found a new beginning.
Nearly a decade later, Boviard remains sober and speaks openly about the experience that changed his life.
“It’s a big part of my identity,” he said. “It’s more than not drinking or doing drugs; it’s about having integrity and being open to others.”
After completing treatment, he stayed in the area and joined the Mountainside staff, eventually becoming a client services lead during the height of the COVID-19 pandemic. The work was demanding, requiring compassion, flexibility and resilience.
“It helped me become — not the best version of myself, because I’m not perfect — but I feel stable and happy with my life in ways that 10 years ago I did not,” he said. “It’s the beginning of a lifelong journey.”
That same outlook shapes the way he approaches his work today.
When friends learned The Moviehouse was looking for a general manager after reopening in 2021, they immediately thought of Boviard. Running an independent movie theater had long been one of his dream jobs.
“It felt like a perfect fit,” he said, “and I am incredibly grateful for the opportunity that [Moviehouse Chair and Vice Chair] Chelsea Altman and David Maltby have given me.”
His days rarely look the same. He helps choose films, organizes special events, oversees fundraising and educational programs, manages staff schedules and payroll, orders supplies — and, if necessary, teaches new team members to change the soda fountain syrup, as he did in the middle of this interview: “There are plenty of moments where you’re doing a little bit of everything.”
He credits Assistant General Manager Tom Cloutier, Public Relations and Marketing Director Helen Seslowsky, and the rest of the team for creating a culture built on trust and teamwork.
“When I’m not here physically, I trust that the people who are here are handling everything well,” he said. “That’s a really good place to be.”

Under Boviard’s leadership, The Moviehouse has expanded well beyond first-run films. Trivia nights, filmmaker discussions, live performances, after-school filmmaking programs and community partnerships have become part of its identity.
His goal is to offer something streaming services can’t.
“There’s something special about sharing a story in a room full of other people,” he said.
In an age when so much entertainment is experienced alone, Boviard believes the real magic of the movies is not confined to the screen. It’s found in the shared experience of watching together, lights dimming and a community discovering, for a couple of hours, that great stories are better when they’re shared.
That commitment extends beyond the theater. As co-chair of the Millerton Business Alliance, Boviard helps organize community events, including free holiday movie screenings and Festival of Lights activities.
He says he still finds himself struck by the quiet beauty of the region he unexpectedly came to call home.
Asked what advice he would give his younger self, Boviard doesn’t talk about career success or favorite films.
Instead, he offered a lesson earned through experience.
“Life’s full of surprises, and things often won’t play out how you expect,” he said. “If you put your best foot forward, stay even-keeled and remain as realistically optimistic as possible, life will lead to some unexpectedly wonderful places.”

Want more of our stories on Google? Click here to make us a Preferred Source.
Natalia Zukerman
Presenters at the 2025 Berkshire Mushroom Festival.
“Mycelium is Earth’s natural Internet,” says mycologist Paul Stamets. He also calls fungi “the grand recyclers of the planet” and says, “Fungi are the interface organisms between life and death.”
If that sounds like a pretty good argument for paying more attention to what’s happening under your feet, the Berkshire Mushroom Festival is hosting a weekend made for you.
On Aug. 22 and 23, Tam Integration, an online psychedelic community organization, and Lee, Massachusetts-based dispensary Sweetgrass Botanicals will bring together foragers, cultivators, scientists, artists, cooks and curious humans at Dewey Hall in Sheffield, Massachusetts, for a weekend devoted to the remarkable world of mushrooms.
Stamets’ books, including “Mycelium Running: How Mushrooms Can Help Save the World,” have helped inspire a broader fascination with the fungal kingdom, from the role of mycelium in forest ecosystems to the potential of mushrooms in medicine and environmental restoration. Similarly, Michael Pollan’s “How to Change Your Mind” introduced millions of readers to the history and revival of psychedelic research, including scientific investigations into psilocybin, the psychoactive compound found in certain mushrooms. Pollan’s reporting has helped illuminate a field that had moved from the counterculture into laboratories and serious conversations about consciousness and mental health.
This spirit fits the Berkshire festival, whose theme this year is “the mycelial web of nature, creativity, science and magic.” Over the course of the weekend, visitors can explore mushrooms from nearly every conceivable angle: guided walks and species identification, cultivation, cooking, crafts, spore-print art and conversations about medicinal and psychedelic fungi.
Among the presenters is Berkshire native John Wheeler, founder of the Berkshire Mycological Society, who has been foraging for more than 30 years and has identified roughly 1,100 mushroom species. He’ll lead a Sunday foraging workshop and join a panel on foraging and identification with Luke Sarrantonio, founder of Mycophilic. Sarrantonio, who grew up in Rosendale, has built a career around fungal education, cultivation and community projects, including the Catskills’ annual “For the Love of Fungi” mushroom and arts festival.

The festival also goes deep into the increasingly visible world of psychedelic fungi. Daniel Shankin, founder of Tam Integration, is a psychedelic integration coach whose work focuses on helping people incorporate transformative psychedelic experiences into their lives.
“It’s so exciting to be able to bring in such wide-ranging talent,” said Shankin of the speakers and presenters at this year’s festival. “There are people that I’ve been friends with in this community for years that I haven’t gotten to work with in person because they live in Guatemala or the Netherlands or another part of the world, so this is so exciting.”
As the founder of an organization that works with the psychedelic portion of the fungi world, Shankin is also excited to bring the growing consciousness around this modality to more people and train more people to be guides. “Not everybody necessarily needs to do psychedelics,” said Shankin, “but I feel like everybody needs to be able to hold space for somebody who’s on psychedelics.”
Cassandra Purdy, founder of Sweetgrass Botanicals, has spent more than 30 years immersed in the world of plant medicine, shamanism and entheogens. Together with other presenters, they’ll explore psychedelic preparation and integration, spirituality, safety, ethics and the art of creating supportive spaces for psychedelic experiences.
And the weekend’s conversation about fungi extends well beyond psychedelics. Imani Turnbull-Brown, co-founder of the Entheogen Melanin Collective, brings a focus on ancestral healing, Black wellness and making the psychedelic conversation more accessible and inclusive. Other sessions explore soil and regeneration, functional and medicinal mushrooms, cultivation, mushroom-inspired art and the practical business of growing fungi.
“I think people are increasingly suspicious of Western medicine,” said Shankin. “They’re looking for ways to combat the effects of aging and pollution, the effects of toxins in their foods, and they’re interested in taking their health and well-being into their own hands. Learning about functional mushrooms and the healthy lifestyle that goes along with them can go a long way.”
The Berkshire Mushroom Festival offers a particularly enjoyable way to investigate these extraordinary organisms — and to consider whether fungi might even hold some answers to the human-made environmental challenges unfolding around us. As Stamets has put it, “I love a challenge and saving the Planet seems like a good one.” Come see what the fungi have to say for themselves.
The Berkshire Mushroom Festival takes place Aug. 22 and 23 at Dewey Hall, 91 Main St., Sheffield, Massachusetts. For more information and tickets, visit berkshiremushroom
.com
D.H. Callahan
Justin Schwarz and Laura Kleger, founders and directors of Friday Arts.
On Saturday, Aug. 22, Friday Arts will open its new gallery in the Bantam Arts Factory.
In the summer of 2025, former Guggenheim Museum head of digital Laura Kleger and her husband, award-winning filmmaker Justin Schwarz, opened a gallery … kind of. When we usually think of galleries, we might conjure the image of white walls lined with art and littered with sculptures. Some of us might think outside the box and visualize barns and industrial towers, like at the Wassaic Project, or Millerton’s Re Institute. But Friday Arts, as Schwarz and Kleger called it, thought of the space as secondary.
To them, the main idea is to display and promote art and the artists who make it. In that endeavor, they’ve done a whole lot in a single year, including hosting 11 exhibitions, collaborating with 15 artists and producing eight original films, all without a permanent home. They’ve done it at a series of venues, both traditional galleries and unconventional art spaces, including a former dairy factory in Amenia.
In addition to these pop-up galleries, they’ve also hosted art shows online. It’s part of an ethos developed around the concept of making art more accessible to everyday people. To that end, they started the Friday Arts Editions, which features limited runs of sculptures and prints designed for consumption. “We think buying art by living artists is a vote for a certain kind of world — one where creative expertise, imagination and possibility are valued.”
While they plan to continue all these efforts, they’re adding their own gallery space to the mix. And much like their diverse venues of the past, this one is a bit of a mix. Yes, it has white walls like a traditional gallery, but it’s housed in an old switch factory and surrounded by working artists. Moving into a building with a history seems appropriate, as part of their mission statement as an arts group is to foster deeper dialogues with the stories behind the works they present. Part of those efforts come through in interviews with the artists themselves and the subsequent short films posted to their website.
“We often envision a version of our younger selves,” Kleger said, “living outside of a major art center, spending time with [the website] as a helpful resource to inform their own creative journey.”
Their first show, opening on Saturday, Aug. 22 is called “Second Cutting,” based on the second harvest of the summer and “the finer, denser growth a field yields after the ground has already been worked and then returned to.” The show will feature paintings by Rachael Catharine Anderson, Ryan Steadman and Annika Tucksmith, which will work in dialogue with the theme. Kleger and Schwarz will personally lead tours of the exhibition on the two Saturdays after its opening and will offer subsequent tours by appointment.
More information, including videos and contact information for appointments, can be found at friday-arts.com.
Natalia Zukerman
(From L to R) Jakob Kerr-Lucero (Jake), Charlotte Wise (Candy), Richie Crane (Joey), Brianna Vivace (Coco), and Vivian Burnham (Stage Manager) in rehearsal for Sharon Playhouse’s “Zombie Prom.”
Jonny is dead. He’s also still dating Toffee. And he has every intention of making it to the prom.
That’s the basic problem at the heart of “Zombie Prom,” the gloriously campy musical comedy coming to the Sharon Playhouse Aug. 21-23.
Set in a candy-colored 1950s high school, “Zombie Prom” has everything a vintage teen musical could want: a sweet girl, a rebellious bad boy, a terrifyingly strict principal, rock ’n’ roll, big dance numbers and enough adolescent angst to power a small town. It also has a dead boyfriend who refuses to let the grave interfere with his love life.
The show is the second annual production of the Sharon Playhouse’s Launchpad Company, a pre-professional program for theater artists ages 15 to 20. This year’s young cast comes from communities on both sides of the Connecticut-New York border, including Alex Wilbur of Lakeville as Eddie Flagrante, Carlo Desy of Fairfield as Jonny, Abby Callaway of Woodbury as Toffee and Callie Audia of Dover Plains as Miss Delilah Strict.

The musical, with music by Dana P. Rowe, lyrics by John Dempsey and a book by Dempsey and Hugh M. Murphy, premiered Off-Broadway in 1996. Sharon’s production has a particularly fun connection to that original run: Director DJ Salisbury was a member of the original Off-Broadway company. He also returns to the Sharon Playhouse, where he directed “42nd Street” in 2011. Michelle Lemon choreographs, and Eric Thomas Johnson is music director.
Expect catchy songs, big personalities, teenage melodrama, zombie shenanigans and enough high camp to make death look like a pretty good time. But underneath all the hairspray and grave dirt, “Zombie Prom” is also a coming-of-age story about love, friendship, refusing to become somebody you’re not and never letting something as minor as death get between you and true love.
“Zombie Prom” runs Aug. 21 and 22 at 7 p.m. and Aug. 23 at 3 p.m. at the Sharon Playhouse, 49 Amenia Road, Sharon. Tickets at sharonplayhouse.org

Want more of our stories on Google? Click here to make us a Preferred Source.

Want more of our stories on Google? Click here to make us a Preferred Source.