Trina Hamlin harmonica workshops at The Norfolk Library

Trina Hamlin playing harmonica.
Nicole Compte

Trina Hamlin playing harmonica.
Trina Hamlin is a singer, songwriter, and multi-instrumentalist based in Norfolk, Connecticut. Widely regarded as an accomplished performer, Hamlin has toured the U.S. and abroad for more than two decades with Melissa Etheridge, Dar Williams, Susan Werner, Charlie Musselwhite, and more.
A masterful player, Hamlin will be teaching free, introductory harmonica classes at the Norfolk Library Feb. 3 and 10 from 5:30 to 6:30 p.m.
Her affectionate, playful style on stage and in the classroom have earned her the reputation as a well loved and respected musical force among colleagues and students.
Hamlin loved music from an early age. She took piano lessons from 2nd through 8th grade, sang in her school choir, and over time, moved from piano to guitar and later into playing percussion/small drum kit. She eventually attended the Berklee College of Music in Boston.
“Harmonica was a happy accident. I had a friend who asked me to play it with her. She mentioned ‘bending a note’. That opened up the instrument and my interest in it. It made it feel more like a voice. The second opening was harmonica as a rhythm instrument,” Hamlin said.
Inspired by Boston-based band “The One Eyed Jacks,” Hamlin also observed what Charlie Musselwhite and Junior Wells were doing.
“Listening to that while having no technical idea of how to play the instrument made my head spin! I decided to just play and figure it out on my own,” Hamlin said.
Hamlin primarily plays “Cross Harp” or “Second Position,” which is typically where most blues players begin.
“I like it because it allows me to use the bendable notes for a more expressive sound. I love longer, string oriented lines and grooves. The folk or first position sound of Bob Dylan or Neil Young is not my first choice, but it is very necessary in some cases,” Hamlin said.
Though she is a masterful player, the instrument continues to challenge and inspire her.
“I don’t play a lot of traditional blues at this point. I love trying to play any style. The most challenging thing about it, and music in general, is leaving space for things to breathe and finding lines that add to the whole. I love that it is easy to carry and has such a wide range of expressions,” Hamlin said.
Settling on the darker tones of Tombo’s Lee Oskar Harps, Hamlin has suggestions for students.
“Don’t buy the cheapest harmonica. They can be hard to play. Plan on spending$25-50. Hohner Special 20’s are nice and Lee Oskars are too. I usually tell students to get a C harp. You can find so many videos and tutorials online, which might help you get started. Or maybe I can help!” she said.
“Say yes and learn something new. The beauty of it is that it is set up for success, meaning, you don’t need to have a musical background to make sounds. I love to give people a foundation to work with and see where it goes from there,” Hamlin added.
To register for Hamlin’s class, visit: norfolklibrary.org/library-events
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.