Wild, Wonderful And Entertaining With Great Gags

Please hear me, reader: Disney’s “Zootopia” is a wonderful movie, a carnival of animals, a sumptuous, state-of-the-art, computer-animated film bursting with creativity and color. Moments for children alternate with moments for adults — in one scene rodent employees file out of Lemming Bros. Bank for lunch. Adults will chuckle; it will pass over kids’ heads.

In Zootopia and the countryside there are no humans, only animals. And there are no predators or prey. Somehow the animals get along, exhibit human traits and speak English. But there are class differences. There is a Tundra Town, a Sahara Square and a small-sized village for mice and moles. The mayor is a lion, the deputy mayor a sheep. It’s an anthropomorphic utopia.

Zootopia’s story is conventional. Our heroine is Judy Hopps (voiced by Ginnifer Goodwin), the first rabbit police officer in the city. She is a country bunny, and that is where her parents think she should have stayed with her 275 siblings on their carrot farm. But she has dreams of moving to the city and becoming a police officer. After a short time assigned to parking-ticket duty by the chief of police (a Cape buffalo voiced in booming tones by Idris Elba), she is told by the chief to find a missing otter within 24 hours or resign from the force. For her off-the-force partner, she picks a wily fox, Nick Wilde (Jason Bateman), whom she has caught in several crimes and now blackmails into helping her.

Both Goodwin and Bateman have impeccable timing, and their rushing vocal pace as they zip about the city and its environments looking for clues, poring over surveillance tapes and intimidating a henchman called Duke Weaselton (a weasel voiced by Alan Tudyk) alternates with slower, self-satisfied moments. They turn “Zootopia” into a real cops thriller, with conspiracy afoot, a crime boss (an arctic shrew who talks like Brando on helium), even breakneck cars chases.

This is a zesty, well-conceived film with gags where you might expect songs, and songs where you least expect them. (The songs are by Shakira, and they are terrific.) And if you recognize allusions to our own current political climate, even some presidential candidates, they are non-preachy. Nor are the references to things that annoy our society: A visit by Hopps and Wilde to the department of motor vehicles takes forever because the clerk is a sloth. Of course he is.

 

“Zootopia” is playing widely. It is rated PG.

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