Latest News
Classifieds - December 18, 2025
Dec 17, 2025
Automobiles For Sale
2012 Honda Fit: 147,000 miles. 4 Snow Tires included. Good Condition. $2500 or best offer. Call Mike. 860-671-9328.
Services Offered
Deluxe Professional Housecleaning: Experience the peace of a flawlessly maintained home. For premium, detail-oriented cleaning, call Dilma Kaufman at 860-491-4622. Excellent references. Discreet, meticulous, trustworthy, and reliable. 20 years of experience cleaning high-end homes.
Hector Pacay Service: House Remodeling, Landscaping, Lawn mowing, Garden mulch, Painting, Gutters, Pruning, Stump Grinding, Chipping, Tree work, Brush removal, Fence, Patio, Carpenter/decks, Masonry. Spring and Fall Cleanup. Commercial & Residential. Fully insured. 845-636-3212.
The Villas Cleaning Team: Owner-Operated. Reliable, detailed cleaning by a trusted husband-and-wife team. Homes & Offices. Airbnb. Small Post-Construction. Commercial. Windows. Laundry. Consistent cleaners every time. Competitive rates. Flexible scheduling. Call/Text: 903-918-2390. Dave Villa for a free estimate.
Auctions, Estate Sales
Carol’s Estate Sale:Jewelry, Paintings, Sculptures, Ceramics, Furniture, Plants and Garden Stuff, and More. December 20 and 21 from 9:00 to 4:00 at 37 Library Street, Salisbury, CT. No early birds please.
Real Estate
PUBLISHER’S NOTICE: Equal Housing Opportunity. All real estate advertised in this newspaper is subject to the Federal Fair Housing Act of 1966 revised March 12, 1989 which makes it illegal to advertise any preference, limitation, or discrimination based on race, color religion, sex, handicap or familial status or national origin or intention to make any such preference, limitation or discrimination. All residential property advertised in the State of Connecticut:General Statutes 46a-64c which prohibit the making, printing or publishing or causing to be made, printed or published any notice, statement or advertisement with respect to the sale or rental of a dwelling that indicates any preference, limitation or discrimination based on race, creed, color, national origin, ancestry, sex, marital status, age, lawful source of income, familial status, physical or mental disability or an intention to make any such preference, limitation or discrimination.
Keep ReadingShow less
Murders in the Caribbean
Dec 17, 2025
On Sept. 2 of this year, a fishing boat propelled by an outboard motor was attacked by a missile from an American helicopter overhead. The boat was demolished as were nine of its 11-member crew. Two members of the crew remained alive, floating in the water. Within a few minutes, the helicopter returned with another missile to kill the two survivors.
The U.S. government reported the incident saying that it was an authorized attack intended to stop the importation of banned drugs into the U.S. by a “narco-terrorist” nation, in this case Venezuela. This incident was not an isolated event and was followed by dozens more over the next few months. President Trump spoke enthusiastically about the attacks, describing them as a part of our “war on drugs” and indicated that they might well be followed by future attacks on land. He seemed oblivious to the law that only Congress has the right to declare war and had not done so.
In the many lethal attacks on small boats that followed, no proof was ever offered that they were carrying drugs; the boats,their crews and any cargo were destroyed. Some experts have suggested that the Sept. 2 boat with its crew of eleven men wouldn’t have had space for a regular shipment of drugs.
In his many remarks on the matter, the President claimed that most of the illicit drugs entering the country, especially fentanyl, the most dangerous, were coming in by sea from South and Central America; actually, fentanyl largely arrives by land from Chinese sources via Mexico. The small boats in the Caribbean were probably transporting cocaine, if any drugs, with most of it going to other countries. Were President Trump really so distressed by cocaine traffic into the U.S., why would he have just issued a pardon to the former Honduran President who had recently been sentenced here for operating a very large international cocaine drug trafficking business?
Combating the international drug trade is an excuse for other Trump ventures south of the border. Perhaps it’s exercising military power in the mode of the Monroe Doctrine. Many notable observers (including The Lakeville Journal’s columnist Bill Schmick’s article Dec. 4, 2025) think that taking control of Venezuela’s enormous fossil fuel reserves might be Trump’s main goal.
But overthrowing Maduro’s government and controlling a replacement Venezuelan government might be very difficult for Trump toto manage. The U.S. boarding and takeover of a giant Venezuelan oil tanker left us wondering if war might be around the corner, even more so if Trump decides to attack Columbia which he has threatened as well. Staytuned!
Most commentators of late have been focused on the second strike of the Sept. 2 attack where the two helpless individuals floating alive in the sea were killed. According to numerous military experts such a killing would be illegal in either a civilian or military context. If so, the question remains: who is responsible? Admiral Frank Bradley, the Commander of the overall mission?Secretary Hegseth?, the officer firing the missiles? Someone else?
As the recent video by six members of Congress made clear, a member of the military is not obliged to follow an illegal order; it’s right there in the Uniform Code of Military Justice But is a private in the Army going to tell a high ranking commanding officer that he won’t follow the officer’s order, that it’s illegal?
In this case nobody seems to want to take the responsibility. Hegseth, who has lately gone out of his way to demonstrate his machismo, recently told a gathering of military officers at Quantico that “it was time to take the gloves off .”
Perhaps because he remains invulnerable to legal discipline because of his Supreme Court grant of immunity,President Trump has been lately left out of the public discussion regarding responsibility for the Sept. 2 attack and the killings. But this whole conflict, with its two dozen attacks and more than 82 killings of supposed “enemy combatants” is Trump’s doing. Like Hegseth he may not have been right there in the attack helicopter to give the order to fire.But he planned the overall campaign while letting subordinates receive any blame.
President Trump’s use of the military in the Caribbean has much in common with his sending of troops into American cities. Describing several of our foremost cities as “war zones”, he has used his own inaccurate characterizations of Washington, Chicago, Portland, Los Angeles and other cities as justification for sending in troops that the mayors and governors of these places have told him were, not needed and not wanted. In both the Caribbean and in U.S. cities, Trump has concoctedridiculous excuses for illegal and provocativeincursions. Our cities are not “burning to the ground” as Trump publicly claimed to be the case.
We are on the wrong track if we continue to view the Sept. 2 attack as a military matter focused solely on the killing of the two men in the water. The Pentagon has admitted to more than 22 similar attacks on small boats and suggested that they killed at least 80 individuals.
What we know so far, prior to a serious Senate investigation, is that SecretaryHegseth, Admiral Bradley and possibly others all have much to answer for; and so does President Trump who initiated and set in motion this whole shameful enterprise.
Architect and landscape designer Mac Gordon lives in Lakeville
Keep ReadingShow less
Still from the movie ‘The Nutcracker at Wethersfield’.
Provided
In the fall of 2020 — months into a global shutdown and at the onset of a long, uncertain winter — a group of artists, organizers and community members in the area undertook what many believed to be an impossible task: staging a full reimagining of “The Nutcracker” during the height of the COVID-19 pandemic. Their story is now captured in the new documentary “The Nutcracker at Wethersfield,” directed by award-winning filmmaker Annie Sundberg.
For Sundberg — long known for documentaries tackling heavy social issues — the project was a significant departure from her previous work. “It really felt like a fairy tale. This just felt very pure in an incredibly delightful way,” she said.
The idea began when choreographer and Ballet Collective artistic director Troy Schumacher feared that the annual “Nutcracker,”a lifeline for dancers and audiences alike, would vanish entirely that year. “We all began to realize that ‘The Nutcracker’ was probably going to end up getting canceled,” he said. “As working artists this also felt very scary for us, because ‘The Nutcracker’ is such an essential part of our year.”
Around this time, Schumacher was invited on an impromptu tour of the Wethersfield Estate in Amenia. After seeing the historic home and gardens, he immediately recognized its potential. “We weren’t expecting to have this revelation that this place could actually serve as the perfect and perhaps only place that a ‘Nutcracker’ could exist that year.” But that’s exactly what he came away thinking.
As the seed of an idea gradually became something more tangible, Tara Schafer — the executive director of the Wethersfield Estate and an executive producer of “The Nutcracker at Wethersfield” — recalls the legwork that went into the project. “The entire production was really made possible by people of the Millerton, Millbrook and Pine Plains area. People in the community really rallied together to support these artists to try to achieve the impossible.”
What followed was a whirlwind. Over five weeks, 24 New York City Ballet dancers lived and rehearsed on site — masked, distanced and isolated — to bring the performance to life. And the performance itself prioritized an audience who most needed joy that season: frontline workers, first responders and community members deeply affected by the pandemic.
Sundberg’s film captures both the dreamlike beauty of the production and the emotional stakes behind it. “It’s about creative resilience,” she said.
For Schumacher, the memory remains powerful. “It was this really bright spot in a very dark, scary time for all of us,” he said. “People can come together and work hard and achieve things that seem impossible.”
For the filmmakers, the dancers and the local volunteers who helped make the performance possible, “The Nutcracker at Wethersfield” stands as a testament not only to artistic determination but also to community collaboration in times of uncertainty. This holiday season, the film offers audiences a chance to revisit a moment when creativity, courage and holiday spirit helped light the way through darkness.
The film, which had its world premiere at DOC NYC, screened at The Moviehouse in Millerton on Thursday, Dec. 11, and was followed by a Q&A with director Annie Sundberg and executive producer Tara Schafer. Upcoming screenings will take place Thursday, Dec. 18, at Upstate Films/Orpheum Theater in Saugerties, New York, and Saturday, Dec. 20, at Bantam Cinema in Bantam, Connecticut. Both screenings will be followed by a Q&A with Sundberg.
For a listing of upcoming screenings, visit: nutcrackerfilm.com. For those who can’t make it to a local screening, the film is also available to rent exclusively through the website from Dec. 21 through Jan. 5. You can even gift a rental to someone for the holidays!

Keep ReadingShow less
Crescendo, under the direction of Christine Gevert, present two holiday concerts.
Stephen Potter
Crescendo, the award-winning music organization of the Berkshires, presents several concerts this holiday season, including A Tapestry of Traditions: Unraveling the History of Christmas Carols and A Baroque Portrait: Élisabeth Jacquet de La Guerre.
A Tapestry of Traditions explores the history of holiday carols. The Crescendo Chorus and Vocal Ensemble, accompanied and directed by Christine Gevert at the organ, will trace the origins and development of carols and Christmas songs, their evolution over centuries and their adaptation across cultures.
“Song and dance were very important at the ancient winter solstice celebrations of the Northern Hemisphere,” said Gevert. “While we don’t have the original music from these festivities, modern poets and composers have written about this dark time of the year when we yearn for hope, joy and symbolically search for light.”
The program starts with a winter solstice piece that superimposes a secular poem, sung by one choir, with a Latin Christmas prayer, sung by a second choir, accompanied by handbells.
“The Romans celebrated the feast of Saturnalia in a very similar way to what we do for Christmas. We present a piece that portrays the spirit of Saturnalia — something you don’t get to hear very often. The rest of the program features carols and holiday songs that are mostly familiar, in traditional settings, with modern arrangements for chorus, organ, bells and percussion. Audience members will be invited to join in singing some of them.”
The concert will be held at 4 p.m. Sunday, Dec. 21, at Saint James Place in Great Barrington.
Crescendo will close out the year with a New Year’s solo recital of music by French composer Élisabeth Jacquet de La Guerre, one of the few prominent female composers of her era. The concert will include sonatas for solo violin and basso continuo and the “Suite in D Minor” for harpsichord, complemented by “Caprices” for solo violin by Louis-Gabriel Guillemain. Edson Scheid will perform on Baroque violin, with Gevert on harpsichord.
Regarding A Baroque Portrait, Gevert said, “Jacquet de La Guerre was a Baroque composer, harpsichordist and organist, and the first woman to compose an opera in France. A musical prodigy, she made her debut as a singer and harpsichordist at the court of Louis XIV at a very young age. She later became his protégé and court musician, something unusual for a woman in those times. The harpsichord piece on our program is from her collection published in 1687, noteworthy especially because publication of harpsichord music was still rare in France in the 17th century, even for male composers.”
These concerts will take place at 4 p.m. Dec. 27 at Saint James Place, and at 4 p.m. Dec. 28 at Trinity Church in Lakeville.
Both venues are historic buildings that enrich the performances acoustically and visually.
Tickets are available at crescendomusic.org and on a first-come, first-served basis at the door beginning 45 minutes before each concert.
Support for the concerts is provided by the Connecticut Department of Economic and Community Development/Connecticut Office of the Arts through funding from the Connecticut Legislature, with additional support from NBT Bank and WMNR Fine Arts Radio.
Keep ReadingShow less
loading


















