SALISBURY — The inaugural Estabrook Community Leadership Award was presented to the Harney family by The Lakeville Journal and The Millerton News on Oct. 6.
The Harneys earned the award for their tireless commitment to improving and serving the community. The award, named for the longstanding Lakeville Journal owners Robert and Mary Lou Estabrook, was created to recognize individuals who embody the community spirit and leadership in the same way the Estabrooks did.
“We are thrilled to present this award for the first time to the Harney family. A family that has given so much to our local community,” said James Clark, CEO and Publisher, at the Jubilee Luncheon.
Board member, Brian Ross, presented the honor to the family and Elyse Harney addressed the crowd of more than 200 people at the Town Grove lawn overlooking Lake Wononscopomuc.
Harney spoke of the dedicated volunteers and organizations that keep the community alive such as the Jane Lloyd Fund, the Housatonic Youth Service Bureau, Salisbury Winter Sports Association and local emergency responders. John Harney Sr. was a founding member of the Salisbury Volunteer Ambulance Service, which today is one of the few all-volunteer corps left in the state.
Harney urged the audience, “From the bottom of my heart I would ask you to join this wonderful family of volunteers that made this community such a blessed oasis in this very turbulent world. Keep Salisbury a strong, caring community.”
Applause carried over the lake as leaves rustled and cascaded through the air. Guests then enjoyed Harney Tea and a buffet lunch on the Grove lawn as the Salisbury Band Senior Quickstep Hot Shots played.
Adding to the festive occasion, Sharon Playhouse’s Youthstage put on a charming rendition of “Consider Yourself” from the show “Oliver” with customized lines referencing the Harneys.
“Nobody tries to be lah-de-dah or uppity. There’s a cup of ‘Harney Tea’ for all.”
Anne Day
the Sharon Playhouse Youthstage actors perform a charming rendition of "Consider Yourself" from the show "Oliver" during The Lakeville Journal and Millerton News Jubilee Country Luncheon, Oct. 6.
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Stephanie Haboush Plunkett
“The field of illustration is very close to my heart,” she said. Inspired by that example, she studied illustration at Pratt Institute and began her career as an illustrator before shifting toward museum work. An internship at the Brooklyn Museum proved pivotal. “It was inspiring to see the children come alive in front of art,” she recalled.
In addition to her curatorial work, Plunkett is the author of two children’s books, “Kongi and Potgi: A Cinderella Story from China” and “Sir Whong and the Golden Pig,” and has written or co-authored numerous books on illustration, including “Drawing Lessons from the Famous Artists School” and “Leo Lionni: Storyteller, Illustrator, Designer.” She earned an MFA from the School of Visual Arts and built a museum career that included positions at the Brooklyn Museum, the Brooklyn Children’s Museum and the Heckscher Museum of Art before joining the Norman Rockwell Museum, where she has worked for 31 years.
But elevating illustration has meant challenging decades of critical skepticism.
“The goal has been to shine a light on this important American art form and to elevate public awareness of its artistic and cultural importance,”Plunkett said.
As a popular and widely circulated art, illustration is sometimes thought of as inferior to fine art, such as painting and sculpture. Plunkett considered why. She theorized that the 1913 New York Armory Show, the International Exhibition of Modern Art, with works by artists such as Picasso, Matisse and Duchamp, initially contributed to this evaluation. In the 1930s and ’40s, abstract expressionism became the art of the nation, and the rift widened further.
“Norman Rockwell became the antihero for many art critics of the time,” said Plunkett. “Illustration was viewed as too commercial and sentimental because of its emphasis on visual storytelling.”
Plunkett calls illustration “art with a job to do.” She explained, “Illustrators are adept at solving visual problems for their clients while expressing their own aesthetic and artistic vision.”
Visitors consider Norman Rockwell’s paintings on Civil Rights for Look Magazine, “New Kids in the Neighborhood” (1967) and “The Problem We All Live With” (1963.) L. Tomaino
She noted that the line between the fine and applied arts “is much more porous now, with many artists working across platforms and styles.” She cited late-20th-century illustrators like Marshall Arisman, Barbara Nessim, Robert Cunningham, Bernie Fuchs and Mark English as illustrators who forged unique approaches to working and seeing.
Plunkett commented that people want to see the original illustrations. “Generally, Rockwell exhibitions bring high attendance. Currently, our traveling exhibition, ‘Norman Rockwell: From Camera to Canvas,’ is at the New Britain Museum of American Art, but we’ve traveled Rockwell and illustration to 45 states and several countries, including Japan, France, Italy and Germany.”
Nowadays, illustrators take on subjects that are important to them. “The children’s book industry is committed to sharing the richness and diversity of people and cultures with young readers.” Plunkett cited the late illustrator Jerry Pinkney’s commitment to this goal. As a boy, Pinkney found no books portraying children like him, and “his life’s mission as an artist was to present inspiring, positive images of children of color.”
The Norman Rockwell Museum and Rockwell Center seeds were sown when “Rockwell placed the first 199 artworks in the care and collection of the Norman Rockwell Museum upon its founding in 1969, some of which he personally acquired for the fledgling collection,” said Plunkett. “The museum’s current Rockwell holdings include 865 original artworks, the artist’s Stockbridge studio and an archive of 400,000 photographs, letters, props and first uses of the artist’s work. We also hold about 25,000 illustrations by other artists, from the historical to the contemporary.”
“We call ourselves the home for American illustration. We have a real commitment to illustrators and what they’ve accomplished,” said Plunkett.
The Norman Rockwell Museum is located at 9 Glendale Road, Stockbridge. For more information and to purchase tickets, visit
nrm.org
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