In awe of autumn’s amazement at Salisbury Fall Festival

Pumpkin painting was a hit among youngsters at the Salisbury Fall Festival Oct. 11 to 13.
Patrick L. Sullivan

Pumpkin painting was a hit among youngsters at the Salisbury Fall Festival Oct. 11 to 13.
SALISBURY — There was something for everyone at the Salisbury Fall Festival, which enjoyed two days of excellent weather Friday and Saturday, Oct. 11 and 12, before succumbing to a chilly, rainy Sunday, Oct. 13.
Ambling along Main Street Saturday, from the White Hart to the Scoville Memorial Library, a reporter began by renewing the acquaintance of Jocelyn Krodman, proprietor of PetitFelts and a regular at the Salisbury Handmade artisan shows hosted on the lawn of the White Hart.
Krodman has added ceramics to her repertoire and directed attention to smallish needle felted animal heads mounted on ceramic dishes.
They come with brief whimsical stories. A rooster head named Glen was accompanied by a brief recap of his career as an internet influencer.
Jayme Walsh of Lakeville and Olivia Robson of Salisbury are J&O Flowers. The two students at Housatonic Valley Regional High School have developed their flower business as their senior “Capstone” project, and they were busy near the war memorial on the Green.
This was also the venue for a dance show by young dancers from Lakeville’s Blue Studio, and for the Joint Chiefs, who started a set around 2 p.m.
The world epicenter of jigsaw puzzles was the entrance to St. John’s Episcopal Church, where Mina Wood presided over two tables covered with puzzles.
She said her family is puzzle mad, particularly her husband Greg. “He does one or two puzzles per week!”
Moving along Main Street, the visitor could stop and chat with authors Peter Fitting and Tom Morrison, both selling their latest efforts.
A quick detour toward LaBonne’s resulted in a few moments listening to jazz guitarist Eric Loffswold, playing in the courtyard opposite J.T. Murphy’s barber shop.
The tents along Main Street housed a variety of organizations and commercial operations. An arbitrary sample: Jewelry and quilts for education of women in Guatemala; the Salisbury Forum sharing space with the Salisbury Dog Park; Peter Sadlon’s honey products; Project SAGE; and any number of opportunities to assist the Salisbury Central School eighth grade class trip to Washington, D.C.
Peter James, magician, did a couple of shows along Library Street by the Congregational Church. Inside the church was a tag and bake sale in the parish hall.
In the church proper was the annual quilt show, with some 47 entries this year. Janet Kaufman said the call for quilts was extended wider this year.
The Scoville Memorial Library lawn was a mass of (mostly) children, who were decorating pumpkins, or making their own sinister potions (“I got an eyeball!” yelled one experimental chemist), or playing the always popular “Heave the Wet Sponge” game.
The Salisbury Band Senior Hotshots played, and there were performances of Martha Graham dances.
And, of course, books for sale, at the library, at St. John’s Episcopal Church and at Johnnycake Books.
All this activity whets the appetite. Festivalgoers could get soft ice cream or a lobster roll from the food trucks or drop by the Lakeville Hose Company Ladies Auxiliary tents for a hot dog or something more adventurous, such as chili-mac.
The latter is just what it sounds like: A bowl of macaroni and cheese with chili on top. (Plus, a side of corn bread.)
It was the exact right combination for a brisk day that featured a lot of walking. This reporter ate it quite happily, his sense of wellbeing compounded by the fact he didn’t get any of it on his shirt.
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.