Kellogg emerging artists show opens at Hunt Library

Figure by Eli Sher, grade 6.
Patrick L. Sullivan

Figure by Eli Sher, grade 6.
After a November 2025 meeting with Falls Village artist Vincent Incognilios, whose show “Face Time” was on exhibition at the David M. Hunt library, students at Lee H. Kellogg, under the eye of art teacher Madeleine Stern, got busy with their responses.
The results are now on display at the library.
“Lee H. Kellogg Emerging Artists Exhibition 2026” will be on display through Friday, Feb.6, with 71 art works from Kellogg students in grades K through 8.

There’s an old adage that asks, “How do you get to Carnegie Hall?” The answer is usually “practice, practice, practice.” But for 27 Hotchkiss students, the answer will be boarding a chartered bus from Lakeville to New York City for the Young Artists Concert on Jan. 31.
The concert will be presented by Fabio Witkowski, the Joanne Eastman Sohrweide Chair and director of music at Hotchkiss, alongside Gisele Witkowski, instructor in piano and director of the Hotchkiss Piano Portals summer program. Together, they will showcase a wide range of student performances, highlighting the depth of musical study and artistic excellence cultivated at the school.
“Hotchkiss has a great reputation for strong academics and athletics, but not as many people know about our wonderful music and arts programs,” Witkowski said. “The generosity of Barbara and Amos Hostetter made so much possible here,” he added, referring to a major three-part gift from the couple in 2018 that significantly strengthened Hotchkiss’s music and arts programs.
“One thing that makes me so proud about this type of philanthropy is that people usually spend every dime on the bricks,” Witkowski said. “But we used about half for the building and then half for programming. Now we really operate like a mini conservatory here.” Students who study in the music program have access to two lessons a week, orchestra, music history and theory. “And we have an amazing music series here,” he said. “We’ve had the Guarneri String Quartet, Emerson, Lang Lang and Midori. And the concerts are all free because they’re part of the endowment. That makes me very proud.”

To be chosen to perform at Carnegie Hall, students went through a competition process in December. About 20 students will have the opportunity to perform solo pieces, but to accommodate all the students, Witkowski arranged two pieces for small ensembles. “That way, everyone gets to play,” he said.
Annabelle Chu, from Hong Kong, is studying percussion at Hotchkiss and will be playing “Brazilian Landscape” by Ney Rosauro for solo vibraphone. “Usually, I do a sport. So, during the spring and fall, I do track and cross-country, respectively. Last year I did swimming in the winter, but I switched to music, which was great. Now I’m getting a lot more practice time — like two hours every day, and then on weekends, I get like three or four.”
Chu has only ever been outside Carnegie Hall. “When I was just wandering around the city,” she said. Asked how she will feel when she walks out on stage, she said, “I think I’ll be very nervous, but at the end, hopefully I’ll be very proud of myself.”
Senior Emma Liu is a pianist and is in the process of applying to conservatories that have joint programs. She has been to Carnegie Hall many times during her tenure at Hotchkiss and will be performing “Sonata No. 4” by Scriabin this year. Asked how much she has been practicing, she said, “Probably not as much as I should be, but I try to get in at least two hours a day.” Even though this will not be her first time at Carnegie Hall, when she walks out on the stage, Liu said, “Every time feels like the first time. I love being there with Hotchkiss students because it’s an incredible opportunity. I don’t think there’s any other place like Hotchkiss that does this kind of thing. So, yeah, we’re very, very lucky.”
Poet Sharon Charde will appear at The White Hart Inn in Salisbury on Sunday, Feb. 1, as part of the White Hart Speaker Series, in conversation with poet Sally van Doren, to discuss Charde’s new collection, “What’s After Making Love.” The event is free, with registration requested.
The book traces a woman’s life from childhood through marriage, motherhood, and maturity, but its emotional core emerges from the death of Charde’s son, Geoff.
“Life is no longer ordinary once one has experienced grief,” said Charde. After his death, she said, grief felt “like a heavy marble coat I’d been sentenced to wear — forever,” raw and invasive, altering every experience. When a friend’s child asked if she and her husband would ever be happy again, her answer was simple: “Not for a long time.”
The poems do not suggest grief fades. Instead, they reflect how it changes shape. “After some years — and this takes much work — I learned to carry grief differently,” said Charde, describing how support from family and friends, therapy, prayer and writing allowed her to keep going. Loss, she shared, made life more fragile but also more vivid, sharpening her appreciation for love, deepening her marriage, and making ordinary moments more poignant. Poetry became a way to “take the inchoate and shape it into something outside myself — my poems, prayers for healing.”
The collection’s title grew from a poem written many years ago, reflecting on love as both joy and risk. “Everything comes after making love,” Charde said. The phrase became, for her, “an umbrella under which all could fall,” a way to hold the whole of a life without simplifying it.
Memory, too, plays a central role in the book. Charde distinguishes between factual memory and what she calls the memory of the spirit, shaped by emotion and time. “Memory is unreliable,” she said, but poetry allows it to be burnished into meaning. Writing, for her, remains a mysterious process: “I never know what will come when I sit down with paper and pen.”
Charde will be joined by Sally van Doren, a longtime friend and colleague she first met at a poetry workshop in Squaw Valley in 1999. Their conversation will reflect years of shared literary community, teaching, creative practice and will include readings from the book and questions from the audience.
The event is at 2 p.m. at The White Hart Inn, 15 Undermountain Road, Salisbury.
Free; registration requested at oblongbooks.com