Thank you!
Your support is sustaining the future of local news in our communities.

Yes, we’re all afraid. And that’s just making everyone more so

Checking out at LaBonne’s the other day, I noticed something for the first time. It wasn’t how quickly social distancing caught on, or how common it is now to see people wearing gloves.

It was fear. In people’s eyes. In their actions, ranging from nervous glances to deer-in-the-headlights panic.

Walking up the sidewalk to the pharmacy, FDR’s famous line “...the only thing we have to fear is fear itself” ran through my mind. Don’t we wish?

You bet we’re afraid. But that day at the store, for the first time, the fear was palpable.

Some folks furtively wrenched their carts — practically lifting the wheels off the floor — when a fellow shopper came too close. They moved as fast and as far away as possible (and that’s no mean feat at LaBonne’s.)

I said a polite “excuse me” meeting another customer awkwardly at a corner. She looked at me with equal parts alarm and suspicion, then scurried off. No one smiled, said hi, or bantered the way we sometimes do standing with a stranger in the cereal aisle.

So what caused everyone to clam up, avert their eyes, not even offer that universal look of shared sympathy?

The 24-hour drumbeat of dreadful news? Sure. Mounting anger over how this mess was so mind-bogglingly mishandled? Uh-huh.

But it also felt closer to home. Then I thought about various safety measures the still-open businesses downtown had been steadily adding over the past few weeks.  Every few days a new one showed up. All very necessary and all very visible.

And to some, pretty scary.

LaBonne’s cashiers were among the first to wear gloves. Next came Plexiglas barriers at the checkouts and customers were told not to bring their own bags (just when we were getting the hang of it!).

Salisbury Pharmacy had us come in the back door and limited the number of customers inside at one time. The post office door had a sign asking customers to stand 6 feet apart. A Plexiglas screen at the counter went up last week.

Naturally no one complained — indeed, each new precaution was welcomed. Yet, with everything else, it had subtly stoked people’s fear.

So, since that’s not going to magically go away either, here’s a thought: Assuming most of us are being as careful, as informed, as thoughtful and as safe as can be, what more can we do to show that to our neighbors? That we’re all working toward the same goal.

So, say hi to someone at the grocery store. Stand and talk to a friend on the sidewalk — 6 feet apart. No one will see your smile behind a mask, but it’ll show in your eyes. Try your best to not look afraid so someone else might feel the same, even for a moment.

Above all, tell the employees at those still-open businesses thank you. They deserve all the credit in the world for doing their jobs with enthusiasm, grace, patience and bravery. If they can face this by coming to work each day — and say “hello” to boot ­— so can we.

And if that sounds Pollyanna-ish, I don’t care.

 

Anne Longley was a Lakeville Journal reporter/editor from 1988-1991, later writing for national publications. She has been a full-time antiques dealer for the last 23 years and lives in Salisbury.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
Shinbone Alley brings spooky songs to Spencertown

Seeing isn’t always believing. Sometimes it’s the lack of a defined picture that can be the most compelling. And when Alex Harvey of Shinbone Alley sings his supernaturally charged sea shanties and street ballads, the unseen will be downright scary. On Oct. 30, the historically inclined storyteller and performer will create a spooky evening of forbidden tales and yarns through a carefully chosen series of songs at Spencertown Academy of Arts.

The repertoire for the performance is a bit fraught. Over the years, Shinbone Alley has explored the world of folklore through music. Though the group usually features two musicians, Harvey, a multi-instrumentalist and singer, will be performing solo. That is, of course, unless you include the spirits.

Keep ReadingShow less
Malian blues and Moroccan Gnawa meet in Sheffield
Vieux Farka Touré
Proivded

Desert winds rarely blow into the Berkshires, but on Nov. 5, they will carry the Malian blues and Moroccan Gnawa music to Race Brook Lodge.

That evening, Malian guitarist Vieux Farka Touré, often called “the Hendrix of the Sahara,” and Moroccan musician Samir LanGus will play at the lodge’s Event Barn in Sheffield, Massachusetts, at a benefit for the foundation Touré directs.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.