
Lime Rock Park President and CEO Dicky Riegel inspected progress on the venue’s new car storage facility during a tour of the construction in mid-March.
Debra A. Aleksinas
Lime Rock Park President and CEO Dicky Riegel inspected progress on the venue’s new car storage facility during a tour of the construction in mid-March.
SALISBURY — Bucolic Lime Rock Park was abuzz with activity on a recent weekday morning in early March. With less than three months to go before the historic park’s 2025 Memorial Day season opener, several new construction projects were underway.
Ground has been broken on a new beer garden, steel beams are shaping a garage condo storage facility and a new pit lane designed to accommodate 36 vehicles and enhance driver safety is taking shape along the main track, along with newly installed fencing and guardrails.
The park, nestled in the heart of Lakeville, is also upgrading corporate entertainment this year by unveiling a series of premium hospitality experiences including private gatherings at the Connecticut circuit which will debut at the highly anticipated NASCAR CRAFTSMAN Truck Series weekend June 27 and 28 and is expected to lure 12,000 to 15,000 guests.
“We are on the cusp of the 2025 season, and April 1st marks the 4th anniversary of our purchase by the LLP and change in ownership,” said Dicky Riegel, the park’s president and CEO, explained. “I can safety say it’s never been in better condition and better shape to host events.”
The historic venue, in its 68th year, is expected to reach a major milestone this season asthe NASCAR event, which is expected to be one of the largest events in Lime Rock’s history, will be broadcast live on the FOX Network to millions of viewers, a first for the iconic venue and its unique 1.53-mile, seven turn road course, according to Jamie Kistner, the park’s chief marketing officer.
In March, Lime Rock Park named the Laborers’ International Union of North America as the official title sponsor of the NASCAR race weekend.
“With LIUNA’s support,” said Riegel, “We’re not just bringing NASCAR back to Lime Rock Park, we’re making history.”
850-horsepower V8’s
Lime Rock will open its 2025 season with the highly anticipated Trans Am Memorial Day Classic, providing a family-picnic atmosphere on the hillsides. The weekend will kick off summer and include an array of racing, plus a car show and beer fest.
The Trans Am Series presented with Pirelli will feature the thunder of 850-horsepower American V8 engines showcased in the premier TA category. The TA2 class revives the muscle car wars of the late 1960s, featuring Ford Mustang, Chevrolet Camaro and Dodge Challenger in a 100-mile race. Import and domestic sports cars will be highlighted in the XGT, SGT and GT classes.
Park guests are invited to bring their Sunday driver to the popular Royals’ Garage Car Show and see if they can take home bragging rights, and possibly a trophy. Proceeds benefit a local charitable organization. The Connecticut Craft Beer Grand Prix will complete the Memorial Day weekend event.
Not to be missed is the 43rd Historic Festival, once again held over Labor Day weekend, Aug. 28 through Sept. 1, beginning with a 17-mile Vintage Race Car and Sports Car Parade on Thursday and on-track action the rest of the weekend.
The 2025 season will wrap up with Lime Rock Park celebrating every generation of the Mazda MX-5 as MiataCon returns Oct. 24 and 25, following a successful second year with over 500 Miatas. Riegel revealed that he will be among the Miata drivers participating in the event.
“We really celebrate the fact that we are a park and unlike many other racetracks in the world, we don’t have ticketed seating here and we intend to keep it that way.”
Building new traditions with race fans
In addition to offering a season full of high-octane thrills, including the 2025 arrival of the ARCA Menards Series, Riegel said he is thrilled that the park will be hosting one leg of the GRIDLIFE Festival Tour, the fastest-growing, youngest motorsports event paddock in the world. The festival will feature a three-day format at Lime Rock, August 15 through 17.
Beyond the track, GRIDLIFE blends car culture with live music, offering structured racing, showcasing vehicles from the ‘80’s, ‘90’s and 2000’s, and delivering high-energy performances on its musical stages.
Riegel noted that roughly 80 percent of those who attend GRIDLIFE are first-timers to Lime Rock Park.
“It’s really more of a community racing group than it is a championship series,” drawing younger crowds and family fun, he noted. “We are 68 years old and have a lot of fans, but we do need to build new traditions with new fans to ensure our future.
Supporting local causes is a priority
Lime Rock Park is dedicated to strengthening its local communities through charitable work and community partners, said its CEO, who had met earlier in the morning at the infield chalet with representatives from Women’s Support Services, a nonprofit domestic violence agency serving the Northwest Corner, to discuss plans for this year’s Trade Secrets Rare Plans and Garden Antiques Sale at the park.
Among the community groups with planned events at the park in 2025 are the Little Guild’s Great Country Mutt Show, the Salisbury Rotary Club’s Lighting Up Lime Rock Park fireworks display and the Litchfield Hills Highland Games.
Riegel said an estimated 225,000 people visit the park annually to drive, spectate and attend community events.
“We are not just a racetrack. We want to be a venue that is most welcoming, most beautiful and has all the amenities so that people will be comfortable here, have a great time and want to come back.”
New garage condos, beer garden
The prior night’s downpour caused huge puddles around the worksite where construction on a 20-unit car storage facility is expected to be completed in June, just in time for the big NASCAR event, Riegel explained as he navigated the mud to check on progress.
The garage condos offer secure storage, direct track access and premium owner amenities, overlooking the track’s West Bend.
“The drivers can park cars on site instead of trailering them to and from Lime Rock Park on rural roads,” said Riegel, who noted that park officials worked closely with the town’s Land Use Office on the project.
Another new project in the works merges craftsmanship and camaraderie: a 26-foot by 52-foot beer garden crafted by the Connecticut-based Country Carpenters, which specializes in post and beam construction.
A ceremonial groundbreaking took place in late February, with a ribbon-cutting planned in May.
SHARON — Angela Derrick Carabine, 74, died May 16, 2025, at Vassar Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino