Thank you!
Your support is sustaining the future of local news in our communities.

Local author recounts how royal statue was melted into wartime bullets

Local author recounts how royal statue was melted into wartime bullets

Peter Vermilyea, a social studies teacher at Housatonic Valley Regional High School and author of the newly published “Litchfield County and the American Revolution,” speaks at the D.M. Hunt Library on April 4 about how Litchfield residents turned a statue of King George III into 42,088 musket balls.

Patrick L. Sullivan

FALLS VILLAGE – Litchfield County may not have been the site of major battles during the American Revolution, but its residents made their mark in other ways – including turning a statue of King George III into 42,088 bullets.

Peter Vermilyea, a social studies teacher at Housatonic Valley Regional High School and author of the newly published “Litchfield County and the American Revolution,” walked an audience through the story of Oliver Wolcott — a prominent Litchfield County citizen — and the fate of the King George statue during a talk Saturday, April 4, at the D.M. Hunt Library in Falls Village.

The statue, made of lead and covered in gilt, was erected in Manhattan’s Bowling Green on Aug. 16, 1770, to commemorate the anniversary of the birth of Prince Frederick, the King’s father.

King George III was popular at the time, having signed the repeal of the hated Stamp Act.

The New York Sons of Liberty, however, saw things differently. Vermilyea said they had lobbied for a statue of William Pitt, who led the fight against the Stamp Act.

But Parliament balked at the cost, especially to honor a colonial.

So alongside the gilded equestrian statue of the king in Roman finery stood a pedestrian-standing-statue of Pitt.

“The imperial message was clear.”

That message would not last. On July 9, 1776, the Declaration of Independence was read aloud in New York.

The city was on edge anyway. The British occupied the harbor with about 32,000 troops, while George Washington and his army of roughly 20,000 shared the city with a civilian population of about 20,000.

Washington read the Declaration to the troops and assembled civilians.

The troops went back to barracks, but the civilians had other ideas.

They marched to Bowling Green and pulled down the statue of King George.

Among those watching was Litchfield’s Oliver Wolcott.

He was the son of a governor, a governor himself as well as a member of the legislature.

Vermilyea said Wolcott was a Puritan and a conservative in every sense of the word. He was the last man to approve of or join in any sort of mob action, such as destroying a statue.

Vermilyea said the American Revolution was essentially a conservative action.

The colonists had been left more or less alone by the Crown for 100 years, until the French and Indian War (1754-1763).

And the colonies had prospered.

After the French and Indian War, however, the British became far more involved in the colonies and imposed the various taxes and levies that sparked the Revolution.

Far from being radicals, the colonists “wanted to go back to 1762.”

But events were moving fast, and by April of 1776, Wolcott wrote in a letter to his wife that independence was inevitable.

“A final separation between the countries I consider as unavoidable.”

Once the statue had been toppled and broken into several big pieces, Wolcott and the sheriff of New York took charge.

Wolcott told the crowd that the statue could be melted down for musket balls in Litchfield, and the pieces were loaded into an oxcart.

The journey was not easy. Loyalists intercepted the cart and made off with about half of the lead. Still, Wolcott and the remaining fragments reached Litchfield.

In a shed in an apple orchard next to Wolcott’s home, the community got to work. The statue was reduced to 100 pieces, each weighing about 20 pounds.

Fires were built, and the lead pieces were melted in kettles and poured into molds.

Wolcott, methodical by nature, kept detailed records on who produced what.

A Mrs. Marvin produced 6,058 bullets – referred to as “cartridges,” although they were round lead balls, not modern cartridges– while a woman named Mary Ann led the effort with 10,790.

Washington later said the ammunition made from the statue had been “exceedingly useful.”

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
Shinbone Alley brings spooky songs to Spencertown

Seeing isn’t always believing. Sometimes it’s the lack of a defined picture that can be the most compelling. And when Alex Harvey of Shinbone Alley sings his supernaturally charged sea shanties and street ballads, the unseen will be downright scary. On Oct. 30, the historically inclined storyteller and performer will create a spooky evening of forbidden tales and yarns through a carefully chosen series of songs at Spencertown Academy of Arts.

The repertoire for the performance is a bit fraught. Over the years, Shinbone Alley has explored the world of folklore through music. Though the group usually features two musicians, Harvey, a multi-instrumentalist and singer, will be performing solo. That is, of course, unless you include the spirits.

Keep ReadingShow less
Malian blues and Moroccan Gnawa meet in Sheffield
Vieux Farka Touré
Proivded

Desert winds rarely blow into the Berkshires, but on Nov. 5, they will carry the Malian blues and Moroccan Gnawa music to Race Brook Lodge.

That evening, Malian guitarist Vieux Farka Touré, often called “the Hendrix of the Sahara,” and Moroccan musician Samir LanGus will play at the lodge’s Event Barn in Sheffield, Massachusetts, at a benefit for the foundation Touré directs.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.