Flamenco Guitarist Greg Melnick will take the stage as part of the Music in the Annex Concert Series at the Annex@NorthEast-Millerton Library, 28 Century Blvd., Millerton, NY. Doors open 7PM. $5 suggested donation at the door.For more concert information, contact the library at 518.789.3340 or nemillertonannex@gmail.com.
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Pinchas Zukerman brings an all-Beethoven program to Hotchkiss
Thomas Jensen
Sep 30, 2026
Pinchas Zukerman to perform at Hotchkiss Oct. 4
Cheryl Mazak
The passion, drama and energy of Beethoven will fill Katherine M. Elfers Hall at The Hotchkiss School on Oct. 4, when world-renowned violinist Pinchas Zukerman is joined by pianist Shai Wosner for a special recital.
The 4:30 p.m. program at the Esther Eastman Music Center will feature three of Beethoven’s celebrated violin sonatas: Violin Sonata No. 4 in A minor, Op. 23; Violin Sonata No. 5 in F major, Op. 24, “Spring”; and Violin Sonata No. 7 in C minor, Op. 30.
Beethoven’s Violin Sonata No. 4 in A minor, Op. 23, is a three-movement chamber work marked by stark emotional contrasts and dramatic energy. Its three movements take the listener on quite a journey.
The first, a Presto in A minor in an unusual 6/8 meter, is propelled by an urgent, relentless, tarantella-like rhythm. Intensely minor and austere, it creates tension and sets the mood for what follows.
Next, an Andante scherzoso, più allegretto in A major serves as both a slow movement and a playful, subtle scherzo. It features intricate, delicate fugal textures and a trilling second theme. The third movement is an Allegro molto, back in A minor. An anxious, turbulent rondo finale, it features middle sections in which Beethoven playfully misaligns the timing of the violin and piano, creating a tense, out-of-sync dialogue that eventually collapses into a quiet, gloomy conclusion.
Violin Sonata No. 5 in F major, Op. 24, “Spring,” was Beethoven’s first violin sonata to depart from the traditional three-movement Classical format by adding a brief scherzo. Its four distinct movements will give Zukerman and Wosner ample opportunity to display their technique and musical interplay.
Driven by a soaring, lyrical opening theme shared between violin and piano, the first movement is an Allegro in F major. Next comes an Adagio molto espressivo in B-flat major, a deeply sentimental, songlike dialogue that builds on gentle variations.
The third movement, Scherzo: Allegro molto, is a brief, comic interlude featuring rhythmic playfulness as the two instruments purposefully fall out of sync. The fourth movement, Rondo: Allegro ma non troppo, is a grand finale written in a pleasant, courtly style with contrasting dramatic shifts.
Beethoven’s Violin Sonata No. 7 in C minor, Op. 30, begins with an Allegro con brio featuring a dramatic and tense opening movement. It is the first of Beethoven’s sonata-allegro movements to break with tradition by omitting the exposition repeat.
Next comes an Adagio cantabile in A-flat major. Serene, deeply lyrical and comforting, it contrasts with the intensity of the first movement, flowing like an expressive song and offering a momentary emotional respite.
The third movement, Scherzo: Allegro, is short, playful and sharply rhythmic, contrasting with the overall somber gravity of the sonata. The finale, Allegro: Presto, returns to C minor. Restless, suspenseful and driving, it builds immense tension before exploding into a furious Presto coda. Beethoven ends the work with a sizzle.
Zukerman and Wosner perform Sunday, Oct. 4, at 4:30 p.m. at The Hotchkiss School in Lakeville. Admission is free and first-come, first-served.
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Found Footage Festival brings laughs to The Triplex
D.H. Callahan
Sep 30, 2026
Pickett and Prueher on stage.
Provided by Found Footage Festival
On Sunday, Oct. 4, the Found Footage Festival makes its way to the Triplex Theatre in Great Barrington with a treasure trove of lost and forgotten VHS tapes scraped from the piles of distant memories and discarded physical media.
The Found Footage Festival is a “celebration of the videos that time forgot” hosted by two Brooklyn-based comedy writers and childhood friends, Joe Pickett of The Onion and Nick Prueher of The Late Show.
Back in 1991, the duo found a discarded McDonald’s custodial training tape in their home state of Wisconsin, and since then, they’ve been collecting all the VHS tapes they could find and mining them for untapped comedic gold. Today, they are the undisputed champions of lost media, having collected and archived over 15,000 videocassette tapes.

Prueher and Pickett’s brand of comedy values the missteps and accidents that come with amateur video productions more than it does the carefully crafted wordplay of the comedic superstars of our time. But it’s not just bloopers from birthday parties that they find. Some of the most popular clips come from instructional videos, taped religious services, fully produced movies, music videos and, of course, the ever-popular news bloopers.
For more than eight years, Pickett and Prueher have been hosting a video podcast they call “VHS Party,” complete with their own rabid fans who send them tapes and comment along online with the streams. Their YouTube page is chock-full of interesting clips, many of which are featured and discussed on “VHS Party” with their two co-hosts and occasional guests from the comedy world, including Jon Glaser, Jo Firestone and David Cross.
The duo started the Found Footage Fest in 2004 as a way to raise money for their documentary, “Dirty Country,” about a vulgar country music performer looking for a bigger audience than his garage. Since then, they’ve taken the show on the road, bringing new selections of their favorite clips and their signature comedic stylings to theaters around the world.
For tickets to the Found Footage Festival, visit thetriplex.org.
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Luis Felber at home at Cornwall Music Bowl
D.H. Callahan
Sep 30, 2026
Luis Felber at home at Cornwall Music Bowl
Luis Felber at home at Cornwall Music Bowl
Luis Felber is excited about creating in the Northwest Corner. Coming of age in the British countryside, all he wanted to do as a teen was move to London, the creative heartbeat of England. At 17, he started a band called the Eraserheads and went for it. Since then, he’s been in so many bands he struggles to list them all. But on Saturday, Oct. 3, he’ll be taking the stage at the Cornwall Music Bowl all by himself.
Felber has always felt more comfortable on stage than interacting with people. There’s a sense of purpose in being at a concert. Everybody in the room is there for the same reason: to witness the act of making music. So whether he’s on the stage or in the audience, he feels at home in a venue.
For Felber, a venue doesn’t have to mean a traditional setup with a stage and bar and all the other trappings of clubs or theaters. When he was starting out in London, he quickly grew sick of the repetitive process of working with managers and promoters, trying to get booked. In response, he and his friends started their own club nights, where they and other local acts could play music, have fun and forget about the constructs of established society. Those club nights turned into a record label called Young Turks, named after the events they hosted. Now just called Young, the label is home to acts like FKA Twigs, the xx, Sampha and modern jazz legend Kamasi Washington.
Felber’s current band is called Attawalpa, which is actually his middle name. It’s a reference to Atahualpa, the last Inca emperor. It might seem strange for a kid from the English countryside, but Felber’s mother is Peruvian, and Luis spent several years growing up in Lima, where his mother still lives.
Felber is tapping deeper into those roots on his next album. It’s a pretty quick turnaround for such a busy guy. His last album, “Experience” was released just last year. Some of those songs were featured in “Too Much,” the Netflix series he createdand is writing for with his wife, Lena Dunham. Based on a young American woman looking to turn her life around in England, the album was necessarily in English. But for the next one, he’s written — and will be singing — some of the songs in Spanish.
Felber is excited to talk about his forthcoming album. In addition to his regular Attawalpa bandmates, he collaborated with Thurston Moore of Sonic Youth and Debbie Googe of My Bloody Valentine. For him, collaboration is half the fun of creating art. That’s why he’s so excited about the acts he’ll be sharing the stage with in Cornwall. He raves about the familiar sound with new edge of Amelia Jackson, the low-fi indie-pop of Jess Yaffa and the indisputable talent of local singer-songwriter Simone White, whose credits and accolades merit their own article. The bill seems marvelously cohesive and intentional.
While he splits time with London, Felber is now settling into life back in the countryside — this time, the Northwest Corner. He’s enchanted by its inescapable beauty and the friendly, creative energy he sees in the people he meets.
For more info, videos and music, visit attawalpa.com.
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Jim Shepard and Joe Donahue talk shop at the White Hart
D.H. Callahan
Sep 30, 2026
Jim Shepard with his dogs.
Barry Goldstein
Jim Shepard has published eight novels and six collections of short stories. He’s written for publications including The Paris Review, The Atlantic, Harper’s, Esquire, McSweeny’s and The New Yorker. For more than 30 years, he taught film and creative writing at Williams College. One of his novels was adapted into a movie. His wife, with whom he has three children, is a formidable author and educator in her own right. He has two dogs who he loves enough to include in his publicity photos.
Jim Shepard is one impressive guy.
On Thursday, Oct. 1, that impressive guy will talk about his newest collection of short stories, “The Queen of Bad Influences,” at the White Hart Inn in Salisbury.
Joining Shepard in conversation is Joe Donahue of WAMC Radio. Donahue is also an impressive guy, having spent more than 25 years talking to people — and, as he’s quick to point out, Muppets — on the radio.
“The Queen of Bad Influences” is one of 13 short stories in this collection of the same name and was originally published in The New Yorker. Many of the stories in the collection are drawn from historical events, including the Great Fire of 1910 in Idaho, the sinking of the Lusitania and the 1935 Labor Day hurricane in Florida. The collection also revives some classic tales, including Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde,” which Shepard tells from the perspective of the much-maligned Mr. Hyde.
Shepard’s writing is so lush and distinctive that taking on material already mastered by other writers seems more like a fun challenge than a daunting task. The tale of the Great Fire has been masterfully told in the New York Times bestseller “The Big Burn” by Timothy Egan. “The Strange Case of Dr. Jekyll and Mr. Hyde” is still relevant today, 140 years after its initial publication.
While Shepard has been lavished with praise for his inventive stories, most notably “Project X” and “The Book of Aron,” this collection implies that the story comes secondary to the style of this masterful writer.
Donahue is also a recognized master of his craft, having received awards for his interviews and analysis from the Edward R. Murrow Awards, The Associated Press and the National Press Club, to name just a few. He’s interviewed some of the most important writers of our time and hosts “The Book Show,” a weekly WAMC radio program exploring books and writers, as well as the general-interest program “The Roundtable” on the same station.
Familiar with Shepard’s work or not, anyone with an interest in writing and literature should jump at the chance to witness these two literary figures talk shop.
The event is made possible by Oblong Books, the White Hart Inn, the Scoville Memorial Library and WAMC On The Road. For tickets, visit https://bit.ly/4iRm3Io
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Berkshire Theatre Group Presents David Auburn’s “Summer, 1976”
Richard Feiner And Annette Stover
Sep 30, 2026
Isadora Wolfe
Provided
Though the calendar says summer is over, Berkshire Theatre Group is helping to keep our sun-filled memories alive with its upcoming production of Pulitzer Prize-winning playwright David Auburn’s “Summer, 1976.” This 90-minute, two-character memory play, directed by Isadora Wolfe and starring two-time Tony Award nominee Kate Baldwin and acclaimed stage and screen actor Jennifer Van Dyck, is a funny and sharply observed exploration of friendship, motherhood and personal ambition — and how differently we remember the events that shape our lives.
During America’s bicentennial summer, Diana (Van Dyck), an iconoclastic artist and single mother, and Alice (Baldwin), a free-spirited young housewife, form a close, temporary bond through their young daughters, who share a babysitting group. The play looks back on the months the two women shared, and their recollections reveal the lasting repercussions of the relationship.
The play’s original 2023 Broadway production by Manhattan Theatre Club was a New York Times Critic’s Pick, praised for its “bittersweet depth” and as “sharply observant and subtly, insistently feminist.” The Times called it a “story of profound connection and awakening disquiet.” The women belong to “a generation who came of age in time for the sexual revolution and took advantage of that freedom pre-Roe v. Wade … they question what’s gone wrong with their American dreams and they start, with poignant imperfection, to put things right.”
“It is an exquisite piece of writing — smart, funny and poignant — brought to life by two of the finest actors on our stages today, Kate Baldwin and Jennifer Van Dyck,” Wolfe said.

Baldwin recently completed an acclaimed run as Roxie Hart in the Broadway revival of “Chicago.” She is a two-time Tony Award nominee and four-time Drama Desk nominee, having starred on Broadway as Irene Molloy in the 2017 revival of “Hello, Dolly!” and as Sharon McLonergan in the 2009 revival of “Finian’s Rainbow.”
Van Dyck has appeared in many BTG productions, including “Dracula,” “The Goat,” “The Petrified Forest” and “Coastal Disturbances.” She has performed recently at Clubbed Thumb Summerworks, Powerhouse Theater, Transport Group and Primary Stages’ Fresh Ink series. Her Broadway credits include “Hedda Gabler,” “Dancing at Lughnasa,” “Two Shakespearean Actors” and “The Secret Rapture.” She also frequently collaborates with Charles Busch and Sharon Playhouse’s artistic director Carl Andress.

“The play is so much about perspective — as well as the wonder and regret of roads not taken,” Wolfe said. “It asks what it means to be an artist, to be successful and to put oneself out into the world, all against the backdrop of the nation’s bicentennial: a cocktail of celebration and disappointment, freedom and glass ceilings. I’m thrilled to be working on this piece.”
Patrons who purchase tickets to eligible performances of “Summer, 1976” also receive access to discounted tickets for The Incredible Naumkeag Pumpkin Show. The holiday event transforms the historic property into an illuminated celebration of artistry and imagination.
“Summer, 1976” runs Oct. 7-31 on the Larry Vaber Stage at the Unicorn Theatre in Stockbridge, Massachusetts. For tickets and additional information, visit berkshiretheatregroup.org.
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Boogie into fall
Lakeville Journal
Sep 30, 2026
Provided
On Saturday, Oct. 3, at 7:30 p.m., Stissing Center for Arts and Culture in Pine Plains, hosts its first Pumpkin Patch Dance Party. Dance band Jungle Love returns by popular demand for an autumn evening of music, dancing and community. Tickets at thestissingcenter.org

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