On planting a Yellowwood tree

The author planted this Yellowwood tree a few years ago on some of his open space.
Fritz Mueller

The author planted this Yellowwood tree a few years ago on some of his open space.
As an inveterate collector of all possibly winter hardy East coast native shrubs and trees, I take a rather expansive view of the term “native”; anything goes as long as it grows along the East coast. After I killed those impenetrable thickets of Asiatic invasive shrubs and vines which surrounded our property, I suddenly found myself with plenty of open planting space.
That’s when, a few years ago, I also planted a Yellowwood tree, (Cladastris kentukea). It is a rare, medium-sized tree in the legume family—spectacular when in bloom and golden yellow in fall. In the wild, it has a very disjointed distribution in southeastern states, yet a large specimen, obviously once part of a long-gone garden, has now become part of the woods bordering Route 4 on its highest point between Sharon and Cornwall.
It has always intrigued me that so many species, whose native ranges today are much further south, grow so well here. Besides Yellowwood, that includes, for example, the Bald Cypress (Taxodium distichum) of southern swamps whose natural range reaches into southern New Jersey. However, it also grows in Litchfield hills gardens and, incongruously, even as a street tree in New York. Among others are PawPaw (Asimia triloba), Carolina silverbell (Halesia carolina), American snowbell (Styrax americanus), Redbud (Cercis canadensis), and Sourwood (Oxydendron arboreum), a good-sized tree with white flowering racemes and outstanding brilliant, deep red fall foliage. Besides our local swamp and Pinxter azaleas, others that are very hardy here include the early-flowering Pinkshell azalea (Rhododendron vaseyi) of the North Carolina mountains and from the mountains of Georgia, the rare-in-the-wild, July-flowering Plumleaf azalea, (R. prunifolium). Robust and larger in habit and most stunning of all is the Flame azalea (R. calendulaceum), which historically grew as far north as southeast New York, where it is now extirpated.
After some research, I learned that Cladastris kentukea might have grown over a much wider and more northern area, but during the last glaciation episode, it survived in the wild only in those isolated southern locations. That it survived at all so close to the glaciers edge is in itself an indication of cold hardiness. It is estimated, based on fossil plant and pollen records, that with the retreat of the icecap around 16,000 years ago, trees migrated again northward at a rate of approximately 50 km per century. This may apply to prolific sprouters such as maples, ashes and oaks, but it could be much slower, I suspect, for the many rarer plants which don’t get around by wind, squirrels, and birds, or are—unlike our common trees—finnicky to sprout from seeds. I can also imagine how many of the rarer trees and shrubs, for example Fringetree (Chionanthus virginicus), became collateral damage during the 19th century clearcutting for charcoal and farming. In any case, Yellowwood didn’t manage to recolonize its former range, and a similar scenario may apply to those other woody plants with a more southerly distribution today but that are perfectly hardy up here.
Climate change, which used to occur over millennia, now seems to happen within half a century. Birds, like the Carolina wren, can adapt quickly and become abundant after just a few warm winters—but plants are stuck. They need help to keep up with such rapid change. In the case of trees and shrubs, human gardeners can assist them in expanding their ranges into areas that are now warm enough for them to live thrive again.
I bought a sapling Water tupelo (Nyssa aquatica), native to southern swamps, from a Missouri nursery. It has survived two winters so far—albeit quite mild ones—in a woody swamp here at 1100ft elevation. One hundred years from now, who knows—ugar maples, which thrive in cold, snowy winters, might be replaced with sweetgum (Liquidambar styraciflua), a more southern hardwood.
I found space for trees by clearing thickets of invasives. The modern trend of transforming excessively large lawns into natural meadows also provides an opportunity to plant native trees with an understory of shrubs and ferns, whether as a stand-alone copse or a forest edge. This is not meant to replace flowers and grasses but to complement them, based on the understanding that, in our region, the primary ecosystem is forest—an exceptionally species-rich one to boot, with over a half dozen oaks alone.
Compared to watching grass grow, watching a tree—any tree—grow is almost exciting, given a bit of patience. Early on, protection against deer is necessary, but later, maintenance is relatively minimal; the leaves can simply fall and stay where they may.
Fritz Mueller lives in Sharon.
Local writer shares veterans’ stories in Malcolm Gladwell’s ‘Medal of Honor’ podcast
SHARON, Conn. — After 20 years as a magazine editor with executive roles at publishing giants like Condé Nast and Hearst, Meredith Rollins never imagined she would become the creative force behind a military history podcast. But today, she spends her days writing about some of the most heroic veterans in United States history for “Medal of Honor: Stories of Courage,” a podcast produced by Malcolm Gladwell’s company, Pushkin Industries.
From her early days in book publishing to two decades in magazines and later a global content strategist for Weight Watchers, Rollins has built a long and varied career in storytelling.
“I’ve learned a lot with each career shift, but the higher I went up the masthead, the less it was about writing and editing,” said Rollins. “I missed the creative process.”
While the podcast isn’t her first writing project, it marks her first foray into audio storytelling.
“During the pandemic I used to listen to mostly true crime podcasts when I was doing the laundry, driving my kids somewhere or working in the garden,” she said. Now Rollins gets to write one, and approaches each episode with awe and a reporter’s curiosity.
After 30 years of friendship with Malcolm Gladwell, the pair decided to collaborate on a project that would combine their shared journalism roots with stories that celebrate bravery and courage.
“Malcolm approached me about a project, and he was looking for a subject that he believed would really bring people together in this fractured political time we’re going through,” said Rollins.
Enter “Medal of Honor.”
The podcast’s namesake is the highest U.S. military decoration for valor, awarded for “conspicuous gallantry and intrepidity at the risk of life above and beyond the call of duty.” Each episode brings to life the story of a Medal of Honor recipient — often with the cinematic pacing and emotional resonance of a feature film.
“Medal of Honor” released its second season this summer, and production on a third season is underway. While Season One was narrated by Gladwell himself, Season Two introduced a new voice with firsthand experience. J.R. Martinez is a former U.S. Army soldier, author, motivational speaker and winner of Dancing with the Stars Season 13.
Writing for two very different narrators, Rollins said, has been both a challenge and a joy.
“As we’ve gotten to know each other and gotten deeper into this project together, I can almost predict how J.R. will react to certain moments,” she said. “He brings so much heart and humanity to the stories.”
Both her father and father-in-law served as Marines, but Rollins said military history was never top of mind until Gladwell pitched her the idea.
“The deeper you get into a subject you don’t know about, the more excited you get about it,” she said. “It’s been a way for me to learn about the incredible sacrifice woven into our country’s history.”
Rollins approaches each episode of “Medal of Honor” by looking first at the act of sacrifice itself, which she describes as “a moment that often happens in a flash.”
She dives deep into research, gathering biographical details from their upbringing and motivations to the circumstances that led them into combat. She then recreates the atmosphere of the conflict, setting the scene with vivid historical detail.
“These men would tell you they were just average guys,” said Rollins. “And if you believe that, then you have to believe we’re all capable of that same bravery or selflessness. It has really shown me the incredible courage we all have, and our ability to do right in the world.”
Chris Ohmen (left) held the flag while Chris Williams welcomed Salisbury residents to a Veterans Day ceremony at Town Hall Tuesday, Nov. 11.
SALISBURY — About 30 people turned out for the traditional Veterans Day ceremony at Salisbury Town Hall on a cold and snowy Tuesday morning, Nov. 11.
Chris Ohmen handled the colors and Chris Williams ran the ceremony.
Rev. John Nelson from Salisbury Congregational Church gave both an invocation and a benediction. The latter included this:
“We pray that those who have served and those who have died will never have done so in vain/We pray that the commitment of veterans will be an abiding call to resolve our conflicts without resorting to arms/ That one day soon we may mark the war that indeed ends all wars.”

Williams began his remarks by noting that the Veterans Day speech was usually given by the late David Bayersdorfer, who died earlier this year.
“As we honor our veterans today, let’s keep in mind that service comes in many forms. Each role, each job, each post is a vital part of what makes our military the finest in the world.”
Lloyd Wallingford sang “God Bless America” a cappella, with the crowd joining in.
Eden Rost, left, shakes hands with Sergeant Nicholas Gandolfo, veteran of the Korean War.
NORTH CANAAN — Students at North Canaan Elementary School saluted servicemen and servicewomen at a Veterans Day ceremony Wednesday, Nov. 12.
Eighteen veterans were honored, many of whom attended the ceremony and were connected to the school as relatives of students or staff.
The 2nd graders sang the official song for each branch of service represented that day: Army, Navy, Coast Guard, Marines and Air Force. Special recognition was given to the Marine Corps, which was founded 250 years ago in November 1775.
Eighth graders offered speeches of appreciation. Taylor Gulotta said, "My older sister, Madison, has worked so hard to get to where she is today. She has dreamt of being in the Coast Guard since she was a little girl." She continued, "Her selflessness and bravery... is truly inspiring."

Brayden Foley spoke of his grandfather Todd Baldwin's time in the Navy. "My grandpa taught me that helping others in a fundamental way can build strong, meaningful relationship and a supportive community. I appreciate all members of the Armed Forces past and present for their bravery and their commitment to protect the freedom that we have today."
Veterans were recognized individually by Principal Beth Johnson and students presented them with certificates.
The 2nd graders closed the ceremony with a choreographed rendition of "Grand Old Flag."

When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.