
The author planted this Yellowwood tree a few years ago on some of his open space.
Fritz Mueller
The author planted this Yellowwood tree a few years ago on some of his open space.
As an inveterate collector of all possibly winter hardy East coast native shrubs and trees, I take a rather expansive view of the term “native”; anything goes as long as it grows along the East coast. After I killed those impenetrable thickets of Asiatic invasive shrubs and vines which surrounded our property, I suddenly found myself with plenty of open planting space.
That’s when, a few years ago, I also planted a Yellowwood tree, (Cladastris kentukea). It is a rare, medium-sized tree in the legume family—spectacular when in bloom and golden yellow in fall. In the wild, it has a very disjointed distribution in southeastern states, yet a large specimen, obviously once part of a long-gone garden, has now become part of the woods bordering Route 4 on its highest point between Sharon and Cornwall.
It has always intrigued me that so many species, whose native ranges today are much further south, grow so well here. Besides Yellowwood, that includes, for example, the Bald Cypress (Taxodium distichum) of southern swamps whose natural range reaches into southern New Jersey. However, it also grows in Litchfield hills gardens and, incongruously, even as a street tree in New York. Among others are PawPaw (Asimia triloba), Carolina silverbell (Halesia carolina), American snowbell (Styrax americanus), Redbud (Cercis canadensis), and Sourwood (Oxydendron arboreum), a good-sized tree with white flowering racemes and outstanding brilliant, deep red fall foliage. Besides our local swamp and Pinxter azaleas, others that are very hardy here include the early-flowering Pinkshell azalea (Rhododendron vaseyi) of the North Carolina mountains and from the mountains of Georgia, the rare-in-the-wild, July-flowering Plumleaf azalea, (R. prunifolium). Robust and larger in habit and most stunning of all is the Flame azalea (R. calendulaceum), which historically grew as far north as southeast New York, where it is now extirpated.
After some research, I learned that Cladastris kentukea might have grown over a much wider and more northern area, but during the last glaciation episode, it survived in the wild only in those isolated southern locations. That it survived at all so close to the glaciers edge is in itself an indication of cold hardiness. It is estimated, based on fossil plant and pollen records, that with the retreat of the icecap around 16,000 years ago, trees migrated again northward at a rate of approximately 50 km per century. This may apply to prolific sprouters such as maples, ashes and oaks, but it could be much slower, I suspect, for the many rarer plants which don’t get around by wind, squirrels, and birds, or are—unlike our common trees—finnicky to sprout from seeds. I can also imagine how many of the rarer trees and shrubs, for example Fringetree (Chionanthus virginicus), became collateral damage during the 19th century clearcutting for charcoal and farming. In any case, Yellowwood didn’t manage to recolonize its former range, and a similar scenario may apply to those other woody plants with a more southerly distribution today but that are perfectly hardy up here.
Climate change, which used to occur over millennia, now seems to happen within half a century. Birds, like the Carolina wren, can adapt quickly and become abundant after just a few warm winters—but plants are stuck. They need help to keep up with such rapid change. In the case of trees and shrubs, human gardeners can assist them in expanding their ranges into areas that are now warm enough for them to live thrive again.
I bought a sapling Water tupelo (Nyssa aquatica), native to southern swamps, from a Missouri nursery. It has survived two winters so far—albeit quite mild ones—in a woody swamp here at 1100ft elevation. One hundred years from now, who knows—ugar maples, which thrive in cold, snowy winters, might be replaced with sweetgum (Liquidambar styraciflua), a more southern hardwood.
I found space for trees by clearing thickets of invasives. The modern trend of transforming excessively large lawns into natural meadows also provides an opportunity to plant native trees with an understory of shrubs and ferns, whether as a stand-alone copse or a forest edge. This is not meant to replace flowers and grasses but to complement them, based on the understanding that, in our region, the primary ecosystem is forest—an exceptionally species-rich one to boot, with over a half dozen oaks alone.
Compared to watching grass grow, watching a tree—any tree—grow is almost exciting, given a bit of patience. Early on, protection against deer is necessary, but later, maintenance is relatively minimal; the leaves can simply fall and stay where they may.
Fritz Mueller lives in Sharon.
HVRHS sophomore Wyatt Bayer will suit up for the Mountaineers' varsity baseball team.
FALLS VILLAGE — With the arrival of warm weather, so too comes a new season of athletics at Housatonic Valley Regional High School.
The Mountaineers will field teams in five different sports for the spring season: baseball, softball, lacrosse, tennis and track and field.
Baseball gets the varsity season started with a scrimmage March 31 at home against Wolcott Technical High School. The Mountaineers will be coached by Bobby Chatfield this year. The last time most HVRHS varsity players took to the diamond was in August 2024 when Housy Juniors won the Babe Ruth League District 4 Northwest Connecticut summer baseball championship.
With a surplus of baseball players this year, junior varsity baseball returns to HVRHS. The JV boys, coached by Russell Sears, will get the season started April 5 on the road against Shepaug Valley High School.
Softball starts April 5 as well with a home game against Shepaug Valley. Coaches Pete Foley and Kaleigh Selino led the team to a 13-9 record and a trip to the Class S tournament last year. The Mountaineers will need to establish a new hurler on the mound after graduating star pitcher Anne Moran in 2024.
Boys and girls tennis begins April 7. The boys, coached by Jeff Tripp, will travel to Lakeview High School for the first meet of the season. At the same time, the girls, coached by Don Drislane and Mo Kirby-Dore, host Lakeview on the newly refinished courts at HVRHS.
The lacrosse season begins with a rematch of last year’s Western Connecticut Lacrosse Conference girls championship game. HVRHS, coached by Laura Bushey, will travel to play the reigning champs St. Paul Catholic High School in Bristol April 9. St. Paul defeated HVRHS 13-12 in a riveting league final last May.
Track and field is set to start April 22 with a home meet against Lakeview High School. HVRHS, coached by Alan Lovejoy, has a number of decorated athletes returning to the track this year including Kyle McCarron, Ava Segalla and Anthony Labbadia, each of whom competed in the CIAC State Open meet last June. Many more returning runners and jumpers gained state-level experience last year at the CIAC Class S meet in May.
Fans of fine art filed into the Sharon Historical Society’s gallery on Saturday, March 15, for the opening reception of student works from the Northlight Art Center in Amenia, New York.
Northlight was founded in Sharon by Pieter Lefferts in 2010 and later moved to Amenia. This is the 14th year of the annual student exhibit.
“It’s an invitation for people who may never have thought that they might be included in an art exhibit,” said Lefferts about the show that includes 34 works created by a dozen artists. Lefferts added that visitors will see a range of abilities and individual expression.
“I like to draw out innate expression,” Lefferts said. Lefferts said there were 34 pieces as he had hung them all the day before.
Several works on display were inspired by local subjects. For example, Kathleen Kulig’s “Grand Dame of the Orchard” depicts an actual old apple tree found at a friend’s home.
“I’ve actually picked apples from that tree,” Kulig said.
Kathleen Kulig with her “Grand Dame of the Orchard” painting.Leila Hawken
Artist Cathleen Halloran’s acrylic on paper painting titled “Eleven Eleven” is a loving remembrance of her dog, Maddie, whose death was imminent as Halloran created the painting, an expression of her subject’s magnificent spirit.
Variety is evident in artists’ ages, mediums, experience and subject matter.
“It’s always a pleasure to see how the artists grow every year, a fascinating variety,” said Historical Society President Chris Robinson as he dished out the wine and other beverages in the reception area.
A portion of the proceeds will benefit the historical society, although not all works are for sale. The exhibit will be open until Friday, May 9, during historical society hours. For additional information, go to www.sharonhist.org.
Coinciding with the gallery show, the Sharon Historical Society’s current exhibit is worth a visit. Titled “Family Collections,” the exhibit shows collective Sharon memories found in the artifacts left by ancestors, remembered now in part by what they left behind. Each is a clue to the town’s historic past, spanning two centuries.
Tess Marks as Little Sally and Jackson Olson as Officer Lockstock in the Housatonic Musical Theatre Society production of "Urinetown."
Last week’s Housatonic Musical Theatre Society production of “Urinetown” featured strong performances and superb choreography.
The remodeled auditorium at Housatonic Valley Regional High School made a big difference as well. New seats were a welcome addition, and the increased technical capability meant that the show was flawless from a production point of view.
The difference was so noticeable that director Christiane Olson thanked the taxpayers of Region One for supporting the recent school improvements project in brief remarks before the start of the matinee performance Saturday, March 15.
Katelin Lopes and Andy Delgado were powerful as the star-crossed lovers Hope Cladwell and Bobby Strong.
Jackson Olson got a lot of laughs with his deadpan take on Officer Lockstock, often in tandem with Tess Marks’ wide-eyed Little Sally.
The entire cast hit all the right buttons, not the easiest thing to do with a show that contains multiple layers of satire.
The orchestra, led by Tom Krupa, was rock solid.
And Amber Cameron’s choreography was seamless. The cast looked like they’d been dancing together all their lives.
Race Brook Lodge
Tucked away on Under Mountain Road in Sheffield, Massachusetts, The Stagecoach Tavern dates back to the mid-18th century and offers fine dining in an enchanted setting. It also serves as the portal into the Race Brook Lodge, which harbors unique spaces for entertainment, lodging and wellness.
Intimate outdoor gathering areas are illuminated by strings of lights. A cluster of mid-century bungalows can be rented by guests who come to spend the weekend and attend concerts and retreats, which typically take place in the barns farther back in the woods.
This magical vision springs from the mind of David Rothstein, who purchased the property in pieces between 1990 and 2000, a continuation of his idea to create a place where like-minded people can congregate to enjoy cultural happenings in an idyllic setting.
Before acquiring the Race Brook Lodge, Rothstein, now 90, managed The Music Inn in Lenox, Massachusetts, the premier outdoor music venue in the Berkshires during the 1970s, which he purchased with his former wife, Nancy Fitzpatrick, whose family owned the Red Lion Inn in Stockbridge.
In its heyday from 1970 to 1979, The Music Inn featured a who’s who of iconic performers of the era like Ike & Tina Turner, B.B. King, James Taylor, Muddy Waters, The Byrds, Ravi Shankar, Joan Baez, Van Morrison, Bruce Springsteen, Bob Marley, The Eagles, Lou Reed, Bonnie Raitt, Fats Domino, Bo Diddley, Jimmy Cliff, Toots & The Maytals and The Allman Brothers.
“Music Inn was the last outpost of the counterculture, which had evolved as a result of the groundbreaking evolution of jazz as the first integrated music genre that ultimately paved the way for Rock ‘n Roll,” Rothstein said.
Race Brook barn at nightLety Marcos
This history goes even deeper. Prior to the Music Inn, the buildings were known as the Berkshire Music Barn, and featured performers like Dizzy Gillespie, Louis Armstrong, Mahalia Jackson, Count Basie, Duke Ellington, Dave Brubeck, Thelonious Monk and the Modern Jazz Quartet. The property also featured The Lenox School of Jazz, The Lenox Arts Center, Toad Hall Moviehouse, and The Great Riot Alley Memorial.
As a student of modernist architect Louis Khan, Rothstein absorbed Khan’s ideas of “open frame” or a space without barriers. It’s a concept he used at the Music Inn that carries on at Race Brook.
Race Brook’s music programmer, Alex Harvey recalls how he came to do a retreat with Qi Gong master Thomas Drodge and noticed a Louis Khan poster on the wall. He spent a morning and afternoon talking with Rothstein about art, performance and community in a way he’d been dreaming about for a long time.
“When I saw the poster, I asked David about it. He told me that he was one of Khan’s assistants, and he actually drafted some of the buildings I’d studied. So, before I knew he had the Music Inn, he was a superstar to me,” Harvey said.
Harvey also met the current proprietor Casey Fitzpatrick — David and Nancy’s son — and the two hit it off, realizing they shared a common interest in global music. Armed with a deep Rolodex, thanks to his many years as a performer and ethnomusicologist, Harvey soon began programming shows at Race Brook.
When booking, Harvey looks for artists who can offer something beyond the typical performance.
“We had Alash, who are one of the more renowned Tuvan throat singing ensembles,” Harvey said. “With their energy, they change the weather of the room. It’s a participatory feeling. I loved reading the reactions online; was it a concert or a ritual? That’s what we’re interested in.”
“We have Beausoleil coming up on April 5. When they start playing, you feel transported to a hooch house in Eunice, Louisiana. They create a sense of place, and that’s what really excites me,” he added.
Sunder Ashni singing at Dia de los Muertos.Lety Marcos
There are regularly scheduled programs, like Jazz brunches every Sunday, and at times Race Brook Lodge is open to other groups who book shows like the recent “Almost Spring Weekender” a DJ’d house party produced by Edo Moore.
Ideally, Harvey books fully immersive weekends with music, workshops, and enjoyment of the spaces, whether hiking nearby trails or inside the barns.
“One of my favorites is the Dia de los Muertos weekend which has an open mic to the dead,” Harvey said. “It’s art as a form of medicine and healing. It’s kind of like Brooklyn Academy of Music meets Esselin.”
For elevated musical and wellness experiences in an idyllic Berkshire setting, Race Brook Lodge offers something for everyone. See their site for information on all that they offer: rblodge.com