Students SOAR in Salisbury

Papermaking with guest artist and teacher Suzanne Lynn Lacke.
Natalia Zukerman

Papermaking with guest artist and teacher Suzanne Lynn Lacke.
SALISBURY — For more than two decades SOAR (Seek Originate Aim Reach) has been helping Salisbury Central School students reach new heights.
A nonprofit founded in 2000 by Zenas Block, SOAR’s enrichment program provides supplemental education to fill the gaps left in traditional classroom curriculums.
In the 2023-24 school year, more than 100 students took SOAR classes each trimester.
The program’s offerings range from jewelry and bookmaking to abstract painting and gardening. More than a dozen classes are available each trimester to cater to a diverse selection of talents and interests.
“We want to provide options that resonate with every child,” said Executive Director Lauren Brown.
Brown’s vision for the program reflects her professional expertise and her deep understanding of the needs of students and their families.
“SOAR was always doing great things,” Brown shared, “but when COVID hit, it became a lifeline for families desperate for ways to keep their children engaged and connected.”
From remote dance classes to innovative online workshops, SOAR adapted to meet the evolving needs of its community.
Central to SOAR’s success is its partnership with Salisbury Central School, where “the support is amazing,” Brown shared. The school allows the program to utilize classrooms and collaborates on curriculum enhancement.
SOAR maintains a commitment to inclusivity and accessibility, making sure that no child is turned away due to financial constraints. With support from grants, donations and an endowment through the Berkshire Taconic Community Foundation, Brown explained.
“We do charge a nominal fee, but we offer financial aid, and we’ve gotten grants from Salisbury Family Services to help offset some of those requests. We’ve had more people request financial aid, which is great because we want every kid to be able to have the opportunity.”

Each session runs for six to eight weeks and prices range from $9 to $12 per class, which includes all materials. SOAR also provides teacher grants that makes things like field trips, speakers, and assemblies possible.
Looking ahead, Brown is planning for further expansion of the program, with a summer camp in the works and outreach to neighboring schools like Kent and Sharon Center Schools.
The demand for SOAR’s programs is evident, with enrollment numbers steadily increasing. “We’re trying to expand in ways that are meaningful and stay within our mission,” said Brown. “You know, we’ve got a great art program (at Salisbury Central School), but classes are only 45 minutes to an hour each week. There’s just a need for more,” she continued.
Through Brown’s enthusiasm and connections in the community, she has been able to bring in an impressive lineup of guest teachers. She shared, “I’ve gotten professional artists who have come in and maybe don’t have experience with kids and then do amazing work with them.”
Brown also opened the program to kindergarten students. Classes are typically once or twice a week and are an hour to an hour and a half in length.
Brown’s own journey in education is one from classroom teacher to administrator. Previously a third-grade teacher at Indian Mountain School where her wife still teaches, her transition to leading SOAR was driven by a desire to reassess her priorities, particularly in the wake of the challenges posed by the COVID-19 pandemic.
The shift couldn’t have come at a better time and Brown excitedly shared, “It was a big decision to leave the classroom…but now I’m able to balance my life and work and make connections with the community. It is really amazing.”
To find out more about the SOAR program, go to www.soarkids.org
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.