
Keith Boynton, left, with Aitor Mendilibar, right, the cinematographer who shot “The Haunted Forest” as well as “The Scottish Play” and “The Winter House.” In the background of is Vinny Castellini, first assistant director.
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Keith Boynton, left, with Aitor Mendilibar, right, the cinematographer who shot “The Haunted Forest” as well as “The Scottish Play” and “The Winter House.” In the background of is Vinny Castellini, first assistant director.
Keith Boynton is a filmmaker who grew up in Salisbury, Connecticut. He attended Salisbury Central School, Town Hill School, and Hotchkiss. He has made numerous feature films including Seven Lovers, The Scottish Play, The Winter House, and is just wrapping up a new film, The Haunted Forest, which is a horror/slasher movie. Boynton has made numerous music videos for the band Darlingside, and for Alison Krauss. He is a poet, a playwright, and comic book art collector.
JA: This series of stories The Creators focuses on artists, their inspiration, and their creative process. Keith, what was the seed that got you started?
KB: I think the earliest stage of everything is just daydreaming. I’ve been a daydreamer my whole life, probably most kids are. Those daydreams are just daydreams - they don’t come to anything - but occasionally something happens in your imagination that you can’t let go of. Something you want to make real, whether that’s a goal in your life, or a project that you want to pursue, or something you want to create, it just sticks in your mind, and can change your whole life.
JA: Was there a favorite book that you loved growing up?
KB: My favorite book in childhood was The Wreck of the Zephyr by Chris van Allsburg. Some books just fired me up a like Maniac Magee, by Jerry Spinelli, an amazing book that was probably the most exciting thing I’d ever read up to that point. I remember finishing it and just sprinting up and down the driveway. I loved all the William Steig books, especially Dominic. Some art forms lend themselves to the imagination. One of the things I love about cartooning (I’m a huge comic book fan, and I collect comic book artwork) I love the way it can be anything. It is the unfettered exercise of the imagination, whereas making a live action film is a very fettered exercise of the imagination. You are bound by the technology and the reality of what you’re shooting, and the limitations of what you have available, so it’s still a creative act, but it’s not the kind of thing you can just daydream on the paper. You must contend with a lot of reality on the way to making that dream something real.
JA: Why do you love language?
KB: I mean, words are magic. They can create whole worlds. I‘ve always been fascinated by them. There’s nothing more human than the urge to communicate, but words do more than communicate; they conjure. It’s a hell of a thing.
JA: You cannot escape the business side of filmmaking. How do you handle all that, financing, promotion, deal making, streaming, film festivals?
KB: It is a job in itself. The mindset of promoting a film is the opposite of making one. It’s rare to find one person who’s good at both. I want the film to be successful, yet don’t see myself as a marketer. When I am forced into that role it’s an awkward fit. I love the response of an audience. I love watching a movie with an audience, or even better being in front of an audience, that immediate kind of connection. The relationship that you have with anyone in the business of curation of a Film Festival, or a studio executive, lacks immediacy. Yet you must not become an artist who thinks they’re entitled to an audience, or entitled to a platform, or entitled to be regarded as special. Audience members who grant you their time are giving you a gift, which is often unearned.
JA: Do you control the editing process?
KB: I edit my own films, I direct them, and I write them. I’m steering the ship to a certain degree at every stage which is gratifying.
JA: How do you cast your films?
KB: For some films I have used a casting director. For The Haunted Forest, the slasher film that we shot in the fall in Maryland, that is just wrapping up, I was the casting director myself. My first time working without a casting director in probably a decade. It was far more work than I realized. There were 38 speaking roles and I had to piece them together for my people to submit it on the Internet, to attract people who lived in the area. Some were actors, some were not, some from New York, some local. It was an incredible hodgepodge of people some of whom had never acted before, and some phenomenally accomplished actors.
JA: Tell us about The Haunted Forest:
KB: Cousins on my dad’s side, the Markoffs, live in Montgomery County, Maryland. They’ve been operating this haunted forest for about 30 years on their property, creating scary tours in October where you walk through, and people jump out and frighten you. It is like a homemade, horror film Disneyland. I was blown away by the scope of it, the scale of it plus the attention to detail and just the passion that they put into this place. My brother Devin McEwan [slalom canoeist, gold medalist 2015 Pan American Games, medalist 2016 Olympics] had the idea to set a film there. He conceived of the story idea. We developed the screenplay together. Great shout out to my brother without whom this movie would never have been dreamed of, much less brought into being. It’s a story about a young man passionate about horror and Halloween. He gets a job at the Haunted Forest, loves his job, meets a girl, then people at the Forest start dying for real and no one knows why. It is a murder mystery, slasher thriller which is not my wheelhouse as a filmmaker, or even necessarily as an audience member, but I had so much fun making this. The film still has a certain romanticism, maybe more than previous films. The genre is larger than life. There’s darkness and terror, but also the opportunity for heroism and overcoming. I think some of the most cinematic stuff that I’ve ever captured is in this movie. We are close to locking the picture edit, and then after that we sign color, music, visual effects and it’ll be ready to premiere at the actual Haunted Forest this fall. Anyone in the DC area, come watch this movie on site and get scared out of your minds.
JA: Were the special effects challenging for you and for the actors?
KB: I had a steep learning curve. We brought in a special effects expert. Some actors were covered in blood, and it was cold at night, yet the vibe on set was amazingly good, people had so much fun. While most of my films are realistic there’s a certain attraction to melodrama. I want to be fantastical, operatic, yet feel grounded and human and real. If you can pull that off, that’s magic.
JA: How can people watch your films?
KB: Three of my movies, Seven Lovers, The Scottish Play, and The Winter House – are available on Amazon and Apple TV. The best way to keep up with me is facebook.com/TheKeithBoynton, and crazylakepictures.com
JA: Your favorite films and directors?
KB: It’s a Wonderful Life, The Sting, Back to the Future, Point Break. Frank Capra, Christopher Nolan, Martin Campbell, Steven Soderbergh.
JA: Relationships feature in your films, and music videos. Does that come from your own well of experience?
KB: I did grow up in an incredibly warm family, incredibly welcoming, supportive, creative, funny, eccentric. I had a pretty idyllic childhood. [Keith’s father Jamie McEwan was an author and medal-winning Olympic slalom canoeist. Keith’s mother Sandra Boynton is an illustrator known for her iconic, delightful creatures and designs] That does stay with you forever. Optimism is one of the gifts the arts can give us when we need something to hang on.
JA: Tell us about your friendship with the band Darlingside.
KB: I’ve known Don Mitchell since he was little. We grew up together. We used to play the Legend of Zelda in his mom’s basement. Later, after hearing their brilliant music, I offered to make some music videos. I have used their music in my films. They are the loveliest people, so sweet, so committed to what they’re doing. They are really four of my favorite human beings in the world.
JA: Your film The Scottish Play, was just shown on Channel 13 as their Valentine’s Day romantic offering. How did you write so many lines of iambic pentameter?
KB: I have always been interested in Shakespeare’s time. I did some Shakespearean acting as a child. The language is extraordinary, alien yet familiar. It does create a different world, a heightened world, a romantic world, something you can indulge in, escape into, so for a long time I wanted to find some way to play in that sandbox of Shakespearean language. I conceived of the idea of having Shakespeare appear as a ghost because then it can be a contemporary story and Shakespeare can be anything that I imagine. He doesn’t have to be tied to his own biography or anyone else’s version of Shakespeare. I can just write him any way I choose. That movie came out of my desire to synthesize the real and the fantastical.
JA: Do you prefer making independent films?
KB: One of the reasons I toil away in the indie world is because I relish the control. My work can be ignored but it can’t be stopped, or changed, influenced by anyone, which is why I direct my own scripts instead of trying to sell the scripts. Screenwriters have no control over what happens to their screenplay. I was a writer first and foremost. [Boynton has an MFA in playwrighting from Columbia]. I had to learn to direct movies because that’s the only way to protect and make sure the story gets out in a way that you feel comfortable with.
JA: You are a romantic at heart, true?
KB: Romance is a recurring theme in my work, although not so much in my life, and maybe those two things are related. It has been a preoccupation of mine since childhood. My very romantic view is a great engine for stories. I do have a small pipeline with my own poetry on Facebook where I can reach a small number of people very quickly. I wish I could scale up a film pipeline, and I knew just how to reach that audience with that same level of immediacy. It would be an extraordinary feeling, so liberating creatively. Sometimes it is so hard to get up the energy and enthusiasm to begin a new project, when so many things that I’m proud of have been orphaned, forgotten, or fallen on deaf ears.
JA: How do you gauge the success of a film?
KB: There are three categories of response: people that I know which can be gratifying, I sometimes hear from professional critics, and then sometimes a random stranger stumbles upon the movie and loves it. Sadly, the scale of money, time, and energy that goes into a film does not always correspond to the to the scale of the impact.
JA: Do you love filmmaking enough to be satisfied despite a lack of response?
KB: I love being on the set. It is only two weeks out of every two to three years, but I love that feeling of working together.
JA: What’s next?
KB: I’m gearing up to another movie in September and that’ll be shot here in Salisbury, maybe at Mt. Riga. It will be about 10 months between shooting one feature film and another. The film is broadly in the category of horror or psychological thriller. More about mood and character and fabulous actors. I’m going to reuse some of my favorites from people who maybe had a smaller part in my other films.
JA: You describe your work on your website: “it’s humor and a touch of optimism. also, we like coffee.”
KB: I think coffee is one of the core principles of life. It’s certainly a major theme in my work. I think every play or movie contains at least one reference to coffee and usually a very loving reference. It’s a touchstone, but also maybe it represents warmth and comfort.
JA: What do you love about filmmaking?
KB: The camaraderie, the moments of magic, the sense of capturing something special and unrepeatable, the sublime irrelevance and absurdity of the whole endeavor, the excuse to drink endless cups of coffee, those occasional moments when you whisper to yourself (or to someone else): We’re making a movie. (And you are.)
Former President Joe Biden and his family dined at The Woodland in Lakeville Thursday, May 22.
LAKEVILLE — A fleet of black SUVs maintained a watchful perimeter outside The Woodland Thursday, May 22, as a former president dined inside.
After attending his grandson’s graduation at Salisbury School, Joe Biden and his family shared a meal at the Lakeville eatery.
Brandon Scimeca, owner of The Woodland, said the reservation was made a few days in advance. The day of the dinner, Secret Service agents arrived in the afternoon to review a security plan with Scimeca.
“They told me where he would enter and exit from, where he would sit, where Jill would sit,” said Scimeca. Later that evening, he said, 10 agents were stationed inside the restaurant with about 15 more outside.
Scimeca said Biden “treated the busboy as nice as the waiter. He was so nice to everyone.”
He ordered a hamburger well done with extra tomatoes and a cola.
Other patrons, able to avoid Secret Service, snapped selfies when Biden got up to go to the restroom, but for most of the meal he and his family quietly enjoyed their dinner.
That is, until dessert arrived at the table next to him.
Billy Sheil, who was dining with his wife and three of his four children, said Biden raised his fork and gestured at the arrival of sweets, “suggesting he wanted to sit with us or come over and take a bite,” Sheil explained.
Sheil scooted to make room in the booth and waved him over. “No fanfare. He just introduced himself and started chatting as a regular guy.”
Biden had a bite of ice cream from Sheil’s daughter Islay’s plate and chatted for about 15 minutes.
Sheil said he shared wisdom, spoke of family, the importance of siblings and the role his sister played throughout his political career.
“He spent real time with us, asking thoughtful questions and sharing in our evening like a grandfather would,” recalled Sheil. “We told him and Jill that we have four kids too — just like them — and mentioned that our second, Quin, was ironically in Washington, D.C., on a school trip. I told them, ‘He’s going to be bummed when he hears what he missed tonight!’”
The family took a photo with the former president before parting ways. Sheil noted, “When we got in the car afterward, Aerin turned to me and said, ‘Dad… was that a dream?’ It kind of felt like one.”
The Sheil family made room for Biden in their booth at The Woodland May 22.Photo provided
U.S. Sen. Chris Murphy walks through Sharon on the first day of his annual statewide walk.
Decked out in a blue T-shirt, khaki shorts and a UConn cap, the man walking along Route 41 in Sharon Wednesday morning looked like others who just enjoy getting out to commune with nature. But U. S. Sen. Chris Murphy (D) had some other thoughts on his mind.
For the ninth year, he was walking across Connecticut to connect with citizens of the state. This year’s route began May 28 in Salisbury and took him to Sharon and Kent for the day.
People along the way wanted to chat with the lawmaker, and despite some gentle prodding from his staffers to keep on pace, Murphy took time to converse with those he met covering a variety of topics. On Route 41 between Lakeville and Salisbury, he encountered longtime friend, former State Rep. Roberta Willis, of Salisbury, who along with her sister Sherie Berk, greeted him with a sign stating “Chris, We’re proud of U.”
Continuing his walk, he made a stop at Sharon Center School where he spoke with sixth- and seventh-graders. Then he met with some of the younger children, who, he said, “had a million ideas about what they could do for our country.”
Sharon First Selectman Casey Flanagan, left, speaks with U.S. Sen. Chris Murphy outside Town Hall.Photo by Ruth Epstein
Following a stop at Standard Space art gallery, he proceeded to Town Hall, where First Selectman Casey Flanagan presented him with a tiny step counter. Pleased with the gift, he said he had been wanting to get one but never got around to it.
At Town Hall, the subject of Mudge Pond came up, with the selectmen telling him how important that natural resource is to the town. Selectman Lynn Kearcher said so far, its condition is not too bad, but the threat of an invasion of hydrilla is a constant worry. “Lynn and I both grew up on that lake. We want to save it for generations to come,” said Flanagan.
Kearcher asked what the citizens of Sharon can do to combat the current administration in Washington. Murphy recommended joining activist groups and getting involved. “All that can make a difference.”
He acknowledged the latest big bill proposed by the Republicans which was approved by the House of Representatives is bad for Connecticut. One of its features calls for reducing Medicaid payments in blue states by 10 percent. It will throw millions around the country off the plan, he said. The bill will also result in adding $3.5 trillion to the national debt.
“It’s an ugly bill,” said Murphy.
As he headed off to Kent, he was met by some Sharon Playhouse employees who excitedly told him about this year’s productions. The walk to Kent proved to be a strenuous one, with a long steep mountain to climb. Once in the center of Kent, he crossed over the Housatonic River on the bridge next to Kent School.
From left, former State Rep. Roberta Willis and Sherie Berk talk with U.S. Sen. Chris Murphy in Salisbury.Photo by Ruth Epstein
Murphy explained the purpose of the walk, which over the nine years has touched all areas of the state. “My job is to listen. I can’t do my job well unless I listen to what people are saying.”
On this trip, he found the issues of housing and Medicaid were what people were talking about. The push and pull between conserving land and the need for housing was also on people’s minds.
In Kent, he made a stop at Motoriot, where owner Jason Doornick explained he refurbishes vintage 4 x 4s. Murphy was impressed with what he saw. He also visited Kent Wine & Spirits and the Mobil station and convenience store where customer Tom Connors approached him and asked, “When did bravery go out of fashion?”
Murphy planned to walk another four days with the aim of reaching Long Island Sound.
SHARON — Marion J. (Cookingham) Pedersen of Sharon, passed peacefully on May 20, 2025, at the age of 91.
Born in Pine Plains, New York, she lived a life of love and unwavering strength. She was a devoted mother, grandmother, great-grandmother and wife known for her cooking skills.
Her greatest joy was taking care of and feeding her family. For over 50 years she knew most of the children in Sharon, either by driving them to and from school on the bus or by feeding them lunch in the Sharon Center School cafeteria. She will be missed by so many.
She is survived and missed by her husband of 74 years, Niels (Pete) Pedersen, her two sons Niels (Peter) Pedersen Jr., and wife Lori of Sharon, Dennis Pedersen and wife Bonnie of Winchester, and her daughter, Deborah Pedersen of Winsted. She will forever be cherished and remembered by her granddaughters, Hollie Boyuk and husband Michael, Sarah White and husband Michael, five great-grandsons, Dylan and wife Ashley, Brandon, Caleb, Christopher and Jacob, and numerous other family members who will miss her dearly.
Marion was the youngest of 12 children and predeceased by her 11 siblings.
All services are private.Memorial contributions may be made to the donors choice. Kenny Funeral Home has care of arrangements.
LIME ROCK — Eleanor Anne Sternlof (née de Guise) of White Hollow Road passed away on April 25, 2025 at Geer Village in North Canaan, Connecticut. She was 94 and the loving wife of the late Paul William Sternlof, who died on August 12, 2005.
Calling hours will be held on Saturday, May 31, from 11am to 1pm at The Kenny Funeral Home, 41 Main Street, Sharon, CT.
The Kenny Funeral Home has care of arrangements.