Trade Secrets at 25

Carolyn Piccireli, left, and Richard Lambertson, co-chairs of Trade Secrets.
Anne Day

Carolyn Piccireli, left, and Richard Lambertson, co-chairs of Trade Secrets.
On May 17 and 18, the 25th anniversary of Trade Secrets will unfurl like a perennial in full bloom. Held at Lime Rock Park and at private gardens in the area, the beloved garden and antiques fundraiser is part curated spectacle, part country house weekend, and all entirely for a cause — it is the primary fundraiser for Project SAGE, the Lakeville-based nonprofit that supports survivors of domestic violence across Connecticut, New York, and Massachusetts.
“People may think they’re coming for the bunnies and birdbaths,” said Richard Lambertson, co-chair and board member. “But they’re really helping fund emergency shelter, legal advocacy, and education. We want that to be clearer this year.”
Lambertson, co-chief executive and creative director of Lambertson Truex, has held leadership roles at Gucci, Geoffrey Beene, and Bergdorf Goodman, earning CFDA and ACE design honors for his distinctive American accessories vision. He and his fellow co-chair Carolyn Piccirelli, founder of Honeychurch Home based in Lenox, Massachusetts, are also Trade Secrets vendors themselves, meaning they’re sourcing, curating, designing, placing tents, approving flower choices, measuring every inch of the site with what can only be described as couture-level precision.
“We vet every vendor. We place every sign. We want every detail to speak the same language — classical, elegant, creative, and exciting,” said Piccirelli.
The event began in 2001 as the brainchild of designer Bunny Williams, antiques dealer Naomi Blumenthal, and horticulturist Deborah Munson, as a garden-themed tag sale on Bunny’s own property. Today, the show has evolved into a fully trademarked brand of its own, still deeply imbued with its founders’ eye and purpose.
Lambertson and Piccirelli estimate that about a quarter of the current vendors have been part of the event for 20 years or more. Still, the co-chairs work to keep the aesthetic crisp and focused. “We don’t want it turning into just an antique show,” Lambertson said. “It has to be garden-forward.”
While Trade Secrets runs like a well-oiled estate garden, it’s entirely volunteer-driven with over 300 volunteers — from Hotchkiss and Indian Mountain students to entire families who’ve made it an annual tradition. Vendors often arrive from across the Northeast and are treated to a cozy Saturday night dinner, complete with Bunny’s personal welcome and a talk from Project SAGE that, Piccirelli said, “brings people to tears.”
Along with the garden tour and the rare plants and antique sale, there will also be book signings on Sunday at Lime Rock Park. Meet Martha Stewart, Bunny Williams, Frances Palmer, Mieke ten Have and Rosie Daykin from 9:30 a.m. on.
For this anniversary year, the co-chairs have also made a few upgrades including new, bigger tents. “It’s going to look really pretty,” Piccirelli and Lambertson agreed. There will be a refreshed entryway with a surprise design from Bunny herself, and deeper integration between the event and the nonprofit it supports.
“This is our 25th anniversary, so it’s a big deal and our underwriting is off the charts compared to last year,” said Lambertson. “I think the state of the world has made people more willing to support a cause they believe in, and this year, everyone on the Project SAGE staff is working the show, the entire board is volunteering, and we’re putting the ‘why’ behind the weekend front and center because it’s not just a flower and antique show, it’s about the real impact those donations make.”
Still, for all its purpose, Trade Secrets is also pure pleasure—a ritual of spring, a place where heirloom roses and antique statuary coexist with conversations over peonies and local cheese.
“My favorite part is just when it opens,” said Piccirelli. “You feel the excitement, people are so happy to be there. The energy is electric.”
And like a true garden, it’s that combination of roots and bloom, tradition and reinvention, that keeps Trade Secrets growing strong.
For more information and tickets, visit: www.tradesecretsct.com
WOODBURY — Nonnewaug High School claimed twin titles in the Berkshire League soccer tournament finals.
The school's girls and boys teams were named league champions after finishing the regular season with the best win/loss records. Winning the tournaments earned each team a plaque and added to the program's success in 2025.
Both of Nonnewaug's varsity teams faced off against their counterparts from Housatonic Valley Regional High School in the tournament finals in Woodbury Tuesday, Oct. 28.
The boys game was played first. Housatonic took a quick 2-0 lead with goals from Gustavo Portillo and Jackson McAvoy. Nonnewaug responded in the second half with three consecutive goals: first from Cash Medonis then two from Vincenzo Rose. The Nonnewaug boys won 3-2.

The girls game followed. Nonnewaug and Housatonic traded goals early on and the score was tied 2-2 at halftime. Nonnewaug scored twice more in the second half to win 4-2. Housatonic's goals were scored by Ava Segalla. Rosie Makarewicz scored twice for Nonnewaug and Hailey Goldman and Aubrey Doran scored once.
Connecticut Interscholastic Athletic Conference soccer tournaments begin Oct. 31. Both Housatonic teams qualified for the Class S tournament and both Nonnewaug teams qualified for the Class M tournament.
TORRINGTON — Joan Jardine, 90, of Mill Lane, passed away at home on Oct. 23, 2025. She was the loving wife of David Jardine.
Joan was born Aug. 9, 1935, in Throop, Pennsylvania, daughter of the late Joseph and Vera (Ezepchick) Zigmont.
Joan graduated from Harding High School.
She was a working artist for much of her adult life, starting her career studying plein air impressionist oil painting at the Cape Cod School of Art. Her work evolved to include a more representational style, and eventually a large body of abstract pieces. Her award-winning work has been shown in galleries and juried art shows throughout southern New England.
She is survived by her daughter Leslie and her husband George, brothers Joseph, Victor, and their families, nephews Gregory, Christopher, and their families, daughter-in- law Huong, and the extended Jardine family. She was predeceased by her son Douglas, and brother Michael.
A memorial service will be held at All Saints of America Orthodox Church, 313 Twin Lakes Road, Salisbury, Connecticut on Thursday, Oct. 30, at 10 a.m. Memorial contributions may be made to the All Saints of America Orthodox Church, PO Box 45, Salisbury, CT 06068.
The Kenny Funeral Home has care of arrangements.
Canyon de Chelly (1904) – Seven Navajo riders on horseback
At a time when questions of representation, cultural legacy and historical narratives are at the forefront of public conversation, the Norfolk Library’s upcoming screening of the award-winning documentary “Coming to Light” offers a timely opportunity for reflection.
The event will be held on Thursday, Nov. 6, at 5:30 p.m., and will include a post-screening discussion with the film’s director, Lakeville resident Anne Makepeace.
“Coming to Light” offers a deeply researched, visually rich portrait of photographer Edward S. Curtis, whose early 20th century mission to record Native American life resulted in tens of thousands of images, sound recordings and texts.
But the film goes beyond biography, critically examining Curtis’ romanticized vision of Native American life and engaging with the descendants and communities whose lives and traditions the photo archives continue to affect.
Between 1896 and 1914, Curtis photographed over 80 tribes from Arizona to Alaska in an effort to capture Native American cultures he feared were disappearing..
“Curtis saw cultural genocide going on, and he feared these cultures would disappear,” Makepeace said. “He wanted to show these people are still here and these traditions are still happening.”

In the late 1990s, when Makepeace was developing her film on Curtis — about a century after he had started his photographic work — she wanted to see how present-day Native Americans felt about his photographs. She found that while academics had long derided Curtis’ work as extractive, colonialist, and often staged, most Native Americans she spoke with were overwhelmingly appreciative of his work. In fact, some of Curtis’ photographs ultimately helped certain tribes revive specific ceremonies.
“Coming to Light” premiered at the Sundance Film Festival, was shortlisted for an Academy Award in 2000, and was later aired on PBS’ “American Masters” in 2001. As the documentary nears its 25th anniversary, Makepeace reflected on the significance of the film and its lasting impact.
“The film shows the beauty and resilience of these cultures and the diversity of each of the varied tribes that were documented,” she said.
At a time when cultural preservation, national identity and documentary ethics are more important than ever, Makepeace said she believes the film’s message remains especially relevant in 2025.
For further details on the screening and to reserve a seat, visit: norfolklibrary.org/events/documentary-film-coming-to-light/
To see more of Makepeace’s work, visit: makepeaceproductions.com/index.html