Trees begin to turn with the official start of autumn

A reddish hue develops along the ridgelines of the Northwest Corner as cold air begins to turn the leaves with the arrival of fall.
Nathan Miller
A reddish hue develops along the ridgelines of the Northwest Corner as cold air begins to turn the leaves with the arrival of fall.
Sunday, Sept. 22 marked the beginning of astronomical fall, and our trees are showing it.
Flecks of red, yellow, orange and gold dot the hillsides and maples wear mottled coats of green and fiery orange alongside the roadways. It’s certainly still the early stages of foliage season, but Kent Tree Warden Bruce Bennett said in a recent interview that this timing was not always the norm.
“I’ve been around for 70 years,” he said, explaining that fall color used to begin around Sept. 5 and peak near Sept. 21. That peak date has “slowly but surely moved almost a month” to mid-October, he said, as a product of warmer and later autumns resulting from climate change.
A late-September leaf change matches the pattern of recent fall seasons. Bennett said red maples are among the best indicators for when autumn arrives. “They’re always the first tree to start to change,” he said, further explaining that the red maple usually provides the most vibrant color — “some pretty good red and deep orange.”
Bennett maintained that while people tend to think of sugar maples as the star of our fall season, it’s actually the red maples that really make the show. However, this year, he has high hopes for the sugar maples: “when they have a good year, they’re spectacular, and it looks like this might be a good year for the sugar maples.”
Predicting a foliage season is notoriously difficult. Bennett said that while people often talk about dry or wet weather in the fall as indicative of how bright the colors will be, “no one really knows.” He explained that there are many other complicating factors that can alter foliage vibrancy, including weather going back to the previous year and beyond. He said that last year’s season was spectacular during a really dry year, while five years before that was equally striking, but during a very wet year.
This maple tree on Mygatt Road in Amenia, New York, is starting to take on a yellow shade in some of its leaves. Leaf peepers traveling down the residential country lane should be aware the area is populated and caution is appreciated. Nathan Miller
Despite the uncertainties, Bennett said it will probably be another week or two before the region’s foliage reaches the 50% mark.
Further complicating things is the presence of disease in the region’s trees. Large numbers of maples this autumn have already had leaves shrivel up and turn brown, and in many cases have already fallen from the tree. Bennett explained that this is due to a common fungal disease called anthracnose that has proliferated in the canopy due to the unusually hot and humid summer.
While it will dampen the color by taking many of the brighter trees out of the picture, it is normally not harmful to the tree itself — the tree is simply shedding diseased leaves. Bennett said that leaves where the foliage is dense are the most affected as the fungus spreads by moisture. Well ventilated trees, such as those in clearings or more spacious forests, should remain free of the disease and produce their normal color.
Wake Robin Inn Innkeeper Michael Loftus upheld that these uncertainties and inconsistencies in the foliage season have caused any vestige of a foliage tourist season to largely disappear. “Is fall foliage even a ‘season’ anymore for our parts,” he asked. He said the fall was still a great season for the Inn, but due to group bookings for weddings or parents weekend visits for the region’s boarding schools, not foliage tourism.
Susan Sweetapple, owner of the Falls Village Inn, agreed that it can be hard to parse out the leaf peeping crowd from other types of autumn visitors, like parents weekend trips or events at Lime Rock Park, which has a busy program this season.
Other innkeepers felt that foliage tourism is alive and well in the region. John Ciliberto, manager at the White Hart Inn, maintained that “fall foliage will always be a reason to come to the Northwest Corner of Connecticut.” He maintained that leaf peeping, alongside other autumn-themed events such as Salisbury’s Fall Festival and Handmade Fair, causes a noticeable uptick in traffic from mid-September through the end of October.
Innkeeper Kevin Bosquet, who has been at the Interlaken Inn for 41 years, agreed that the region “absolutely” still has a foliage season. The season is enchanting, he said, especially for visitors from the cities who don’t have the same access to trees at home – “it takes everyone back to their childhood,” he said.
As for residents, the season is certainly here, and the trees show it. Bennett is confident that this year won’t disappoint for those who are willing to look for the beauty: “We always have a good fall,” he said, “it’ll be good.
SHARON — Sharon Dennis Rosen, 83, died on Aug. 8, 2025, in New York City.
Born and raised in Sharon, Connecticut, she grew up on her parents’ farm and attended Sharon Center School and Housatonic Valley Regional High School. She went on to study at Skidmore College before moving to New York City, where she married Dr. Harvey Rosen and together they raised two children.
Sharon’s lifelong love of learning and the arts shaped both her work and her passions. For decades, she served as a tour guide at the American Museum of Natural History and the Asia Society, sharing her knowledge and enthusiasm with countless visitors. She also delighted in traveling widely, immersing herself in other cultures, and especially treasured time spent visiting her daughter and grandsons in Europe and Africa.
She was also deeply connected to her hometown, where in retirement she spent half her time and had many friends. She served as President of the Sharon East Side Cemetery until the time of her death, where generations of her family are buried and where she will also be laid to rest.
She is survived by her husband, Harvey; her children, Jennifer and Marc; and four beloved grandchildren.
Claire and Garland Jeffreys in the film “The King of In Between.”
There is a scene in “The King of In Between,” a documentary about musician Garland Jeffreys, that shows his name as the answer to a question on the TV show “Jeopardy!”
“This moment was the film in a nutshell,” said Claire Jeffreys, the film’s producer and director, and Garland’s wife of 40 years. “Nobody knows the answer,” she continued. “So, you’re cool enough to be a Jeopardy question, but you’re still obscure enough that not one of the contestants even had a glimmer of the answer.”
Garland Jeffreys never quite became a household name, but he carved out a singular place in American music by refusing to fit neatly into any category. A biracial New Yorker blending rock, reggae, soul and R&B, he used genre fusion as a kind of rebellion — against industry pigeonholes, racial boundaries and the musical status quo. Albums like “Ghost Writer” (1977) captured the tension of a post–civil rights America, while songs like “Wild in the Streets” made him an underground prophet of urban unrest. He moved alongside artists like Lou Reed and Bruce Springsteen but always in his own lane — part poet, part agitator, part bridge between cultures.
“I think what I tried to do with the film, wittingly or unwittingly, was just to show that we all have these lives and they don’t often meet our dreams of what we think we’re entitled to, we’re talented enough to get or whatever,” said Claire. “We all have these goals, but we’re sort of stymied. Often, it’s partly circumstance and luck, but it’s also very often something that we’re doing or not doing that’s impeding us.”
This is not the typical rock-and-roll redemption story. There are no smashed guitars, no heroic overdoses, no dramatic comeback tour. What we get instead is something quieter and more intimate: hours of archival footage that Claire spent years sorting through. The sheer effort behind the film is palpable — so much so that, as she admitted with a laugh, it cured her of any future ambitions in filmmaking.
“What I learned with this project was A, I’m never doing it again. It was just so hard. And B, you know, you can do anything if you collaborate with people that know what they’re doing.”
Claire worked with the editing team of Evan M. Johnson and Ben Sozanski and a slew of talented producers, and ended up with a truthful portrayal — a beautiful living document for Garland’s legions of fans and, perhaps most importantly, for the couple’s daughter, Savannah.
“She’s been in the audience with me maybe three or four times,” said Claire. “The last time, I could tell that she was beginning to feel very proud of the effort that went into it and also of being a part of it.”
Savannah pursued a career in music for a while herself but has changed tracks and become a video producer.
“I think she couldn’t quite see music happening for herself,” said Claire. “She was like, ‘I don’t know if I want to struggle the way I saw my dad struggling and I’m going to get a job with a salary.’”
The film doesn’t just track the arc of an underappreciated musician, however. The music, always playing, is the soundtrack of a life — of a man navigating racial, musical and personal boundaries while balancing marriage, parenthood, aging, addiction andrecovery. Garland and Claire speak plainly about getting sober in the film, a life choice that gave them both clarity and shows Claire as a co-conspirator in his survival.
“I did some work early on with a director,” said Claire. “He wanted the final cut, and I didn’t feel like I could do that — not because I wanted so much to control the story, but I didn’t want the story to be about Alzheimer’s.”
Diagnosed in 2017, Garland, now 81, is in the late stages of the disease. Claire serves as his primary caregiver. The film quietly acknowledges his diagnosis, but it doesn’t dwell — a restraint that feels intentional. Garland spent a career refusing to be reduced: not to one sound, one race or one scene. And so the documentary grants him that same dignity in aging. His memory may be slipping, but the film resists easy sentimentality. Instead, it shows what remains — his humor, his voice, his marriage, the echo of a life lived on the edges of fame and at the center of his own convictions.
The Moviehouse in Millerton will be screening “The King of In Between” on Sept. 20 at 7 p.m. Peter Aaron, arts editor of Chronogram Magazine will conduct a talkback and Q&A with Claire Jeffreys after the film. Purchase tickets at themoviehouse.net.
The Haystack Book Festival, a program of the Norfolk Hub, brings renowned writers and thinkers to Norfolk for conversation. Celebrating its fifth season this fall, the festival will gather 18 writers for discussions at the Norfolk Library on Sept. 20 and Oct. 3 through 5.
Jerome A. Cohen, author of the memoir “Eastward, Westward: A Lifein Law.”Haystack Book Festival
For example, “Never Take the Rule of Law for Granted: China and the Dissident,” will be held Saturday, Sept. 20, at 4 p.m. at the Norfolk Library. It brings together Jerome A. Cohen, author of “Eastward, Westward: A Life in Law,” and Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong King’s Greatest Dissident, and China’s Most Feared Critic” in dialogue with journalist Richard Hornik to discuss the rule of law and China.
The Council on Foreign Relations stated, “Few Americans have done more than Jerome A. Cohen to advance the rule of law in East Asia. He established the study of Chinese law in the United States. An advocate for human rights, Cohen has been a scholar, teacher, lawyer, and activist for sixty years.”
Cohen, a professor at New York University School of Law and director of its U.S.-Asia Law Institute, revealed his long view on China: “We are now witnessing another extreme in the pendulum’s swing toward repression. Xi Jinping is likely to outlive me but ‘no life lives forever.’ There will eventually be another profound reaction to the current totalitarian era.”
Mark Clifford, author of “The Troublemaker: How Jimmy Lai Became a Billionaire, Hong Kong’s Greatest Dissident, and China’s Most Feared Critic.”Haystack Book Festival
In “The Troublemaker,” Clifford chronicles Lai’s life from child refugee to pro-democracy billionaire to his current imprisonment by the Chinese Communist Party. Clifford is president of the Committee for Freedom in Hong Kong Foundation, a Walter Bagehot Fellow at Columbia University, and holds a PhD in history from the University of Hong Kong. He was the former editor-in-chief of the South China Morning Post and The Standard (Hong Kong and Seoul).
Journalist Richard Hornik, adjunct senior fellow at the East-West Center in Honolulu.Haystack Book Festival
Richard Hornik, adjunct senior fellow at the East-West Center, will moderate the discussion. Hornik is the former executive editor of AsiaWeek, news service director of Time magazine, and former Time bureau chief in Warsaw, Boston, Beijing and Hong Kong.
Betsy Lerner, author of “Shred Sisters,” is giving the 2025 Brendan Gill lecture at the Haystack Book Festival.Haystack Book Festival
The Brendan Gill Lecture is a highlight of the festival honoring longtime Norfolk resident Brendan Gill, who died in1997. Gill wrote for The New Yorker magazine for fifty years. Betsy Lerner, New York Times-recognized author of “Shred Sisters,” will deliver this year’s lecture on Friday, Oct. 3, at 6 p.m. at the Norfolk Library.
Visit haystackbookfestival.org to register. Admission is free.