Trees begin to turn with the official start of autumn

A reddish hue develops along the ridgelines of the Northwest Corner as cold air begins to turn the leaves with the arrival of fall.
Nathan Miller

A reddish hue develops along the ridgelines of the Northwest Corner as cold air begins to turn the leaves with the arrival of fall.
Sunday, Sept. 22 marked the beginning of astronomical fall, and our trees are showing it.
Flecks of red, yellow, orange and gold dot the hillsides and maples wear mottled coats of green and fiery orange alongside the roadways. It’s certainly still the early stages of foliage season, but Kent Tree Warden Bruce Bennett said in a recent interview that this timing was not always the norm.
“I’ve been around for 70 years,” he said, explaining that fall color used to begin around Sept. 5 and peak near Sept. 21. That peak date has “slowly but surely moved almost a month” to mid-October, he said, as a product of warmer and later autumns resulting from climate change.
A late-September leaf change matches the pattern of recent fall seasons. Bennett said red maples are among the best indicators for when autumn arrives. “They’re always the first tree to start to change,” he said, further explaining that the red maple usually provides the most vibrant color — “some pretty good red and deep orange.”
Bennett maintained that while people tend to think of sugar maples as the star of our fall season, it’s actually the red maples that really make the show. However, this year, he has high hopes for the sugar maples: “when they have a good year, they’re spectacular, and it looks like this might be a good year for the sugar maples.”
Predicting a foliage season is notoriously difficult. Bennett said that while people often talk about dry or wet weather in the fall as indicative of how bright the colors will be, “no one really knows.” He explained that there are many other complicating factors that can alter foliage vibrancy, including weather going back to the previous year and beyond. He said that last year’s season was spectacular during a really dry year, while five years before that was equally striking, but during a very wet year.

Despite the uncertainties, Bennett said it will probably be another week or two before the region’s foliage reaches the 50% mark.
Further complicating things is the presence of disease in the region’s trees. Large numbers of maples this autumn have already had leaves shrivel up and turn brown, and in many cases have already fallen from the tree. Bennett explained that this is due to a common fungal disease called anthracnose that has proliferated in the canopy due to the unusually hot and humid summer.
While it will dampen the color by taking many of the brighter trees out of the picture, it is normally not harmful to the tree itself — the tree is simply shedding diseased leaves. Bennett said that leaves where the foliage is dense are the most affected as the fungus spreads by moisture. Well ventilated trees, such as those in clearings or more spacious forests, should remain free of the disease and produce their normal color.
Wake Robin Inn Innkeeper Michael Loftus upheld that these uncertainties and inconsistencies in the foliage season have caused any vestige of a foliage tourist season to largely disappear. “Is fall foliage even a ‘season’ anymore for our parts,” he asked. He said the fall was still a great season for the Inn, but due to group bookings for weddings or parents weekend visits for the region’s boarding schools, not foliage tourism.
Susan Sweetapple, owner of the Falls Village Inn, agreed that it can be hard to parse out the leaf peeping crowd from other types of autumn visitors, like parents weekend trips or events at Lime Rock Park, which has a busy program this season.
Other innkeepers felt that foliage tourism is alive and well in the region. John Ciliberto, manager at the White Hart Inn, maintained that “fall foliage will always be a reason to come to the Northwest Corner of Connecticut.” He maintained that leaf peeping, alongside other autumn-themed events such as Salisbury’s Fall Festival and Handmade Fair, causes a noticeable uptick in traffic from mid-September through the end of October.
Innkeeper Kevin Bosquet, who has been at the Interlaken Inn for 41 years, agreed that the region “absolutely” still has a foliage season. The season is enchanting, he said, especially for visitors from the cities who don’t have the same access to trees at home – “it takes everyone back to their childhood,” he said.
As for residents, the season is certainly here, and the trees show it. Bennett is confident that this year won’t disappoint for those who are willing to look for the beauty: “We always have a good fall,” he said, “it’ll be good.
TORRINGTON — Joan Jardine, 90, of Mill Lane, passed away at home on Oct. 23, 2025. She was the loving wife of David Jardine.
Joan was born Aug. 9, 1935, in Throop, Pennsylvania, daughter of the late Joseph and Vera (Ezepchick) Zigmont.
Joan graduated from Harding High School.
She was a working artist for much of her adult life, starting her career studying plein air impressionist oil painting at the Cape Cod School of Art. Her work evolved to include a more representational style, and eventually a large body of abstract pieces. Her award-winning work has been shown in galleries and juried art shows throughout southern New England.
She is survived by her daughter Leslie and her husband George, brothers Joseph, Victor, and their families, nephews Gregory, Christopher, and their families, daughter-in- law Huong, and the extended Jardine family. She was predeceased by her son Douglas, and brother Michael.
A memorial service will be held at All Saints of America Orthodox Church, 313 Twin Lakes Road, Salisbury, Connecticut on Thursday, Oct. 30, at 10 a.m. Memorial contributions may be made to the All Saints of America Orthodox Church, PO Box 45, Salisbury, CT 06068.
The Kenny Funeral Home has care of arrangements.
The ofrenda at Race Brook Lodge.
On Saturday, Nov. 1, the Race Brook Lodge in Sheffield will celebrate the Mexican Day of the Dead: El Día de los Muertos.
Mexican Day of the Dead takes place the first weekend of November and honors los difuntos (the deceased) with ofrendas (offerings) on an altar featuring photos of loved ones who have passed on. Elements of earth, wind, fire and water are represented with food, papel picada (colorful decorative paper), candles and tequila left for the beloved deceased. The departed are believed to travel from the spirit world and briefly join the living for a night of remembrance and revelry.
Music and events programmer Alex Harvey has been producing Día de los Muertos at Race Brook for the past three years, and with the closing of the venue looming, the festival takes on a deep and personal meaning.
“The anchoring gesture of Race Brook, long before I arrived on the scene, has always been to cultivate a space that thins the veil between the worlds. Something otherworldly is hiding in the mountain’s towering shadow: the whispering spring-fed stream, the dense lineage that founder Dave Rothstein brings, the woodsmoke that rises every night of the year from the firepits. This space communes with the spirits,” said Harvey.
“And so we cradle a special ache in our hearts as the leaves turn and the beautiful dance of Race Brook’s project of cultural pollination draws to a close. Fitting, then, to return for one last activation — Día de Los Muertos — a celebration of the end of things. A remembrance of those who’ve made the transition we are all destined for, but also a time when we honor many types of loss. And while we will all mourn those who aren’t there in the flesh, we will also, with humility, come as mourners for the space itself,” Harvey continued.
The event will be a night to remember, to celebrate and to release with ritual, music, and communal remembrance. Participants are invited to bring photos, talismans and offerings for the ofrenda (offering), as well as songs, poems or toasts to share in tribute to loved ones who have passed.
Mexican American musicians Maria Puente Flores, Mateo Cano, Víctor Lizabeth, Oviedo Horta Jr. and Andrea from Pulso de Barro, an ensemble rooted in the Veracruz tradition of son jarocho, will be performing.
Translating to “Pulse of the Clay,” their name reflects a deep connection to the earth and to the living heartbeat of culture itself. Through a synthesis of Mexican, Cuban, Venezuelan and Puerto Rican traditions, Pulso de Barro merges poetry, rhythm and communal song as pathways to coexistence with nature. Their performances feature the jarana and leona (stringed instruments), quijada, cajón, maracas, and marimba (percussion), the tarima (percussive dance platform) and a call-and-response of folk and original versadas.
The evening begins at 6 p.m. in the Barn Space with a Fandango de los Muertos featuring Pulso de Barro, a Race Brook favorite. At 8 p.m., the Open Mic for the Dead invites guests to speak directly into the spirit world — through word, music or memory. The night culminates at 10:30 p.m. with a Fandango for the Dead, a participatory music and dance celebration. Bring your instruments, your voices and your dancing shoes.
Race Brook Lodge is a unique rustic getaway destination for relaxation, hiking, live music, workshops, weddings and more. Sadly, it will be closing for good later in 2026, ending a storied chapter of Berkshire music, art, culture and well-being.
Come experience an evening that honors lost loved ones and the end of a Berkshire institution. The cycle of life endures. Surely, resurrection is in the cards for Race Brook Lodge.
For Tickets and info, visit: rblodge.com
Canyon de Chelly (1904) – Seven Navajo riders on horseback
At a time when questions of representation, cultural legacy and historical narratives are at the forefront of public conversation, the Norfolk Library’s upcoming screening of the award-winning documentary “Coming to Light” offers a timely opportunity for reflection.
The event will be held on Thursday, Nov. 6, at 5:30 p.m., and will include a post-screening discussion with the film’s director, Lakeville resident Anne Makepeace.
“Coming to Light” offers a deeply researched, visually rich portrait of photographer Edward S. Curtis, whose early 20th century mission to record Native American life resulted in tens of thousands of images, sound recordings and texts.
But the film goes beyond biography, critically examining Curtis’ romanticized vision of Native American life and engaging with the descendants and communities whose lives and traditions the photo archives continue to affect.
Between 1896 and 1914, Curtis photographed over 80 tribes from Arizona to Alaska in an effort to capture Native American cultures he feared were disappearing..
“Curtis saw cultural genocide going on, and he feared these cultures would disappear,” Makepeace said. “He wanted to show these people are still here and these traditions are still happening.”

In the late 1990s, when Makepeace was developing her film on Curtis — about a century after he had started his photographic work — she wanted to see how present-day Native Americans felt about his photographs. She found that while academics had long derided Curtis’ work as extractive, colonialist, and often staged, most Native Americans she spoke with were overwhelmingly appreciative of his work. In fact, some of Curtis’ photographs ultimately helped certain tribes revive specific ceremonies.
“Coming to Light” premiered at the Sundance Film Festival, was shortlisted for an Academy Award in 2000, and was later aired on PBS’ “American Masters” in 2001. As the documentary nears its 25th anniversary, Makepeace reflected on the significance of the film and its lasting impact.
“The film shows the beauty and resilience of these cultures and the diversity of each of the varied tribes that were documented,” she said.
At a time when cultural preservation, national identity and documentary ethics are more important than ever, Makepeace said she believes the film’s message remains especially relevant in 2025.
For further details on the screening and to reserve a seat, visit: norfolklibrary.org/events/documentary-film-coming-to-light/
To see more of Makepeace’s work, visit: makepeaceproductions.com/index.html