Black theater in a white town

Spencer Scott Barros
Photo by Alexander Wilburn


In Central Harlem, N.Y., emerging Black writers come to Liberation Theatre Company to hone their artistry on the stage. Co-founder Spencer Scott Barros has forged a space to strengthen dynamic Black voices charged with something to say. This fall, he’s far from home, up in the countryside of Connecticut, directing “A Raisin In The Sun” for Sharon Playhouse. He’s a Black director working on an iconic Black play, in a town that’s still 90% white. Barros isn’t deterred.
Alexander Wilburn: “A Raisin in the Sun” — a staple of the American stage, but also a milestone for African American theater. The first Broadway production written by a Black female playwright and led by a Black director. What does the play have to tell us today?
Spencer Scott Barros: If we look at the state of race relations within the U.S. — Black people still don’t make nearly as much as their white counterparts, that hasn’t changed much from the ’50s. Even the issue of abortion, which is discussed in the play, is relevant with what happened recently with Roe v. Wade. The notion of Black people wanting to move to a better life, having dreams of a better experience, that’s still happening, but now that happens through the lens of gentrification. So there are a lot of themes that are relevant for today’s audience. This story could still happen today.
As a Black director staying in Salisbury at one of the board members’ guest homes, I could count the number of people of color I’ve seen on one hand. I’m sure people are looking at me like, “Who is he? Why is he here?” In the play, the character of Karl Linder doesn’t want this family moving into this all-white neighborhood because it will make the white people uncomfortable. People are much more savvy today, they wouldn’t come out and say that. But you can sense there’s an uncomfortability (sic). “Oh, you’re just here for a short period of time? That’s better, I can like you.” But if I said I was looking at homes to buy? I’m sure I would be received in a very different light.
What’s it like performing this show for a majority, if not completely, white audience?
I had really great conversations with Justin [Boccitto, Playhouse Interim Artistic Director] and Michael [Kevin Baldwin, Director of Education] before I accepted the offer to direct. They were very honest about their 99% white subscription base. Outside of theater, I do diversity, equity and inclusion workshops for corporations, I’m very used to having uncomfortable conversations where I am either the only person of color in the room, or one of very few. [A Raisin In The Sun] isn’t an all Black cast — there is one major white character. For this theater, we’re playing him as a mirror to the subscription base that comes here. He’s a reflection of how they may be, or what may be hidden in their own subconscious. As I said, people today are savvy. They’re not going to say, “I don’t want these types of people living here.” I think the mirror is: we like to say and do all the right things, we like to present ourselves as inclusive, but our actions may be doing something entirely different.
A really concrete example is that in the play, Linder refers to the Younger family as “you people.” The actor Dick Terhune is so brilliant, he doesn’t overemphasize it, but every time he says it, the Younger family has a different reaction to it, to the words “you people.” I don’t think Linder realizes he’s doing anything, he’s so used to having conversations in his all-white community. So I hope a predominantly white audience might look at that and think, “Hm, I wonder if every time I told a Black person they were so articulate or they spoke so well, did they receive it as the compliment I was intending it to be? Or did they receive it as a racial slur they had to accept?”
Whom do you see as the invigorating voices of Black theater today?
For a while it felt like there was one kind of [Black] story that could be on Broadway and be successful. It would have to have certain types of characters that make non-Black people comfortable. I’ve noticed a change now where writers are saying, “I’m writing my truth and what works for me. If you get it, you get it, and if you don’t, you don’t.” Donja R. Love is a playwright I absolutely adore, a queer Black playwright whose stories are centered around queer Black life, often around being HIV positive. Dominique Morisseaus — I love her voice, it’s very rooted in her history and her Detroit upbringing.
They’re telling their stories their way and they’re not apologetic. Just as we can tell a thousand stories through a white lens, we can tell a thousand stories through a Black lens. As a Black man, I don’t relate to every single aspect of every single Black play I see, but I do love hearing those voices.
“A Raisin In the Sun” opens at Sharon Playhouse in Sharon, Conn., on Oct. 7. For tickets go to www.sharonplayhouse.org
Dee Salomon
All gardens are works in progress; never static despite the best efforts of gardeners to freeze a perfect aesthetic moment year after year. Seeing a garden when it’s first planted is particularly intriguing and instructional. The recently opened Little Guild animal shelter is a visual master class in landscape design and native planting. You really should take a look.
That it was designed by two of the most venerated gardeners in our area is no surprise, given the notable people involved with bringing the new facility to fruition. Page Dickey, author of many books on gardening, and Jeff Lynch, who recently left his role as head gardener at Weathersfield to consult for clients, selected plants that will be able to thrive, once established, without watering. The planting and maintenance is being done by Jameson Secco of Roots and Branches Organic Landcare.
The “architecture” of the planting layout relies on an alley of multi-stemmed serviceberries anchoring the path that borders the building’s façade, as well as several swamp oak trees that will grow to provide dappled shade for the parked cars and underplanting.Beneath them is a seemingly simple mix:three species of sedges; two that mound, Carex laxiculmis and Carex rosea; and one, Pennsylvania sedge, which will eventually spread its tufts throughout.Blue phlox will do the same, as well as provide spring color.As you approach the entrance, different flowering plants and shrubs appear: foamflower, bowman’s root, skullcap ‘Appalachian blues’ and Clethra alnifolia, sweet pepperbush.
Along the side that faces Route 128, a mix of shrubs covers much of a steep slope, which ends in a swale that collects water runoff and, if we get some meaningful rain, might become a small pond.Here you will see winterberry, witch hazel, buttonbush, yellowroot and a plant I have not come across before, groundsel bush (Baccharis halimifolia), which Lynch says can get as tall as 16 feet and has fluffy white flowers in August.Brilliant red bee balm ‘Jacob Cline’ punctuates the planting with color between the shrubs, much as the phlox does on the entry side.
The back of the building has not yet been planted.Still, seeing such an early-stage planting informs us how to place different trees, shrubs, grasses and forbs (flowering herbaceous plants) to work in challenging areas.For The Little Guild, an organization that cares so deeply about animals, planting native species, which nurture wildlife and preserve habitat, is very much in line with its values.
Normally we are invited to view gardens only when they are considered “done,”but equally interesting are gardens that are in the process of becoming.In these, the negative space and the plants that fail or prove more aggressive than previously thought are all on view.Private garden tours may not reveal this early stage, but around public buildings it is in plain sight for us to enjoy and learn from.
In Falls Village, horticulturalist and landscape designer Deb Munson, again with Page Dickey, installed native plant beds around the Hunt Library last year.The project was funded by proceeds and contributions to the winter speaker series “Bad Grass,” founded by Jeb Breece.
As with the Little Guild, there is still evidence of a recently planted garden; the Allegheny spurge — the native Pachysandra procumbens — has not yet covered the ground around the rhododendron. (A note about this native pachysandra:in addition to providing erosion control and nutrition for native insects, this elegant plant thankfully lacks the invasive quality of its commercially popular Asian counterpart, whose moist environment is favored by ticks.Lindera nursery carries it.)
The entrance side of the library has filled in well: a serviceberry tree; the flowering shrubs clethra, aronia and fothergilla; and flowers including bowman’s root, coneflower and the amsonia cultivar “Blue ice.”
The addition of native planting around some of our important community institutions encourages us to plant native infrastructure at home — a beautiful way to protect habitat, keep water healthy, hold erosion at bay and sustain the natural world around us.
Dee Salomon ungardens in Litchfield County.
Natalia Zukerman
Celebration at Belden House included Rep. Karen Reddington-Hughes and Sen. Stephen Harding. gathered to celebrate Belden House & Mews’ Award of Merit from Preservation Connecticut.
Belden House & Mews, Litchfield’s first luxury hotel in more than a century, received a 2026 Award of Merit from Preservation Connecticut during an intimate ceremony at the property Monday, July 27.
Presented annually, the award recognizes exceptional efforts to preserve and revitalize Connecticut’s historic buildings, landscapes and communities. At Belden House & Mews, that vision is reflected in the careful restoration of an 1888 Queen Anne mansion and the thoughtful integration of a 1959 modernist Mews building, preserving the architectural character of both while creating a contemporary destination.
Designed by Champalimaud Design, the studio behind Belden’s sister property Troutbeck in Amenia, the interiors blend global sophistication with a distinctly local sensibility. The property’s creative story is enriched by the work of regional makers and artisans, including custom furnishings by Ian Ingersoll, lighting by Dumais Made, tilework by Bantam Tile Works, millwork by White Dog Woodworking and drapery by Lakeville Interiors. The landscape, designed by Reed Hilderbrand, extends that same philosophy outdoors, creating gardens that are connected to the pastoral beauty of Litchfield County.
With architectural guidance from PBDW Architects and preservation expertise from John Kinnear, Belden House & Mews stands as a model for thoughtful restoration — a place where history, craftsmanship and contemporary hospitality meet.
Belden House & Mews, 31 North St., Litchfield. Find out more or make a reservation for the hotel, spa or restaurant at beldenhouse.com.
Lakeville Journal
Ancram Center for the Arts will host its second annual Summer Bash on Saturday, Aug. 1, from 6 to 10 p.m. at The Farm at Pond Lily in Elizaville. The fundraiser features a cocktail reception, buffet dinner, a performance by acclaimed musical duo The Bengsons, dessert and an after-party. Emmy Award-winning actor Rena Sofer and Broadway performer Danielle Skraastad will emcee the evening. Proceeds support Ancram Center’s performances, artist residencies and free educational programs. Tickets are limited and available at ancramcenter.org.

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Ruth Epstein
Author Em Sauter pours a sample of beer during her talk at the Kent Memorial Library July 23.
KENT — Cartoonist, author and Connecticut-based beer expert Em Sauter transformed the Kent Memorial Library into a tasting room during her presentation, “The Illustrated 250 Year History of American Beer” on Thursday, July 23. Audience members sampled three beers while learning how brewing shaped American history and culture.
The first sample was called Plucky, Sauter said, before explaining that beer comes from any fermented grain and has been around for millennia. Ancient beer was brewed mainly by women, she added.
Sauter traced the history of the fermented beverage back to Egyptian times, noting that they brewed beer for the pharaohs with the belief they would have it in the afterlife.
“They would drink it through straws because it contained a lot of sediment,” she said.
Sauter then delved into the various types of beer that developed over the centuries. By the 17th and 18th centuries, porter, a dark variety, was popular. Pale lager was first brewed in 1842 in Czechoslovakia. At this time glassware also came into vogue, so imbibers could see what they were drinking.
Sauter said beer brewing can be credited for transformative innovations such as refrigeration and pasteurization.

Beer brewing probably came to America with the founding of Jamestown in 1609, Sauter said. “Pilgrims drank it for its caloric content and because it tasted good,” she said, dispelling the myth that early English settlers consumed it primarily because the water was unsafe.
Sauter said Native Americans later taught the Pilgrims to brew beer using malt, corn, beans and pumpkins, although she joked “it wasn’t very good.”
As breweries began to sprout up in America, brewery owners became extremely wealthy. Anthony Morris is credited with starting the first brewery in Philadelphia, and many others opened leading up to the Revolutionary War as a way for colonists to show they weren’t going to support the king or British beer.
Sauter noted that many of the Founding Fathers had a connection to beer. George Washington’s Mt. Vernon and Thomas Jefferson’s Monticello had breweries, John Adams had a barley crop and Samuel Adams was a maltster.
Following the Revolutionary War, beer fell out of favor, giving way to hard cider, bourbon and whiskey.
At this point, the second tasting — an American lager called Sway — was distributed.
Sauter said many of the beer companies were founded by immigrants, listing those of Budweiser, Miller High Life and Coors. Yuengling, she said, is the oldest continuing brewery in the United States, located in Pennsylvania.
Turning to Prohibition, which ran from 1920 to 1933, Sauter said breweries used various ingredients to survive, including malted milk, cream, soda and malt.
The first beer can came into existence in 1935 in Richmond, Va. By the mid-20th century, 80% of all beer sold in the United States was sold in either bottles or cans.
The 1950s was the “golden age of advertising for beer,” Sauter said, showing an illustration of “Miss Rheingold,” the face of Rheingold beer who was elected in a voting-based beauty pageant. Diet beer came on the scene in the 1960s.
The third and last sampling, Dwell, was passed out as Sauter described the history of home brewing, which was illegal until 1978 when President Jimmy Carter signed legislation to allow the activity.
Sauter made mention of hops, which brought several questions, but she said the topic is a complex one and needed a session all on its own. She said almost all beer now contains hops because of their preservative nature.
While beer has seen high and low points, in 2018 it really took off and three breweries were opening a day around the country. Lately, there’s been a reduction. Currently there are approximately 9,570 throughout the country.
Sauter ended by imploring listeners to explore beer, drink it, have fun, adding, “But do it responsibly.”
Patrick L. Sullivan
JoAnne Dodge took over as Salisbury’s tax collector last month.
SALISBURY — Salisbury has a new tax collector, but it’s a familiar face.
JoAnne Dodge, who has served as the town’s assistant tax collector since 2019, was appointed by the Board of Selectmen on June 25. She took over the reins from the recently retired Jean Bell.
About a month after taking over as tax collector, Dodge said the transition has been smooth. Her transition comes after a two-year process that included taking required classes and passing a state test. Dodge officially became a certified tax collector in 2023.
Dodge also worked as an assessor’s assistant in Salisbury, Falls Village and Cornwall before the Salisbury tax collector’s job opened up.
“I had to learn it from a different side,” she said of the differences in the related jobs. A tax assessor determines the value of a property while a tax collector receives and manages the payments.
She said the job has its challenges.
“You’re dealing with a lot of money,” she said. “You have to be accurate.”
As if on cue, a resident came into the tax collector’s office with a check.
She said she enjoys working in a town hall.
“You learn a lot about the towns from a ‘Town Hall’ perspective.”
Dodge lives in Falls Village with her husband Jeffrey. They have three grown children.
Alec Linden
KENT – During a town vote that passed five of six proposed ordinances on Friday, July 24, a controversial ban on food trucks was tabled as members of the public voiced concerns over its purpose and implementation.
After lengthy discussion over the proposed ban, a motion was made from the floor to table the discussion. The proposal will now head back to the Board of Selectmen for revisions. The other five ordinances passed with little or no opposition.
“The debate comes after years of criticism from local business owners who argue that food trucks hurt local restaurants. Donna Hayes, a member of the Planning and Zoning Commission and former Land Use Administrator for Kent,has repeatedly said the ordinance is intended to address concerns from restaurant owners who argue food trucks have an unfair advantage because they do not pay the same property taxes and other overhead costs as brick-and-mortar establishments.
Much of Friday’s debate centered on how the ordinance would apply to special events. The proposed ordinance would prohibit food truck operations on both public and private property, with exceptions for one-time special events.
During the meeting, Hayes moved to amend the ordinance so food trucks catering private events could provide food only as part of the event and would not be permitted to sell directly to individual customers. Food trucks operating at town-sponsored events, however, would still be allowed to make individual sales.
However, several residents questioned why town and private events should be regulated separately. “Why is it good for here, but not good for there?” said Mike Gawel, summarizing his testimony.
On the other hand, residents like Matt Starr have previously advocated for the allowance of food trucks and described the ordinance as unfair to small businesses. “I think you’re overstepping,” he said. “You’re taking away a small business opportunity.”
The issue resurfaced earlier this year when French-born, eight-year Kent resident Grégoire Pye came before the BOS seeking a semi-permanent location for his food truck business, Crepe Royal. Pye said he has been disappointed with the town’s response to his proposal, stating that the lack of support for his business has made him reconsider living in Kent.
Aside from food trucks, five ordinances did get voted into town law on Friday night. Town employees will now be allowed to volunteer on the Inland Wetlands and Watercourses Commission, which state statute prevents unless overturned by local ordinance.
Another prevents commercial buses from traveling on South Kent Road, a response to neighbors’ complaints that the narrow roadway had become dangerous due to buses heading towards adult retreat center Club Getaway.
An existing ordinance that prohibited residents from pushing snow into the roadway will now include other materials, such as grass clippings, leaves and brush, while another existing ordinance that regulates the purview of the Cemetery Committee was also modified to include two small cemeteries on private land.
The final ordinance that passed Friday night aligns the town’s veterans property tax exemption with state law by extending benefits to veterans with service-connected disabilities.

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