KENT — Years of training came into play Friday, March 21 when, in a chaotic few hours, first responders from across the state all converged on KenMont and KenWood Camps where a fire was greedily consuming two camp buildings.
Responding to the scene were 12 fire departments, fire marshals, state police, the DEEP Forestry Protection division, Eversource, the Litchfield County Fire Coordinator, the Region 5 Rehab Unit from Danbury, the Kent Volunteer Fire Department Auxiliary and the Salvation Army Food Truck
In addition to the units responding to the scene, additional mutual aid departments moved into the vacated fire departments’ headquarters, providing protection for towns whose trucks had gone to Kent.
All of these separate entities melded together in one mass effort to stop the fire before it could destroy even more property or escape into the forest. Controlling the scene and directing individual units’ duties was incident commander Wendell Soule of the Kent Volunteer Fire Department.
“We divide up operations with the chief, a water supply officer and a staging officer,” Kent Fire Chief Alan Gawal explained. “When the first officer arrives, they size up the situation and as higher-ranking officers come in, they decide if they need a second alarm or third alarm. Calling additional companies is based on different factors, including the location and what the water sources are.”
In this instance, pumper trucks pulled water from a nearby lake, conveying it to the fire scene.
The alarm was sounded at 10:05 a.m., according to Gawal. “The first Kent officer was on the scene at 10:12,” he said. “By 11:57, the fire was declared under control.” And by 2 p.m., firefighters were leaving the scene.
Gawel said two 60-foot-by-20-foot camp cabins were fully engulfed in flames at the time the firefighters arrived and that there were “multiple exposures to fire” for 10 other cabins.
Whipping winds of up to 30 mph complicated efforts to control the fire and eventually a third cabin succumbed to the blaze.
The cabins at the camp are heated by propane and Gawel said four of the tanks caught fire with one suffering a BLEVE (Boiling Liquid Expanding Vapor Explosion). “Shrapnel went into the air when the top blew apart like a bomb,” Gawel said.
Crews were able to shut off the other tanks and Eversource killed the power to electric lines to prevent more explosions.
A blown propane tank sits among ash and debris at the scene of the fire in Kent March 21.Provided
According to a statement released by the camp, an electrician working in an unused staff cabin inadvertently sparked the blaze. The camp, located at 65 Kenmont Rd., offers co-ed programs for kids aged 7 to 15 during the summer.
Following the incident, camp owner Brad Lerman said, “We at KenMont KenWood Camps are incredibly grateful for the quick response of the many local fire companies and the many other emergency personnel who quickly responded to this morning’s limited structure fire.”
Gawel added his own note of appreciation to all the other organizations that contributed to the day’s success.
Two Kent firefighters were injured at the scene and received treatment in the hospital.
“One was released, and the other was admitted,” Gawel said, adding that firefighters were waiting for word about the hospitalized firefighter’s condition.
“He is a long-time Kent resident,” the chief said. “Our thoughts and prayers are with that firefighter and his family. We volunteer to do this job, but sometimes I think people don’t realize that it is dangerous.”
He asked residents to send their best wishes to the injured firefighters via the company’s Facebook page. HIPAA regulations prevent releasing identities.
The firefighters left the scene around 2 p.m., but their day was far from over. As that scene was winding down, an accident scene was developing. Route 7 was shut down at 1:30 p.m. at the junction of routes 7 and 341 while emergency crews worked to free a motorist whose car had become entangled in electrical wires brought down by a felled tree.
Eversource was at the scene by 1:52 p.m. and the wires were removed from the car by 1:58 p.m. First responders left the scene 15 minutes later, the motorist having refused hospital transport, and the investigation was turned over to the State Police. Route 7 was reopened.
At 2:31 p.m., Kent Engine 1 reported a possible illegal burn on Schaghticoke Road and asked Litchfield County Dispatch to notify the Connecticut State Police. Shortly thereafter, Kent Engine 2 responded to Schaghticoke Road, but by 2:51 p.m. both trucks responded to Jennings Road where another tree was reported down across the entire road.
A fifth alarm dispatched to Kent School for an automatic alarm in the chapel.
Kathryn Boughton is the editor of Kent Dispatch.
Each piece makes a gift, a note or even a Christmas tree seem more personal, more considered, and more connected to humanity. Since then, demand for her personalized, hand-lettered tags, ornaments and cards has only grown, appearing in mailboxes across the region and at shops like the Cornwall Whale and Marton & Davis in Chatham, New York. Her precision is remarkable, and to watch her create these one-of-a-kind pieces is an art all unto itself.
In recent months, we’ve seen a deluge of stories on digital replacement. Data managers, bankers and even therapists are being replaced by computer programs in mass waves of layoffs. But what many still find surprising about the proliferation of nonhuman competitors in the job market is how it’s affecting the arts. Illustrators, animators, photographers, musicians and even on-screen actors are being supplanted by bots touted as “artificial intelligence agents.”
But calligraphy — and handwriting in general — has been in the crosshairs of mechanical progress for centuries. There was a time, if you can believe it, when writing anything required ink, paper and sometimes even a living, breathing human scribe. No typewriters, no word processors, no voice-to-text programs.
Then came Gutenberg’s printing press. Sure, it changed the world for the better, ensuring a greater distribution of ideas, and helping spark some of the most important political movements in history. But it also marked one of the first moments when technology replaced the artistic work of the human hand. Over the centuries, printers, designers and technologists have continued to innovate. Today, with Photoshop or Illustrator, an entire universe of alphabets exists, from ornate and embellished to precise and futuristic — all designed to replace the human hand.
Melissa Gamwell, crafting custom Valentine’s Day cards in her office in Cornwall. Kevin Greenberg
Yet, despite this centuries-long assault from technology, Gamwell has found her own way to thrive. Largely self-taught, she combines her drawing and industrial design background with an old-school New England childhood in Maine that involved “very tangible, hands-on, creative problem-solving using many materials.” Raised by “parents who loved antiquarian books, often filled with hand-written dedications,” hers was the kind of upbringing in which “traditional practices were cherished and flaunted” — a time and place with “hand-painted lettering on churches, street signage, the stones in beautiful churchyard cemeteries, and log books.”
Those early impressions have stayed with her, heightening her appreciation of sometimes overlooked details.
“There’s so much ephemera floating around with traces of beautiful handwriting to see everywhere, even now in Connecticut,” she said.
Even in a digital age, she keeps technology at a distance.
“You will not find ChatGPT on my phone, and you will usually not find my phone on me,” she said. Instead, she opts for a notebook, a scrap of paper or the back of a receipt. Sometimes, she goes even further, gathering black walnuts from trees on her property to make the specialized ink for her practice.
Gamwell’s approach to her craft is also philosophical. “There is no better feeling than working through something with your own brain and your own hands, even if you find it less exemplary than you would hope. And it only uses the water you’re already consuming. Do you need to convey an idea? Draw it, however horrific or childish. Write it, even if you never learned proper grammar — because you’ve always had programs do it,” she said.
“Sometimes I think that everything I like is ‘historic’ but it’s really that I just find more value in the traditional methods, which are still alive and well, and desperately in need of stewards for the future.”
After nearly 400 years of pressure, it’s encouraging to see handwriting — an art form that once seemed destined for obsolescence — still thriving, one careful stroke at a time. And thanks to Gamwell, perhaps there’s a new generation of observers, collectors and future calligraphers ready to carry it forward.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his wife, artist Lane Arthur, in West Cornwall, Connecticut.
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New works on display at Kenise Barnes Fine Art in Kent
An intricate woodcut print by Eve Stockton and the organized chaos of Margaret Neill’s abstract drawings dazzled the eye. But much of the show’s distinctive texture came from its sculptural works.
Catherine Latson’s wire structures, tightly wrapped in hand-dyed threads, bring to mind pastel- hued sea anemones and become more impressive upon closer inspection. Translucent, hanging cast-resin vampire bats by Tristan Fitch blend into the ceiling until viewed up close, when they become an inescapable presence.
Detail of“Specimen 42” by Catherine Latson at KBFAD.H. Callahan
An intriguing sculpture by Julie Maren features acorn caps affixed to the wall, filled with vibrant, shimmering colors.
Paintings and a sculpture crafted from reclaimed wood by Maine-based artist Matt Barter demonstrated the range of mediums represented by a single artist.
While some of the works are already spoken for, all are on view through late April.
For more information, visit kbfa.com
Harriet Newman Cohen
Provided
Cohen writes fearlessly, with a good dose of wry humor, about her own struggles balancing marriage and divorce, raising four daughters, entering Brooklyn Law School in 1971 at age 38, and her ensuing legal career. According to Bernstein, “Passion and Power” is as much about the reshaping of American cultural norms as it is about one remarkable woman’s role at the forefront of legal and social transformation.
Cohen’s work in the legal profession has been pivotal to social change. A 2021 HBO documentary, “Nuclear Family,” directed by Ry Russo-Young, chronicles the landmark custody struggle of Russo-Young’s parents, a queer couple who hired Cohen as their lawyer.
Cohen is an honest storyteller, unflinching in admitting her mistakes and rightly proud of her accomplishments. Her story ranges from tales of her father’s fortune made producing the Hula-Hoop to her memory of schoolmate Kiki Bader — Ruth Bader Ginsburg — as a cheerleader waving pom-poms in Brooklyn. She also writes of her deep love of family, the stultifying suburban life of her first marriage, mentorship by legal icon Louis Nizer and riding the wave of social revolution that buoyed her career.
Norfolk author Gillian Linden writes of her step-grandmother, “Harriet Newman Cohen is a funny, edifying guide — precise, curious, warm. Entirely unsentimental. Marriage and its many paths is rich territory. This book is filled with the strange, glamorous, desperate and sadistic characters you hope to meet in the very best novels.”
For details, visit norfolklibrary.org
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