GREAT BARRINGTON — Fire crews overnight have been monitoring a slow-moving, but growing 100-acre wildfire on East Mountain, a remote and forested area, that appears to have started around midnight Tuesday. No injuries have been reported.
Authorities said the wildfire poses no immediate threat to public property, but they urged residents to remain vigilant and avoid the area. Authorities have named it the Butternut Fire. About 50 to 75 crew members were on the ground with another 20 working at the incident command center.
"Though the fire looks very dangerous to the general public, it is not," said Ryan Brown, the Lee fire chief who led a morning press conference at the Great Barrington Fairgrounds area.
Fire crews were stationed at areas to ensure no structures are threatened.
No evacuation orders have been set.
As of 11 a.m. Tuesday, smoke continued to rise over the mountain to the east of downtown. The wildfire was burning trees and ground clutter; firefighters had not actively begun fighting the fire because the area is difficult to access, but scouts and drones were monitoring the wildfire's progress. Accessing the area requires hiking on foot, according to authorities at the Great Barrington Fire Station.
Multiple agencies, including the Massachusetts Emergency Management Agency, were on the scene and monitoring the situation.
Another angle of the fire, which authorities have named the Butternut Fire.Photo by Stephen P. Willig, courtesy of The Berkshire Eagle
The fire comes as a severe drought in the region and across the state has increased the risk of wildfire.
Authorities have been warning the public against any outdoor fires or anything that might cast a spark. Massachusetts is in a so-called Red Flag Warning, the highest warning level for wildfire potential because of dry conditions, wind and warm temperatures.
A Great Barrington Fire Department spokesperson said firefighters are using a drone to help determine the extent of the fire.
Ryan Brown, the Lee fire chief who is handling public information, said the terrain is difficult and that the vegetation is dry. Brown said that a tornado came through the area several years ago and left a lot of ground clutter that may be fueling the wildfire.
"The rain the other day did not help," Brown said.
The rate of the fire's spread was about 60 feet per hour, Brown said.
As of 7:45 a.m., the Great Barrington Fire Department was deploying resources to address the situation. Structural firefighting crews have been strategically staged in case their support is required.
Fire Chief Scott Turner and Police Sargent Adam Carlotto are working closely with Town Manager Mark Pruhenski to coordinate efforts, according to a news release sent by the town.
This wildfire adds to the more than 500 fires reported across Massachusetts since Oct. 1.
The Brookside Bridge, which had been closed to traffic for structural reasons, was re-opened on Tuesday morning to provide emergency access and resident safety due to the East Mountain fire in Great Barrington.
As of 11 a.m. Tuesday, smoke continued to rise over the mountain to the east of downtown.Photo by Ben Garver, The Berkshire Eagle
Contemporary chamber musicians, HUB, performing at The Clark.
MASS MoCA is known for its 20th-century holdings spread throughout a sprawling complex of industrial brick buildings. Installations by Sol LeWitt and James Turrell have permanent homes there. Just down the road in Williamstown, the Clark features masterworks by Winslow Homer, Frederic Remington, John Singer Sargent and Claude Monet.
But what visitors might not immediately associate with those established names is how deeply both institutions invest in art happening right now.
On Saturday afternoon, a panel of young artists discussed their relationships with art, identity and technology as part of MASS MoCA’s “Technologies of Relation” exhibition, which opened that evening. The artists represented a broad range of cultural backgrounds, drawing on ancestry while exploring the future of art and technology.
The work itself ran the gamut: wax relief paintings, stained glass, interactive video and sculptural installations. One immersive piece automated the traditional Armenian practice of reading fortunes from coffee grounds. Particularly striking were Roopa Vasudevan’s hand-drawn QR codes and Taeyoon Choi’s large-scale weavings of binary code.
Opening the same night was Zora J. Murff’s “RACE/HUSTLE.” Through photographs, paintings and installations, Murff explores the wide-ranging and sometimes violent implications of being Black in America today. Each piece — whether confronting the rise of white supremacy or examining stereotypes imposed on Black communities — carries razor-sharp visual commentary designed to unsettle.
Pelenakeke Brown’s “Reverb” (detail) at Mass MoCA. D.H. Callahan
On Sunday, the Clark continued the contemporary thread. A small exhibition of work by Raffaella della Olga, titled “Typescript,” features intricate patterns created using a typewriter on varied paper surfaces. The effect seems almost impossible until viewers watch a video of della Olga loading her typewriter with 140-grit sandpaper and typing in a hypnotic rhythm. Though the typewriter is considered obsolete technology, she continues to find new applications for it, completing some of the works in recent months.
Next door in the Clark auditorium, HUB New Music performed works written specifically for its unusual instrumentation: violin, cello, clarinet and flute. While that combination may not stand out to casual listeners, relatively little classical repertoire exists for it. The ensemble regularly commissions composers to expand the possibilities.
The results were striking. From the opening notes of Francisco del Pino’s “Passacaglia,” the quartet’s command and layered repetition pulled unexpected emotion from the audience.
After three pieces came the world premiere of Daniel Wohl’s “Mirage,” a roughly 25-minute work accompanied by digital blips, static and electronic textures evoking radio transmissions and UFO lore. Hearing four virtuoso musicians extract entirely new sounds from traditional instruments echoed the weekend’s larger theme: old tools made new again.
Like della Olga’s typewriter, Vasudevan’s QR codes or Murff’s charged imagery, the performances demonstrated that contemporary art often grows from familiar materials — reimagined.
The old masters will always draw visitors to these institutions. But when living artists command equal attention, this quiet corner of the Berkshires feels less like the middle of nowhere and more like a creative epicenter.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his artist wife in West Cornwall, Connecticut.
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