NORTH CANAAN — A sold-out crowd dressed to the nines attended a Gratitude Gala at the Colonial Theatre on Saturday, April 27 hosted by the Housatonic Youth Service Bureau (HYSB) honoring Lisa Carter, who is retiring next month as superintendent of the Region One school district.
During the second annual event, which featured cocktails and conversation, live and silent auctions and dinner and dancing, Carter was awarded the Nancy Bird and Linda Sloane Gratitude Award, named to honor two esteemed past board chairs.
Ashley Adkins, HYSB’s director of donor engagement, noted that the award, which was introduced during last year’s inaugural event, “profoundly expresses our commitment to honor those who exemplify our mission, vision and values…and Lisa certainly does all that.”
Taylor Rousseau, director of clinical services and programs for HYSB, with her parents, Dawn and Ron Rousseau.Debra A. Aleksinas
In announcing this year’s award recipient, the HYSB noted, “Lisa’s transformative leadership has shaped the educational landscape of our community, leaving a lasting impact on students and families alike.”
The Gratitude Award, which honors “those who have gone above and beyond in nurturing the well- being and potential of our youth,” according to HYSB, came as quite a surprise, said Carter, a former board member.
“I was so overwhelmed when I got the call from Kelly,” she said, referring to HYSB Executive Director Kelly Parker.
“I’ve worked with them in some capacity since I was a high school teacher and got to know the organization over time. They really care about our students and our district and they are a valuable part of our community.”
As she spoke, a steady stream of folks stopped by to offer congratulations and wish her well in her future endeavors.
Betsy Trotta and Alex Duncan of Salisbury check out the items up for auction.Debra A. Aleksinas
Although Carter is retiring from Region One, she said she will be taking on the role of Assistant Executive Director at EdAdvance in Litchfield. “I am looking forward to it. It will be a full-time commitment but will not demand as much of my time.”
Parker, who greeted guests as they entered the historic theater’s lobby via the red carpet, noted that all proceeds benefit HYSB’s clinical programs and services supporting the community’s youth and families.
“This is our biggest fundraiser of the year,” she explained, and all proceeds benefit HYSB’s clinical programs and services supporting the community’s youth and families.
Debra A. Aleksinas
HYSB staff, from left, Kelly Parker, Lynn Nichols, Jaimie Sadeh, Scott Lynch (volunteer), Taylor Rousseau, Marissa Kent and Shanet Baker.
Contemporary chamber musicians, HUB, performing at The Clark.
MASS MoCA is known for its 20th-century holdings spread throughout a sprawling complex of industrial brick buildings. Installations by Sol LeWitt and James Turrell have permanent homes there. Just down the road in Williamstown, the Clark features masterworks by Winslow Homer, Frederic Remington, John Singer Sargent and Claude Monet.
But what visitors might not immediately associate with those established names is how deeply both institutions invest in art happening right now.
On Saturday afternoon, a panel of young artists discussed their relationships with art, identity and technology as part of MASS MoCA’s “Technologies of Relation” exhibition, which opened that evening. The artists represented a broad range of cultural backgrounds, drawing on ancestry while exploring the future of art and technology.
The work itself ran the gamut: wax relief paintings, stained glass, interactive video and sculptural installations. One immersive piece automated the traditional Armenian practice of reading fortunes from coffee grounds. Particularly striking were Roopa Vasudevan’s hand-drawn QR codes and Taeyoon Choi’s large-scale weavings of binary code.
Opening the same night was Zora J. Murff’s “RACE/HUSTLE.” Through photographs, paintings and installations, Murff explores the wide-ranging and sometimes violent implications of being Black in America today. Each piece — whether confronting the rise of white supremacy or examining stereotypes imposed on Black communities — carries razor-sharp visual commentary designed to unsettle.
Pelenakeke Brown’s “Reverb” (detail) at Mass MoCA. D.H. Callahan
On Sunday, the Clark continued the contemporary thread. A small exhibition of work by Raffaella della Olga, titled “Typescript,” features intricate patterns created using a typewriter on varied paper surfaces. The effect seems almost impossible until viewers watch a video of della Olga loading her typewriter with 140-grit sandpaper and typing in a hypnotic rhythm. Though the typewriter is considered obsolete technology, she continues to find new applications for it, completing some of the works in recent months.
Next door in the Clark auditorium, HUB New Music performed works written specifically for its unusual instrumentation: violin, cello, clarinet and flute. While that combination may not stand out to casual listeners, relatively little classical repertoire exists for it. The ensemble regularly commissions composers to expand the possibilities.
The results were striking. From the opening notes of Francisco del Pino’s “Passacaglia,” the quartet’s command and layered repetition pulled unexpected emotion from the audience.
After three pieces came the world premiere of Daniel Wohl’s “Mirage,” a roughly 25-minute work accompanied by digital blips, static and electronic textures evoking radio transmissions and UFO lore. Hearing four virtuoso musicians extract entirely new sounds from traditional instruments echoed the weekend’s larger theme: old tools made new again.
Like della Olga’s typewriter, Vasudevan’s QR codes or Murff’s charged imagery, the performances demonstrated that contemporary art often grows from familiar materials — reimagined.
The old masters will always draw visitors to these institutions. But when living artists command equal attention, this quiet corner of the Berkshires feels less like the middle of nowhere and more like a creative epicenter.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his artist wife in West Cornwall, Connecticut.
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