Thank you!
Your support is sustaining the future of local news in our communities.

The Good Book of Biology: The story of molecular biology of the cell, told clearly for all

Many years ago, never mind how many, a biology student from Manila wrote to me about earning a PhD at Columbia University.  At the time, I was head of the PhD program in the Department of Anatomy and Cell Biology at the Columbia University Irving Medical Center. Every year we recruited a number of graduate students who would spend the next five years taking courses, doing thesis research, teaching, and learning the craft of science.

An application from the Philippines was a long shot but we had enough funding to take a few foreign students. The application is arduous, containing the standard questions anyone applying to college knows about. We also look for something unusual and our applicant (now a successful part of American science) had two such items in his resume. First, he had built a working replica of the first microscope made by Antonie van Leeuwenhoek in the late 17th century, and second, his essay told us there were only three copies of “Molecular Biology of the Cell” in the Philippines (probably an underestimate), and he owned two of them, which he had read. So, we invited him to New York where he did his thesis in my lab.

 

I confess I have buried the lede, which is the story of “Molecular Biology of the Cell.” By 1979, scientists could sequence DNA, find and manipulate specific genes, and had discovered that the cells of higher organisms had molecular innovations that bacterial cells lacked. Immunology advanced, cell biology, and other fields developed. These advances deserved a clearly written book for students, and frankly, for their teachers, who knew specific fields like bacterial genetics, but were vague on other areas of biology where we knew molecular biology was going to lead us. If today science can make mRNA vaccines and produce therapeutic proteins to control inflammation, among other astonishing practical discoveries, which are due in part to the fact that our students and their mentors studied from “Molecular Biology of the Cell.”

The first edition came out in 1983 from Garland Publishing, a firm with an interest in scientific textbooks. Garland was owned by Elizabeth (Libby) and Gavin Borden of New York and Norfolk, Conn. The first edition was planned in Norfolk. The idea for a new book came from Jim Watson, the Nobel Prize winning Director of the Cold Spring Harbor Laboratories on Long Island, whose previous books, the Molecular Biology of the Gene and The Double Helix covered an earlier period.  Jim Watson and Gavin Borden knew each other and because, according to Libby, Jim thought Gavin was fun, Garland became the publisher.

 

Recruiting six excellent scientists to cover all aspects of cell and molecular biology was difficult.  They had other things to do; all ran labs and taking summers to write a book was hard for them and their families, who were not allowed at writing sessions. The 1983 edition defined the style and the process of writing and editing. The diagrams and photographs were created and frequently revised as the text changed.  The story of this period has been captured in a manuscript by Heather Ann Burton titled, A Window on Collaboration: The Story of Molecular Biology of the Cell. It has not been published, but it is a trove of information about the authors and publishers, their personalities, tensions, and capacity for cooperation.  The spirit of collaboration comes through.

Libby says that the first edition was difficult because they were creating from a blank slate. Garland had invested quite a lot of money but neither Libby nor Gavin knew how many copies they would sell. She thought a hundred or so in the first few weeks. In the event, they sold tens of thousands in the first six months. The seventh edition, much advanced in science and publishing formats, will appear on July 1, 2022. Most of the original authors, American and British, remain. Bruce Alberts, a legendary scientist and passionate supporter of science education is now the lead author.

What made it so good? Clarity. Simple declarative sentences, excellent headings, and colored diagrams backed by images make it a joy. The book was beautifully designed. This was a relief from earlier texts, some of which I had fought through as an undergraduate or graduate student.  The hardbound copy (even the 4th edition) was described by Libby as too heavy to pick up, but too interesting to put down, which is true. One of my colleagues, preparing for a lecture, held a hard copy to his chest, did crunches, and then looked up muscle contraction. It’s a versatile book.

 

Richard Kessin is Emeritus Professor of Pathology and Cell Biology at Columbia University Irving Medical Center. He and Galene Kessin live in Norfolk. Email: Richard.Kessin@gmail.com; website with other essays: RichardKessin.com. I thank Libby Borden for her memories and Heather Ann Burton for her history of the collaboration.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

Brass band concert draws audience to Hunt Library lawn

The Berkshire Resilience Brass Band brought lively brass and jazz-inspired music to the lawn at the David M. Hunt Library on Friday evening, July 24.

Patrick L. Sullivan

FALLS VILLAGE — The Berkshire Resilience Brass Band brought lively brass and jazz-inspired music to the lawn at the David M. Hunt Library on Friday evening, July 24, drawing about 30 people at the start of the outdoor concert and more as the evening progressed.

Led by trumpeter Shamu Sadeh, the band’s lineup shifts from performance to performance. Friday’s group included Charlie Kiel on trombonium, Sam Earnshaw on percussion, Eric Loffswold on baritone saxophone, Dathalinn O’Dea on alto saxophone, David Rogers on tenor saxophone, and Peter Peirce on trombone.

Keep ReadingShow less
Baseball, wine and jazz at Millbrook Winery

Bernie Williams and his Band of Friends at Millbrook Winery in 2025.

Provided

Throughout the history of Major League Baseball, precious few greats have been considered five-tool players. New York Yankee Bernie Williams was one of them.

To be considered a five tool player, one must show exceptional proficiency in five categories: hitting for average, hitting for power, running bases, fielding and arm strength. But there’s another tool Williams possesses that didn’t make it to the back of his baseball card: his mastery of jazz guitar.

Keep ReadingShow less
Lucky Orphans offers sanctuary for horses and healing for people

Deanna Hearn opened Lucky Orphans in 2003.

Provided
If horses could speak, Hearn believes they would offer just one piece of advice: “They’d tell us to slow down.”

From feeding retired racehorses before sunrise to guiding veterans, grieving parents and troubled teenagers through equine-assisted therapy sessions, Deanna Hearn rarely has a quiet day. As founder of Lucky Orphans Horse Rescue in Dover Plains, she oversees the care of more than 40 sanctuary horses while leading a nonprofit whose mission extends far beyond animal rescue.

What began as a childhood love of horses has evolved into a place where healing runs in both directions — for horses and for people. By the time you leave Lucky Orphans, it becomes clear that this place isn’t really about horses. The horses are simply how it begins. For Hearn, every rescued horse represents something much larger: hope, resilience, healing and second chances. The organization’s mission, she says, is simple: “People helping horses heal people.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Weekend in Norfolk returns for four days of art, music and community

A brass quintet at the Yale Music Shed at Weekend in Norfolk 2025.

Jennifer Almquist

Norfolk bursts with activity in midsummer with Weekend in Norfolk (WIN). An all-volunteer committee transforms the town with free public events for all ages. WIN 2026 begins Thursday, July 30, and runs through Sunday, Aug. 2.

Norfolk sculptor Jon Riedeman, the new head of Norfolk Artists and Friends (NAF), organized the group’s 19th annual art exhibition, featuring paintings, sculpture, photography and jewelry by area artists in the Art Barn on the grounds of the Norfolk Chamber Music Festival. Riedeman expanded the show this year by inviting artists from New Marlborough, Massachusetts, to participate. The exhibit opens with a reception Thursday, July 30, from 5 to 7 p.m.

Keep ReadingShow less
Abbey’s open-air theater returns with “Babette’s Feast”
Jen Gleason, director of “Babette’s Feast,” poses before a natural setting on the stage of The Gary-The Olivia Theater in Bethlehem.
Jack Sheedy

Jen Gleason stood on the stage of The Gary-The Olivia Theater and gestured toward the upstage wall—which wasn’t there. Like the so-called fourth wall separating audience from actors, all walls in this theater are invisible.

“That’s just God’s creation,” Gleason said, pointing to woods and rocks and grass and sky where you might expect a brick wall. “You cannot copy that. That’s the best backdrop you could possibly have.”

Keep ReadingShow less
Laurie Anderson brings four days of music, art and conversation to Tanglewood

Multimedia pioneer Laurie Anderson makes Tanglewood debut with a weekend of performances.

Ebru Yildiz

Musician, composer, performing artist and multimedia pioneer Laurie Anderson is one of the most influential and controversial figures in American contemporary and avant-garde arts. Her ambitious multimedia projects, encompassing music, film, visual projections, dance, and the spoken and written word, have enjoyed great public visibility, and Anderson has been recognized with many honors, including a Grammy Lifetime Achievement Award, as well as the Gold Medal for Music from the American Academy of Arts and Letters and this year’s Kyoto Prize for Arts and Philosophy in the field of music.

Anderson will make her Tanglewood debut in a series of special events and performances Aug. 13-16, along with longtime collaborators and special guests, giving audiences an opportunity to experience her groundbreaking and challenging work, which has been received with both acclaim and confusion for its wit, innovation and interdisciplinary scope.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.