Reverse trolling, salty guides and smash burgers

Gary Dodson worked the Salmon River on a cold morning in April.
Patrick L. Sullivan

Gary Dodson worked the Salmon River on a cold morning in April.
I went back to the Salmon River in and around Pulaski — pronounced Pulask-EYE — New York for a couple of days in late April.
My mentor in these things, Gary Dodson, is my main Catskill fishing buddy. Last year he convinced me to go to the famous Salmon River and chase steelhead, and I actually caught one on a fly rod.
I did not do this on this trip. But I did catch one. More on this in a moment.
Day one we hit it at dawn, and it was cold at 35 degrees, plus a gentle breeze from the Arctic Circle that made everything just so.
The river was high enough at about 1,400 cubic feet per second to make for some tricky wading.
We covered almost all the Douglaston Salmon Run area on foot and tried everything we could think of, Gary with his two-handed rods and me with a single hand 8 weight.
The result was nil.
After a solid six hours of this we stumbled back to the truck and returned to our little lodge, where we ate something and then we made a critical mistake.
We both decided to rest our eyes for just a little while.
That was at about 2 p.m. We both woke up around 5:30 p.m., and quickly concluded that the strong, manly course of action was to skip suiting up again and instead go to the restaurant at the Tailwater Lodge in nearby Altmar, where I resumed my study of the American Cheeseburger platter.
They call it a “smash burger” now, but it’s the same basic thing, and it’s still very good.
Upon our return I watched an exploitation flick from 1974 called “TNT Jackson.” Gary, who has no taste in these matters, sacked out.
Day two was considerably warmer but we still got skunked. However, we didn’t go at dawn so by early afternoon we were not completely knackered.
We had mangled a bit of lunch and were contemplating the afternoon’s strategy when Gary’s phone rang.
It was Salmon River guide Marcus Mcgivney calling to say he had the afternoon free and did we want to go for a boat ride.
We did.
This was a first for me. I have never fished with a guide, or from a drift boat.
We set off from the fly-fishing only area, keeping an eye out as the radar showed some slight unpleasantness developing over Lake Ontario.
Marcus has been doing this a while, and it shows.
The first thing I noticed was that he has a version of the Grateful Dead logo from the “Steal Your Face” album on the side of the boat. It’s got a fish on it and the lettering reads “Steel Your Face,” not “Steal.”
The first thing he noticed was the flow was greatly reduced. He checked his phone and sure enough, the release from the dam upstream was way down from the morning.
We set off and fooled around with our fly rods a while, getting still more bupkis.
Then Marcus asked if we wanted to try plugging.
We did.
Gary had described this to me, but it was so far outside my experience he might as well have been lecturing on contemporary dance trends in Paraguay.
Marcus described the following method as “reverse trolling,” and that’s about as close to it as I can get in a family newspaper.
Here’s the gist. There are three sturdy rods equipped with level line reels in holders on the port and starboard sides of the boat, plus one over the bow.
The plugs are big nasty-looking lures with treble hooks. They are let out to specific lengths — 20 feet, 30 feet — in front of the boat.
The sports — that’s Gary and yours truly — sat up front watching the rods. The guide — Marcus — manipulated the boat as the plugs wiggled and shimmied around downstream.
In regular trolling a lure or bait is towed behind a boat.
This is the opposite.
Eventually a steelhead gets fed up with looking at the plug shimmying and wiggling around and hits it.
And then it’s pure pandemonium. One of the sports has to deal with the rod that’s got the fish on while the other reels in the other rods so everything doesn’t get all tangled up.
Gary had done this before so when the first one went off on his side he got it in with a minimum of fuss.
When it was my turn I did everything wrong. We still managed to get the fish in but as Marcus said afterwards, “You have to forget everything you know about fishing.”
The physical strength involved in maneuvering the boat around with a set of oars, no motor, is considerable. Then there’s the monitoring of the three plugs. Add to that his knowledge of the river’s topography, plus the habits of steelhead, and you’ve got what separates the modestly-talented amateur — me — from the pro — Marcus.
As we moved from spot to spot, he also spoke at length about restoration efforts along the river. He hailed other guides in other boats, chattered with anglers on the banks, occasionally offering some quick tactical advice, and kept up a stream of commentary that was extremely entertaining.
It was also pretty salty. You’ll have to wait for my memoirs for the unexpurgated version.
If you want a memorable experience Marcus does business as Grateful Adventures LLC, 352-348-7721 or Mmcgivney@paulsmiths.edu.
TORRINGTON — Joan Jardine, 90, of Mill Lane, passed away at home on Oct. 23, 2025. She was the loving wife of David Jardine.
Joan was born Aug. 9, 1935, in Throop, Pennsylvania, daughter of the late Joseph and Vera (Ezepchick) Zigmont.
Joan graduated from Harding High School.
She was a working artist for much of her adult life, starting her career studying plein air impressionist oil painting at the Cape Cod School of Art. Her work evolved to include a more representational style, and eventually a large body of abstract pieces. Her award-winning work has been shown in galleries and juried art shows throughout southern New England.
She is survived by her daughter Leslie and her husband George, brothers Joseph, Victor, and their families, nephews Gregory, Christopher, and their families, daughter-in- law Huong, and the extended Jardine family. She was predeceased by her son Douglas, and brother Michael.
A memorial service will be held at All Saints of America Orthodox Church, 313 Twin Lakes Road, Salisbury, Connecticut on Thursday, Oct. 30, at 10 a.m. Memorial contributions may be made to the All Saints of America Orthodox Church, PO Box 45, Salisbury, CT 06068.
The Kenny Funeral Home has care of arrangements.
The ofrenda at Race Brook Lodge.
On Saturday, Nov. 2, the Race Brook Lodge in Sheffield will celebrate the Mexican Day of the Dead: El Día de los Muertos.
Mexican Day of the Dead takes place the first weekend of November and honors los difuntos (the deceased) with ofrendas (offerings) on an altar featuring photos of loved ones who have passed on. Elements of earth, wind, fire and water are represented with food, papel picada (colorful decorative paper), candles and tequila left for the beloved deceased. The departed are believed to travel from the spirit world and briefly join the living for a night of remembrance and revelry.
Music and events programmer Alex Harvey has been producing Día de los Muertos at Race Brook for the past three years, and with the closing of the venue looming, the festival takes on a deep and personal meaning.
“The anchoring gesture of Race Brook, long before I arrived on the scene, has always been to cultivate a space that thins the veil between the worlds. Something otherworldly is hiding in the mountain’s towering shadow: the whispering spring-fed stream, the dense lineage that founder Dave Rothstein brings, the woodsmoke that rises every night of the year from the firepits. This space communes with the spirits,” said Harvey.
“And so we cradle a special ache in our hearts as the leaves turn and the beautiful dance of Race Brook’s project of cultural pollination draws to a close. Fitting, then, to return for one last activation — Día de Los Muertos — a celebration of the end of things. A remembrance of those who’ve made the transition we are all destined for, but also a time when we honor many types of loss. And while we will all mourn those who aren’t there in the flesh, we will also, with humility, come as mourners for the space itself,” Harvey continued.
The event will be a night to remember, to celebrate and to release with ritual, music, and communal remembrance. Participants are invited to bring photos, talismans and offerings for the ofrenda (offering), as well as songs, poems or toasts to share in tribute to loved ones who have passed.
Mexican American musicians Maria Puente Flores, Mateo Cano, Víctor Lizabeth, Oviedo Horta Jr. and Andrea from Pulso de Barro, an ensemble rooted in the Veracruz tradition of son jarocho, will be performing.
Translating to “Pulse of the Clay,” their name reflects a deep connection to the earth and to the living heartbeat of culture itself. Through a synthesis of Mexican, Cuban, Venezuelan and Puerto Rican traditions, Pulso de Barro merges poetry, rhythm and communal song as pathways to coexistence with nature. Their performances feature the jarana and leona (stringed instruments), quijada, cajón, maracas, and marimba (percussion), the tarima (percussive dance platform) and a call-and-response of folk and original versadas.
The evening begins at 6 p.m. in the Barn Space with a Fandango de los Muertos featuring Pulso de Barro, a Race Brook favorite. At 8 p.m., the Open Mic for the Dead invites guests to speak directly into the spirit world — through word, music or memory. The night culminates at 10:30 p.m. with a Fandango for the Dead, a participatory music and dance celebration. Bring your instruments, your voices and your dancing shoes.
Race Brook Lodge is a unique rustic getaway destination for relaxation, hiking, live music, workshops, weddings and more. Sadly, it will be closing for good later in 2026, ending a storied chapter of Berkshire music, art, culture and well-being.
Come experience an evening that honors lost loved ones and the end of a Berkshire institution. The cycle of life endures. Surely, resurrection is in the cards for Race Brook Lodge.
For Tickets and info, visit: rblodge.com
Canyon de Chelly (1904) – Seven Navajo riders on horseback
At a time when questions of representation, cultural legacy and historical narratives are at the forefront of public conversation, the Norfolk Library’s upcoming screening of the award-winning documentary “Coming to Light” offers a timely opportunity for reflection.
The event will be held on Thursday, Nov. 6, at 5:30 p.m., and will include a post-screening discussion with the film’s director, Lakeville resident Anne Makepeace.
“Coming to Light” offers a deeply researched, visually rich portrait of photographer Edward S. Curtis, whose early 20th century mission to record Native American life resulted in tens of thousands of images, sound recordings and texts.
But the film goes beyond biography, critically examining Curtis’ romanticized vision of Native American life and engaging with the descendants and communities whose lives and traditions the photo archives continue to affect.
Between 1896 and 1914, Curtis photographed over 80 tribes from Arizona to Alaska in an effort to capture Native American cultures he feared were disappearing..
“Curtis saw cultural genocide going on, and he feared these cultures would disappear,” Makepeace said. “He wanted to show these people are still here and these traditions are still happening.”

In the late 1990s, when Makepeace was developing her film on Curtis — about a century after he had started his photographic work — she wanted to see how present-day Native Americans felt about his photographs. She found that while academics had long derided Curtis’ work as extractive, colonialist, and often staged, most Native Americans she spoke with were overwhelmingly appreciative of his work. In fact, some of Curtis’ photographs ultimately helped certain tribes revive specific ceremonies.
“Coming to Light” premiered at the Sundance Film Festival, was shortlisted for an Academy Award in 2000, and was later aired on PBS’ “American Masters” in 2001. As the documentary nears its 25th anniversary, Makepeace reflected on the significance of the film and its lasting impact.
“The film shows the beauty and resilience of these cultures and the diversity of each of the varied tribes that were documented,” she said.
At a time when cultural preservation, national identity and documentary ethics are more important than ever, Makepeace said she believes the film’s message remains especially relevant in 2025.
For further details on the screening and to reserve a seat, visit: norfolklibrary.org/events/documentary-film-coming-to-light/
To see more of Makepeace’s work, visit: makepeaceproductions.com/index.html