Reverse trolling, salty guides and smash burgers

Gary Dodson worked the Salmon River on a cold morning in April.
Patrick L. Sullivan
Gary Dodson worked the Salmon River on a cold morning in April.
I went back to the Salmon River in and around Pulaski — pronounced Pulask-EYE — New York for a couple of days in late April.
My mentor in these things, Gary Dodson, is my main Catskill fishing buddy. Last year he convinced me to go to the famous Salmon River and chase steelhead, and I actually caught one on a fly rod.
I did not do this on this trip. But I did catch one. More on this in a moment.
Day one we hit it at dawn, and it was cold at 35 degrees, plus a gentle breeze from the Arctic Circle that made everything just so.
The river was high enough at about 1,400 cubic feet per second to make for some tricky wading.
We covered almost all the Douglaston Salmon Run area on foot and tried everything we could think of, Gary with his two-handed rods and me with a single hand 8 weight.
The result was nil.
After a solid six hours of this we stumbled back to the truck and returned to our little lodge, where we ate something and then we made a critical mistake.
We both decided to rest our eyes for just a little while.
That was at about 2 p.m. We both woke up around 5:30 p.m., and quickly concluded that the strong, manly course of action was to skip suiting up again and instead go to the restaurant at the Tailwater Lodge in nearby Altmar, where I resumed my study of the American Cheeseburger platter.
They call it a “smash burger” now, but it’s the same basic thing, and it’s still very good.
Upon our return I watched an exploitation flick from 1974 called “TNT Jackson.” Gary, who has no taste in these matters, sacked out.
Day two was considerably warmer but we still got skunked. However, we didn’t go at dawn so by early afternoon we were not completely knackered.
We had mangled a bit of lunch and were contemplating the afternoon’s strategy when Gary’s phone rang.
It was Salmon River guide Marcus Mcgivney calling to say he had the afternoon free and did we want to go for a boat ride.
We did.
This was a first for me. I have never fished with a guide, or from a drift boat.
We set off from the fly-fishing only area, keeping an eye out as the radar showed some slight unpleasantness developing over Lake Ontario.
Marcus has been doing this a while, and it shows.
The first thing I noticed was that he has a version of the Grateful Dead logo from the “Steal Your Face” album on the side of the boat. It’s got a fish on it and the lettering reads “Steel Your Face,” not “Steal.”
The first thing he noticed was the flow was greatly reduced. He checked his phone and sure enough, the release from the dam upstream was way down from the morning.
We set off and fooled around with our fly rods a while, getting still more bupkis.
Then Marcus asked if we wanted to try plugging.
We did.
Gary had described this to me, but it was so far outside my experience he might as well have been lecturing on contemporary dance trends in Paraguay.
Marcus described the following method as “reverse trolling,” and that’s about as close to it as I can get in a family newspaper.
Here’s the gist. There are three sturdy rods equipped with level line reels in holders on the port and starboard sides of the boat, plus one over the bow.
The plugs are big nasty-looking lures with treble hooks. They are let out to specific lengths — 20 feet, 30 feet — in front of the boat.
The sports — that’s Gary and yours truly — sat up front watching the rods. The guide — Marcus — manipulated the boat as the plugs wiggled and shimmied around downstream.
In regular trolling a lure or bait is towed behind a boat.
This is the opposite.
Eventually a steelhead gets fed up with looking at the plug shimmying and wiggling around and hits it.
And then it’s pure pandemonium. One of the sports has to deal with the rod that’s got the fish on while the other reels in the other rods so everything doesn’t get all tangled up.
Gary had done this before so when the first one went off on his side he got it in with a minimum of fuss.
When it was my turn I did everything wrong. We still managed to get the fish in but as Marcus said afterwards, “You have to forget everything you know about fishing.”
The physical strength involved in maneuvering the boat around with a set of oars, no motor, is considerable. Then there’s the monitoring of the three plugs. Add to that his knowledge of the river’s topography, plus the habits of steelhead, and you’ve got what separates the modestly-talented amateur — me — from the pro — Marcus.
As we moved from spot to spot, he also spoke at length about restoration efforts along the river. He hailed other guides in other boats, chattered with anglers on the banks, occasionally offering some quick tactical advice, and kept up a stream of commentary that was extremely entertaining.
It was also pretty salty. You’ll have to wait for my memoirs for the unexpurgated version.
If you want a memorable experience Marcus does business as Grateful Adventures LLC, 352-348-7721 or Mmcgivney@paulsmiths.edu.
Aradev LLC’s plans to redevelop Wake Robin Inn include four 2,000-square-foot cabins, an event space, a sit-down restaurant and fast-casual counter, a spa, library, lounge, gym and seasonal pool. If approved, guest room numbers would increase from 38 to 57.
LAKEVILLE — The public hearing for the redevelopment of Wake Robin Inn is over. Salisbury Planning and Zoning Commission now has two months to make a decision.
The hearing closed on Tuesday, Sept. 9, after its seventh session.
Michael Klemens, chair of P&Z, had warned at the opening of the proceedings that “this might be a long night” due to a last-minute influx of material from experts hired by Wells Hill Road residents William and Angela Cruger to oppose the project, but this turned out not to be the case.
These 11th hour submissions set a sour tone to the start of the meeting, with commissioner Robert Riva stating that it was “not very professional to pull this stunt on this Commission.” Riva said he had diligently reviewed the already substantial documentation provided by both the applicant and the opposing experts, and was surprised to find a “dump” of additional information submitted just hours before the meeting’s start time at 6 p.m.
Tensions were quickly eased, however, when William Cruger offered his concise summation of his platform’s opposition to the expansion, which is the second iteration of the project after an earlier version was withdrawn late last year.
“It’s important for you all to hear from me that there was never any disrespect intended to the Commission, the commissioners, and to the process,” Cruger said. He defended the last-minute submissions as an effort on the part of the experts to be thorough in their analysis: “Our intention… has been and remains to do our best to get whatever we think will be helpful in your deliberations into the record.”
The Crugers formally entered the hearing process as intervenors for the first application from Aradev LLC, the applicant, in the fall of 2024, meaning they and their hired consultants had full party status in the hearing proceedings. During this cycle, however, they chose not to petition for intervenor status, yet during this round of hearings their role has been similar. Klemens described them as having “almost intervenor status — not quite.”
William Cruger summarized the consultant’s findings for Aradev’s revised application, noting they found it to be “virtually identical in scale to the previous proposal.”
“Our position is that the proposed expansion would absolutely negatively impact the usefulness, enjoyment and value of the surrounding properties,” he said.
Aradev’s attorney Joshua Mackey countered by saying that the special permit conditions would elevate the currently non-conforming hotel in the zone, describing it as a “community asset that is improved, regulated, and safeguarded for generations to come.” He characterized Aradev as “the next steward of this storied property.”
After Mackey and Aradev co-founder Steven Cohen concluded their remarks, Klemens closed the hearing with no public comment, which he had stated would be the case at last week’s hearing session on Thursday, Sept. 4. Klemens said that P&Z will begin deliberating the proposal in early October after the commissioners have had the chance to review the information in the record.
A total of 45 letters, including the Crugers’ experts’ testimony, were submitted since the Sept. 4 meeting alone, alongside hundreds of pages of application materials and additional testimony.
As the Commission deliberates and reviews, all of this information is available for public viewing on the “Meeting Documents” subpage under P&Z’s section on the town website, www.salisburyct.us.
The Commission must issue a decision on the application by Nov. 13, the end of the statutorily defined deliberation window.
The Weavery is Stanton Home’s oldest activity space, featuring a collection of vintage and modern floor looms. It offers opportunities for building dexterity, creative expression, and social connection through fiber arts.
Stanton Home is holding its annual Harvest Roast fundraiser on Saturday, Sept. 13 in Great Barrington, an evening of farm-to-table dining, live swing music, and community connection.
For nearly 40 years, Stanton Home has supported adults with intellectual and developmental disabilities through residential programs, therapeutic services and skill-building activities.
“Here in the Berkshires, adults with diverse abilities often face barriers like limited housing, tricky transportation, and fewer opportunities for meaningful work,” said Executive Director Peter Stanton. “Stanton Home flips that script. Our mission is to partner with adults to pursue healthy, self-determined lives.”
The Harvest Roast features locally grilled meats, roasted vegetables from Stanton’s own gardens, warm apple crisp with SoCo Creamery ice cream, and beverages —all set to the swing and gypsy jazz rhythms of the Lucky 5 Band.
“The Harvest Roast is a celebration of what makes our community strong, inclusive, and vibrant,” Stanton said. “Every ticket and sponsored table supports programs that make a lasting difference.”
Guests will begin in the gardens with a signature cocktail before gathering at long farm tables for a shared meal and celebration.
“Though this night matters, the work is year-round,” Stanton added. “People can help by shopping locally at the farm store or buying handmade weavery goods, pitching in with time or skills, gardening, lending a hand at events or by partnering with Stanton’s programs like composting or sourcing local goods. Folks can also speak up for inclusion in their workplace or community circle. Even the smallest action helps keep the mission alive.”
Tickets are $125 per person. Proceeds support Stanton Home’s inclusive programs. Reserve at donorbox.org/events/771775/steps/choose_tickets or call 413-441-0761.
Following the memorable benefit reading last season of Charles Busch’s Tony-nominated Broadway hit, “The Tale of the Allergist’s Wife,” the Sharon Playhouse will present a one-night-only staged reading of his riotous comic melodrama “Die Mommie Die!” on Friday, Sept. 12 at 7 p.m.
The production —a deliciously over-the-top homage to classic Hollywood mid-century thrillers — continues the Playhouse’s artistic partnership with Busch, who reprises his iconic role of the glamorous yet troubled songstress Angela Arden.
The playwright and performer is no stranger to the Playhouse and, luckily, he’s supported by a truly stellar powerhouse cast of top-notch comic actors — some returning to the Playhouse stage, and some making their debut. The cast includes Richard Kind; two-time Tony Award nominee Kristine Nielsen, who was part of the original New York cast; Tony Award winner Celia Keenan-Bolger; Andrew Keenan-Bolger; and Claybourne Elder.
The production also marks a fortuitous alignment of talent and history. It is directed by Sharon Playhouse Artistic Director Carl Andress, who performed in the play’s Los Angeles premiere in 1999.
“I have a long and happy history with this particular show,” Andress said. “At the Sharon Playhouse, we’re thrilled to offer unforgettable, one-of-a-kind live experiences. With Charles Busch and this phenomenal cast, ‘Die Mommie Die!’ will surely light up the Olsen Stage with laughter, wit and glamour.”
The original music is by Lewis Flinn, whose score for the 2007 Off-Broadway production is being adapted specially for this event.
The play is a classic Charles Busch concoction that, like all his work, lovingly and intelligently spoofs some of the greatest talents and tropes of stage and screen. The original production was praised by critics as his “funniest, most accomplished and, without question, raunchiest work.”
In 2003, Busch won the Best Performance award at the Sundance Film Festival for the film version of “Die Mommie Die!” His indelible contributions to American theater have been recognized with countless awards and he was recently inducted into the Theater Hall of Fame.
The event promises to be an unforgettable night of laughter, glamour and theatrical fun, with all proceeds going to benefit Sharon Playhouse’s productions and educational programs. The funds will help ensure that the Playhouse continues to thrive as a cultural destination for audiences and artists alike.
For tickets, visit: sharonplayhouse.org. Running time: 90 minutes.
Richard Feiner and Annette Stover have worked and taught in the arts, communications, and philanthropy in West Berlin, Paris, Tokyo, and New York. Passionate supporters of the arts, they live in Salisbury and Greenwich Village.