Editor’s note: This is the second of a two-part series exploring homelessness in rural Northwest Connecticut. Click here to read part one.
Ten years ago this month, the Northwest Connecticut Community Foundation (NCCF) joined forces with New Beginnings of Northwest Hills Litchfield County, a collaborative of several dozen local and regional social service agencies, in announcing a comprehensive plan to end homelessness.
Since then, the plan has served as a roadmap for aligning housing and an array of services spread out across a vast rural Northwest Corner.
Fast forward to 2023, and after eight consecutive years of decline, the number of unhoused people is surging, fueled by inflation, increased evictions, soaring housing costs and a lack of housing overall.
“Homeless work has changed dramatically in the ensuing years,” said Julia Scharnberg, vice president of community engagement for NCCF and lead researcher and writer for “The Plan to End Homeless in Northwest Connecticut.”
“When we first put together this working group, it really brought together a remarkable cross-sector collaboration of organizations,” she explained.
“Working together, we came to the understanding that homelessness is a rather holistic problem and that housing is the foundation to having a stable situation,” enabling people to focus on the rest of their problems, like mental illness, domestic violence, job loss or reentry into society after release from an addiction treatment facility, noted Scharnberg.
“Back in 2013 there wasn’t a coordinated approach…it was very bureaucratic. People had to go to a whole bunch of different agencies.”
But within one year, the state was divided into coordinated access networks (CANS) of which there are currently seven. “We are part of the Northwest CAN covering from the Massachusetts border to Waterbury,” Scharnberg explained.
“We are very blessed here in Northwest Connecticut. We have a wonderful nonprofit community of people calling each other, trading information back and forth, and making teams around people.”
Pete Rourke, 61, is shown here at the flagpole recently dedicated to veterans outside the FISH NWCT shelter, where he has been staying since Sept. 20. With the help of a network of social services, Rourke, an Air Force veteran, recently signed a lease for a studio apartment.Photo by Debra A. AleksinasA call to action
With winter looming and anticipating a “pending humanitarian crisis,” due to shortage of shelter space and funding, a coalition of service providers sent out a call to action in late fall.
State and local advocates for the homeless in Northwest Connecticut gathered Nov. 10 at the Torrington Library to discuss homelessness response programs to support urgent funding for cold weather emergency winter shelters and to address chronic underfunding of the front line for nonprofit shelters and response programs.
Panelists for the roundtable included Jessica Gueniat, Torrington Library director; Nancy Cannavo, president of The Gathering Place; State Rep. Jay Case (R-63); Sarah Fox, CEO of the Connecticut Coalition to End Homelessness; Deirdre DiCara, executive director of FISH NWCT; and Leonardo Ghio, project director with the Northwest Hills Council of Governments.
At the time of the roundtable, funds earmarked for the Northwest CAN for 2023 were delayed, as was the opening of an emergency overflow shelter, compounding the urgency for action.
Gov. Ned Lamont and the congressional delegation announced earlier this year that the state is receiving an $18 million grant from the U.S. Department of Housing and Urban Development to address homelessness among people in unsheltered settings and in rural communities, and the funds, directed at homeless outreach services, access points to homeless services and permanent supportive housing, will be distributed over the next three years.
“Stable housing is not only critical for the development of safe communities, but it is a moral imperative,” said Lamont.
In her testimony before the Connecticut General Assembly’s Housing Committee in support of Raised House Bills No. 6554, “An Act Appropriating Fund for Certain Homeless Response Programs,” and Senate Bill NO. 909, “An Act Establishing a Right to Housing,” Fox said the pandemic and the increase in homelessness in the state has surged 39% over last year.
It takes a village
Reliable and consistent funding is essential, said advocates for the homeless, but so, too, is community involvement. Behind the scenes, friends and neighbors, too many to name, from throughout the Northwest Corner are the unsung heroes.
There is the couple who moved out of the area last year but return every week with two bags full of groceries for the homeless shelter; the volunteer who spent two and a half years keeping shelter residents COVID-19-free during the pandemic; the clergyman who unlocked the back door of the chapel on cold nights to give the unhoused a place to sleep; the many local businesses who pitch in to help with shelter repairs or supplies.
In the rural Northwest Corner towns where there are no dedicated shelters, social services agents shoulder the burden of identifying and assisting the unhoused or those who are at risk of homelessness.
“I have one client who is homeless and has been for quite a while,” said Malia Hill, Sharon’s Social Services director, who noted that the individual was frightened when seeking services in Torrington, as he didn’t feel safe there being among people with mental health issues.
“He feels this is a safer place here and he doesn’t want to live in cities. It’s his best option,” said Hill.
As DiCara noted, “No one is stereotypical in their story.”
Individuals, businesses and organizations from throughout the Northwest Corner donated warm-weather clothing to a recent coat drive for the homeless and low-income families, which drew about 600 people who arrived two hours before the giveaway and stretched around the corner for several hours, said shelter officials.Photo contributed
2-1-1 United Way Help Line: If you or someone you know is experiencing a housing crisis, call the United Way Help Line at 2-1-1 to schedule an intake.
Winsted YMCA Emergency Shelter, 480 Main St., Winsted: 860-379-0708
FISH/Friends in Service to Humanity of Northwestern Connecticut, Inc., 332 South Main St., Torrington: 860-496-1648
New Beginnings of Northwest Hills Litchfield County/The Gathering Place, 21 Prospect St., Suite A, Torrington: 860-618-3455
New Beginnings is the sponsoring organization of The Gathering Place, a drop-in center for the homeless. The Gathering Place serves as the local point of entry for all homeless, serving all 26 towns in Litchfield County
To volunteer or make a donation: Contact the social services agent in your community, or either of the nonprofit agencies above, to find out how to donate services, clothing, food or gas cards or your time as a volunteer.
— Compiled by Debra A. Aleksinas
Laurie Fendrich and Peter Plagens at home in front of one of Plagens’s paintings.
“He was doing critiques with everyone,” Fendrich said of Plagens. “We met at one of those sessions and, well, what can I say. We fell in love instantly.”
Fendrich speaks candidly about the pressures that shaped her early life choices. “We both married the first time at 21, which a good number of women of my generation did without much thought.” Her first husband was a good guy, she says, but “we weren’t suited for each other at all, even though he suited my parents perfectly.” Her decision to get a divorce was seismic. “My mother didn’t speak to me for a year.” Time softened the rupture. “One day she told me, ‘I see now why you left.’”
Fendrich had a rigorous liberal arts education at Mount Holyoke. “I studied painting and drawing, but I also got interested in political philosophy. Plato, Aristotle, Machiavelli — Rousseau was my big guy — Tocqueville, everybody. And I still read them.” Plagens’s path was less formal. “I went to USC at 17,” he said, “and declared English as my major. It was a frat school, and I was in one for the first two years. Then I started doing the cartoons for the Daily Trojan, took a couple art classes, and thought, ‘Wait a minute, I like this.’”
Culturally, they diverged just as sharply. “I came from a fairly puritanical family that didn’t even go to the movies,” Fendrich said. Plagens, by contrast, grew up immersed in pop culture. “My father was an omnivorous reader,” he said, “and a jazz fan, and he shared these passions with me.” In 1966, Plagens walked into Artforum’s LA office and said, “I want to write reviews.” He was paid five dollars per piece. “Gasoline was 23 cents a gallon, so it went a long way.”
Over time, the couple slowly fused their educations. “He taught me jazz, I taught him Mozart,” Fendrich said with a laugh. “I’ve had a movie education from him; he read Jane Austen because of me.”
Plagens and Fendrich at home in front of some of Fendrich’s paintings. Natalia Zukerman
During their early years in LA, Plagens taught at USC, and Fendrich at Art Center College of Design. In 1985, they decided “our kind of abstraction would do better in New York,” as Fendrich put it. “So, we up and moved to Tribeca with $10,000 and a toddler.”
Both artists grounded their artistic careers in teaching and writing. “Teaching, which I loved, gave me the financial stability to be an artist,” Fendrich said, reflecting on her 27 years as a professor at Hofstra. “It meant that being an artist didn’t require I make money from every show. I didn’t start writing until 1999, but though I write for publication frequently, I make hardly any money at it.”
Artistically, they guard each other’s independence. “We have unspoken rules,” Plagens said. “You don’t comment on someone’s work while they’re in the middle of creating it.” Critique comes by invitation only. “He’s not mean, just direct,” said Fendrich. Over time, their aesthetics have subtly converged. “My work has gotten cleaner from looking at his,” she said. “He’s gotten more colorful because of me.”
The two have had several two-person exhibitions. At a recent duo show at the Texas Gallery in Houston “Laurie’s paintings flew off the wall,” Plagens recalled. “Me, well, not so much.”
Plagens’s parallel career in journalism shaped their lives in tangible ways. He worked as art critic at Newsweek from 1989 until 2003 and currently contributes reviews of museum exhibitions to The Wall Street Journal. “Being at Newsweek was one of the luckiest breaks I ever had,” he said. “They paid me to see things I would gladly pay to see.”
Their creative processes mirror their personalities. “I start with a specific idea,” Fendrich said, “and then modify things as I paint.” Plagens laughed. “I start with complete mush, just blurting it out and spending the rest of the time fixing it.”
In 2019, they made what Fendrich calls “a decision of contraction.” They left the TriBeCa loft they had lived in for three decades, sold their Catskills home with its large studio, and moved full-time to a former auto repair shop in Lakeville, now a house where each has a studio, and the ground floor retains the open feel of a loft.
What sustains them in life, art and love, decades in, are endless conversations — and arguments — about art, history, exhibitions, books and movies. That exchange, ongoing and rigorous, may just be the masterpiece of their shared life.
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Exterior of the Linde Center for Music and Learning.
“We have been thrilled and humbled to see the Tanglewood Learning Institute embraced as a year-round destination for a breadth of exceptional programming, including classical, jazz and family-friendly events,” said BSO President and CEO Chad Smith. “Our 2025–26 fall, winter and spring season reflects our deepening commitment to engaging the vibrant, year-round Berkshires community and to fully exploring the potential of TLI as a space where BSO programs make thought-provoking connections between music, art and society.”
TLI is once again presenting its Chamber Concerts series on Sunday afternoons, with small ensembles of BSO musicians performing familiar favorites and classic mainstays, as well as new music by contemporary composers. There are upcoming chamber concerts scheduled for Feb. 22, March 8 and March 15.
Interior of the Linde Center for Music and Learning.Hilary Scott, courtesy of the BSO
New this season is the TLI Jazz series, which continues March 20 with the Sullivan Fortner Trio, led by Grammy Award-winning artist and educator Sullivan Fortner, whose eponymous ensemble won the 2024 DownBeat Critics Poll for Rising Jazz Group. “Soul-sax sensation” Nick Hemp brings his free-blowing blend of “barroom excitement and modern jazz finesse” for a rousing night of soul jazz April 10. Rounding out the jazz series, and back by popular demand, is Grammy Award-winning trumpeter and singer Jumaane Smith, who brings his repertoire of jazz and American Songbook standards to the Linde Center on May 9.
Another season highlight comes April 12 with an animated live concert screening of the 3D stop-motion adventure film “Magic Piano.” Produced by the Academy Award-winning BreakThru Films production company in Poland, the film will be accompanied by a screening of “The Chopin Shorts,” a collection of animated films set to Chopin’s etudes, performed by pianist Derek Wang.
All performances take place in Studio E, the Linde Center’s 4,000-square-foot multiuse room that serves as TLI’s main performance and event space. It features retractable seating, acoustic and technical systems, flexible configurations, and is accessible and comfortable for all patrons.
The entire Linde Center for Music and Learning is worth a visit in itself. The complex, which also includes the informal Cindy’s Cafe (seasonal) for a quick bite, is conceived not as a single building but as a cluster of pavilion-like spaces connected by an outdoor covered walkway and arranged around a century-old red oak tree. The center promotes a welcoming and serene sense of place and continuity with the rolling Tanglewood lawn and surrounding woodlands.
Smith said, “This ongoing work is also a passion project for our musicians, who form deep ties to the area and are eager to remain active in the Berkshires beyond the summer months. We look forward to welcoming new and returning audiences to experience all that TLI offers — all year long.”
The Tanglewood Learning Institute is located at 3 W. Hawthorne Road, Lenox, Mass. For more information and to purchase tickets,
visit bso.org/tli.
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