Kent town meeting reviews capital plan, approves agenda items

Kent Town Hall
Leila Hawken

Kent Town Hall
KENT — Approximately 30 residents turned out Thursday, Jan. 15, for Kent’s annual town meeting to cast their votes and hear an early overview of the town’s five-year capital plan.
The meeting opened with a unanimous vote authorizing the Board of Selectmen and the town treasurer to borrow money on behalf of the town throughout the year.
Voters then unanimously approved a slew of appointments to the Parks and Recreation Commission. David Schreiber, Kevin Frost and Keith Johnson were all installed as full members with three-year terms, expiring in 2029, while Miranda Lovato and Jordan Iovino were each appointed for one-year terms as alternates.
A motion was read to allow the town to assume ownership of Morehouse Cemetery on Richards Road and Parcell Cemetery on Old Gorham Road. Both are small, historic sites that haven’t seen a new burial in more than a century.
Michael Walach, whose property abuts Parcell Cemetery, questioned what the transfer of ownership meant. First Selectman Eric Epstein explained that when the Cemetery Committee was established two years ago, a provision was included stating that any additional graveyards discovered in town would be transferred to town ownership, since the Cemetery Committee functions as a municipal body.
Walach expressed that his major concern was that activity might ramp up in the quiet area, but Epstein said that he did not believe that would happen. Regardless, he promised to put Walach in touch with the Cemetery Committee for more information.
Joe Agli spoke next, asking the Board of Selectmen if the town would be responsible for upkeep and maintenance of the property if it assumes ownership, and if those expenses would be included in the town budget. Epstein confirmed, saying that the costs will be factored into the Cemetery Committee’s budget line. The motion ultimately passed, with just Agli opposing.
Five-year capital plan
The remainder of the meeting was dedicated to a detailed rundown of the five-year capital plan, the document that organizes future capital-intensive municipal projects.
Funds allocated within the first five years, in this case 2026 through 2031, are funded through taxation, while the next five years are included solely for planning purposes.
Notable in this year’s presentation was that the Board of Selectmen and other town department heads discussed projects from across the entire five-year tax period, breaking practice from recent years where only the fifth-year projects have been discussed. Epstein ran through a number of municipal improvement projects that have funding allocated in the plan, including road and bridge repairs, town equipment upgrades and replacements, improvement projects for Emery Park and Kent Commons, Town Hall refurbishments and renovations to the Transfer Station.
The controversial Swift House, a historic building in town that has ruffled the feathers of some residents during past budget seasons, remains on the plan with $425,000 directed towards modernizing and rehabilitating the structure.
Next to step up to the podium was Board of Education Chair Heather Brand, who explained several long term roof and sidewalk repair projects. The BOE’s total spending was the largest of any department on the Capital Plan, with a total of $1.75 million between fiscal years 2027 and 2031.
Fire Chief Tim Sneller closed the presentation, detailing improvements in communications equipment and infrastructure as well as replacing fire engines as major projects on the Volunteer Fire Department’s horizons.
When it was time for the public to weigh in, three residents spoke. Catherine Bachrach asked for the town to figure out a way to provide adequate parking at the Senior Center, as people are currently parking on the icy grass when space runs out. “It’s only a matter of time before someone has a serious fall,” she said, noting that improvements were not included in this version of the Capital Plan.
Karen Chase requested that the fire exit in the Town Hall meeting room be made ADA compliant, and Bruce Hoheb announced that Anderson Road is in dire need of repair. “The road is a warzone,” he said. Epstein said he would look into the issue and be in touch.
The final version of next year’s capital plan will be voted upon during the meeting to approve the town budget in May.
There’s something for everyone at the Stissing Center for Arts & Culture, the welcoming nonprofit performing arts space in the heart of Pine Plains, New York. The center’s adventurous 2026 season is designed to appeal to all audiences, with a curated mix of local and visiting artists working across a range of disciplines, from bluegrass to Beethoven, from Bollywood to burlesque.
The season opens Saturday, Jan. 31, with Spark!, a multimedia concert that will also preview the center’s fifth year of presenting performances that inspire, entertain and connect the community. Spark! features Grammy Award-winning Rosanne Cash, one of the country’s preeminent singer-songwriters, whose artistry bridges country, folk and rock with a distinctly literary strain of American songwriting.
According to Patrick Trettenero, executive director of the Stissing Center, “This year’s programming is inspired by our commitment to bring people together through the shared experience of arts and culture. It’s a lively mix of musical styles — from roots, classical, world, rock and jazz — to our always-popular singer-songwriter series, with more than 50 music events to choose from.”
In addition to music, the season includes theater and dance. Highlights include the Hudson Valley Puppet Slam and the Roundtop Burlesque Revue, along with dance performances ranging from flamenco to Irish step. A film series will showcase the indie comedy favorite Hundreds of Beavers and a live-score screening of the beloved silent Charlie Chaplin classic The Kid. The season also includes free programs for children all summer, along with community events and family-friendly fare.
The 2026 season also marks the launch of The Grace Note, an intimate venue located downstairs at the Stissing Center that will serve as an inviting and informal entry point to mainstage shows. The Grace Note will be open every Friday night and will feature singer-songwriters, stand-up comedy, jazz quartets, play readings, storytelling and more.

The venue is part of the center’s commitment to offering a place for locals and visitors alike to gather and discover new work, hear familiar voices in new ways and enjoy a great night out in the neighborhood. The Grace Note opens Feb. 13 with a performance by local singer-songwriter Natalia Zukerman, who is also the Lakeville Journal and Millerton News’ arts, lifestyle and engagement editor. Her masterful musicianship and storytelling blend folk, blues and Americana with wry humor and emotional clarity, creating an experience that feels both personal and expansive. Zukerman said, “I’m honored to be opening the season in this beautiful new room at The Stissing Center. The Grace Note opens up lots of creative opportunities for the Center, for performers and for our community. It’s thrilling.”
“We are very intentional about this season and the launch of The Grace Note,” Trettenero added. “Our goal is simple: to make the Stissing Center a place for people of all backgrounds and perspectives to come for great arts experiences, to support outstanding artists and to offer a place for connection and shared humanity through the arts.”
The full season schedule and tickets for all events are available at thestissingcenter.org or by calling 518-771-3339.
Jennifer Chrein is the new executive director of the American Mural Project.
When Jennifer Chrein first stepped inside the cavernous mill building on Whiting Street in Winsted and looked up at the towering figures of the American Mural Project, she had no idea what she was walking into.
“I had been invited by a friend to attend an event in May 2024,” Chrein recalled. That friend, she said, had a ticket they couldn’t use and thought she’d enjoy it. “I didn’t know anything about AMP. I didn’t Google it — nothing.”
What followed was immediate and visceral.
“I was just — wow!” she said. “I was awed. So excited to see something like this in this area. There isn’t anything else like it.”
That first encounter would eventually lead Chrein to her new role as executive director of the American Mural Project, where she joins founder and artistic director Ellen Griesedieck in guiding the organization into its next chapter.
Announced earlier this month, Chrein’s appointment follows the departure of Amy Wynn, who stepped down Oct. 31 after seven years as the nonprofit organization’s first executive director.
Chrein praised Wynn for her leadership in establishing the organization’s solid roots and foundation, including its children’s programming, events and talented staff.
At the heart of AMP is what is widely regarded as the world’s largest indoor collaborative work of art: a five-story, 120-foot-long, three-dimensional mural depicting American workers across trades, industries and eras.
Created by Griesedieck with the help of hundreds of community volunteers, the mural fills the former mill building with life-sized and larger-than-life figures at work, transforming the space into an immersive environment that blurs the line between art, history and lived experience.
“The first time I saw the mural, I was awed by its scale — Ellen’s artistry, and what it says about the central role of work in our lives,” said Chrein. “I was immediately captivated and felt the need to share the space, the mission, and the live performances and educational programs with as many people as possible.”
At the time, she said, AMP was still in an early phase of its development.
“They were still building its foundation. They had only been open about a year,” she said. “I wasn’t part of their immediate vision, so I stayed a friend.”
Chrein said her hope and vision for AMP, along with its board and Griesedieck, “is to expand awareness not only around Winsted and surrounding areas, but regionally, statewide and ultimately nationally.”
“AMP’s reach, awareness and impact should be as great as the mural itself,” she said. “I am energized to be coming on board at the same time as our nation’s 250th anniversary. The timing could not be better to celebrate, acknowledge and support our American workforce.”
Chrein brings more than 30 years of experience in children’s educational programming and global media development to the role, a background she sees as a natural fit for the mural project’s mission. Her career has focused on the intersection of education, entertainment and social impact, including senior leadership roles at Sesame Workshop and Common Sense Networks, as well as founding JBMW Media and partnering in Storynauts Entertainment, where she has developed purpose-driven programming for families, including the preschool animated series “Powerbirds.”
She said that experience — balancing creativity, partnerships and long-term sustainability — translates directly to nonprofit leadership.
On a personal level, Chrein’s path to northwest Connecticut has been gradual. Now a Simsbury resident, she previously lived in Sandisfield, Massachusetts, and spent much of her life in New York City, where she worked at Sesame Workshop and traveled frequently. After shifting into consulting, she and her family put down roots in Simsbury, drawn to the town for its excellent school system.
As executive director, Chrein is clear-eyed about both AMP’s potential and its challenges — particularly visibility.
“The big issue with AMP is how to get people to come here,” she said. “How do we get people to recognize Winsted as a destination?”
One goal is to introduce new elements and spaces that would provide a “happy place” for the community to gather, study, hold corporate meetings, host family events and celebrate milestones.
For Griesedieck, that evolution feels like a natural next step.
“I couldn’t be more excited that she has joined us as our new executive director and will bring some of these terrific ideas to life,” said Griesedieck.
Chrein said she is stepping into the role with urgency and humility, guided by the same sense of awe she felt on her first visit. Her aim, she said, is to make sure more people discover the space, share their stories and feel the same sense of connection she did when she first looked up at the mural.