Thank you!
Your support is sustaining the future of local news in our communities.

Lower Manhattan: Cell 1530

Representative government and trial by jury are the heart and lungs of liberty. Without them, we have no other fortifications against being ridden like horses, fleeced like sheep, worked like cattle, and fed and clothed like swine and hounds. —John Adams

“Cell” 1530 is occupied four days a week from nine-thirty to sometimes past five by a large, power-fueled accused defendant seated as required at an assigned table, to his right twelve silent jurors, to the front one seated witness, one seated clerk, one standing attorney, and seated higher than all, the clearly in-charge Judge. Backing the accused is an oft empty row designated for family and friends. A limited number who have acquired coveted access to the live proceedings are in the room’s rear public seating. Indictment 71543- 2023, convening in a court house at the bottom of Manhattan, daily fills an over-flow Room 1523 for the media and a curious public.

“Cell” 1530 is actually the courtroom for New York vs Trump — Room 1530, Supreme Court at 100 Centre Street, New York City. For Trump this is an incarcerated space — a space where he speaks only when spoken to, where he is required to follow judicial court procedures as defined for any defendant, where he cannot interject, interrupt, mutter, or order a diet Coke — where a judge presides in a lofty position of power — where he, the judge, is looked up to, is the person bringing the room to its feet. There are short pauses/breaks where the accused can address, outside the courtroom amid oodles of aluminum barriers, a gaggle of press, not to refute the facts presented but to loudly proclaim his victimhood, his privilege of being immune from the judicial system in place for commoners in the United States for nearing 250 years, for being exempt, as usual, from responsibility for his behaviors. Here the accused’s comments during breaks are void of fanfare — without energetic music from any military band or a flurry of red, white and blue flags.

Although foretold, there is no chock-a-block riot of protesters, banners and manners ablaze as oft commanded by the accused in tweets, at rallies. Rather the exterior of the New York Supreme Court at 100 Centre Street is populated with press and onlookers, milling. Cell 1530 is not positioned amid a boisterous, dramatic display — it is justice as usual. The accused finds himself not in the regal swell of a Henry, Louis, or even his compadre Victor — he is not the sovereign, the commander, the monarch but an American in a court of law not luxury, accused of crimes against the people of New York and the nation.

The accused in New York vs Donald J. Trump has become situationally “sentenced” to weeks of silence, in a staid space where he has no official, welcomed, or imposing voice. He is required as a defendant to be present and to follow judicial procedures inside and outside (iffy) of the courtroom. Trump’s previous appearances at his E. Jean Carroll civil case were completely voluntary. In that case, the accused’s scornful, disrespectful behavior toward trial participants and court proceedings resulted in a $83.3 million jury award to the defamed plaintiff. In Cell 1530 a criminal case is underway for the accused who is ordered to be present daily –given a pass only for May 17 to attend his son’s high school graduation. Trump had to ask the judge for permission, his lawyers had to plead for their defendant under bond.

The current criminal trial is for many — certainly not all — a punitive spectacle for Trump, again as in the January 6 Select Committee hearing, witnesses are Trump-based: prime promoters for his 2016 presidency campaign or persons in his employ. The trial is punitive for its scandal rich content (nearly $300,000 paid in 2016 to hush all details), punitive for Trump’s total subservience to the court, punitive for the lack of follower misbehavior. The trial is poised as a strategic 2024 campaign maneuver for Trump: a near daily reminder of his “victimhood,” his being unconstitutionally “gagged from testifying” at his trial (false), perhaps a continuous affirmation of his disregard for democracy, for the rule of law.

For many, the spectacle is of a former President, the presumed GOP 2024 Presidential candidate, on trial for election fraud — a felony—while three other major cases and a slew of others, criminal and civil, swirl in our national ethos. Though campus protests are the newsworthy political protests of the day, they haven’t overtaken headlines regarding the former President, a could-be President being tried in a criminal court on multiple felony charges.

On trial, the accused is subject to the stipulations, norms and rights engraved in our judicial system, subject to prescribed behaviors dictated by others in authority. Being treated as an American, any ole American, is a major punishment for the accused in New York vs Donald J. Trump. The nation observes the would-be-for-a-day dictator subject to the rule of law. The outcome of this trial is pending judicial examination and decisions, the exam underway is common, everyday adherence of the court to the accused’s rights and the accused’s compliance as a citizen to legal requirements and norms. Behold.


An equal dispensation of protection, rights, privileges, and advantages, is what every part is entitled to, and ought to enjoy.

—Benjamin Franklin

Kathy Herald-Marlowe lives in Sharon.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

Doug Tallamy’s work in progress: saving the planet one backyard at a time

Windacre, a 25-acre property in Millerton will be the site of “Work in Progress,” an afternoon with acclaimed entomologist, New York Times bestselling author and Homegrown National Park co-founder Doug Tallamy.

Provided

For nearly three decades, Doug Tallamy, a professor at the University of Delaware and co-founder of Homegrown National Park, has studied the intricate relationships between native plants, insects, birds and the ecosystems that sustain them. His books, including “Bringing Nature Home” and “Nature’s Best Hope,” have helped shift the conversation about conservation from something that happens primarily in parks and preserves to something ordinary people can practice on the land around them.

On Sunday, Oct. 4, Tallamy will bring that conversation to Windacre in Millerton for “Work in Progress: Toward Native Fields,” an outdoor gathering exploring both the possibilities and the complications of restoring private land for biodiversity.

Keep ReadingShow less
Celebrating Dick Hermans’ life built around community

Dick Hermans in the Oblong Bookstore on Millerton\u2019s Main Street in 1985.

Provided
No matter what I’ve done, I’m trying to be useful to the communities I’m associated with.
— Dick Hermans

When Dick Hermans receives the Estabrook Community Leadership Award on Oct. 11, he will accept it for a lifetime of work that has taken many forms: bookseller, radio host, school board member, advocate for the Harlem Valley Rail Trail, business owner, volunteer and, perhaps most importantly, a person who has consistently looked for ways to be useful to the communities around him.

The Lakeville Journal and The Millerton News will present Hermans with the 2026 award at the annual Jubilee celebration at the Sharon Playhouse. The award honors outstanding leadership in community service and was inspired by Mary Lou and Robert Estabrook, former owners of the newspapers who believed that strengthening a community extended well beyond the work of publishing a newspaper.

Keep ReadingShow less
Tending the Fire: Homelands PowWow brings Mohican culture home to the Berkshires

Members of the Stockbridge-Munsee tribe at Homelands PowWow in 2025.

Joeseph Plante New Media Storytellers
Our goal is to continue building an annual gathering that honors the history, culture and traditions of the Stockbridge-Munsee Band of Mohicans in their original Homelands.


For the Stockbridge-Munsee Mohican people, the Berkshires are not simply a place to visit. They are ancestral homelands.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Ancram Center’s “A Number” doubles questions of identity
Ledbetter (left) and Wojda (right) on the set of “A Number” at Ancram Center for the Arts.
Jeff Mousseau

How would you feel if you found out you weren’t the only you — if there was an exact replica of you? What if you found out that you’d been cloned? Would you believe that you’re the real you? Would you suspect you might be a copy of the original? How could you be sure anything about your life was real? These are some of the questions posed in Caryl Churchill’s play “A Number,” opening at the Ancram Center for the Artson Oct. 1.

Churchill was born in London in 1938 and has been hailed by the theaterl world as one of the strongest voices of her time to take on sexual politics and feminist themes. Her works garner pointedly considered analysis from the highest levels of theatrical intellectualism. Basically, it’s about as far from “The Lion King” as you can get. While she’s experimented with dance theater in the past, “A Number” is much more stripped down, highlighting Churchill’s chosen themes and the skills of both actors on stage.

Keep ReadingShow less

Dispatches from the Farm

Dispatches from the Farm

Adamah Farm crew members planning out the day’s tasks on a late September day.

Janna Siller

“Dispatches from the farm” is a new, periodic column offering a firsthand look at the rhythms, challenges and rewards of farming through the eyes of a local farmer.

The thing about plants is that they can’t get up and move. When a storm like last weekend’s nor’easter threatens to roll through, you can’t just round everybody up and settle them safely on the sofa for movie night.

Keep ReadingShow less
Pinchas Zukerman brings an all-Beethoven program to Hotchkiss

Pinchas Zukerman to perform at Hotchkiss Oct. 4

Cheryl Mazak

The passion, drama and energy of Beethoven will fill Katherine M. Elfers Hall at The Hotchkiss School on Oct. 4, when world-renowned violinist Pinchas Zukerman is joined by pianist Shai Wosner for a special recital.

The 4:30 p.m. program at the Esther Eastman Music Center will feature three of Beethoven’s celebrated violin sonatas: Violin Sonata No. 4 in A minor, Op. 23; Violin Sonata No. 5 in F major, Op. 24, “Spring”; and Violin Sonata No. 7 in C minor, Op. 30.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.