Thank you!
Your support is sustaining the future of local news in our communities.

Lower Manhattan: Cell 1530

Representative government and trial by jury are the heart and lungs of liberty. Without them, we have no other fortifications against being ridden like horses, fleeced like sheep, worked like cattle, and fed and clothed like swine and hounds. —John Adams

“Cell” 1530 is occupied four days a week from nine-thirty to sometimes past five by a large, power-fueled accused defendant seated as required at an assigned table, to his right twelve silent jurors, to the front one seated witness, one seated clerk, one standing attorney, and seated higher than all, the clearly in-charge Judge. Backing the accused is an oft empty row designated for family and friends. A limited number who have acquired coveted access to the live proceedings are in the room’s rear public seating. Indictment 71543- 2023, convening in a court house at the bottom of Manhattan, daily fills an over-flow Room 1523 for the media and a curious public.

“Cell” 1530 is actually the courtroom for New York vs Trump — Room 1530, Supreme Court at 100 Centre Street, New York City. For Trump this is an incarcerated space — a space where he speaks only when spoken to, where he is required to follow judicial court procedures as defined for any defendant, where he cannot interject, interrupt, mutter, or order a diet Coke — where a judge presides in a lofty position of power — where he, the judge, is looked up to, is the person bringing the room to its feet. There are short pauses/breaks where the accused can address, outside the courtroom amid oodles of aluminum barriers, a gaggle of press, not to refute the facts presented but to loudly proclaim his victimhood, his privilege of being immune from the judicial system in place for commoners in the United States for nearing 250 years, for being exempt, as usual, from responsibility for his behaviors. Here the accused’s comments during breaks are void of fanfare — without energetic music from any military band or a flurry of red, white and blue flags.

Although foretold, there is no chock-a-block riot of protesters, banners and manners ablaze as oft commanded by the accused in tweets, at rallies. Rather the exterior of the New York Supreme Court at 100 Centre Street is populated with press and onlookers, milling. Cell 1530 is not positioned amid a boisterous, dramatic display — it is justice as usual. The accused finds himself not in the regal swell of a Henry, Louis, or even his compadre Victor — he is not the sovereign, the commander, the monarch but an American in a court of law not luxury, accused of crimes against the people of New York and the nation.

The accused in New York vs Donald J. Trump has become situationally “sentenced” to weeks of silence, in a staid space where he has no official, welcomed, or imposing voice. He is required as a defendant to be present and to follow judicial procedures inside and outside (iffy) of the courtroom. Trump’s previous appearances at his E. Jean Carroll civil case were completely voluntary. In that case, the accused’s scornful, disrespectful behavior toward trial participants and court proceedings resulted in a $83.3 million jury award to the defamed plaintiff. In Cell 1530 a criminal case is underway for the accused who is ordered to be present daily –given a pass only for May 17 to attend his son’s high school graduation. Trump had to ask the judge for permission, his lawyers had to plead for their defendant under bond.

The current criminal trial is for many — certainly not all — a punitive spectacle for Trump, again as in the January 6 Select Committee hearing, witnesses are Trump-based: prime promoters for his 2016 presidency campaign or persons in his employ. The trial is punitive for its scandal rich content (nearly $300,000 paid in 2016 to hush all details), punitive for Trump’s total subservience to the court, punitive for the lack of follower misbehavior. The trial is poised as a strategic 2024 campaign maneuver for Trump: a near daily reminder of his “victimhood,” his being unconstitutionally “gagged from testifying” at his trial (false), perhaps a continuous affirmation of his disregard for democracy, for the rule of law.

For many, the spectacle is of a former President, the presumed GOP 2024 Presidential candidate, on trial for election fraud — a felony—while three other major cases and a slew of others, criminal and civil, swirl in our national ethos. Though campus protests are the newsworthy political protests of the day, they haven’t overtaken headlines regarding the former President, a could-be President being tried in a criminal court on multiple felony charges.

On trial, the accused is subject to the stipulations, norms and rights engraved in our judicial system, subject to prescribed behaviors dictated by others in authority. Being treated as an American, any ole American, is a major punishment for the accused in New York vs Donald J. Trump. The nation observes the would-be-for-a-day dictator subject to the rule of law. The outcome of this trial is pending judicial examination and decisions, the exam underway is common, everyday adherence of the court to the accused’s rights and the accused’s compliance as a citizen to legal requirements and norms. Behold.


An equal dispensation of protection, rights, privileges, and advantages, is what every part is entitled to, and ought to enjoy.

Benjamin Franklin

Kathy Herald-Marlowe lives in Sharon.

The views expressed here are not necessarily those of The Lakeville Journal and The Journal does not support or oppose candidates for public office.

Latest News

Join us for

Join us for


Keep ReadingShow less
Sam Lardner returns to the Northwest Corner for Vecinos Seguros 2 benefit

Sam Lardner and Barcelona will play a benefit for Vecinos Seguros 2 at Salisbury Congregational Church on Friday, July 24.

Virgo Martinez

On Friday, July 24, musician and educator Sam Lardner and his band, Barcelona, will take the stage at Salisbury Congregational Church for a benefit concert supporting Vecinos Seguros 2, an all-volunteer organization that provides emergency assistance and rapid-response support to immigrant families in Northwest Connecticut affected by U.S. Immigration and Customs Enforcement activity.

Lardner, who attended and later taught at The Hotchkiss School in Lakeville before moving to Spain in 1997, still considers the Northwest Corner his home in the United States. “It’s such a special place,” he said.

Keep ReadingShow less
Karina Powers and the power of tradition

Karina Powers teaches traditional dances from Mexico in Millbrook.

Lucia Iandolo
This is an art and the arts unite nations.
—Karina Powers

Karina Powers began dancing at 4 years old. A professional dancer, singer, performer and Mexican folklore dance professor from Baja California, Mexico, she is the youngest of three sisters who were all involved in the arts. Powers now teaches traditional Mexican dances to adults through her company, Compañía De Danza Folklórica Regional Mexicana, in Millbrook. She said she has a strong passion for the history and art that exist within the dances she teaches, and she hopes to instill that passion in her students.

“Many of them have never danced this type of dance,” said Powers. “They’re from Mexico, but they came to the United States at a young age to work. They have that dream to learn, and now they have this opportunity.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Across generations at Litchfield Jazz Festival

Bucky Pizzarelli and Brandon Goldberg at the Litchfield Jazz Festival in 2017.

Lindsey Victoria Photography

The Litchfield Jazz Festival opens its 2026 season on Friday, July 24, at the Frederick Gunn School in Washington, Connecticut. The evening will feature a gala and a concert led by saxophonist Don Braden featuring the Litchfield Jazz Fest Dectet.

The festival began in 1996 and has been going strong ever since. The list of past performers reads like a who’s who of modern jazz greats, including Christian McBride, Soulive, Joshua Redman, Dave Douglas, Brad Mehldau and John Scofield, all of whom helped revive the genre for a new generation of fans at the turn of the millennium. Vocalists like Diana Krall, Dionne Warwick and Dr. John have made appearances as well. And, of course, the festival has been graced by established masters like saxophonists Sonny Rollins and Wayne Shorter; guitarist Bucky Pizzarelli; bassist Rufus Reid; drummers Roy Haynes and Tito Puente; the Preservation Hall Jazz Band; and pianists Dave Brubeck and local legend Ahmad Jamal.

Keep ReadingShow less
No grumbling here: Children’s theater camp returns

Danny Saed, assistant director of “Pinocchio”; his mother and co-founder of Grumbling Gryphons Leslie Elias; theater arts camper Joyce Sun; artist and counselor Natalie Resto; and Steven Sun, Joyce Sun’s father.

Jack Sheedy

Leslie Elias wants you to understand something about the group she calls Grumbling Gryphons Traveling Children’s Theater: “I like to say that we try not to grumble.”

For 46 years, she has used the nonprofit to educate and entertain children in the performing arts. Summer after summer, young campers learn about acting, singing, mask-making, costume-making and scenery painting. This year, as in years past, a five-day theater arts camp will culminate in a live performance of one of Elias’ original plays, guaranteed, she hopes, to quell all grumbling.

Keep ReadingShow less

Sea bass and shrimp gumbo

Sea bass and shrimp gumbo

Sea bass and shrimp gumbo

Bobby Graham

Each month, Dugazon owners Bobby Graham and Matthew Marden share a recipe inspired by the traditions, stories and sense of welcome at the heart of their shop in Sharon, Connecticut. Visit Dugazon at 19 W. Main St. Wednesday-Sunday, 11 a.m. to 5 p.m. and online at dugazonshop.com.

This month we’re sharing one of our favorite comfort foods: sea bass and shrimp gumbo. While gumbo has a reputation for being a labor of love, this version skips the traditional roux, making it surprisingly approachable. The ingredient list may seem long, but once everything is prepped, it comes together quickly, rewarding you with a rich, flavorful bowl that’s perfect any time of year. Many of the pantry staples you’ll need for this recipe can be found right here at Dugazon.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.