The Creators: A sense of place, Leslie Watkins at Dandelion Cottage

Norfolk artist Leslie Watkins in her garden at Dandelion Cottage
Jennifer Almquist


Norfolk artist Leslie Watkins in her garden at Dandelion Cottage
'We make the invisible, visible- my muse and teacher Frank Mason taught me that,” recalled Norfolk artist Leslie Watkins.
A pre-Raphaelite beauty herself, this master watercolorist, classically trained landscape painter, and Master Gardener sat in dappled sunlight on her deck, feeding walnuts from a jar to a friendly chipmunk, with her rooster Houdini crowing in the background. Her love of nature, painting the beauty that surrounds her, and creating landscapes en plein air (in the open air), inform the details of her life.
Years ago, Leslie purchased a small house in Norfolk with a lawn that slants directly down to a busy roadway. Now when approaching her magical one acre, one must search to find her house. Deep layers of trees, magnolias, apples, giant hydrangea blooms, and native species of flora and fauna create a labyrinthine series of pocket gardens, some dark with shade-loving plants and ferns. Leslie has become the landscape she paints.
She refers to herself as an “artistic descendant” of the Old Lyme Art Colony, which was the heart and soul of American Impressionist painting. The pantheon of Watkins’ artist influencers includes Childe Hassam, William Metcalf, and Frank Vincent Dumond. At the Art Students League in Manhattan, Dumond taught Georgia O’Keefe, John Marin, Norman Rockwell and Frank Mason. Watkins has exhibited her fine art paintings in the Columbus Museum, the Lyman Allyn Art Museum, the National Arts Club, the Salamagundi Club, the Union League Club, the Hudson Valley Art Association, Brooklyn Botanical Gardens, the Lyme Art Association, and in Japan.
Her prolific commercial art career includes botanical watercolors and nature studies that decorate note cards, placemats, textiles, Battersea enamel boxes, and educational materials. Her illustrations appear on postage stamps, books, and magazines.
Watkins’ many clients include:
Walt Disney Co., Tiffany & Co., Caspari, B. Shackman & Co., Addison Wesley-Scott Foresman, Harcourt Brace, Houghton Mifflin, McGraw-Hill, Options, Oxford University Press, Prentice Hall, Rodale Press, Scholastic, Golden Books, Dover, Book-of-the-Month, and The New York Times.

Jennifer Almquist: Tell me about life in Dandelion Cottage.
Leslie Watkins: Dandelion Cottage is my tiny homestead in Norfolk designed as an experience in “living off the land” on just one acre. I named it Dandelion Cottage because I feel like I blew into Norfolk like a weed, like I didn’t belong here, and I loved it. I sent down this big, long taproot because I wasn’t going to leave. The seeds go off on the wind when I share my creative inspiration with other people. I don’t know where they go, I don’t know what they’re going do, yet I hope that they’ll carry on the tradition of this natural creative inspiration.
Small as it is, with the help of my cheerful and hard-working flock of Bantam chickens, I produce much of my own food supply in season. Honeybees help pollinate the fruits and flowers. My chickens live free range and eat bugs, scraps, seeds, fallen apples, small fruits and greens. They provide eggs, manure, and laughter. I have bred Bantam chickens (which are 1/5 the size of standard chickens) for 18 years, such as Bearded Belgian D’Avers, Seabrights, and Dutch Bantams.
My partner is an ethnobotanist. On our first date (thirteen years ago) at the Southfield Store, he talked to me for an hour about Heirloom tomatoes. His knowledge and wisdom are invaluable.
JA: You are a Master Gardener?
LW: Yes, I am a Connecticut Master Gardener. I have a certificate in horticulture. I design, renovate, and maintain gardens in Northwest Connecticut. Currently, I am creating a garden of native species alongside the Norfolk Library. I want children to be able to see the plantings from inside the library. My own cottage gardens are filled with flowers blooming in mass succession. There’s a fragrant white garden with cimicifuga, hydrangeas, phlox, a fringe tree and punctuated in autumn with blue asters. The central peony bed is filled with lush blooms in June. Old fashioned roses and butterflies are everywhere. My garden design illustrations have been published in Rodale’s Perennial Combinations and in Fine Gardening, Horticulture, Kitchen Gardener, and in The New York Times.
JA: How did you become a designer for Tiffany?
LW: The head of the Art Students League, Rosina, called me to her office. “Tiffany called- they want a studio assistant. I want you to get this job.” I had never done commercial work, but that night I put together a portfolio and trotted down to Tiffany design studio on 5th Ave. and 57th St, the most expensive property in the world at the time and went to the 9th floor design studios. Tiffany designed jewelry for kings and queens, for the aristocracy, and the White House. They hired me. I worked with 6 or 7 designers who specialized in different areas: jewelry, china, silver, and stationary. The designers, who did brilliant botanical designs, took me under their wing. I was hired by the International Philatelic Association in New York to create a series of stamps. Using watercolors, I designed a souvenir sheet of nocturnal animals for Lesotho, a series of food crops like mangoes for the Maldives, and a World Health Organization stamp for Uganda.
JA: Tell me about your early life.
LW: I’m a New Yorker through and through. My parents were born in Brooklyn and Queens. Generations of my family had a printing business, John B. Watkins Company down on 9 Murray Street, NYC. My parents divorced; my mother remarried when I was 10. I had a lot of adversity in my life, but I always kind of landed on my feet. I feel I’ve got a powerful Angel watching out for me.
When I was a little girl, around three, my mother and I went to visit my grandmother in Brooklyn. Aunt Flossie showed me how to make a box. I was absolutely mesmerized. I must have made fifty boxes. I just thought it was an amazing piece of magic. My father was a printer brought home reams of paper so I could sketch and draw.
I was an incredibly shy kid. I literally grew up in the woods with dogs, no other kids. I still don’t know how to socialize, truly. It took all my courage to sit next to this older girl on our school bus to watch her draw the most beautiful horses I had ever seen. I was enraptured. It made such an impression to see people draw. It was like magic to create something out of nothing. I was always an optimist who felt that if I could share my love of nature that it would inspire other people to love nature, develop a reverence, and help take care of it.
JA: Now what are your plans?
LW: I want to get back to painting now. I got further and further away from my painting while running my garden business. Friends of mine who have gone on to be well-known artists wonder what happened to Leslie for twenty years. Well, I designed my Olana, like Frederic Church. Dandelion Cottage was never going to be an estate, but I knew it would be the cutest darn cottage it could. I was creating my life.
Now, I’m kind of scrambling. I must resurrect my career. I want to create a new body of work and a new audience. I can distinguish myself with watercolor. I have the credentials, the history, the background, and the ability. This September I’ll be teaching watercolor classes in the beautiful natural light in the Arcanum Building Annex in Norfolk. I’m also going to be offering some holiday paper crafting workshops, because now is the time to start getting ready for Christmas.
In part, I have modeled my life on the lives of Tasha Tudor and Beatrix Potter, who is my favorite. I combine my backyard sustainability lifestyle, my reverence for nature, with my artwork. I wanted it all to connect. I want to live an authentic life.
Lakeville Journal
MILLERTON — Anna Mae Kupferer was born May 10,1937, and died May 3, 2026. She grew up in Maplewood, New Jersey where she and her older sister, Dorothea, worked in their father’s ice cream parlor on a life-long obsession with ice cream. As a young woman, Anna Mae attended the American Academy of Dramatic Arts, receiving her Actor’s Equity card and appearing in summer stock theater productions with the likes of Eartha Kitt and Charlton Heston. In 1961 Anna Mae married Andrew Bruce Kupferer and settled down in West Orange, New Jersey to raise her family of three boys. In the mid-seventies, the family moved to Millerton, New York, an idyllic small town in the Hudson Valley. Anna Mae made friends quickly in her new community and soon found a job at the Lakeville Journal, working her way up from collating the newspaper to advertising manager. Anna Mae loved meeting the area’s business owners and helping them increase their sales. She was a straight shooter with an incredible sense of humor which she put to good use writing her weekly column in the Journal, Keep Your Sunny Side Up, poking fun at herself and her family, and the travails of country living.
For nearly fifty years, Anna Mae was a hardworking, vital force in Millerton. In 2023, she moved from her beloved saltbox house with the “tomahawk door” on Rudd Pond Road to be closer to family. While she missed her friends and neighbors -- particularly her “adopted family” the Elliotts, she was lucky to land at Hartwell Place, an assisted living home in Chicago. She once again made friends quickly becoming an integral part of their caring and compassionate community.
Anna Mae was a devoted wife, loving mother, and doting, generous grandmother.
She is survived by her sons Keith (Tara Mallen) and Kurt (Jolanta), and her granddaughter Katherine Mallen Kupferer. She is preceded in death by her husband, Bruce, and her oldest son, Christopher.
A celebration of Anna Mae’s life will be held (TBD) in Millerton, NY. In lieu of flowers, donations may be made in Anna Mae’s memory to Rivendell Theatre Ensemble (www.RivendellTheatre.org)--a professional theater she loved to attend that her son Keith and daughter-in-law Tara founded in Chicago in 1996.
Calling hours will be held on Thursday, July 9, 2026 from 5 p.m. to 7 p.m. at the Scott D. Conklin Funeral Home, 37 Park Avenue, Millerton, NY 12546. A prayer service will take place at 6:30 p.m. during visitation. To send an online condolence to the family, flowers to the service or to plant a tree in Anna Mae’s honor, please visit www.conklinfuneralhome.com.
Lakeville Journal
Aly Morrissey
The all-female cast of Swingtime Canteen prepares to wave goodbye after bringing WWII-era music and stories to the stage. The special July 4 performance is among Sharon's holiday festivities.
SHARON – Swingtime Canteen will go out with a bang after the Fourth of July, with the Sharon Playhouse’s patriotic season opener set to close Sunday, July 5. With a handful of shows remaining, the all-female cast reflected on the importance of centering women in a WWII story, their favorite moments in the production, and their go-to local haunts while staying in the Northwest Corner.
Sitting on the vibrant stage bedecked with stars, stripes and life-sized WWII-era posters, the cast took turns talking about the relevance of the show as the country prepares to celebrate its 250th anniversary.
“What’s so cool about Swingtime Canteen is the way it features women,” said Claire Marie Spencer, who plays Topeka Abotelli, the Rosie the Riveter-inspired character. “I think that the show does an incredible job of featuring the enormous shift in history that happened during WWII when, in a lot of ways, women came to the forefront in a beautiful team effort.”
The show’s fading Hollywood starlet and band leader Marian Ames, played by Margaret Dudasik, brings a group of instrument-playing women to London, providing her with a meaningful second act as a performer for American troops stationed abroad.
“It was a period of time when probably everyone you knew was serving,” Dudasik said. “A husband, a high school sweetheart, a neighbor. It really shows that you never know what someone’s going through or dealing with.”
Michelle Lemon, who returns to Sharon after years of performing and choreographing at the Playhouse, enjoys significant stage time as she jams on the saxophone, guitar, banjo and piano throughout the show. But for her, it’s a moment of collaboration with the audience – one of many – that causes her to choke up during every performance.
“We invite the audience to sing with us, and to see people sing the lyrics back…I kind of have to disassociate because it’s so beautiful.”
Spencer echoed the sentiment, saying it’s a song called “Pack Up Your Troubles” that brings her to tears each night.
“The idea of 18-year-old boys singing such a happy, upbeat song in the midst of such evil and darkness is powerful,” she said, alluding to a parallel between the song’s history and how it was performed by the women during the show amidst a dark moment.
Still, the show is chock-full of lighter moments and familiar tunes. Lauren Seery, who plays Lt. Jeannie Pielmeier and serves as an integral member of the band, enjoys the first moment when the cast breaks the fourth wall with style – and sweets.
“There’s a break in the middle of the song ‘Hollywood Canteen’ where the band gets to jam out over some really fun changes, and Lucy, Michelle and Margaret’s characters go into the audience and serve real donuts and coffee to the audience as if they were the troops,” Seery said.
The show features 30 different songs from the 1930s and 1940s in a fast-paced, upbeat production that brings audience interaction into the spotlight.
Originally hailing from six different states across the country, the cast currently resides in Manhattan or Brooklyn but has found a handful of local favorite spots during the show’s run.
The cast said they’ve gone as a group to Grassland Dessert Cafe in Lakeville for ice cream more than once. Lucy Rhoades – who shines this year as Katie Gammersflugel after her breakout Sharon Playhouse debut as Dyannne in Million Dollar Quartet last summer – said her first job in New York City was working at an Irving Farm so she stops in for coffee in Millerton often. Others have enjoyed antiquing in the area, stopping at On the Run for a breakfast sandwich, and hiking in Kent State Park and enjoying views of the 250-foot waterfall.
Tickets for Swingtime Canteen are still available at sharonplayhouse.org, including a special holiday afternoon performance at 4 p.m. on the Fourth of July.


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Aly Morrissey & Christian Murray
An extensive clean-up effort was required after a June 29 tractor-trailer crash sent beer all over Route 44. The driver, reportedly unharmed, was issued a ticket for driving too fast under the conditions.
SALISBURY – An early morning crash on Route 44 near Twin Lakes Road sent dozens, if not hundreds, of beer cases onto the road when a speeding tractor-trailer failed to make a right turn. The truck went off the road just after 5:30 a.m. on Monday, June 29, crashing into several signs and trees. The driver, whose license is registered in Illinois, was reportedly unharmed.
Officer Joshua DaSilva of Troop B responded to the scene before the road was closed for several hours to facilitate an extensive clean-up effort. Drivers were forced to seek alternate routes during the closure.
The detour was necessary, police said, so they could clear the large volume of debris and safely remove the “severely damaged truck and trailer,” which was towed to Arnold’s Garage in Canaan.
The driver, Filmon Mahari Zerae, 36, was issued a ticket for driving too fast for the conditions.
This crash remains under investigation, and police are asking witnesses to contact Trooper DaSilva #915 at (860) 626-1820.

Alec Linden
A 22.5-acre property at 60 Millerton Road in Sharon is at the center of a trust dispute over the sale of the land to Jasper Johns-related arts nonprofit Low Road Sharon Inc.
SHARON – A nonprofit established to transform painter Jasper Johns' 171-acre Sharon property into an artists' retreat upon his death is attempting to purchase a neighboring 22.5-acre farmhouse, but the proposed sale has become entangled in a family probate dispute.
Low Road Sharon Inc., a nonprofit established by the 96-year-old painter, is seeking to purchase 60 Millerton Road, a farm that borders the organization's 171-acre property approved by Sharon's Planning and Zoning Commission for the future retreat. The organization has not publicly disclosed how it intends to use the additional parcel if the purchase is completed.
Before any sale can proceed, however, the Litchfield Hills Probate Court must resolve a dispute among members of the family trust that owns the Millerton Road property. A hearing is scheduled for June 30, when Judge Jordan Richards is expected to decide whether to approve the sale and rule on objections filed by one of the trustees.
According to probate court documents, Peter Bartram has objected to a petition filed by his sisters, Carey Meltzer and Amy Bartram, seeking court approval to sell the property held by the Hillside Farm Trust. In a June 11 filing, Bartram said the proposed transaction is the second attempt to sell the property to the same buyer after an earlier effort was blocked by the court since he did not agree to the sale.
"In September 2025, the Trustees accepted an offer of $615,000 from the same buyer, Low Road Sharon Inc.," Bartram wrote in his objection to his sisters’ second attempted sale. "All beneficiaries except the Movant [Peter] signed the Beneficiary Approval. The Court denied the proposed modification on November 26, 2025.
The new petition seeks approval for essentially the same sale, with the purchase price of $650,000, an increase of $35,000 since the last attempted sale.
Neither the parties to the probate case nor Conley Rollins, who has represented Low Road Sharon in previous town applications and is the COO and CFO of the Brooklyn Museum, provided comment. Rollins also did not respond to questions about whether the proposed purchase would be connected to the artists' retreat.
The property at 60 Millerton Road includes an unoccupied 1840 white clapboard farmhouse near the Silver Lake Shores neighborhood. Together with two much smaller adjoining parcels included in the proposed sale, it has been held by the Hillside Farm Trust since 2013.
The trust was established in 2012 by Maynard and Barbara Bartram, who were both raised in the colonial home, which sits prominently at the corner of Millerton Road and Silver Lake Shore Road.
Following Maynard Bartram's death in 2021 and the death of their daughter, Sarah Noyes, in 2022, Carey Meltzer, Peter Bartram and Amy Bartram have served as the remaining trustees. Peter Bartram, however, was removed as a trustee by court order in 2024 after he removed several trees from the property to protect a barn without his siblings’ approval.
As part of the June 30 proceedings, Judge Richards is also expected to consider Bartram's request to be reinstated as a trustee.
In an April 30 court filing, Meltzer and Amy Bartram argued the property has become a financial burden for the trust and they have a right to put it on the market.
"The farm is a significant and depreciating asset that incurs ongoing carrying costs including property taxes, insurance, maintenance and utilities," they argued.
The three parcels included in the proposed sale are assessed at more than $813,000, with the main 22.5-acre parcel accounting for nearly all of that value. As of June 25, the property was listed for sale through Elyse Harney Real Estate for $795,000.
The proposed purchase has drawn interest because the Millerton Road property directly borders land already designated for Low Road Sharon's planned artists' retreat.
The retreat, approved by Sharon Planning and Zoning in 2017, encompasses approximately 171 acres spread across six parcels that stretch from Low Road to the shoreline of Mudge Pond. The approval allows up to 24 artists in residence at one time and does not permit public access to the campus. The property would be able to contain up to six housing units. Each housing unit is permitted to accommodate up to three people.
Any proposal to expand or materially alter the footprint approved in 2017 would require additional review by the Planning and Zoning Commission and a public hearing, outgoing Land Use Administrator Jamie Casey said.
Low Road Sharon has not indicated whether the Millerton Road property would become part of the retreat or serve another purpose.
Johns, who has lived in Sharon for more than three decades, is widely regarded as one of America's most influential living artists. According to the 2017 statement of proposed use submitted to the town, the residency program is intended to become "one of the leading artists' residency programs in the United States," comparable to MacDowell in New Hampshire and Yaddo in Saratoga Springs, New York.

The proposal envisioned a staff of roughly 20 to 25 people, some of whom would work at an administrative functions and event space based at a downtown Sharon office.
Construction is already underway on that downtown property, including a new building which is going up where the former Bargain Barn thrift store was located at 1 Low Road. The two-building complex, approved after months of public hearings last year, will primarily serve as the nonprofit's administrative center and include a venue designed to host occasional public cultural events that would be free to the public.
Low Road Sharon was incorporated in 2022 to establish a short-term residency program for artists across multiple disciplines. According to its 2024 tax filing, the organization reported approximately $32 million in assets. A separate philanthropic organization founded by Johns in 2004, the Low Road Foundation, reported approximately $255.5 million in assets in 2024.
The commercial district project boasts an impressive development team. Lead architecture outfit Johnston Marklee & Associates is a Los Angeles-based firm with an accomplished international portfolio of projects like the Museum of Contemporary Art Chicago, Kunstmuseum Basel, the Institute of Contemporary Arts at the University of Pennsylvania and many others.
New Haven’s Reed-Hilderbrand is the landscape architect for the Low Road development, and has designed for a wide variety of clients, including Yale University, Duke University and the Hudson Valley’s famed outdoor museum, the Storm King Art Center.
The owner’s representative Envoie Projects also manages high-profile arts facilities such as Harlem’s Apollo Theater, The Delacorte Theater in Central Park, and again, the Storm King Art Center.


Natalia Zukerman
Elyse Deublein Harney (center) celebrates with Keith Harney, Elyse Harney Morris, Paul Harney and Michael Harney after receiving an honorary doctorate from St. Joseph’s University.
On May 19, Elyse Deublein Harney returned to St. Joseph’s University in New York City, her alma mater, where she graduated in 1952. Before the crowd gathered for the university’s 107th commencement ceremony, the Salisbury resident, entrepreneur and community leader received an honorary doctorate and delivered the commencement address to the Class of 2026.
The recognition arrives at a meaningful moment for the Harney family. In February 2027, Elyse Harney Real Estate will celebrate its 40th anniversary, joining Harney & Sons Fine Teas, co-founded by Elyse and her husband, John, in 1983, as one of two enduring family businesses that have shaped both the region and the family’s legacy.
At a moment when many people are expected to reflect on their accomplishments, Harney used her commencement address to talk instead about possibility.
“God has a job for you,” she told the graduates. “Something that you alone can do.”
That line may very well be the organizing principle of a life that has included hotel management, raising five children, launching two businesses, serving on local boards, helping found the Salisbury Volunteer Ambulance Service and, somehow, still finding time to reopen conversations about preserving historic institutions.
One of the most striking parts of Harney’s address centered on beginning again.
When she and her husband were 50 years old, the partners of the White Hart Inn in Salisbury, where John was general manager for many years, decided to sell. Suddenly, the couple needed a new source of income.
John launched what would become Harney & Sons Fine Teas, and Elyse opened a real estate office across the street.
“Simple as that, I did,” she told graduates with characteristic understatement.
Of course, anyone familiar with the growth of Elyse Harney Real Estate knows there was nothing simple about it. What began as a small local office became one of the most respected real estate firms in the region, helping define the market across northwestern Connecticut, the Hudson Valley and the Berkshires.
Her commencement address wandered delightfully through subjects that rarely appear together: Nobel Prize-winning genetic research, French entrepreneurs, Catholic education, self-driving cars, German teachers and divine purpose.
At one point, Harney reflected on the women who educated her at St. Joseph’s.
“They made it very clear we could do whatever we wanted to do, if we were willing to work for it,” she said. “Being a woman was not a handicap.”
For graduates entering a world transformed by artificial intelligence, political upheaval and economic uncertainty, Harney offered neither nostalgia nor easy reassurance.
“AI is here,” she said. “We have to learn to use it and to control it.”
After discussing technology, entrepreneurship and faith, Harney turned to the subject of consciousness. Quoting author Michael Pollan, she shared the final lines from his new book, “A World Appears: A Journey Into Consciousness,” that she said had stayed with her:
“Consciousness is a miracle, truly. It is the most mysterious of things, and yet it can be put in one short sentence: I open my eyes and I see the world.”
Then she offered her final message to the graduates.
“Open your eyes and see the world.”
At 95, Elyse Harney is still opening her eyes and seeing the world. Thankfully, she’s still telling the rest of us what she finds there.

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