
This tree broke bud early last week, putting it, and any other blooming ornamental or fruit trees, at risk of damage if temperatures dip below freezing.
Debra A. Aleksinas
This tree broke bud early last week, putting it, and any other blooming ornamental or fruit trees, at risk of damage if temperatures dip below freezing.
For many, a mild winter and early spring are reasons to rejoice.
Not so much to environmentalists, health officials, and municipalities, who said temperatures in February and March that are more akin to May, combined with fierce and frequent rain in place of snowfall, are sources of concern.
It’s not just the Northwest Corner that is experiencing a shifting climate. On Friday, March 8, the National Oceanic and Atmospheric Administration (NOAA) confirmed that the winter of 2023-2024 was the warmest in nearly 30 years of record keeping.
According to the NOAA, the lower 48 states averaged 37.6 degrees Fahrenheit, which is 5.4 degrees above average.
The root of the issue is tied to the effect climate has on the weather, said Tom Worthley, associate extension professor at the UConn Cooperative Extension Service and the University of Connecticut Department of Natural Resources and the Environment.
“For example, when you boil a pot of water,” he explained, “it doesn’t warm evenly, it becomes turbulent, and that’s kind of what we’re seeing with the weather.”
Worse potholes and infrastructure damage
Downsides to a nonwinter include early emergence of bears and other mammals from their cozy dens at a time when food is scarce; a premature budding of trees and native plants; longer season of ticks, fleas and mosquitoes; and extended mold and allergy seasons for people with asthma and other respiratory illnesses. Bird migration is also affected when seasons don’t line up.
An early spring also hurts the local economy by hampering winter sports and damaging infrastructure as towns grapple with the expense of repairing gaping potholes caused by freeze/thaw cycles and damage to washed-out roads and bridges from intense downpours.
Cornwall First Selectman Gordon Ridgway, who also operates an organic farm in town, noted that “there is a price to pay” for winter warming.
While town road crews have used fewer resources to treat roads this winter, that cost savings has been offset by more than $500,000 in damaged infrastructure, including a washed-out dirt road last July, flood damage to a retaining wall in West Cornwall and a recent landslide.
“That projected $500,000 is huge” and is a major hit to the town’s budget, said Ridgway, who noted that the loss is not covered by insurance.
“I’ve been the first selectman for 34 years, and this is the first time the town had to pay for the damages. We always got FEMA reimbursement and so the towns are on the hook for a lot of these repairs,” as the government’s focus shifts to major disasters.
“As a result,” said Ridgway, we’re looking at a significant tax increase to help replenish our reserve.”
Waking up too early
Black bears have emerged prematurely from hibernation, prompting discussion during an early March meeting of the North Canaan Board of Selectmen’s meeting.
Worthley confirmed that a sudden winter warmup is summoning hungry bears from their dens. Since it is too early for the large mammals to find an abundance of native plants and nuts for foraging, “they are going to be looking elsewhere for food, and that might be in the garbage can or bird feeder.”
Amphibians, too, are vulnerable to sudden cold. Frogs and salamanders, for example, begin to breed at the first sign of spring, so they, too, may emerge prematurely, only to be threatened by a hard freeze.
But by far the most unusual sight Worthley has experienced in his 40 years of working in the woods is the amount of movement of organic material underfoot.
“No matter how much rain the forest floor will absorb, I’ve never seen the leaves move across the surface, and that’s unusual,” said the environmentalist. “It could be due to the presence of earthworms where they don’t belong, and the intensity of precipitation.”
Also of concern is that an early, wet spring could extend the seasons for some pests, like ticks and mosquitoes. On the bright side, a rainy spring could keep destructive spongy moth caterpillars at bay.
Bears emerging prematurely from hibernation have limited foraging options, so they are on the hunt for trash cans and bird feeders.Debra A. Aleksinas
Timing can work against birds
Early blossoming in plants and trees can throw off the schedule of available insect food for birds. To understand why it matters, said Eileen Fielding, director of Sharon Audubon, consider neotropical migrant birds like scarlet tanagers, wood thrushes or many of the warbler species.
“These are birds that winter in Central or South America or the Caribbean and come north to breed. Migrating is hugely expensive in calories, and risky, but it’s worth the trip,” said Fielding. “We may think of the tropics as buggy, but the northern latitudes provide an enormous flush of insect life every spring and summer when our trees leaf out and provide a feast for millions of fat, nourishing caterpillars and other insects.”
It’s perfect for raising young birds quickly, Fielding explained: “Each pair of breeding birds has to feed thousands of insects to their nestlings.”
Now imagine a warm spell causing trees to bud earlier than usual. In that case, she said, the insects may not synchronize with leaf-out, so there might be fewer insects. Or perhaps the birds arrive after the insects have peaked.
“There are a lot of variations on how the timing can work against birds.”
The impact isn’t all from earlier spring times. Other factors can affect insect availability or bird survival, Fielding noted.
For example, a scarlet tanager might be kept from foraging in the treetops for several days by heavy rain, long enough to threaten the survival of its young.
A winter wren, which prefers moist, shady places in the woods, might find that an intense period of drought dries up its habitat and makes its insect prey scarce, so it can no longer successfully raise broods where it used to.
Fielding fears that many birds could lose some or all of their Connecticut habitat.
Allergens, mold a growing concern
When trees, grasses and plants produce pollen prematurely, it extends the annual allergy season, according to Dr. J. Keith Joseph of Sharon Primary Care.
Exposure to pollen can trigger symptoms of sneezing, runny nose, itchy and watery eyes, headache and congestion.
“This is especially harmful for those with asthma and other respiratory issues like COPD. Pollen exposure can cause exacerbations of respiratory conditions in individuals who have an allergic reaction to pollen,” he explained.
As a result, said Joseph, increased discomfort can greatly impact emotional well-being, social life and daily activities. Individuals who enjoy outdoor activities such as hiking, walking, running or bike riding may have to limit their time outside to avoid exposure to allergens:
“This can make them feel frustrated and isolated, and lack of sleep due to congestion or itchy eyes can make individuals feel tired and irritable.”
Joseph suggested those affected keep windows closed if pollen levels are high, wash hands and change clothing after being outdoors, avoid touching their eyes, and seek a referral to an allergist for identification of triggers and targeted therapy.
Recent downpours have also caused flooding to homes and businesses, which often leads to the growth of harmful mold if left untreated.
“Mild winters can increase moisture in and around your home, which can stimulate mold growth and in turn can trigger allergic reactions.”
According to the U.S. Environmental Protection Agency (EPA), in the coming decades, “changing climate is likely to increase flooding, harm ecosystems, disrupt farming and increase some risks to human health.”
In the meantime, noted Worthley, “we are living in a giant experiment, if you will.”
Joy Brown installing work for her show at the Tremaine Art Gallery at Hotchkiss.
This year, The Hotchkiss School is marking 50 years of co-education with a series of special events, including an exhibition by renowned sculptor Joy Brown. “The Art of Joy Brown,” opening Saturday, Feb. 22, in the Tremaine Art Gallery, offers a rare retrospective of Brown’s work, spanning five decades from her early pottery to her large-scale bronze sculptures.
“It’s an honor to show my work in celebration of fifty years of women at Hotchkiss,” Brown shared. “This exhibition traces my journey—from my roots in pottery to the figures and murals that have evolved over time.”
Co-curated by Christine Owen, Hotchkiss ceramics instructor, and Joan Baldwin, curator of special collections, the scale and scope of the exhibition was inspired by a recent Ed Ruscha retrospective in Los Angeles. “I thought it would be incredible to showcase all these different aspects of Joy’s work,” said Owen, who has known Brown for over 30 years.
Brown’s father, a Presbyterian missionary and medical doctor, opened a hospital in Japan where Brown grew up and cultivated her love of clay. Her first apprenticeship was in Tomba, a region in Hyogo Prefecture known for its ancient pottery kilns and Tambayaki pottery. “There are thousands of years of continuous history of clay there and I was working with a 13th generation potter.” Brown recalled that as part of her early training, her teacher handed her a sake cup and said, “make these.” With no extra instruction given, Brown proceeded to make thousands of copies of the cup. Never fired, she realized that the pieces were an exercise. She explained, “You’re not really making something, you’re participating in a process that these things emerge from.” From there, she embarked on an apprenticeship with master potter Shigeyoshi Morioka. As part of the process she learned from Morioka, Brown has built a 30-foot-long wood-firing tunnel kiln on her property in Kent, Connecticut, where she fires her work once a year in an intensive month-long process. The fire’s natural interaction with the clay creates unique earth tones and ash patterns, highlighting the raw beauty of the material.
Natalia Zukerman
“I learned not just pottery but a whole way of life,” she recalled. “The work is a continuous process—like practicing a signature until it evolves into something uniquely yours.” Her figures, initially emerging as playful puppets, have since evolved into large-scale sculptures now found in public spaces from Shanghai to Broadway to Hotchkiss’s own campus.
Brown’s seven-foot “Sitter with Head in Hands” was installed near Ford Food Court in October, followed by “Recliner with Head in Hands” near Hotchkiss’s Main Building in November. She welcomes interaction with her sculptures, encouraging visitors to touch them and even dress them with scarves or hats. “These figures transcend gender, age, and culture,” Brown noted. “They’re kind of like when you’re 4 years old and you didn’t know or care what you were, you know? All of us meet in that field and I think people resonate with that.”
In conjunction with the exhibition, Hotchkiss will host a screening of “The Art of Joy Brown,” a documentary by Eduardo Montes-Bradley, followed by a panel discussion with the artist and filmmaker on March 6 in Walker Auditorium. Brown will also serve as an artist-in-residence, collaborating with students on special projects.
On being part of the celebration of women at Hotchkiss Brown said, “Fifty years ago, I was deep in the mountains of Japan, immersed in clay.” With a soft spoken and almost childlike quality, Brown spoke about and interacted with her pieces with curiosity, reverence and wonder.
“The practice of working with clay for all these years is grounding and centering for me. It challenges me,” she said. “The work forces me to put myself out there. It’s not just the making of the pieces that make me more whole, the pieces themselves become more present.”
Brown reflected on the retrospective nature of the show and shared that putting it together has been like looking at a family album. “It’s kind of like I’m seeing my whole life in front of me,” she said. “It’s humbling and makes me think about why I do what I do. It comes back to the idea of those thousands of sake cups, you know? We’re just here, being as present as we can be. We’re not making things, we’re participating in a process of being more present, and all that spirit is reflected in the work.”
“The Art of Joy Brown” opens Saturday, Feb. 22, and runs through April 6. For more information, visit www.hotchkiss.org.
This story has been updated to reflect a change in the scheduled opening date due to forecast extreme weather conditions.
A special screening of “The Brutalist” was held on Feb. 2 at the Triplex Cinema in Great Barrington. Elihu Rubin, a Henry Hart Rice Associate Professor of Architecture and Urban Studies at Yale, led discussions both before and after the film.
“The Brutalist” stars Adrien Brody as fictional character, architect Laszlo Toth, a Hungarian-born Jewish architect. Toth trained at the Bauhaus and was interred at the concentration camp Buchenwald during World War II. The film tells of his struggle as an immigrant to gain back his standing and respect as an architect. Brody was winner of the Best Actor Golden Globe, while Bradley Corbet, director of the film, won best director and the film took home the Golden Globe for Best Film Drama. They have been nominated again for Academy Awards.
Laszlo Toth goes to work in his cousin’s furniture store when he arrives in New York, living in the storeroom and helping his cousin build up the business. When his cousin’s wife falsely accuses him of making a pass at her, he ends up living in a homeless shelter.
A would-be patron tracks him down, finds him working construction—the only job he can get—and asks, “Tell me, why is an accomplished foreign architect shoveling coal here in Philadelphia?”
Eventually, Toth gains a commission but faces prejudice as a foreigner and Jew, even though he and his wife, who he reunites with after she’d been in the concentration camp, Dachau, are both highly educated—she is an Oxford graduate and an established writer in their home country of Hungary.
Rubin began his discussion before the screening by saying, “I am thrilled this film has brought architecture to the forefront. There is something so fascinating and robust about the space Brutalist architecture creates.”
Brutalism is known for using “raw materials,” such as brick and concrete in ways that leave them visible. Rubin said that concrete is “incredibly expressive. It comes to the building site as mud and becomes what it is poured out as.”
“At first,” said Rubin, “optimism was associated with Brutalism.”
Brutalism came to the forefront of architecture in the 1950’s when it was used to reconstruct housing in the United Kingdom after WWII.
Some prime examples of Brutalist architecture include Boston City Hall, Rudolph Hall at Yale University, and the Temple Street Parking Garage in New Haven.
Rubin commented, “Brutalist architecture became the de-facto language of government and institutional architecture.”
Rubin said Brutalism began to fall out of favor in the 1970’s when it began to be associated with urban decay and totalitarian governments, who used it extensively.
Rubin asked the audience to consider two questions as they watched the film: “Why is the main character an architect… what does it bring to the emotional core?” and, “Who or what is the Brutalist in the film?”
After the screening, Rubin commentedtha Brutalist architecture is about “Getting an object to, ultimately, stand by itself.” Rubin explained that Brutalism “Throws off shadows of the past. No extraneous detail is left.” Audience members discussed how this could also be true of the character of Laszlo.
Rubin explained that architects face the challenge of “how to express themselves through someone else’s commission.” Discussion involved how Laszlo finds a way to achieve this.
The audience agreed that the film brought up some timely issues about immigration, class awareness, and acceptance, while asking them to consider how Brutalism applies to these subjects. The movie is at times, as rawly constructed as a brutalist building.
Breece Meadow
Chances are you know or have heard of Jeb Breece.He is one of a handful of the Northwest Corner’s “new guard”—young, talented and interesting people with can-do spirit — whose creative output makes life here even nicer than it already is.
Breece’s outward low-key nature belies his achievements which would appear ambitious even for a person without a full-time job and a family.The third season of his “Bad Grass” speaker series is designed with the dual purpose of reviving us from winter doldrums and illuminating us on a topic of contemporary gardening — by which I mean gardening that does not sacrifice the environment for the sake of beauty nor vice versa. There are two upcoming talks taking place at the White Hart:Feb. 20 featuring Richard Hayden from New York City’s High Line and March 6 where Christopher Koppel will riff on nativars. You won’t want to miss either.
An investment manager by trade, Breece and his wife Sabina rented a weekend house in Kent in 2011 just after they had their first child.Soon after he began to volunteer at a nearby farm and then started to cultivate a small cutting flower bed.Breece’s insight — that it is a rare farmer who is great at both growing and selling — led him in 2020 to aggregate demand and supply for cutting flowers by creating a monthly flower market at Kent Barns in collaboration with RT Facts. Coinciding with Covid, the outdoor market became, in many ways, a respite during a challenging time.
Covid provoked Breece and Sabina to move full time to Salisbury.Soon after, he met Page Dickey who had just published her book “Uprooted.” Had it not been for this book and his friendship with Dickey, Breece admits that his front yard would have been landscaped with a version of boxwood and liatris and the existing grass lawn would have been maintained at great expense.Dickey introduced him to organic landscaper Mike Nadeau and a meadow was born.
Meadows.I have written quite a bit about them in this column, in part because a meadow can be a wholesale solution to the lawn issue.It is by no means the only solution but, for a large expanse, it can be extraordinary to behold.The creation of a biodiverse native habitat where there was only a version of grass and weed is a sensation-filled wonder, but it does take a while to achieve this graceful state unless you have the wisdom of Nadeau — and his machinery — behind you.Now going into its fourth year, the Breece meadow has evolved as new native perennials and grasses show up.“It is beautiful to look at from the house but is best experienced from its interior where you can see, hear and feel the life around you.”
While his world view on gardening has changed, Breece doesn’t think of himself as an advocate of native habitats.But he is.The proceeds from Bad Grass this year will go to its 2025 partner project, Steep Rock Preserve’s “Holiday House” project to transform the space into a “ruin garden,” preserving its historical significance while enhancing its natural beauty and restoring native vegetation.
The spongy moth infestation of 2021 and 2022 feels both a long time ago and like yesterday.Walking in the woods, as I did this morning, the effects of spongy moth are more visible than they were last year; the winter winds have blown off the dead limbs from trees that succumbed to the voracious moths’ leaf-eating appetites.On our property we were able to save many trees using BtK and trunk wraps.But most of the truly glorious giant oaks – some well over 70 feet tall and almost as wide - succumbed.Now, several years later, these limbs are taking down smaller trees as they fall to the ground.There is not much to do about it right now unless you can safely relocate a fallen branch that has landed on and distorted an otherwise living tree. Events like this are a reminder of how many young tree recruits we need to ensure the viability of a woodland. This spring there will be quite a bit more light reaching the woodland floor as a result of the dead trees. The open canopy means an opportunity for growth.It is up to us to decide what will grow in these spaces as, without our intervention, they will be overgrown with invasives, prohibiting native trees from growing and destroying a previously viable habitat.Look for these spaces and pull out the invasives as they grow in.For more on the topic go to www.theungardener.com/articles/the-over-under-a-bet-on-the-future-of-the-woods
Dee Salomon ‘ungardens’ in Litchfield County.